BEA: Big Morph in the Big Apple
Simultaneously this past weekend, attendees at BookExpo America could witness the end of time-honored parts of the show--some of the losses were welcomed, others lamented--and one could see the outline of a different kind of show that should be just as important to the industry, wherever the industry goes. As Peter Osnos of PublicAffairs put it, "This is a great event for learning all the important stuff about digital. BEA is important, as usual."
In addition to ye olde books and authors, change--both technological and economic--was the biggest topic of the show. Companies and individuals are trying to reinvent themselves and thrive in the new era of viral marketing, social networking and upended sales and distribution channels. As Jennifer Bigelow of the Southern California Independent Booksellers Association commented: "Publishers are being creative. They're thinking outside the box."
On the show floor, mountains of galleys were swept away in the cost-conscious e-age and were missed by many. This perhaps contributed to a feeling that there were fewer big show books. But at the same time, the author events, which seemed to have increased in number, drew raves. It's easy to forget that not long ago author signings in booths were banned at these shows; now the lines of people forming on the floor to meet authors add to a sense of excitement in the aisles.
Educational panels and seminars were more focused, of consistent quality, explored the major issues of the day and often drew SRO audiences. The two stages on the show floor featuring author and panel discussions similarly drew large crowds. Nearby exhibitors told Shelf Awareness that the programs, which were not distracting, increased traffic for them.
Exhibitors' booths shrank (overall down 20%), but exhibitors we spoke with expressed satisfaction with the show. For example, Dominique Raccah of Sourcebooks called BEA "the best show of my career." Martha Fluke of Elsevier noted that traffic was steady and that more librarians seek out the company at BEA than seek it out at ALA, a trend that has occurred the past three years. At mid-morning on Friday, Doug Armato of the University of Minnesota Press (which highlighted its books with a sign saying "your mental stimulus plan") said, "Already this is better than Los Angeles."
Some of the slimmed-down booths were striking, most notably Random House's. The company that once took so much space its location was called Randomland had a booth called a kiosk by a few wags. Random's Stuart Applebaum said that the approach--having a floor booth "for authors and booksellers and librarians to meet" while business meetings took place in rooms downstairs, off the show floor--"worked out well."
Attendance was 29,923, up 1,500 from last year in Los Angeles, but down 6,189 or 17.1% from 36,112 two years ago in New York. Still, many felt that if there were fewer people, they mattered more. According to BEA's red-bowtied Lance Fensterman, ABA member bookstore attendance was equal to that in 2007, while media representation rose to 1,700 from 1,250. There were 7,066 book buyers.
We heard no regrets about the lack of some of the footloose self-promoters of the past, who were discouraged from entry by higher fees. Where, several people wondered, was the "toilet seat guy" (he who wore a toilet seat around his head in a successful bid for attention) and the "question mark guy?" (We never queried him about the meaning of his question mark. One rumor had it that he won a stimulus package and is in Bora Bora sipping mojitos.) At least "Elvis" was in the building. And Connie Bennett, the single author of Sugar Shock!, wore a sandwich board asking "Are You 'The One?' " She was seeking "a committed relationship" both with the right man and with a "compatible publisher" for her new title, The 21 Weight-Loss Habits of Highly Successful Losers & Slim People. The sandwich board added: "Will put out on first date!!"
In the category of There Will Always Be a BEA, Dr. Ruth was at the show. We imagined that if, as a few doomsayers predicted, BEA might end, Dr. Ruth would be the one to turn out the lights.
Many fewer parties led to a greater appreciation of those that were held--and led to some spontaneous socializing and the popularity of the BEAtweetup, for example.
Last but not least, we wish to observe a moment of silence for the last weekend on which BEA will be held. Beginning next year, the show will take place mid-week and consist of one day of educational sessions and two days of a trade show.
State of the Business
Several people noted encouraging trends. Linda Cannon of rep group Parson Weems said that in the last month and a half, "we're seeing backlist orders again. This is a very good sign."
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Mark Kaufman of Paz & Associates said that the group's bookselling school held just before BEA had 12 graduates, representing 11 possible stores. He said he fully expects four stores to open this year and another six in the next 12 months. Three of the students were "female attorneys changing careers" and one has been in college textbook publishing.
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A green light for Greenlight. Jessica Stockton Bagnulo and Rebecca Fitting were beaming at show: they had just secured a bank loan on very good terms and signed a lease for their bookstore, Greenlight, in the Fort Greene section of Brooklyn, N.Y. They plan to open in the fall and were spending part of their time at BEA checking out fixtures. The storefront is on Fulton Street near the Brooklyn Academy of Music and the Lafayette subway stop.
BEA Moments:
Roberta Rubin, owner of the Bookstall at Chestnut Court, Winnetka, Ill., deserves credit for a most remarkable BEA journey: On Friday afternoon, she took a flight home from New York so that on Saturday morning, she could host an event for Larry King, whose new memoir is My Remarkable Journey (Weinstein Books). (To add to the excitement, King mentioned his visit and the store on his CNN show.) On Saturday afternoon, Rubin headed back to New York so that she could attend a Random House dinner.
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Bookseller-turned-agent Andy Ross, who had been longtime owner of Cody's Books, Berkeley, Calif., noted that he had placed seven books in his first year. With a kind of shrug, he added that he had unintentionally created a niche for himself in scholarly and public policy and had become "the go-to guy for orthodox Jewish scholars."
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For his part, former bookseller and publisher Roger Williams, who called Ross his mentor in agenting, said that he has received 28 submissions since opening his shop this month and already, sadly, sent his first rejection letter.
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On her first extended visit to the U.S., Australian writer Kate Morton had already held events at two bookstores for The Forgotten Garden, her new book from Atria, and had become acquainted with the Sharpie, a signing tool that she liked so much she has purchased her own.--John Mutter
[More on the show this week and next!]