As Orlando reels from tragedy, the tropical Florida city also reflected hope and progress, strength and solidarity, with 16,597 librarians, publishers, educators and other book professionals attending the American Library Association (ALA)'s annual conference (#alaac16) June 23-28.
Children's and teen book authors and illustrators also came from around the world to join in the celebration of literacy, technology, education, diversity and a palpable love of books. Despite Orlando's Disneyesque trappings and candy-fueled hordes of Mickey Mouse-eared children, the conference felt like the opposite of an escape from reality; it was openhearted and honest, serious and joyful. Attendees were as likely to be raving about Jason Reynolds's middle-grade novel As Brave As You--or the prospect of tasting butterbeer at Harry Potter theme parks (It's "a little bit like less-sickly butterscotch," J.K. Rowling once said)--as they were to be shaking their heads at the "Brexit" news or discussing Orlando's recent shootings. (By the way, don't miss Christopher Myers's Horn Book essay about this.)
|
The lines for author signings were long all weekend on the exhibit floor. At the Little, Brown booth, Monica Hesse (left) signed Girl in the Blue Coat with Melanie Chang, v-p, integrated marketing.
|
Librarians pinned rainbow ribbons to their badge straps next to cheerful book-promoting buttons. Moments of silence often preceded vivacious panels. A blood-drive sign stood soberly across the hall from a theatrical book reading. Librarian Thom Barthelmess, youth services manager of Whatcom County, Wash., and chair of the 2017 Newbery Award Selection Committee, said to Shelf Awareness, "I have always believed in books as the fabric of our kinship, and to be among librarians and see ALA's proactive, empathetic response to recent events here in Orlando only reinforces that belief."
|
2016 marks the 20th anniversary of the Pura Belpré Awards for exceptional Latino/Latina writers and illustrators, and the occasion was boisterously celebrated with heartfelt speeches, music, food and dancing. |
Even without a single swig of butterbeer, ALA bubbled with magical revelations and connections. At a lively Scholastic dinner, guests shared a table with debut author M.G. Leonard (Beetle Boy) and Barry Cunningham, the lovely British editor who first signed J.K. Rowling. ("If it wasn't for Barry Cunningham, Harry Potter might still be languishing in his cupboard under the stairs," Rowling once said.) Cunningham talked about how the Potter phenomenon was "good weird," about his personal relationship with Roald Dahl (and how he just might be the inspiration for Dahl's Mr. Twit), and the origins of Chicken House, his publishing company. Author and Caldecott artist Kevin Henkes (Waiting) and Laura Dronzek (illustrator of When Spring Comes) were among the many luminaries mingling at the always-energetic HarperCollins breakfast. Lane Smith (There Is a Tribe of Kids), Ben Hatke (Mighty Jack) and Philip C. Stead (Samson in the Snow) were featured guest speakers at a cozy Macmillan dinner. The Coretta Scott King Breakfast, a reliably emotional, inspiring event, honored African American authors and illustrators such as Rita Williams-Garcia (Gone Crazy in Alabama), Bryan Collier (illustrator for Trombone Shorty), and artist Jerry Pinkney (The Lion and the Mouse) with one of two lifetime achievement awards he received at ALA, the Coretta Scott King-Virginia Hamilton Award.
|
M.G. Leonard signed Beetle Boy, first in a trilogy, for her new fans, next to a stack of chocolate beetles. |
Publishers, authors, illustrators and librarians donned their often-inventive party clothes, lit-up daisy hair garlands, little black dresses and snazzy suits for the Newbery-Caldecott-Wilder banquet on June 26. Australia-born artist Sophie Blackall gave a charming, funny Caldecott Medal acceptance speech for Finding Winnie: The True Story of the World's Most Famous Bear (written by Lindsay Mattick) in which she said, "[W]e are part of other people's stories as they are part of ours, no matter where we were born, who we are, or where we live, and how we pass those stories down through the ages." Jerry Pinkney gave his Laura Ingalls Wilder Award acceptance speech called "Drawing My Dream" wherein he said, "My childhood was limited, but I learned that through my own creativity, the world was limitless."
|
At the Newbery-Caldecott-Wilder banquet: (l.) author Laura Murray (The Gingerbread Man Loose at the Zoo) and debut novelist Randi Pink (Into White). |
Matt de la Peña made many, many grown people cry with his powerful Newbery Medal acceptance speech for his picture book Last Stop on Market Street, illustrated by Christian Robinson. He said, "[S]ometimes when you grow up outside the reach of the American Dream, you're in a better position to record the truth. That we don't all operate under the same set of rules. That our stories aren't all assigned the same value in the eyes of decision makers." He remembers wondering, "What if I can write a story that offers that tough, hoodied kid in the back of the auditorium a secret place to feel?"
The power of story to lift us up, the power of story to help us see and understand each other and ourselves, to entertain, to educate, to heal. This was the refrain sung throughout ALA's June conference in Orlando, and it's surely one to keep singing.