 |
Stan Dragland |
Canadian writer, editor and publisher Stan Dragland, who "co-founded one of Canada's few poetry-based publishers, Brick Books, was also the founding editor of the literary magazine Brick and a writer whose poetry, nonfiction and literary criticism won several awards over his four-decade-plus career," died August 2, CBC News reported. He was 79.
Brick Books tweeted: "Poet, novelist, essayist, editor extraordinaire, loving critic, munificent reader, gentle friend, splendid human. Stan was the kindest, wisest mentor a person could ask for, and simply a joy to know."
"I hardly know what to say about losing Stan," Newfoundland poet and novelist Michael Crummey told CBC News, adding that Dragland "was such an understated, diffident presence that it is easy to underestimate what an enormous--and enormously positive--force he was in my life, in the province he adopted as his home and in the cultural life of the country."
A longtime professor of English literature at the University of Western Ontario, Dragland co-founded Brick Books in 1975 with fellow poet Don McKay and served as publisher for many years. He was also the poetry editor for publishing house McClelland & Stewart from 1994 to 1997.
Dragland's books include his debut novel Peckertracks (1979), which was shortlisted for the Books in Canada First Novel Award; Floating Voice: Duncan Campbell Scott and the Literature of Treaty 9 (1994), which won the Gabrielle Roy Prize for Canadian literary criticism; 12 Bars (2002); Apocrypha: Further Journeys (2003); Stormy Weather: Foursomes (2005) and Strangers & Others: Newfoundland Essays (2015). His most recent book, Gerald Squires, won the 2019 Newfoundland and Labrador Book Award for nonfiction. In 2020, Dragland was appointed to the Order of Canada.
Known as one of Canada's leading champions of independent publishing, Dragland "dedicated much of his time to mentoring and encouraging both new and established literary voices, including publishing new work through Brick Books and teaching emerging writers at the Banff Centre and in Chile," CBC News wrote.
"He was endlessly creative and supportive of any creative endeavour that he touched as editor or collaborator or cheerleader. It was all about love and joy for Stan, in his work and in his life," Crummey said.