The main setting of this debut novel is Manhattan's Lower East Side in the late '80s--that pivotal time just before gentrification, when derelict buildings were occupied by drug dealers, immigrants and runaways. Every character in this tale is somehow flawed, but we keep pulling for them, hoping that they will sort themselves out, instead of endlessly chasing whatever a drug or cult experience has promised.

Jude Keffy-Horn is the unlikely hero/protagonist who, despite a possible diagnosis of Fetal Alcohol Syndrome and indifferent parenting, might just emerge a whole person. Jude and his best friend, Teddy, are druggie adolescents in the rural metropolis of Lintonburg, Vt. The boys come by their taste for drugs honestly: Jude's father, Les, is a drug dealer in New York, and his mother makes her living as a glass blower--and most of her inventory consists of bongs. Teddy's splintered home (his mother, "Queen Bea," leaves as the novel begins) presages Bad Choices Ahead. Jude and Teddy smoke pot, huff and do whatever it takes to maintain a constant high. On Jude's 16th birthday, they hook up with visiting Eliza; before she boards the train back to New York a mere six hours later, Teddy is dead from a cocaine overdose and she is pregnant by him. Jude is sent to New York to live with his father.

Enter Johnny, Teddy's 18-year-old half-brother--he marries Eliza so that he can raise Teddy's child. One problem: Johnny is in the closet, except to his boyfriend, Rooster, but they, and very soon Jude and Eliza, become members of "straight-edge," a cult movement that eschews meat, sex and drugs--but not punk rock.

In Ten Thousand Saints, Henderson has captured the dynamic of a generation of kids trying to overcome the legacy of whacked-out parents, terminal permissiveness and no rudder. --Valerie Ryan, Cannon Beach Book Company, Ore.

Nayana Currimbhoy's debut novel takes place in monsoon-plagued India at a British all-girls boarding school in 1974. The moody, exotic setting is fraught with tension--several forbidden love affairs, a deep dark family secret and a murder mystery. What's extraordinary about Currimbhoy's style of writing is that despite all of this action, she manages to tell the tale without indulging in melodrama.

Two characters narrate the story. Charu, a naive young Indian teacher, shamed her whole life by a facial birthmark, experiences more of a coming-of-age than any of her students. Escaping the confines of her sheltered upbringing, she eschews the company of other prim teachers, aligning herself with controversial rebel teacher Moira Prince. Entering into a nighttime world of sex and drugs, Charu awakens to enticing internal passions while trying to maintain her good-girl exterior by day.

When Moira is found dead, a myriad of unanswered questions surface along with buried scandals that the surrounding community would rather keep hidden. This is where the second narrator, the teenage Nandita, takes over. The endearing Nandita is clever and courageous; she and her small posse of student sleuths attempt to solve the mystery of Moira's death--with some heartbreaking results.

While the whodunit element is intriguing, it nearly takes a back seat to the rare glimpse Currimbhoy affords into the world of a boarding school that clings stubbornly to British mores in the midst of an irresistible tapestry of Indian culture. --Natalie Papailiou, blogger at MILF: Mother I'd Like to Friend

Hell is empty, its denizens poured out to populate the pages of the seventh installment of Craig Johnson's popular Walt Longmire mystery series (The Cold Dish), where a prisoner transfer goes very wrong when a hardened killer escapes with other prisoners and hostages while he is leading lawmen to the remains of a young Indian boy. For those not familiar with the series, it blends crime fighting with American Indian spiritualism, similar to Tony Hillerman's acclaimed mysteries. But Johnson's world is bleaker, his characters darker, and the frigid high plains winds erase any memory of Hillerman's sun-drenched desert settings.

Hell Is Empty is more mad dash than mystery, a muscular story of guns and grit, man against man and man against nature. The plot requires a certain suspension of disbelief as the hero, aging ex-Marine Sheriff Longmire, single-handedly dispatches a cadre of cold-blooded thugs while climbing the snow-encrusted peaks of northwest Wyoming. Longmire is a tad bland, a white man in Indian territory whose personality pales in comparison to his native-American cohorts. Luckily, in this novel he is joined by his longtime friend, Virgil White Buffalo, a 400-pound Crow recluse cast in the unlikely role of guardian angel. Buffalo's character adds color and much needed humor to the tale, as together they track the killer up the Bighorn range. 

While Johnson's use of Dante's Inferno as a literary prop stretches the reader's tolerance at times, the characters' ascent is indeed hellish, pulling them deeper into a hypothermic fever dream where the line between the living and the dead blurs. --Tom Lavoie

Nothing bad happens at Armitage Academy. It's too elite, too private and too secluded in rural Massachusetts. Its students are wealthy and accomplished, its faculty and staff beyond reproach.

