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C.G. Esperanza |
C.G. Esperanza is the award-winning illustrator of Soul Food Sunday, which received a Coretta Scott King Honor, and the author/illustrator of Boogie, Boogie, Y'all, which received a Pura Belpré Youth Illustrator Honor. He lives in the Bronx, N.Y.
Last week, Esperanza won the 2025 Coretta Scott King Illustrator Award for his art in My Daddy Is a Cowboy, written by Stephanie Seales (Abrams Books for Young Readers).
Congratulations! From a CSK honor to a CSK win and a Caldecott honor in less than five years. That's pretty exciting. How are you feeling?
Thank you for this wonderful opportunity to chat! I feel like I will wake up at any minute and I will be back in my bed at the apartment I grew up in, late for my 8 a.m. figure-drawing class at FIT. Until I wake up, it is a wonderful feeling to have this much support and love!
What did you think when you read the text for this picture book for the first time?
With any book I consider working on, I ask myself: 1. How does this book challenge the status quo, and 2. Is it fun? This story was unique to me because author Stephanie Seales made me think about horses roaming down my street in the Bronx and how cool it would be to see a horse near a really dope graffiti tag and a bodega. Stephanie made a story that featured an Afro-Panamanian family, which to my knowledge had not been done before in a picture book. These factors definitely challenged the status quo and also gave me so many fun ideas.
How would you describe the story to young readers?
So, the way I described it to my after-school class at the Concourse House shelter in the Bronx was as follows: "Hey y'all! So how many of you have ridden a horse? What if we all got to ride horses from here all the way past the pizza shop and the sneaker stores on Fordham Road and to the Botanical Garden and then back? Well, if you think that would be fun, you will love this story about a kid who does that! Who wants to read it?!"
Did you get an idea of how you would illustrate the text right away? Or did it take some time to build your visual landscape?
I usually go through all my art books and go to some art gallery openings in Chelsea before beginning any project. I try to do something different in every book so that they are unique. I study fashion a lot and I take lots of pictures of my neighborhood and the people around me. Then I try to curate it all into the world I am building in collaboration with the author.
Your illustrations are so dynamic, and the book is constantly shifting perspective. How do you capture so much movement and energy in an image?
I watch a lot of movies. I am very inspired by Spike Lee films like Do the Right Thing, Crooklyn, and Malcolm X. I also love Alejandro Jodorowsky films like Santa Sangre, El Topo, and The Holy Mountain. I've always wanted to direct a movie, so I work with real actors who act out my thumbnail sketches and give me fun expressions and movement that improve upon my imagination. I also shoot most things at an angle that doesn't feel too conventional or stiff.
I love the texture of the images, how the reader can see places where the oil on watercolor paper was layered, blotted, or scratched. What draws you to creating such tactile images?
To be honest, it was originally just me being a sloppy painter. I have no idea how other painters make their images without all the visible strokes and blots of paint. I guess I could sandpaper it all down. But after hearing how many people have come to enjoy seeing it, I keep it there because it feels raw and authentic. Like you're seeing the original up close. A bit of a difference from the polished flat look of digital. No shade to digital artists though! I added the scratches after seeing them in the paintings of my studio-mate Daryl Myntia Daniels; I wanted to make fun abstract details in spaces you might not normally focus on.
How did you develop the different backgrounds and settings for this book? Did you base your characters on people you know in real life?
The backgrounds--down to the graffiti--are all real places you can visit! I use Google maps and my phone camera while on long walks. I love being whimsical, but I need some gritty reality as a foundation. All or most of the people in my books are people I know. The girl in My Daddy Is a Cowboy is one of my amazing former art students named Aaliyah. Her performance in this book was a huge factor in the success of the images. My mother is the grandmother in my other book, Soul Food Sunday, and my nephew, Nolan, is the grandson. My other nephew, Eian, is the main character of Boogie, Boogie, Y'all. And some of my other students star in Kicks in the Sky.
Was there an image you particularly loved illustrating? Was there one that was surprisingly tough?
I really loved illustrating the image of daddy and daughter riding on Power in front of a graffiti piece. It was a last-minute idea I did really fast before the deadline, even though it wasn't in the approved sketches. I was so inspired I just had to make it and I hoped my amazing editor, Courtney Code, and wonderful designer, Heather Kelly, would dig it. And they did! It became a favorite in the book. All the horse and human images were tough because I didn't shoot my human references with my horse references, and I had to make it look like they were really riding and hugging those horses. My sense of scale and anatomy were tested. It was also my first time ever painting a horse!
Is there anything you're excited to be working on now?
I just finished the sequel to Soul Food Sunday, titled Fish Fry Friday, which will be coming to you very soon. This time Granny is teaching her grandson how to fish and then cook some Caribbean-style fried fillet. I had so much fun painting the fish! I am also working on the debut picture book by Ebony Mudd titled Junior Takes a Leap, about a young Black boy who is learning ballet. And a book celebrating Black tattoo culture, Orchard Beach in the Bronx, and my favorite anime titled Dragon Mama. Secretly, I am also working on a cool Bronx Manga (Bronxanga?).
Is there anything you'd like to answer that I didn't ask?
You asked some great questions! I would love to tell you about some amazing living artists who inspire me. There's Gina Sposto--they make some really outlandish art that I would love to see in a graphic novel or maybe even a picture book someday. And Mexican American Bronx artist Daisy Ruiz--she is an Ignatz Award-winning comic artist! Her comic, Gordita, is incredible and can be found in her shop. Vash is a muralist, animator, and much more. His work is so fun and would also make a fabulous picture book. Angel Garcia has such a fun, colorful style filled with symbolism you have to see to really understand. Lastly, Yesenia Moises is the author/illustrator of the amazing Stella's Stellar Hair and her new book, Sounds Like Joy, is coming May 6! --Siân Gaetano, children's/YA editor, Shelf Awareness