Scanning the lists for BEA, several booksellers noted an uptick in hot books for middle-grade readers, a group that sometimes gets overshadowed by the media-darling young adult category.
At McNally Jackson in New York City, Cristin Stickles named Greenglass House by Kate Milford, illustrated by Jamie Zollars, her favorite middle-grade novel of the year. In it, the adopted son of an innkeeper thinks he is going to have a quiet winter when strange guests with mysterious ties to Greenglass House keep showing up. "The opening reminded me so much of [Ellen Raskin's] The Westing Game, which was a huge staff favorite," Stickles said.
Newbery Honor winner Jennifer Holm's The Fourteenth Goldfish (Random House, Aug.) was at the top of Robert McDonald's middle-grade list at The Book Stall at Chestnut Court in Winnetka, Ill. Eleven-year-old Ellie is taken by surprise when her cranky scientist grandfather discovers a way to make himself younger and suddenly becomes part of her world; he then needs her scientific help to get back to his own age. McDonald said this comical story illuminates as much about ageism as it entertains.
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Summer Laurie at Books Inc. in San Francisco will be giving The Glass Sentence (Viking, June), a debut novel by S.E. Grove, to middle-grade readers who really want to dive into a story. "It's pretty weighty [500 pages] for a first one, but I think it's got the chops," Laurie said. The first volume in the Mapmakers trilogy is set on a alternate Earth where the Great Disruption of 1799 has shifted time and geography. When her uncle disappears, 13-year-old Sophia embarks on a journey to find him and recover her parents trapped in another time. Laurie said Phillip Pullman readers will love this combination of magic and science.
Another middle-grade novel on Laurie's radar is Cartwheeling in Thunderstorms by Katherine Rundell (S&S, Aug.), the author of Rooftoppers. The Zimbabwe-born, English-educated Rundell writes in Cartwheeling in Thunderstorms about a girl raised on a Zimbabwe farm--who has never cut her hair or worn shoes--who is sent to an English boarding school. "There's something about her writing that is a little raw and a little different," said Laurie.
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Suzanna Hermans at Oblong Books in Rhinebeck, N.Y., recommends the second novel by Eric Kahn Gale, The Zoo at the Edge of the World (Balzer + Bray, Aug.)--a "fun, fantastical adventure story." And speaking of zoos, Hermans also likes a "delightful" first book in a new graphic series, The Stratford Zoo Midnight Revue Presents Macbeth by Ian Lendler, illustrated by Zack Giallongo (First Second, Sept.). When the zoo closes, the animals take to the stage. "It's hilarious, wonderful and a great introduction to Shakespeare," Hermans said. In the second book, the animals enact Romeo and Juliet.
Hermans also praised Holly Black's The Darkest Part of the Forest (Little, Brown, Jan.) even though she is not a big fan of fairy stories. "If Holly Black writes it, I'll read it," she said. "It's a mesmerizing, modern fairy story."
The first book in a new steampunk trilogy by Alan Gratz, The League of Seven (Starscape, Aug.), began as a list by the author of all the things his 10-year-old character would think are cool in 1870s America--from airships to secret societies and robots. "He's a great writer for engaging reluctant readers," said McDonald at The Book Stall. On the funny side, McDonald anticipates The Return to Planet Tad (HarperCollins, Sept.), the second book by Tim Carvell, head writer on The Daily Show.
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In nonfiction, Cece Bell is getting a lot of buzz for El Deafo (Amulet, Sept.), her graphic memoir about losing her hearing and how she coped with the trials of wearing a "Phonic Ear" device--by becoming "El Deafo, Listener for All." For older middle grade and teen readers, Hermans recommended Breaking Free: True Stories of Girls Who Escaped Modern Slavery by Abby Sher (Barron's, June). "I like to see Barron's branching out to older readers," Hermans added. Moving into young adult titles, Hermans said she is happy to see a slight increase in narrative nonfiction like Positive by Paige Rawl (HarperCollins, Aug.), the memoir of a 19-year-old college student who was bullied in high school for being born with HIV.
When it comes to YA fiction, once again Algonquin is getting high marks for all of its new titles from its relatively new Young Readers imprint. McDonald particularly loved Jackaby by William Ritter (Sept.), a debut that features a spirited female Watson-like narrator who works with a gifted Holmes-like investigator of the supernatural. "It's hard to believe it wasn't written in the 1870s," said McDonald; he pointed out that Jackaby also has some Harry Potter-esque qualities.
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Even before HarperCollins acquired Harlequin, booksellers noticed that books in its teen line were certainly not the tame Harlequin romances of yore. "They are doing a really good job of finding good writers," said McDonald, especially in realistic YA fiction, a la John Green. In Let's Get Lost by Adi Alsaid (July) four teens encounter the same girl, on a road trip to Alaska; she helps change their lives. Another Harlequin Teen stand-out for Laurie at Books Inc. is Lies We Tell Ourselves by Robin Talley (Sept.). Set in Virginia in 1959, it's told in the alternating points of view of a white girl whose newspaperman father is vehemently opposed to school integration and a black girl who is facing prejudice head-on. "When I first read the premise I thought, you are going to throw sexuality in with race relations? But strangely, it works," Laurie said. "And the two voices are just so fresh."
Several booksellers named I'll Give You the Sun (Dial, Sept.) by Jandy Nelson as a hot buzz book. It's been a while since Nelson's debut book, The Sky Is Everywhere, and this one is told from the alternating points of view of twins--a boy who knows he is gay and loves to paint and his daredevil sister, who is drawn to sculpture--and how secrets and betrayal come between them. "I think it's an award winner," said Kathleen Caldwell from a Great Good Place for Books in Oakland.
Caldwell and Stickles are both fans of Isla and the Happily Ever After (Dutton, Aug.) by former bookseller and librarian Stephanie Perkins, a romantic novel set in New York and Paris. "It's been such a long wait for this one," said Stickles, "And I haven't minded at all because Stephanie is so amazing." Stickles also liked Meg Wolitzer's venture in YA, Belzhar (Penguin, Sept.), which she called "stunning."
Many are anxious to see if Chris Weitz (known for directing films About a Boy and The Golden Compass) will successfully make the transition to author with his debut YA novel, The Young World (Little, Brown, July), a dystopian tale in which a mysterious illness has wiped out the adults, and the young rule.
Little Pickle Press has launched a new YA imprint called Relish Media, which will publish its first novel next year. Breath to Breath, by graphic novelist Craig Lew, is based on the inspirational true story of William Lewis, a sexually and emotionally abused San Francisco youth who became a healer.
And Candlewick has rounded up some of the hottest YA writers around (including Chris Barton, Ellen Hopkins and A.S. King) for a collection of interconnected pieces: One Death, Nine Stories (Aug.), edited by Marc Aronson and Charles R. Smith. At the other end of the spectrum, for the youngest, Candlewick is publishing Quest, Aaron Becker's second wordless picture book, proving that sometimes no words can create the loudest buzz. --Bridget Kinsella
This is the final installment of our #BEA14 buzz books; check out Part 1: Debut Fiction, Part 2: Fiction Follow-ups and Part 3: Nonfiction & Indie Press Gems.