So when beautiful queen bee Claire Harkness is found dead in her dorm room, the Armitage Academy community is stunned and confused. When it's discovered that Claire recently gave birth, and the baby--or the baby's body--is missing, those feelings change to fear, and the tragedy and mystery threaten to collapse the very foundations of affluence and class that the school was built upon.

When Armitage alumnus Detective Matt Corelli and his partner, ornery vegan Vernon Cates, arrive to begin the investigation, they can't quite penetrate the networks of secrecy that blanket the school like ivy. They turn to first-year English department intern Madeline Christopher, whose youth and outsider status make her an ally and a target for both the student body and faculty. The twisted path they all must take into the closed world of Armitage reveals not only what happened to Claire Harkness, but also the dark tunnels that can run beneath privilege.

Recommended for fans of Donna Tartt's The Secret History and Marisha Pessl's Special Topics in Calamity Physics, Bacon's (Split Estate) well-written, fast-paced novel is the perfect beginning to any literary mystery lover's summer reading list. --Sarah P. Miller, blogger at Blue Truck Book Reviews

Sally MacKenzie returns to Regency England with the seventh installment in her Naked Nobility series. This time the "royal" hero is Stephen Parker-Roth, the notorious and sexy "King of Hearts." Stumbling home one morning after a night out, Stephen literally runs into Lady Anne Marston. Soon they are entangled in an accidental embrace, which becomes an accidental engagement when London's biggest gossip sees their mishap.

Anne is a 27-year-old spinster, her dreams of a home and family shattered by an ill-fated romantic encounter 10 years ago. The King of Hearts quickly captivates her with his seductive kisses and smoldering touch, but Anne cannot believe that he will return her love when he learns the true reason for her seclusion from society.

What Anne doesn't know is that Stephen intends to go through with their sham engagement, thinking that her good sense will provide him a capable helpmeet. However, he soon realizes his bride-to-be's combination of intelligence and vulnerability are going straight to his heart, and the lust she kindles in his body is a delightful bonus. Settling down suddenly seems attractive, but first he must convince Anne to confess the secret that stands in the way of their love.

Fans will delight in this return to MacKenzie's series, where deep passion and realistic relationship obstacles are frosted with light-hearted banter and intricate period details. One word of caution: the many cameos of former heroes and heroines of the series may leave MacKenzie's new readers scrambling to keep up with the cast. The remedy, of course, is to read the earlier installments, an enjoyable prescription indeed. --Jaclyn Fulwood, graduate assistant, University of Oklahoma Libraries

While on a much-needed vacation, transplanted Texan Noelle Hancock learned she had lost her high-profile, well-paying job as a blogger in New York City. Exhausted by a career largely based on keeping up with breaking celebrity gossip, Hancock sat down to create a new plan for her life and froze--she had developed anxiety and avoidance issues that left her paralyzed. Then Hancock happened upon a quote by Eleanor Roosevelt: "Do one thing every day that scares you." The famous First Lady's command inspired a plan both simple and ambitious. Hancock put off job-hunting in favor of spending 365 consecutive days facing her fears, with the help of family, friends and the writings of Eleanor Roosevelt.

From singing karaoke to hiking Mount Kilimanjaro to volunteering in a cancer ward, Hancock takes readers on a hilarious and insightful journey. Her sense of humor shines in her laugh-out-loud one-liners as well as her choices, such as confronting her fear of heights via trapeze lessons. Hancock also faces down personal anxieties, such as leaving the house without makeup and battling a dependence on sleeping pills. She remains reflective on the nature of fear, how it protects and hinders us, and how her project helped her to feel more secure in herself and her relationships. While spending a year on personal growth may sound self-indulgent, Hancock finds that embracing life gives her the desire to help others.

Although similar in concept, this book is no mere Julie and Julia clone. Whether your biggest fear is death or public speaking, chances are you will laugh and relate to at least one of Hancock's adventures. --Jacki Fulwood, graduate assistant, University of Oklahoma Libraries

From the time the first Europeans arrived on Easter Island in the 18th century, Westerners have been fascinated by the island's monumental stone sculptures and baffled by how an impoverished prehistoric culture could have built them. The standard explanation was that the island had once been as fertile as other inhabited islands in the Pacific. Over time, its population committed ecological suicide, cutting down thousands of giant palm trees to support the statue cult.

When anthropologist Terry Hunt and archeologist Carl Lipo arrived on Easter Island in 2001, they expected simply to add a few details to the already well-developed account of its early history. In their fourth year of fieldwork, they found evidence of the giant palms that scholars believed covered the islands when Polynesian settlers first arrived. It was a major discovery. There was only one problem: the oldest layers were several hundred years later than the latest accepted date for colonization. If the island was deforested over decades instead of centuries, then everything archeologists thought they knew about the early culture of Easter Island was in question.

