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| photo: Erin Lewis |
Edward McPherson has written a biography of the silent movie star Buster Keaton, a book about people obsessed with the card game bridge, and a collection of essays about American places where the past intrudes into the present. He received a Guggenheim Fellowship to finish his latest book, Look Out: The Delight and Danger of Taking the Long View (Astra House, October 21, 2025), which continues his interest in mixing personal material, archival research, and journalistic reporting. He grew up in Texas and now teaches creative writing at Washington University in St. Louis.
Handsell readers your book in 25 words or less:
An idiosyncratic investigation of the "big picture"/"aerial view." Early flight, old maps, earthworks, drones, surveillance, pandemics, hidden history, outer space, our suffering planet, the future.
On your nightstand now:
Several tall towers of books, including North Sun by Ethan Rutherford (already finished but keeping it near), There's Always This Year by Hanif Abdurraqib (rereading for teaching), Notes to John by Joan Didion (putting off starting due to anxiety re: posthumous publication), and The Sundial by Shirley Jackson (end-times escapism).
Favorite book when you were a child:
Frog and Toad Together by Arnold Lobel. (Particularly the story "The Dream," a trippy and terrifying parable about artistic hubris--never forget your audience, Toad!) Later, The Dark Is Rising by Susan Cooper.
Your top five authors:
Top five at doing what? And when? Depends on my mood, but touchstones include Jamaica Kincaid (sure, the novels, stories, essays, and memoirs, but also all the short journalistic pieces she wrote for the New Yorker!), Joan Didion (mostly her essays from the 1960s and 1970s), W.G. Sebald (particularly the offhand patternmaking genius of his novel Rings of Saturn), Jorge Luis Borges (preferably read aloud in a Porteño accent), Jo Ann Beard (everything she's ever written), Zadie Smith (especially the essays and criticism). Oops, that's six. I could go on.
Book you've faked reading:
Honestly, I feel no need to pretend. No one has read everything, and thank goodness for that! There's always another book on the horizon.
Book you're an evangelist for:
The Peregrine by J.A. Baker. A man follows birds of prey in eastern England in the 1960s. An exquisitely slow book of great violence. A journal of muted despair cut with the ecstasy of perception--and impossible longing--that remakes the humdrum language of most so-called "nature writing."
Book you've bought for the cover:
Choose Your Own Adventure #6: Your Code Name Is Jonah by Edward Packard. Third grade: an allowance well-spent.
Book you hid from your parents:
Luckily, there was no need to hide. They left me to my reading life.
Books that changed your life:
Like most writers, I've built my life on books. High school: The Great Gatsby by F. Scott Fitzgerald (so many feelings, insert your own green-light cliché here). College: Birds of America by Lorrie Moore (these are short stories?!) and Slouching Towards Bethlehem by Joan Didion (these are essays?!) and Arcadia by Tom Stoppard (this is a play?!), plus collections by Jamaica Kincaid and Donald Barthelme (what are these?!). (Was anyone ever so young?) Then every book I read in grad school--by my teachers, by my friends, by folks I'd never heard of--plus everything I've ever read since.
Favorite line from a book:
"Tell me things I won't mind forgetting," she said. "Make it useless stuff or skip it." --Amy Hempel, "In the Cemetery Where Al Jolson Is Buried," from Reasons to Live
Five books you'll never part with:
For sentimental reasons--who gave them to me, or where I read them, or with whom: Ficciones by Jorge Luis Borges, The Code of the Woosters by P.G. Wodehouse, Gilead by Marilynne Robinson, Slouching Towards Bethlehem by Joan Didion, and The Portable Poe from Viking by Edgar Allan Poe.
Book you most want to read again for the first time:
Bridge to Terabithia by Katherine Paterson absolutely devastated me when I read it as a kid. I remain curious--but probably too scared even now--to revisit it. Same, many years later, for Angels by Denis Johnson.
What are you most afraid you left out of this interview?
Everything.