Love is blind, literally and figuratively, in Gina Holmes's Wings of Glass. The story begins in a rural small town in 1999, when 18-year-old Penny Carson falls in love with Trent Taylor, a farmhand oozing bravado. The two have a whirlwind romance; when they decide to elope, Penny leaves a note for her disapproving parents telling them they shouldn't come looking for her. Surprisingly, they don't.

Fast-forward a decade: Penny, black-and-blue and beaten down, is living an isolated, poverty-stricken life with Trent, a flagrant alcoholic who vacillates between violent abuse and repentance. Penny chronically makes excuses for him; she's determined to get pregnant, believing a baby might salvage their marriage.

But when a fuel line explodes and blinds Trent on his welding job, Penny is forced to go in search of work to support them. Callie Mae, an older church-going woman aware of Penny's marital situation, offers her a job cleaning houses. Callie Mae and Fatimah, a Sudanese coworker, become Penny's friends, and the three forge a bond united by their sordid pasts.

Holmes (Crossing Oceans) writes this searing faith-based narrative from Penny's point of view, which lends authority to the psychological drama inherent in the pull-and-tug of abusive relationships. In the end, providence and friendship have the power to work together for good, but only if Penny will finally admit to her husband's bad behavior. --Kathleen Gerard, blogger at Reading Between the Lines

Carolyn Brown's The Blue-Ribbon Jalapeño Society Jubilee introduces us to Cadillac, Tex., where the jalapeños are hot, but not as hot as the rivalries among the women. We meet five friends--twins Cathy and Marty; Darla Jean, a reformed madam now preaching at the local church; Trixie, cheated on by the odious and charismatic Andy; and old Aunt Agnes--as they romp through festivals, weddings planned and unplanned and the machinations of The Club (as the titular society is popularly known). Meanwhile, Anna Ruth and Violet, unloved by the quintet, scheme to make their lives miserable.

Cathy is engaged to Ethan, the stuffed shirt son of Violet, the self-appointed grande dame of Cadillac, but she wonders if she and Ethan are really in love. There is no evidence--at least nothing like the steamy scenes in her favorite erotic romances. What Cathy doesn't know is that her sister, Marty--who enjoys life to the max and never met a cowboy she wouldn’t sleep with--is the author of those books. Violet and her attorney present Cathy with a prenup which they think is a slam dunk, but Cathy surprises them--and herself.

Between all of these feisty characters and a very hot competition over who's got the best jalapeño recipe, Brown keeps it lively with tart and raunchy dialogue, situations that will make you laugh out loud, ancient rivalries revisited and the hope that friendship will triumph over all. --Valerie Ryan, Cannon Beach Book Company, Ore.

Joyce Carol Oates likes gothics. The Accursed, originally written in 1984, is a powerful return to the sort of incendiary terrain she explored in the National Book Award-winning Them.

The novel is presented as having been written/compiled by a contemporary historian who tells us in an author's note that the tragic events he recounts took place in "accursed" Princeton, N.J. The story is a vast tapestry, its fictional chronicler thorough to a fault, a sign of Oates's own great effort in re-creating the "real" world of 1905. She sets the scene with references galore to furniture, flowers and herbs--along with historical figures like Princeton University president Woodrow Wilson and authors Jack London, Mark Twain and (a very favorably portrayed) Upton Sinclair.

The book opens with a young preacher who is deeply disappointed after a meeting with Wilson ("so keenly strung, he seemed at times to resemble a puppet jerked about by cruel, whimsical figures"), who doesn't share his anxiety about African Americans being hung in nearby Camden. Soon after, a frightening demon girl vanishes in a "paroxysm of flames," and the granddaughter of a former university president is lured out of the church during her own wedding--is a mysterious European count with strange eyes responsible?

