British journalist Francesca Hornak makes her fiction debut with Seven Days of Us, a self-assured dramedy. The wealthy Birches of London--Andrew, Emma and their two grown daughters, Olivia and Phoebe--haven't shared the holidays under the same roof in years, but as Christmas 2016 approaches, they prepare to spend an entire week locked up together in the family home. Olivia, freshly back from a stint treating the deadly Haag virus epidemic in Liberia, must remain quarantined for a week after returning to the U.K., and so must anyone who comes in contact with her.

None of the Birches feels thrilled by the prospect of the coming week. Emma is overjoyed to have her children home, but she recently received a frightening diagnosis of the lump under her arm and is afraid to tell anyone, even Andrew. Now a successful restaurant reviewer, Andrew got his start in journalism covering the Lebanese civil war, and had a brief fling in Beirut. Now, this 36-year-old mistake has come back to haunt him in the form of Jesse, the son he's recently learned he has. Phoebe says yes to her boyfriend's proposal and starts planning her dream wedding, doggedly ignoring her own lack of enthusiasm for the groom. As the family limps through the holidays, they must decide whether to let their secrets tear them apart or bring them, finally, back together.

Hornak spends time looking through each character's eyes, and readers' sympathies will shift with each change in point of view. The richly defined inner lives of the Birches propel the story as they try to feel their way through their individual crises. --Jaclyn Fulwood, blogger at Infinite Reads

Connie Willis (Doomsday Book, Blackout) absolutely loves the holidays, as she explains in the introduction to A Lot Like Christmas: "I even like the parts most people hate--shopping in crowded malls and reading Christmas newsletters and seeing relatives." This love led her to write the eight short stories collected in 2009's Miracle and Other Christmas Stories. Seven of them, plus five new ones, are gathered in A Lot Like Christmas.

These varied and fantastic stories cover a lot of subjects. There are alien invaders in "All Seated on the Ground" and future Christmases where people hire decorators to come create themed decor, meals and parties for the season in "deck.halls@boughs/holly." In "All About Emily," a young "artificial" experiences some surprisingly human dreams; in "Just Like the Ones We Used to Know," a dangerously white Christmas brings snow to places as unlikely as Honolulu and Beirut; and in "Inn," the biblical Joseph and Mary time-travel to a modern church's Nativity production.

Funny, wry and sometimes downright cheery, A Lot Like Christmas does an excellent job of bringing holiday spirit without falling into the traps of "cynicism or mawkish sappiness" (as Willis explains she's tried to avoid). The epilogue includes an extra little gift to her readers--lists of her favorite Christmas movies, books and television episodes. Even the grinchiest of readers is sure to enjoy this charming collection, with its excellent stories and extra attention from a talented author. --Jessica Howard, bookseller at Bookmans

Weirdness is the rule, not the exception, in Camilla Grudova's strangely affecting short story collection, The Doll's Alphabet. These 13 stories have been published in magazines like Granta and the White Review, and their cumulative effect is uncanny. This is partly because of the macabre subject matter and partly because Grudova's style is untethered from the conventions of realism. Dolls, corpses, vermin, wolves and various mythical creatures make appearances; Grudova is a magical realist who introduces supernatural elements matter-of-factly. At the core of her stories, though, are human characters with real human needs.

In "Waxy," factory-bound, meat-rationing women are trained to take care of their men at all costs. The story feels as though it's set in the early 20th century--a gramophone is likened to "a grand rotting flower"--but with a sly feminist critique conveys near-future dystopian anxieties about the role of women in society. Grudova's imagination runs wild in stories like "The Sad Tale of the Sconce"; perhaps never before has a story about war and shipwrecks been told from the perspective of a wall sconce. "Notes from a Spider"--about a half-man, half-spider celebrity who falls in love with a sewing machine--is likewise bizarre yet boasts certain bewitching charms. Taken together, the stories in The Doll's Alphabet spin morbid magic. --Scott Neuffer, writer, poet, editor of trampset

In ritzy Bishops Harbor, Conn., Amber is considered "a frumpy mouse," unworthy of attention from the filthy rich and glamorous residents. But she refuses to be a nobody for long. Amber intends to snare the biggest catch in town--dashing mogul Jackson Parrish--and move into his waterfront mansion. The man is already married with kids and has eyes only for his perfect wife, Daphne, but that doesn't faze Amber.

