Shelf Awareness for Monday, February 23, 2009


Other Press: Allegro by Ariel Dorfman

St. Martin's Press: Austen at Sea by Natalie Jenner

Berkley Books: SOLVE THE CRIME with your new & old favorite sleuths! Enter the Giveaway!

Mira Books: Their Monstrous Hearts by Yigit Turhan

News

And the Oscars Go to . . . Slumdog Millionaire

Movies based on books did superbly at last night's Oscars. Well, actually one movie based on a book did superbly, and a few other movies based on books had respectable evenings, too.

Slumdog Millionaire
won eight Oscars, capping a storybook run that echoed the theme of the movie itself. It won in a range of categories: best picture, directing, adapted screenplay, original score, film editing, original song, sound mixing and cinematography.

The film was a Shelf Awareness in-house favorite. If you haven't seen it, phone a friend and head to a theater near you.

The film is based on the novel Q&A by Vikas Swarup, which is available in two tie-in versions, Slumdog Millionaire (Scribner, $15, 9781439136652/1439136653) and Q&A (Scribner, $15, 9780743267489/0743267486). Also available: Slumdog Millionaire: The Shooting Script (Newmarket Press, $19.95, 9781557048363/1557048363). Part of the Newmarket Shooting Script series, the book includes the complete script by Simon Beaufoy, a foreword by Beaufoy, an introduction by director Danny Boyle and a Q&A with Boyle on the making of the film.

In other awards for movies based on books--and a short story:

Kate Winslet won best actress for her role in The Reader, based on the book of the same name by Bernhard Schlink, translated by Carol Brown Janeway (Vintage International, $13.95, 9780307454898/0307454894).

The Curious Case of Benjamin Button
, based on a short story by F. Scott Fitzgerald, won best art direction, makeup and visual effects. (It had been nominated for 13 awards.)

Incidentally the winner of the best original screenplay, Milk, is the focus of another Newmarket Shooting Script title: Milk: The Shooting Script (Newmarket, $19.95, 9781557048271/1557048274), which includes the screenplay by Dustin Lance Black and an introduction by director Gus Van Sant.

 


Harpervia: Counterattacks at Thirty by Won-Pyung Sohn, translated by Sean Lin Halbert


Notes: Community Emphases; From Online to Bricks-and-Mortar

A group of fans of Broad Vocabulary, the feminist bookstore in Bay View, Wis., that closed last November, is seeking to bring the store back to life, Decider Milwaukee reported. Called A Broader Vocabulary Cooperative, the group is holding a fundraiser this coming Saturday.

In a Q&A with the paper, board member Annie Weidert said that for now the store aims to be "a community hub" and not rely on book sales for support. "Broad Vocabulary has always been more than just a bookstore," she continued. "It's a place that nurtures community, learning, and dialogue. We would like to expand and strengthen the kinds of opportunities the bookstore can provide as a supportive venue that nurtures independent thought, the sharing of ideas, community networking and project-organizing, and educational opportunities."

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The Capitola Book Café, Capitola, Calif, "changes gears to reinvent itself in tough times for the book biz," the San Jose Mercury News wrote, adding that co-owners Richard Lange, Wendy Mayer-Lochtefeld, Melinda Powers and Janet Leimeister "are playing the last, best card they have: community."

This strategy will take the form of a membership program, with five levels ranging from $25 to $250, which will give members benefits including "free food and drink, shopping sprees, tickets to events and other discounts," but are also needed to keep the bookstore in business. "If we can't really rally our customers around us," said Mayer-Lochtefeld, "then the store is absolutely at risk."

---

The St. Petersburg Times called U.S. 41 Books, Spring Hill, Fla., "a browser's delight," noting that owner Gary Le Blanc believes "the cost-cutting measures people are implementing during the recession are helping keep the doors open at the bookstore."

"A lot of people are coming because they don't have cable," Le Blanc said. "They've watched all their DVDs and all the Law & Order episodes they can. Now, they're coming here."

---

Allegra Wakest and Eddy Nix have expanded their online-only used books business by opening a bricks-and-mortar bookshop, Driftless Books and Music, Viroqua, Wis., according to the Wisconsin State Journal.

"We have enough inventory for, well, forever," said Nix, who displays 8,000 books in the store and warehouses another 100,000 titles. "We can't stop buying books. . . . That's our mission--to save every book, one at a time. There's so much knowledge that will be lost if we dispose of these books. People say, 'Oh, it's all online. I'm sorry, it's not all online.'"

