Sometimes the titles that excite booksellers the most are authors' follow-ups and/or new directions, titles that will draw a larger audience.
David Mitchell's latest novel, The Bone Clocks (Random House, Sept.), has been described as his most Cloud Atlas-like work since that book was published 10 years ago. Jenn Northington at Word Bookstores in Brooklyn and Jersey City loved it. "Quite frankly, I'm having trouble reading anything else afterward," she said. In Northern California, Sheryl Cotleur from Copperfield's--another Mitchell fan--called the 640-page book "epic. It opens in 1984, goes through 2040 and touches on every major cultural issue." The Bone Clocks is about a secret war between a cult of soul-decanters and the small group of vigilantes who try to take them down. Michele Filgate at Community Bookstore in Brooklyn said reading it made her think of "Nick Harkaway, Neil Gaiman and David Mitchell" all rolled into one. "It's a read you shouldn't miss," said Annie Philbrick at Bank Square Books in Mystic, Conn., who added that although some characters from Cloud Atlas appear in the book, not having read the previous book did not stop her from being enthralled by Mitchell's latest. "I couldn't stop thinking of the ending." she said.
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Known best for The Crimson Petal and the White and Under the Skin (recent film adaptation with Scarlett Johansson), Michel Faber's new novel, The Book of Strange New Things (Hogarth, Oct.), was 10 years in the making. It's about a missionary who travels to another planet with his Bible--a "book of strange new things" to the natives there--leaving his wife behind on Earth as it is about to face multiple disasters. "It had shades of The Sparrow, which is one of my favorite books," said Cathy Langer from the Tattered Cover in Denver.
Station Eleven by Emily St. John Mandel (Knopf, Sept.) is also set in a dystopian future, where a traveling Shakespeare troupe roams the wasteland. A darling of the independent booksellers for her first three novels published by Unbridled Books, Filgate thinks this might be Mandel's "breakout book."
Even before she won the Pulitzer Prize for Gilead, Marilynne Robinson was at the top of the indie bookseller author pantheon. In Lila (Farrar, Straus & Giroux, Oct.), Robinson returns to the fictional town of Gilead for a story about an abandoned girl raised by a drifter who marries a local minister amid much controversy. "Marilynne Robinson's writing is just so unbelievable--how well she crafts sentences," Philbrick said.
Also on Philbrick's radar is Chris Bohjalian's Close Your Eyes, Hold Hands (Doubleday, July), told in the voice of a teen who becomes homeless when her parents are killed in a cataclysmic nuclear power plant accident caused by her father's drunkenness.
The title borrows the phrase used to usher out children during the Sandy Hook Elementary School shooting. Philbrick said the "emotionally haunting" Close Your Eyes, Hold Hands is "one of Bohjalian's best."
At Politics and Prose in Washington D.C., Mark LaFramboise declared Richard Flanagan's The Narrow Road to the Deep North (Knopf, Aug.) to be his favorite read of the season so far. Flanagan (Gould's Book of Fish) lives in Tasmania, a setting that figures into the background of the character in his new book, a surgeon celebrated as a hero for his command of POWs in the savage Japanese Thai-Burma Death Railway labor camp in 1943. "The story itself is riveting enough," said LaFramboise. But, he added, Flanagan's style of framing the story back and forth in time and perspective enriches this book, both brutal and beautiful. "I'm hoping that this is the one that really gets him the audience he deserves," said LaFramboise.
Sarah Waters's new novel is The Paying Guests (Riverhead, Sept.); it's set in post-WWI London, where a young woman and her mother take in lodgers. The daughter is a Sapphic suffragette, explained Langer; "a couple moves in and you know things are going to get ugly, but you don't know where they are going to go." It's been five years since Waters, known for The Little Stranger and Fingersmith, released a new book.
Laila Lalami's previous award-winning novels--Secret Son and Hope and Other Dangerous Pursuits, both published by Algonquin--put her first book with Pantheon, The Moor's Account, at the top of the list of anticipated fall releases for Paul Yamazaki at City Lights in San Francisco.
Lalami, now at the University of California at Riverside, was born in Morocco. The Moor's Account is the imagined memoir of a 16th-century Moroccan slave that paints an illuminating picture of exploration in the New World.
With a more contemporary setting, Tigerman by Nick Harkaway (Knopf, July) is about a British army sergeant exhausted by tours in Afghanistan who takes what he thinks is a ceremonial post on the island of Mancreu. There, the sergeant meets a street kid obsessed with comics and for whom he might actually become a hero as he combats the escalating violence around them. While Angelmaker was Harkaway's spy novel about a son looking up to his father, the tagline claims Tigerman is a superhero book about a father figure looking after his son. "It's a real step forward for his writing and style," said Northington. "Everyone should find a galley of it."
Caitlin Moran--called by author Peggy Orenstein "so fabulous, so funny, so freshly feminist" for her nonfiction How to Be a Woman--ventures into fiction with How to Build a Girl (Harper, Sept.) "Imagine The Bell Jar written by Rizzo from Grease," Filgate read from the galley. "That sells it for me."
Yamazaki's interest in The Silent History (FSG, paperback original, June) was sparked by editor Sean McDonald. The novel began as an iPhone/iPad collective writing experiment by former McSweeney's editor Eli Horowitz with coauthors Matthew Derby and Kevin Moffett. Told through the brief reports from teachers, doctors, parents, profiteers and others, The Silent History is a literary thriller about a mysterious epidemic that renders children unable to comprehend language but gives them new communication skills. --Bridget Kinsella
Our coverage of BEA Buzz Books continues throughout the week; Part 1 is here.