Last week's Pacific Northwest Booksellers Association show, at the Holiday Inn in Portland, Ore., was, in the words of one attendee, "The best PNBA I've been to. Well organized, lots of books, the food was hot, the authors were amazing! And there is nothing better than celebrating the fact we made it back one more time!" All around, a very good show, and comments often centered on community and staying power.
We were struck by how much we, the booksellers that are part of the PNBA, mean to one another. It's always great to see old friends, meet new ones, get caught up and revel in the fact that we are still doing what we love to do. We may only see each other once a year, but we have stories that tie us together through decades.
Dinner with Ivan Doig (Sweet Thunder, Riverhead, August), Jane Kirkpatrick (Emma of Aurora, WaterBrook Press, November) and Barry Lopez (Home Ground, Trinity University Press, August) was such a wonderful, warm event--eating together in a warm, well-lighted room, hearing authors talk about the books they've written about the people and landscape we love and hold dear. As author Brian Doyle said, we leave the fire, holding hands, to go into the dark, giving it the finger. PNBA is the fire we gather around in early fall. We tell stories about our stores and how we made it through the year; we find sidelines and books we want; we share ideas and learn new things and, after all these years, we still look the same! (Or is it the lighting?)
The mood at PNBA was upbeat and optimistic. People agreed, whether hopefully or confidently, that the e-book phenomenon has plateaued and real books are once again on the rise. There was a lot of talk about the "tactile sense" of a book, and how we're hearing that from customers more and more. And along with community, the trade shows are always about the books.
At Monday's breakfast, Elizabeth George talked about the impetus for her new mystery, Just One Evil Act (Dutton, October): the Italian justice system, in which she became interested after reading The Monster of Florence and stories about Amanda Knox. Nicola Griffith entranced the audience with her fascination with St. Hilda of Whitby and her 15 years of research for Hild (Farrar, Straus & Giroux, November), the first volume in a trilogy. Griffith said she wrote the book to find out what life was like 1,400 years ago; after her talk, we wanted to find out, too. Cynthia Voigt, whose latest children's book is Mister Max: The Book of Lost Things (Knopf, September), noted that writing a mystery was a challenge for her, since she claims she is "plot-impaired." She read some of Alexander McCall Smith's Ladies Detective Agency series as mystery primers. Finally, Brian Sanderson, as bracing as a Cuban coffee, told us that his inspiration for Steelheart (Delacorte, September) came to him when he was cut off in traffic, fantasizing about having superpowers. He also recalled the book that got him to start reading in the eighth grade--Dragonsbane by Barbara Hambly--and said that he wants to write novels that target reluctant readers like he was.
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Authors Willy Vlautin and Peter Brown Hoffmeister with their bags full of their fellow Feast of Authors guests' books. |
The importance of stories was the theme of the Tuesday breakfast, led by Loren Long's reminiscences of his mother reading Golden Books and The Little Engine that Could to him. As an illustrator, Long (An Otis Christmas, Philomel, October) drew updated pictures for Watty Piper's classic, making the clown "less of a grown up." "Who done it?" asked thriller writer Jeffery Deaver (The October List, Grand Central, September). "You, the librarians and booksellers, are the ones promoting books and stories," he answered. Storytelling under the pressure of NaNoWriMo (National Novel writing Month, in November), Marissa Meyer placed third in a most-words-written contest, trying to win a walk-on in a Star Wars movie. She didn't win, but she is launching book two in her Lunar series, Scarlet (Square Fish, February 2014). Brian Doyle (The Plover, Thomas Dunne, April 2014) illustrated his theme that "we're story junkies, story addled" by sharing tales of his Queens Irish Catholic family. "Stories were our food... and you are in the daring and powerful story-sharing business."
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Sunday's wine and dessert Nightcapper drew about 200 booksellers. |
Wandering around the exhibits is always fun, especially when a gem pops out, like Monument Road by Charlie Quimby (Torrey House, November), a a superb novel about a man who is fulfilling a promise he made to his wife by taking her ashes to her favorite overlook to spread them to the wind. He has decided to step off the cliff with her. Valerie Ryan of Oregon's Cannon Beach Book Company, said, "Think of the cadence and irresistible story of Juliet in August or Benediction or Peace Like a River. Yes, it's that good."
A different abecedarian approach is found in Alphablock by Christopher Franceschelli, illustrated by Peskimo (Abrams, August)--a board book where each letter gets two pages and the letters are die-cut, so you can see through them. It's cheery and well-designed; good graphics and text.
A beauty that will have you turning pages and then starting all over and looking closely at every single picture is George Hurrell's Hollywood: Glamour Portraits from 1925 to 1992 (Running Press, November). Hurrell was the first photographer to make stars look like stars; his genius for lighting and posing the subject perfectly turned photography up several notches.
The Crimson Spoon: Plating Regional Cuisine on the Palouse by Jamie Callison (Washington State University Press, October 7, 2013) focuses on the Palouse region of the Pacific Northwest, which is a chef's playground: a creamery, an apiary, organic farms, fruit orchards and a cattle herd are all located just minutes from Chef Callison's campus kitchen--and he's in one of the best wine regions in the world. Luscious recipes and photographs make this a good bet for foodies.
Running Press is cornering the market on clever drink books with What the F*@# Should I Drink? by Zach Golden and Tequila Mockingbird by Tim Federle. Golden's book will appeal to anyone wanting a drink (perfect for a trade show) and anyone who remembers the Choose Your Own Adventure books. Pick a drink. Don't like it? Go to page 51 for an alternate choice. Federle concocts cocktails with punny names like "Gin Eyre" and "Are You There God? It's Me, Margarita." His book is charmingly illustrated by Lauren Mortimer.
Barron's Educational has followed their gorgeous books about horses and dogs with (at last) The Elegance of the Cat by Tamsin Pickeral, with photographs by Astrid Harrisson. What a great gig those two women have, but what next? We are hoping chickens.
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River Run Books' Betty Morris submits her BuzzBooks ballot.
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Topping off the abundance of good books is the winner of the PNBA BuzzBooks contest: more than 150 booksellers and librarians visited publishers on the trade show floor to listen to pitches for some of their most anticipated titles. Members then voted for the book they felt generated the most buzz to share with their customers and patrons. The winner was Bainbridge Island author Carol Cassella's Gemini (Simon & Schuster, March 2014), a medical mystery about a critically injured patient known only as Jane Doe, and a story about love, life and death, and family. --Marilyn Dahl, editor, Shelf Awareness for Readers; Rene Kirkpatrick, co-owner, Eagle Harbor Book Company, Bainbridge Island, Wash.; Cheryl Krocker McKeon, bookseller, Book Passage, San Francisco; Valerie Ryan, Cannon Beach Book Company, Ore.; Janis Segress, manager and co-owner, Queen Anne Book Company, Seattle