South African author Zoë Wicomb, "who wrote from self-exile in Scotland and drew global praise for fiction that rendered with nuance and wit the life of mixed-race people like herself during and after apartheid," died October 13, the New York Times reported. She was 76. Wicomb left South Africa in 1970 to put, as she later described it, "the whole oppressiveness" she felt under apartheid behind her. She taught secondary school before embarking on a literary career in her 30s.
She wrote four novels, two short-story collections and a book of essays, and became, as South African author and Nobel laureate J.M. Coetzee, put it, "the most significant of the writers who quit South Africa in the 1970s to get away from the grinding pressures of apartheid.... From her eyrie in Scotland, yet with roots deep in pre-colonial Africa, she explored in one book after another the modalities of South African experience, in language whose wit and irony masked a deep seriousness."
Wicomb's first book, You Can't Get Lost in Cape Town, was published in 1987 and received enthusiastic reviews, while her first novel, David's Story (2000), "is set during South Africa's transition out of apartheid." A collection of loosely connected stories, Cape Town, "offers scenes from the life of Frieda Shenton, a mixed-race girl growing up under apartheid, from childhood to young adulthood," the Times wrote.
In 2013, Yale University awarded Wicomb the inaugural $150,000 Windham Campbell Literature Prize for fiction. "The challenge," she said of her aims as a novelist in an interview that year with the website 2paragraphs, "is to capture marginal voices, thus not only a matter of my voice but, rather, one of polyphony, the many different, even contradictory, voices that engage with each other.... My project includes the recovery of minor, neglected or disparaged peoples and events."
She taught English and creative writing at the University of Strathclyde from 1994 to 2012 and also taught at universities in South Africa. Her later books include the novels Playing in the Light (2006) and October (2014); a short-story collection, The One That Got Away (2008), set in Cape Town and Glasgow; and the 2018 nonfiction work, Race, Nation, Translation: South African Essays, 1990-2013. Her last novel, Still Life (2020), was chosen by the Times as one of the 10 best historical novels of the year.
Wicomb preferred working with small literary presses, avoided using literary agents, and rarely granted interviews, the Times noted, adding that she said her writing "was a way to reconcile feeling like an émigré longing for but disconnected from her homeland."