Bookstores and publishers in Venezuela are trying to survive the country's long economic crisis and high inflation (reaching 398% year-on-year in July) by selling used texts and a handful of new books from Venezuelan writers. Reuters reported that a "drastic reduction in the number of publishers, imprints and bookstores began more than decade ago, as the government put in place currency controls, rules about the distribution of school textbooks and import restrictions."
"What little money people have goes to food. The crux is there is no money," said Julio Mazparrote, president of the country's bookseller and publisher guild, which has dwindled from 110 members to 25 over the past decade. Mazparrote runs a small textbook publisher out of a two-story house in western Caracas.
In 2011, the education ministry limited the use of textbooks from private publishers in public schools, which had represented some 80% of their business. The government has not printed textbooks since 2018. Reuters noted that the migration of more than seven million Venezuelans has helped alleviate the shortage of books, as those emigrating look to give away or sell texts.
"The exodus of people who have left the country... means books are on offer," said Romulo Castellanos, who runs bookstore Gran Pulpería de Libros Venezolanos in Caracas. Though sales have fallen, "thank God we've been able to survive and surf the wave," he added.
Francisco Suarez, who runs a small shop in central Caracas and often leaves books in his local sports center, at plazas nearby, and on the bus, commented: "If I need to give it away, that's no problem. If someone says they don't have the money, I'll give it to them. Books are magic."
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The Booksellers Association of the U.K. & Ireland is relaunching its Shopfloor Publishers initiative to run year-round. The Bookseller reported that "following the success of previous versions of the project, which invites publishers to spend a day working in a bookshop, the initiative is now being rolled out across the year, with the first publishers being invited to work in bookshops during September."
"Offering senior publishers an invaluable opportunity to experience bookselling first-hand, the scheme aims to further increase collaboration between bookshops and publishers," the BA noted.
BA managing director Meryl Halls said, "Having run our Shopfloor Publishers scheme a couple of times in the past, we're excited to be rolling it out as a year-round offering to our member bookshops and to publishers across the book industry. The feedback from booksellers and publishers who have taken part in the scheme previously has been overwhelmingly positive, with the initiative leading to greater understanding on both sides, and opportunities for collaboration. We look forward to hearing from any publisher that would like to take part."
Hazel Broadfoot, BA president and owner of Village Books in Dulwich, London, added: "Following the pandemic, and the changes wrought on the industry by it, and by the current cost of living crisis, it feels like the time is right to relaunch this collaboration project, and bring booksellers and publishers together. For publishers, working in a bookshop for a day can be an eye-opening experience: it is a chance to appreciate what booksellers do, while witnessing consumer behaviour up close. We've been delighted that a number of bookshops have been reciprocally invited into publishing houses and we hope to see that happen again this time round; booksellers will be equally enlightened by seeing the inside workings of publishing."
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In Italy, a new Electa bookstore at Rome's Colosseum "adapts to the original architecture, with curved layouts following the Colosseum's structure and windows framing the ancient ruins. The system can be adapted to each space and responds to every display need," Wallpaper* reported.
Design studio Migliore+Servetto noted that "beyond its function as a sales space, the bookshop thus becomes a narrative landscape. It's a place of discovery... stimulating cultural growth, through a valorization of the wise offer of contents and a constant dialogue with the extraordinary architectural context that contains them." --Robert Gray