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Rebecca Lee Kunz (photo: Jeremy Charles) |
Rebecca Lee Kunz is a multimedia artist and the owner of Tree of Life Studio in Santa Fe, N.Mex. She is a citizen of the Cherokee Nation of Oklahoma, and her work draws upon traditional iconography and is greatly inspired by mythic and archetypical symbolism, where each of her paintings serves as an invocation and a prayer. Chooch Helped by Andrea L. Rogers (Levine Querido) is her debut picture book. She is the winner of the 2024 Caldecott Award, announced earlier this week.
Hello and congratulations! This is your first picture book, correct? How are you feeling?
Yes, this is my first picture book. I'm over the moon. This past 24 hours has been just wonderful.
You met author Andrea L. Rogers by chance, right? And that's how you were brought onto this project?
I met Andrea at the Cherokee National Holiday in 2022. We started speaking, and I was later offered a book contract by Nick Thomas at Levine Querido for Andrea's manuscript, Chooch Helped.
How did you feel about the text when you first read it?
I loved the story from the first time I read it. It's a beautifully written, heartwarming tale that most everyone can relate to.
Did you have an idea of how you wanted this book to look right away? Or did it take some time?
I had some ideas from the beginning, but then the illustrations took on their own life as I began to work on them--it took some time to develop the style of this book.
How did you develop this book's style?
I have been developing my artistic style for many years, through lots of sweat and tears. It took some time to learn how to translate my painterly style to the picture book format. I love organic textures and colors, and my style is based on those things. I have been studying symbology for many years. I incorporate Cherokee symbols in all my work and motifs, and I infused them into every part of this book.
Your bio describes you as a multimedia artist and the book combines watercolor, gouache, printmaking, collage, and digital illustration. How do you pull those different mediums together? How do you know what wants to be done with what medium?
Before starting a project, I put together all the elements that will go into the art: the color palette, the textures, the symbols, and the symbolic themes for each character. I work intuitively, and each painting comes together differently. Each image begins with a sketch; next, I start creating the different background layers and textures and motifs; and then I finally start painting the scene and characters. Many of the images have overlapping and consistent themes. And, whether I'm working by hand or digitally, I always work with many layers.
The palette here is striking--you consistently use soft pinks, tans, yellows, with just a few double-page spreads that feature midnight blues and blacks. Could you speak to that a bit?
Color plays such an important role in my work. I choose colors carefully to convey specific emotions and messages. I love to work in subtle earthtones while throwing in splashes of bold color to demarcate things that feel important. I am deeply inspired by the colors of New Mexico, where I live--from the colors of the earth, clay, and pinon trees to the wild jewel-tone colors of our sunsets.
I love how the patterns of the children's clothing move outside the lines and the borders of their bodies. Why is that? What do those spreading patterns mean?
I create patterns/motifs for each character to develop the mood and personality I want to convey. Like each human has their own set of unique characteristics--an "energy"--each character in this book does, too. I used symbols and colors to paint a symbolic picture of each personality. As the characters may experience different emotions at different points in the story, their personality symbols and traits follow them. The motifs for each character have energy and life and often reside outside of the characters' bodies, as the energy or aura of a human does.
Your illustrator's note says, "the illustrations are rich with Cherokee symbolism and culture." Would you give us some examples of this in Chooch Helped?
Yes, an example of this would be the small cross symbols that you see in Sissy's dress and around her "aura." The cross, in Cherokee culture, sometimes symbolizes the four winds or the four directions.
Who do you hope reads this book? What do you want them to get out of it?
I hope children from any race or background can pick up this book and relate to the characters. Specifically, I hope Indigenous children pick up this book and feel like they can see a bit of themselves in the characters. I hope this book speaks to their souls.
Are you planning to illustrate more picture books? Anything in the works?
Yes, I'm working on another picture book right now, which hasn't been announced publicly, and I plan to keep making more books! I absolutely fell in love with the craft of book illustration.
Is there anything you'd like to say to Shelf Awareness readers?
Please keep believing that you matter. Kindness and joy matter. It is through the small acts that we create the world we want to live in, whether it's through supporting a local small bookstore to small acts of generosity. Do not doubt that the decisions you make matter. I believe children need to see examples of beauty, compassion, and care. The art of slow handmade crafts matters more than ever in this busy fast-paced world. I hope that my work can be a beacon in what can feel like a sea of darkness right now. I wish for everyone to feel like they are a beacon. We are the light we wish to create in the world, and it's our time to carry that torch. --Siân Gaetano, children's and YA editor, Shelf Awareness