Woven within this huge, Henry James-like Gothic is a latent, critically charged indictment of a society under a demonic urge: elitism, racism, prejudice. Immerse yourself in Oates's elaborate world and hang on for dear life. --Tom Lavoie, former publisher

A week before Christmas, an armed man charges into a Glasgow post office as Martin Pavel waits to mail home gifts to his family. The older man in the line in front of Martin hands him his grandson and voluntarily helps the masked gunman--who shoots the old man dead as he leaves the building, leaving many unanswered questions for Martin and the investigating officer in the case, Detective Sergeant Alex Morrow.

Gods and Beasts, the third in Denise Mina's Alex Morrow series, is steeped in a mystery that goes far beyond the identity of the murderer. The reason behind the old man's assistance in the robbery--and the mystery surrounding Martin Pavel--add a richness and complexity to Mina's plot, while the tone of her prose creates a mysterious atmosphere to heighten the intrigue.

Mina has created a circus-like cast of characters, all with oddities that make them fascinating and engaging; each possesses hidden layers, beckoning readers to look at them closer and more deeply. As Martin explains, the novel's title originates with Aristotle: "Those who live outside the city walls, and are self-sufficient, are either Gods or Beasts." The ultimate mystery lies in who among the characters falls into which category.

Readers new to Denise Mina, or to the Alex Morrow series, can easily pick up Gods and Beasts without reading its predecessors, Still Midnight and The End of the Wasp Season. However, they should be forewarned that reading Gods and Beasts will likely lead to a Mina addiction. --Jen Forbus of Jen's Book Thoughts

Lachlan Smith's Bear Is Broken introduces young defense attorney Leo Maxwell. The ink on Leo's bar card has barely dried as he's sitting in a café with his brother, Teddy, when a stranger walks in, shoots Teddy in the head and walks out.

Teddy Maxwell is a notorious defense attorney in San Francisco. Prosecutors and cops hate him; defendants love him. Still, was it an unhappy client who shot Teddy or arranged to have him shot? As Teddy fights for his life, Leo goes in search of answers, determined to bring the perpetrator to justice. In the process, he proves to be a refreshingly awkward novice. While his constant blunders and bad choices may be off-putting to some readers, they are appropriate to a newly accredited 20-something attorney who thinks he can take on the world, only to have the world prove otherwise.

Bear Is Broken is a fun thriller that works in a lot of information about the legal system without getting bogged down in jargon or detail, but it's also an examination of the relationship between two brothers. As Leo sets off to find his brother's killer, he also turns inward to figure out the conflicting emotions he's experiencing through this tragedy. Though Smith's humor occasionally falls flat, the plot of the novel is well constructed, with a plethora of red herrings and plenty of twists. Leo's tendency to immediately jump to the wrong conclusions will leave readers wondering who really done it right up to the end. --Jen Forbus of Jen's Book Thoughts

Blood's Pride opens with a young man's memory of the kingdom of Shadar's vanquishing at the hands of the Norlanders, strange beings with pale skin "the color of death, marred by oozing purple sores," swarming upon a coastal fishing town "like walking dead, like living corpses." It would be fair to assume the novel focuses on the Shadari people's attempt to mount a revolution, and it does to some extent--but Evie Manieri has much bigger ambitions for her debut novel.

Manieri devotes as much attention to the conquering Norlanders as to their Shadari slaves, if not more; in fact, the Norlanders get what many might consider the more dramatic storyline. The three adult children of the ruling governor are all desperate to leave the remote outpost, but they're also still reeling from their mother's accidental death years earlier. When the rebellion finally comes, after the Shadari hire a ruthless female mercenary known as "The Mongrel" to lead them, it pushes the family trauma into the open. Meanwhile, Daryan, the young man from the prologue, is reluctantly forced into accepting his role as the Shadari's leader... even as he conducts a clandestine romance with one of the Norlander governor's daughters.