She befriends Daphne after an "accidental" meeting at the gym and insinuates herself into the couple's lives, becoming indispensable as best friend to Daphne and assistant to Jackson. Along the way, Amber subtly transforms herself into a younger, sexier version of Daphne. Each step of the scheme falls into place exactly as planned--or does it happen too easily?

Amber is a highly unpleasant narrator, but one can perhaps appreciate her being unfettered by the conventional notion that women have to be nice all the time. At least she's reliable. She's duplicitous with other characters, but with readers, she's clear and unapologetic about what she wants and why--she's tired of her station in life and believes she deserves better. Think: a female Tom Ripley. 

The dialogue is often expository and overly formal--close friends and family members speak to one another like people at a job interview--but sisters Lynne and Valerie Constantine, writing as Liv Constantine, build momentum with short, cliffhanger chapters racing toward a satisfying denouement. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

Damiano Carrara was born and raised in Italy, spending winters in mountainous Bologna and summers in coastal Lucca. In both areas, Carrara's family grew and raised most of the food they ate. Through his father and mother, his grandmother and a great-aunt, Carrara learned how to turn out simple recipes with the freshest ingredients. This began Carrara's culinary career, ultimately landing him as a contestant on Food Network Star (season 12). His celebrity enabled him and his brother to later found Carrara Pastries, cafés located in Southern California.

In his first cookbook, A Taste of Italy, Carrara shares his favorite recipes, prefacing each with evocative tidbits about re-creating dishes from childhood and from favorite restaurants. One half of the book is devoted to a sampling of savories: antipasto, soups, salads, sides, pizza and main courses. Notable highlights include several varieties of tartare; spinach lasagna with a rich, creamy Béchamel sauce; a straightforward brown butter sage chicken with fingerling potatoes; and a light and easy farro salad with shrimp. The second half showcases Carrara's passion and prowess for sweets: biscotti, cakes, fruit pies and gelato. The pièce de résistance is Carrara's signature Torta della Nonna, or Grandmother's Pie, which is an elegant, double shortbread crust filled with fresh vanilla custard and capped with sliced almonds and pine nuts. Carrara's well-balanced, deliciously presented cookbook will inspire home cooks to don aprons and dash into their own kitchens. --Kathleen Gerard, blogger at Reading Between the Lines

If many urban easterners perceive Texas as "a terrifying land of racism and violence and retrograde politics," native Roger Hodge seeks to put them straight in his meandering history and family genealogy, Texas Blood. Former editor of Harper's and the Oxford American, Hodge (The Mendacity of Hope) grew up in the small border town of Del Rio in the 1980s, shearing sheep, shooting guns and drinking with everyone else. But as a fifth-generation Texan, he wanted to understand better how his family migrated to the harsh paisajes of "rolling hills, steep draws, damp drainages, and narrow defiles." 

Setting off into the vastly diverse Texas landscape, Hodge hooks up with distant cousins, ranchers, Border Patrol agents and Mexican immigrants to get a feet-on-the-ground feel for his family history and birth state. Along the way he recounts front-porch anecdotal whoppers and heavily researched library side-trips into the works of early explorers like Cabeza de Vaca and James "Don Santiago" Kirker, and especially into the fiction of Cormac McCarthy. He traverses the many Texas "countries": hill, river, ranch and oil, as well as Comanche country. With a local guide, he digs into the mythology of peyote, polytheism and pictographs. At some length Hodge also investigates the current gigantic border security apparatus. Combining photos, maps and solid journalism with personal drama, Texas Blood has it all. --Bruce Jacobs, founding partner, Watermark Books & Cafe, Wichita, Kan.

A.C. Grayling (The Challenge of Things) is a left-leaning British professor of philosophy, author of many books and well known for his columns and television appearances in the U.K. In Democracy and Its Crisis, he brings his expertise in the history of philosophy and political thought to the question of modern representative democracy, how it was developed over centuries, how it has recently failed and how we might repair it.