---

On Sunday, March 15, the Southern California Independent Booksellers Association is holding its spring meeting at the Westin Pasadena in Pasadena, Calif. Events include the association's annual meeting; an ABA Forum with Len Vlahos, ABA's chief program officer; an authors & brunch meal that features, among others, Jennie Nash, author of The Only True Genius in the House, and Peter Lerangis, author of The Sword Thief (the third book in the 39 Clues series); a session on social networking; Martinis for the Mind (and Mashed Potato Bar) reception; and more. The meeting is free for members; RSVP by March 9 to Jennifer Bigelow.

---

The Southern Independent Booksellers Alliance has launched the Southern Traveling Authors Registration Service (STARS), an author directory designed to connect authors with readers and organizations via independent booksellers. STARS is part of Authors 'Round the South, the association's consumer website.

On STARS, authors have profile pages with links to their books, websites, press kits and publicity contacts, and they list their travel plans and tour dates by location. Readers, libraries, book clubs, civic groups and others can search STARS to see if and when an author will be near them and might be available for events. SIBA handles requests between authors and consumers.

Authors need not live in the South but may list only trips to the SIBA region. Authors can apply individually, or publishers, publicists and other literary groups can list authors on their behalf. So far, more than 200 authors have signed up for STARS.

For more information about STARS and other SIBA programs, contact executive director Wanda Jewell at wanda@sibaweb.com or STARS administrator Nicki Leone at nicki@sibaweb.com.

---

An AbeBooks.com poll of British customers about the funniest books they've ever read yielded this laughable list:

1. Right Ho, Jeeves by P.G. Wodehouse (1933)
2. Catch-22 by Joseph Heller (1961)
3. The Hitchhiker's Guide to the Galaxy by Douglas Adams (1979)
4. Three Men in a Boat by Jerome K. Jerome (1889)
5. Wilt by Tom Sharpe (1976)
6. A Confederacy of Dunces by John Kennedy Toole (1980)
7. Lucky Jim by Kingsley Amis (1954)
8. The Code of the Woosters by P.G. Wodehouse (1938)
9. Bridget Jones's Diary by Helen Fielding (1996)
10. Adolf Hitler: My Part in his Downfall by Spike Milligan (1971)

For more information, click here.

---

According to the Telegraph, the six finalists for the Bookseller's Diagram Prize for Oddest Book Title of the Year are Baboon Metaphysics by Dorothy L. Cheney and Robert M. Seyfarth, Strip and Knit with Style by Mark Hordyszynski, Curbside Consultation of the Colon by Brooks D. Cash, Techniques for Corrosion Monitoring by Lietai Yang, The Large Sieve and its Applications by Emmanuel Kowalski and The 2009-2014 World Outlook for 60-milligram Containers of Fromage Frais by Professor Philip M. Parker.

---

A reminder from Carl Lennertz, v-p for independent retailing, at HarperCollins, that in the tradition of Ecco's State by State, the company is soliciting essays about states from booksellers and librarians and will publish the best submissions in paperback in the next year. Part of the proceeds will go to the American Booksellers Foundation for Free Expression.

Essays should be about 2,500 words and be Word documents. The deadline is March 1. Lennertz offered this advice: "Take a look at some of the pieces in the book now to see the flavor of what we're looking for, O.K.? Then warm up your Corona (typewriter not beer).

"As you'll see, some authors once lived in the state they wrote about, or do now, but some were sent to the state for a first, fresh look. I don't think you have time for the latter, but really, anything goes. Likewise, I'm open to pieces about parts of larger states.

"NOTE: These are NOT about bookstore life; you're Jane or John Citizen on this, but of course, working in the book life as part of the piece would be more than fine."

For more information, contact Lennertz at carl@harpercollins.com.

---

Kaplan Publishing has made the following changes:

  • Marcy Goot has joined the company as executive director of marketing. She was formerly v-p of marketing for National Lampoon and earlier was v-p of sales and marketing for Warner Books, helped launch Hyperion as v-p, sales and marketing, helped launch Inner Ocean Publishing and was director of marketing of TOKYOPOP.
  • Don Fehr has been promoted to editorial director, trade. He joined the company last April.
  • Ron Sharpe has been promoted to executive director of production and manufacturing. He was formerly director of production.