Manieri packs a lot of events into Blood's Pride (which takes its name from one of the Norlanders' magical swords); after a slow build, she maintains an unrelenting pace nearly all the way through. And though there are a number of unanswered questions at the novel's end, there's enough resolution to satisfy readers looking for one solid story. --Ron Hogan, founder of Beatrice.com

War photographer Tim Hetherington was a pro. He cut his teeth in the civil wars in Liberia, then followed the world's "trail of tears" to tsunami-stricken Sri Lanka, Darfur, Algeria, the U.S. army Restrepo outpost in Afghanistan and, finally, to the 2009 revolution in Libya--where, camera in hand, he was killed by Muammar Gaddafi's troops in the streets of Misrata.

In Here I Am, historian and journalist Alan Huffman (Mississippi in Africa) traces Hetherington's life from his student days in Cardiff ("he was tall, good-looking, affable, had a keen sense of humor, could party with the best of them, and sported a mass of long dreadlocks") to his last day, which he described in an e-mail just a few hours before the mortar attack that killed him: "Crazy day today. Full on city fight. It's an incredible story... and hardly anyone here."

Huffman's biography crackles with the authenticity of his own experience in Liberia and interviews with Hetherington and his colleagues, especially Sebastian Junger, his collaborator on the Academy Award-nominated documentary Restrepo. The portrait that emerges is not only one of an adrenaline-fueled war photographer, but also of a dedicated professional and humanitarian "intent on making connections across the void... to explain the world to the world through vivid and telling imagery." The impact of Hetherington's carefully chosen images will long outlast the fleeting amateur phone snaps from whatever conflict is trending on Twitter. --Bruce Jacobs

Created in the fall of 1942, Oak Ridge, Tenn., the secret city--also known as "Site X"--housed the factories where uranium for the first atomic bombs was enriched. Young women traveled from around the country to fill the jobs at Oak Ridge--more than 75,000 at the factories' peak. Denise Kiernan's The Girls of Atomic City is a glimpse into the strange experience of working on a project whose nature was kept from them. Most expected to leave Oak Ridge as soon as the war was won, but many stayed on for decades. Due to the fine supply of handsome young men in uniform, a number of Kiernan's subjects would make families and homes there.

The stories of Jane the statistician, Virginia the chemist, Kattie the janitor and many more--based on interviews with the now elderly women who worked at Site X--are vivid and human in Kiernan's telling. The focus of the book briefly zooms out to cover the dropping of the atomic bomb and Truman's White House during the decision-making process, but then plunges back into Oak Ridge, where women who tested for leaks in pipes and kept tanks clean were rocked by the revelation of their work's ultimate results. Kiernan melds hard science and history with the moving stories of women caught in events bigger than themselves, whose experiences and whose work changed the world irrevocably. The result is a compelling and unusual new perspective on the Manhattan Project and World War II. --Julia Jenkins, librarian and blogger at pagesofjulia

Incredibly, Spider-Man comics do not exaggerate the strength of spider silk. The golden orb weaver, one of the largest web-spinning spiders, spins a silk with an ideal combination of strength and elongation (or stretchiness), potentially strong enough to stop fighter planes from landing on an aircraft carrier.

Dr. Randy Lewis, after isolating the spider's silk-spinning genes, is now developing ways to mass-produce its silk for lighter bulletproof vests, artificial ligaments and tendons, and more delicate thread for sutures. Following a primer on DNA and genetics, and a close look at the spiders in Lewis's University of Wyoming lab, author Bridget Heos (The Human Genome) launches into alternative ways to produce spider silk. The first is goats. Lewis's team implanted goat embryos with spider silk genes, and the results yielded goats whose milk contained spider silk proteins. They isolate those proteins and spin them into spider silk. Heos does not gloss over the ethics of using animals for scientific experiments (though the scientists treat the goats like family) or the painstaking nature of this work. They have also injected alfalfa and silkworms with the gene.

This latest in the celebrated Scientists in the Field series shares a lively, engaging approach to research and discovery with its predecessors. Comins's many large, clear, color photographs-- showing kids allowing spiders to crawl on them and scientists at work--along with Spider-Man jokes, counterbalance the complicated scientific explanations. Back matter includes a glossary and additional sources, although Heos's principal sources were clearly Randy and his colleagues. --Angela Carstensen, school librarian and blogger