"For many centuries, the idea of democracy was regarded with revulsion and fear." Generations of great thinkers struggled with the question of how to harness the benefits of democracy "without risk of it collapsing into either mob rule or tyranny." Reasonable fears of demagoguery, of mob rule, "manipulation by a hidden oligarchy" and of the "ignorance, self-interest, short-termism and prejudice typical of too many voters" prevented the rise of effective democratic governments until the 18th century. With remarkable clarity and speed, Grayling examines the development of democratic political thought and surveys the ideas of Plato, Aristotle and Machiavelli, the Putney Debates of the English Civil War, Locke, Hobbes, Spinoza, Montesquieu and Rousseau, and the difficult creation of the U.S. Constitution. He argues that we must defend and strengthen the core principles of democracy through compulsory civic education, compulsory voting at an earlier age, and a reconfiguration of politics in civic life. The U.K. is his primary focus, with the U.S. second, but the ideas he discusses apply to the problems of democracy anywhere. This is a serious consideration of a complex subject by an excellent educator and writer, and is worth the time of anyone concerned for the future of good government. --Sara Catterall

Infidelity: the very word elicits a strong reaction from most people. Almost universally taboo, cheating can destroy a couple's relationship faster than almost anything else. However, according to renowned couples therapist Esther Perel, it's possible that affairs hold some important lessons for all parties involved. In her second nonfiction book, The State of Affairs, Perel argues for a new conversation around infidelity: its variations, root causes and ripple effects, and the chance that it may be an engine for growth.

Perel (Mating in Captivity) examines the enduring features of infidelity (secrecy, excitement, lies, jealousy, desire) and also delves into its particular expressions and complications in the 21st century (chat rooms, Internet porn, gender politics, open marriages). Each chapter includes stories of Perel's clients who have been affected by infidelity, and a nuanced look at their experiences. (While Perel includes plenty of statistics, she highlights the narratives because "it is the stories that lead us into the deeper human concerns of longing and disenchantment, commitment and erotic freedom.") She emphasizes the need for nonjudgmental conversation, the ways relationships shape a couple's sense of identity, and the surprising ways affairs can breathe new life into long-term relationships instead of shattering them.

"Love is messy; infidelity more so," Perel says. "But it is also a window, like none other, into the crevices of the human heart." The State of Affairs is a thoughtful view of the complicated landscape through that window: a sensitive take on a really sensitive topic. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Following a successful partnership in the publication of Jane, the Fox and Me, writer Fanny Britt and illustrator Isabelle Arsenault have teamed up again for a second middle-grade graphic novel. Louis Undercover follows a boy from a broken home, who, with his little brother, Truffle, splits time between his alcoholic father and protective mother. Louis is a perceptive child, recognizing that his dad cries in the same way "a dog barks" or "a cat meows."

On his apartment balcony, Louis and his best friend, Boris, spy on cars to find ghost cops: "Is he wearing a trench coat? Undercover cops always wear trench coats." Boris also encourages Louis to talk to his secret love, Billie, whom Louis sees as "a spectacled siren, a rainstorm, a chocolate fountain, a silent queen." But mostly he admires her bravery when she stands up to bullies--Louis is acutely aware of his own lack of courage.

When events bring Louis's family together for a trip to New York City, "the big city swallows [them] up for four golden, milkshake-filled days." But the perfection cannot last.

Britt's words, eloquently translated by Christelle Morelli and Susan Ouriou from the original French, read as authentic preteen wisdom unfiltered by adult experience or cynicism. Arsenault's illustrations complement the text with powerful use of color and texture, conveying emotion better than words could. Louis Undercover forgoes preaching to deliver a subtly complex, beautifully honest story about the meaning of bravery. --Jen Forbus, freelancer

In the city of Freestone, children have their entire lives mapped out for them at the age of 11 when they undergo a sorting process called the "Guildculling." During this public ceremony, the Guilds--a combination profession and caste system--choose which children they will accept. Best friends Zed and Brock are on the cusp of getting everything they've ever wanted: wisecracking Brock is a shoo-in for the Merchants Guild, while shy Zed has a chance that his elven blood might get him into the prestigious Mages, allowing him to give a better life to his Servants Guild mother. But the dangerous Adventurers Guild, a ragtag militia, can trump the choice of any other Guild, and suddenly Brock and Zed are a part of the rudest, crudest and most reviled guild of them all, sworn with fellow new recruits Liza and Jett to protect Freestone against the dangers that surround its walls.

The Adventurers Guild stands out within the fantasy genre, displaying a wonderfully diverse cast of characters. Authors Nick Eliopulos (Spirit Animals) and Zack Loran Clark are enthusiastic Dungeons & Dragons players, and the influences can be seen in their fantastic world as, in any good D&D adventure, Brock and Zed face increasingly scary monsters and trickier moral choices. The novel also makes a case for pulling together to achieve the impossible: "A handful of stars working together can make a constellation to guide the lost," says the intimidating guildmistress Alabasel Frond. "A skyful could illuminate the world." And, aside from its many other merits, The Adventurers Guild is simply great fun to read. --Ali Davis, freelance writer and playwright