 


GLOW: Bloomsbury YA: They Bloom at Night by Trang Thanh Tran


Media and Movies

Media Heat: Jeff Bezos on the Kindle, Tonight on the Daily Show

This morning on the Today Show: Rip Esselstyn, author of The Engine 2 Diet: The Texas Firefighter's 28-Day Save-Your-Life Plan that Lowers Cholesterol and Burns Away the Pounds (Wellness Central, $24.99, 9780446506694/0446506699).

Also on Today: Jon Friedman, author of Rejected: Tales of the Failed, Dumped, and Canceled (Villard, $14, 9780345500960/0345500962).

---

Today on the Diane Rehm Show: Jane Brody, author of Jane Brody's Guide to the Great Beyond: A Practical Primer to Help You and Your Loved Ones Prepare Medically, Legally, and Emotionally for the End of Life (Random House, $26, 9781400066544/1400066549).

---

Today on Dr. Phil: Shmuley Boteach, author of The Kosher Sutra: Eight Sacred Secrets for Reigniting Desire and Restoring Passion for Life (HarperOne, $25.99, 9780061668357/0061668354).

---

Today on Fresh Air: Liza Mundy, author of Everything Conceivable: How Assisted Reproduction Is Changing Our World (Anchor, $15.95, 9781400095377/1400095379).

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Today on Tavis Smiley: T.C. Boyle, author of The Women (Viking, $27.95, 9780670020416/0670020419).

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Tonight on the Daily Show with Jon Stewart: Jeff Bezos, founder and CEO of Amazon.com, who will talk about the Kindle and "what it means for publishing."

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Tonight on the Colbert Report: Helen Fisher, author of Why Him? Why Her?: Finding Real Love By Understanding Your Personality Type (Holt, $25, 9780805082920/0805082921).

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Tomorrow morning on the Today Show: Sharon Meers, author of Getting to 50/50: How Working Couples Can Have It All by Sharing It All (Bantam, $24, 9780553806557/0553806556).

Also on Today: Nancy L. Snyderman, author of Medical Myths That Can Kill You: And the 101 Truths That Will Save, Extend, and Improve Your Life (Three Rivers Press, $14.95, 9780307406149/0307406148).

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Tomorrow morning on Morning Edition: Felix Rohatyn, author of Bold Endeavors: How Our Government Built America, and Why It Must Rebuild Now (Simon & Schuster, $26, 9781416533122/1416533125).

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Tomorrow on the Diane Rehm Show: Emmanuel Jal, author of War Child: A Child Soldier's Story (St. Martin's, $24.95, 9780312383220/0312383223).

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Tomorrow on the Bonnie Hunt Show: Kat Von D., author of High Voltage Tattoo (Collins Design, $29.99, 9780061684388/0061684384).

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Tomorrow on Talk of the Nation: David Grann, author of The Lost City of Z: A Tale of Deadly Obsession in the Amazon (Doubleday, $27.50, 9780385513531/0385513534).

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Tomorrow on the View: CNN chief business correspondent Ali Velshi, author of Gimme My Money Back: Your Guide to Beating the Financial Crisis (Sterling & Ross, $12.95, 9780981453569/0981453562).

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Tomorrow on Tavis Smiley: Adam Cohen, author of Nothing to Fear: FDR's Inner Circle and the Hundred Days That Created Modern America (Penguin Press, $29.95, 9781594201967/159420196X).

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Tomorrow night on Jimmy Kimmel Live: Don Rickles, author of Rickles' Letters (Simon & Schuster, $25, 9781416596639/1416596631).

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Tomorrow night on the Late Show with David Letterman, in a repeat: Steve Martin, author of Born Standing Up: A Comic's Life (Scribner, $15, 9781416553656/1416553657).

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Tomorrow night on the Colbert Report: Cliff Sloan, author of The Great Decision: Jefferson, Adams, Marshall, and the Battle for the Supreme Court (PublicAffairs, $26.95, 9781586484262/1586484265).

 


Books & Authors

Awards: Axiom Business Book Award Winners

The second annual Axiom Business Book Awards, sponsored by the Jenkins Group and honoring the year's "best business books and their authors and publishers," have been announced. To see the top three winners in the 22 categories, click here.

 


IndieBound: Other Indie Favorites

From last week's Indie bestseller lists, available at IndieBound.org, here are the recommended titles, which are also Indie Next picks:

Hardcover

Drood: A Novel by Dan Simmons (Little, Brown, $26.99, 9780316007023/0316007021). "Spellbinding and macabre, Drood introduces us to a never-before-seen Charles Dickens and his London, both hiding dark secrets. A magnificent blend of literary fiction and unsettling thriller, Drood will keep you up at night."--Jenn Northington, the King's English, Salt Lake City, Utah

Sand: The Never-Ending Story by Michael Welland (University of California Press, $24.95, 9780520254374/0520254376). "Michael Welland's examination of one of nature's more ubiquitous materials might be about a subject you don't read much about, but it is fascinating."--Diana Portwood, Bob's Beach Books, Lincoln City, Ore.

