Michael Bishop, who "wrote many stories that inhabit the borderlands between science fiction and mainstream, drawing on influences as diverse as Ray Bradbury and Jorge Luis Borges, Thomas M. Disch and Philip K Dick, Dylan Thomas and Tolstoy, but also reaching back as far as the Greek historian Herodotus for inspiration," died on November 13, the Guardian reported. He was 78.
"The common element in his work was a desire to explore the human spirit," the Guardian noted, citing early examples "set in vivid alien and alienating faraway worlds," like his debut novel, A Funeral for the Eyes of Fire (1975, revised as Eyes of Fire, 1980), and In Transfigurations (1979).
Bishop introduced the Urban Nucleus of Atlanta, a domed city that represented an alternate, isolated U.S., and chronicled its century-long history through A Little Knowledge (1977) and Catacomb Years (1979), the two books revised and combined in The City and the Cygnets (2019).
His novelette The Quickening (1981) won a Nebula Award, and he received a second for the novel No Enemy but Time (1982). Other works include Ancient of Days (1985); Who Made Stevie Crye? (1984); Unicorn Mountain (1988); Count Geiger's Blues (1992); and Joel-Brock the Brave and the Valorous Smalls (2016). He collaborated with the British science fiction writer Ian Watson on the novel Under Heaven's Bridge (1981), and with Paul Di Filippo for two crime novels, Would It Kill You to Smile? (1998) and Muskrat Courage (2000), under the name Philip Lawson. He also published two volumes of poetry, an essay collection, and two story collections.
Bishop's own favorite from among his novels was Brittle Innings (1994), "a homage to both Mary Shelley and baseball in which a promising young player joins a Georgia team and meets their star, the statuesque and grotesque Jumbo Henry Clerval, an enigma revealed to be the immortal creation of Dr. Frankenstein," the Guardian wrote.
Another homage was Philip K. Dick Is Dead, Alas, originally published as The Secret Ascension (1987) but later reprinted under Bishop's preferred title, in which Dick's sci-fi novels are suppressed by President Nixon.
The Guardian noted that as the Star Wars films, beginning in 1977, "gave a juvenile form of science-fiction ascendancy, Bishop turned from off-world settings to paleoanthropological topics," telling Nick Gevers for the InfinityPlus website in 2000: "Rightly or wrongly, I wanted to reclaim [science fiction], at least in some of its literary manifestations, as a legitimate medium in which to examine age-old human concerns."