Paperback

Jane Austen Ruined My Life: A Novel by Beth Pattillo (Guideposts Books, $14.99, 9780824947712/0824947711). "Does the world really need another book about Austen? Yes! To say 'no' would only deprive readers of all of this book's fun--a quest/scavenger hunt/romantic romp all rolled up into one. Enjoy!"--Beth Reynolds, Norwich Bookstore, Norwich, Vt.

For Young Adults

Mothstorm by Philip Reeve (Bloomsbury, $16.99, 9781599903033/1599903032). "When a rescue mission to Georgium Sidus yields a new foe, the Mumbys must save the Empire from certain peril--again. This thrilling and rewarding conclusion to Reeve's Larklight trilogy is exactly what I wanted from this masterful storyteller."--Krys Tourtois, Schuler Books & Music, Lansing, Mich.

[Many thanks to IndieBound and the ABA!]

 


The Birth of the Wimpy Kid at ComicCon

Jeff Kinney (l.), who brought his Diary of a Wimpy Kid to Charles Kochman (r.), executive editor of Abrams ComicArts, at the very first ComicCon in New York, just published his third episode in the series, The Last Straw. (This count does not include the journal-like Diary of a Wimpy Kid Do-It-Yourself Book, published last October, which Kinney said he modeled on Dr. Seuss's My Book About Me). Kinney created title character Greg Heffley for funbrain.com, his day job for Pearson. The author spoke during Kids' Day at ComicCon on Sunday, February 8. Attendance at the convention was up 15% from last year to just under 77,000 attendees; at least 4,200 children were in attendance on Kids' Day this year; nearly a fourth of them, it seemed, were in Kinney's audience. Shelf Awareness caught up with editor Kochman in the cavernous Javits Center.
 
Is it true that Jeff Kinney approached you at ComicCon?

We met at the very first ComicCon in New York in February of 2006.

But the launch book, Diary of a Wimpy Kid, came out barely a year later, in April 2007!

I loved the book and I wanted to make sure it got out sooner rather than later, so we both worked really hard. Even though some of it was online, it meant we had to work to reconceptualize it for print. He wasn't published and didn't have the demands on his time that he does now.
 
Jeff said the next one would be published in fall 2009.

Yes, fall 2009. There's no title or color yet. The first question kids ask is, "What's the color of the next book?"
 
Did Wimpy Kid start out as a children's book?

[Jeff and I] both thought it was an adult book, and in the editorial meeting, [my colleagues] said, "Why don't you take it to the kids' editors?" It seemed to make more sense the more I thought about it. The thing I was most struck by was the parents coming up to me; no wonder it began as an adult book and wound up as a kids book, because it really belongs in both worlds.
 
And it's really neither fully comic nor fully prose.

We modeled the first edition after The Catcher in the Rye--the red and yellow on the cover, the modern-day Holden Caufield--and also [thought of it as a] Phantom Tollbooth for this generation. It's a great hybrid; its DNA is in comics. Comics are a part of its vocabulary--the frustrated black tornadoes, the word balloons--he incorporated the stuff that Scott McCloud talks about in his book [Making Comics: Storytelling Secrets of Comics, Manga, and Graphic Novels].
 
We could have easily been very safe and said he's gotta be smiling on the cover, he's gotta learn a lesson, it must have a happy ending. By not adhering to conventions, [we made that] a strength [of the book]; it became its own thing.
 
Did you ever dream that Wimpy Kid would be this kind of phenomenon?

Never, in all my loving of the project and loving Jeff. I felt that there were enough eight-year-old kids who would appreciate it. This kind of phenomenon happens once in a career.


Along with the fourth, as yet untitled, colorless Wimpy Kid installment, Kochman is currently at work on at least two other titles for fall 2009, both for Abrams' ComicArts imprint. One is The TOON Treasury of Funny Comic Books for Kids edited by Françoise Mouly and Art Spiegelman, with an introduction by National Ambassador for Young People's Literature Jon Scieszka. "It's not superhero comics," explains Kochman, who spent a dozen years at DC Comics and also has a background in children's books from his days at Farrar, Straus & Giroux. "It's divided into categories, like funny animals--the material really speaks to parents and kids of all ages. There will be some Captain Marvel, who was the first real children's superhero. But there's an early Dr. Seuss story, a Pogo story strip, and other material like that." Another title, aimed at adults, is Dread & Superficiality: Woody Allen as a Comic Strip edited by Kochman. It contains artist Stuart Hample's syndicated newspaper comic strips from the 1970s and early '80s featuring the acclaimed comedian and director. Stay tooned.--Jennifer M. Brown

 


Interview: Patricia Briggs and Bone Crossed

I wasn't too sure about interviewing Patricia Briggs. I haven't had much reading (or other) experience with urban fantasy--werewolves, vampires or fae--although I've read and thoroughly enjoyed books by Kelley Armstrong and Mike Carey. But when I saw that her latest in the Mercy Thompson series, Bone Crossed (Ace, February 2009), was set in the Tri-Cities, I was intrigued. For those of you who don't know Washington State, the Tri-Cities (Richland, Kennewick, Pasco) are in semi-arid southeastern Washington. It's an area known for fabulous wines and boring trailer parks, the mighty Columbia, Yakima and Snake rivers and chain restaurants, great taco trucks and the Hanford nuclear waste site. Depending on your taste, it's either dramatically beautiful or overwhelmingly bleak. But . . . a setting for urban fantasy? It works. Patty Briggs has the skill to create a Tri-Cities that may not rival the Forks of Twilight fame, but surely deserves to have a few guided tours of its own (as long as taco trucks and wineries are included).

The heroine of Bone Crossed, Mercy Thompson, is a car mechanic and were-coyote; as if that weren't enough for excitement, she's also in a heap of trouble. In Briggs's previous book, Mercy killed a member of the local vampire queen's clan, and the woman is now out for Mercy's blood, literally. There's also a werewolf love interest, Adam; a vampire friend, Stefan; and Zee, a fae--standard plot fare, but with a richly-imagined background. The fae have been "out" for several decades, a result of modern forensics identifying them. They manage interaction with humans by allowing themselves to live on reservations, with many of the same restrictions and government legislation that other minorities have experienced. However, this restriction with its ID checks is somewhat amusing to the fae, since they can change appearance at will. Werewolves, however, have only recently admitted their existence to humans, while vampires (who are truly evil) are not out at all. Within the non-human world, they all are living uneasily, and often violently, together.

When I sat down to talk with Patricia, I asked her how she thought of, and kept track of, the rules for her fictional world. For instance, most fae have problems with steel, dating back to the intrusion into their lands by sword-wielding humans; therefore, fae drive big SUVs and trucks, because the roominess allows them more distance from the metal than a smaller car would. She said her mother was a children's librarian, and she grew up reading fairy tales, absorbing the facts of fairy life. Much of what may be confusing or seemingly arbitrary to new readers is actually grounded in works like Katharine Briggs's Encyclopedia of Fairies.

Briggs also discussed the popularity of urban fantasy, saying that the genre made its debut with some very good writers, like Charles de Lint and H.P. Lovecraft, and strong writers have given it a modern twist, authors like Laurell Hamilton, Charlaine Harris, Kelley Armstrong, Kim Harrison and Jim Butcher. She likens this development to the horror genre when it took off with Stephen King, Dean Koontz and Robert McCammon--a small group of writers but very good ones. In Briggs's opinion, readers may think they like certain writers because of the genres, but what they are usually responding to is good writing. She also feels that if booksellers thought more about the quality of writing instead of strict categories, they could get readers to cross types in their quest for a good book.

Still, writing aside, there must be something additional that draws readers to urban fantasy. Could it be sex? According to Briggs, the vampire is the ultimate seducer--the reader thinks, "He's a killer, but loves me. I'm able to tame a wild monster, although he is still a wild monster in defense of me." Werewolves, though, are the ultimate tragic heroes. They were innocent until they were turned with a bite, and now they are always in danger of harming or killing those dearest to them. Wolves are sexy animals--dark, dangerous, and yet pet-able. So why is Mercy a coyote? Briggs explains that by being a were-coyote, Mercy is under-powered relative to the others in her world. This provides the writer the thrilling advantage to put her in jeopardy more easily. Mercy is half Blackfoot, too, so that being coyote and a shapeshifter meshes nicely with Native American trickster traditions. The mix certainly makes Mercy an appealing and explosive package. The same can be said for Bone Crossed.--Marilyn Dahl
 

 



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