Hunt and Lipo reexamined, and rebuilt, archaeology's fundamental assumptions about Easter Island, using discoveries from other Pacific island cultures, local oral traditions, previously discounted field research, satellite images from Google Earth, studies by evolutionary biologists, accounts by early European observers, even game theory. They make a compelling case against the traditional version of Easter Island's prehistory. Instead of "ecocide," they describe a culture of careful environmental stewardship. And along the way, they prove how a small number of men can make a giant monolith "walk." --Pamela Toler, blogging at History in the Margins

Renowned psychiatrist Robert Jay Lifton (Home from the War; The Nazi Doctors) has written a memoir that resists easy categorization. This is fitting, since Lifton's wariness of dogmatism has characterized his work in psychohistory for more than half a century. In the 1950s, Lifton was a young psychiatrist developing his own work method that couched lengthy interviews in a larger "mosaic" of historical and cultural context.

In detailed accounts of his major studies--on victims of systematic brainwashing in Communist China, survivors of the atomic bomb in Hiroshima, Vietnam veterans and Nazi doctors--Lifton not only chronicles his life's work but also delves into the most horrific events in recent history and the minds of people who both witnessed and created these "atrocity-producing situations." The trajectories of his personal, professional and intellectual life expand to encompass not a single life but an entire era. From his roles in antiwar protests and informal "rap groups" for "vets and shrinks" to his court testimonies in high-profile trials and 45 years of interdisciplinary exchange at the Wellfleet meetings he hosted with his wife, Lifton's activities form a nuanced narrative that is also an examination of war and peace, good and evil, and collective versus individual psychology.

Perhaps even more impressive than Lifton's many accomplishments is the eloquent, conversational style he employs in tackling often-heavy subject matter, as if he is now the interviewee, sitting across from his reader, injecting humor, anecdotes and even dreams into a remarkable life story. This isn't a typical memoir, but then, Robert Jay Lifton hasn't had a typical life. --Claire Fuqua Anderson, fiction writer

Breaking up is hard to do, and harder still when your soon-to-be ex is the deity you've long worshipped--but that is what Sarah Sentilles does when her relationship with God changes. In her latest, Sentilles (A Church of Her Own; Taught by America), chronicles her courtship, relationship and subsequent rift.

Sentilles's quite serious "affair" with God began to unravel she was in the ordination process to become an Episcopal priest. Sentilles herself calls out the least-likable aspect of the book: God as "boyfriend." In the prologue, she confesses: "I'm not completely comfortable portraying it as a love affair gone wrong. Figuring it as a romance seems simultaneously so medieval-mystic, so patriarchal, so oedipal that is makes me cringe." Yet, that romance-gone-bad frame allows Sentilles to detail her decision to step away from the calling she had worked so long toward fulfilling.

The author's relationship with mortal men had a common theme, too: before entering seminary, she engaged with emotionally distant, unavailable and even abusive men whom she constantly had to impress in order to win and re-win their affections. In the aftermath of these relationships, her relationship with the church and with God fill a void. Like any new romance, there is a certain blindness to faults at the beginning. Once Sentilles began to question the noninclusiveness of the Bible, she was unable to reconcile her growing feminist ideals with the traditional male, omnipotent deity of her studies. So she dumped him. --Megan Tarbett, librarian, WV Library Commission

Working from 15 years' experience, psychologist Rob Dobrenski (Shrink Talk) makes his literary debut with Crazy, a memoir intended to "debunk some myths and stigmas about mental health." Dobrenski contends that the greatest myth of all is that therapists are trouble free and clients filled with problems. He wants the public to know that "in reality, we're just like them: crazy."

Crazy is presented as a day-in-the-life, in which each hour features Dobrenski's treatment of a new client with a different issue. Among them are a blind man battling depression, a rape survivor dealing with post-traumatic stress disorder and a couple contemplating divorce. Chapter by chapter, Dobrenski describes his diagnosis and therapeutic approach in a casual, informative style that demystifies much of what happens when one lies down on the proverbial couch, and in a bold--if not entirely reassuring--move, he breaks from behind the screen to discuss his own experiences in therapy and the use of medication within the mental health community. Readers familiar with Henri Nouwen's groundbreaking The Wounded Healer will recognize Dobrenski's message: "Shrinks are people, too!"

If his extensive use of expletives is any indication, Dobrenski is determined to prove it. His dialogue and clinical definitions are sometimes clunky and didactic, but his goal of normalizing psychological problems and putting them on par with physical ailments that require medical intervention is a worthy one that makes the flaws forgivable. Crazy is a solid step in the right direction of reminding patients that treatment can be a two-way street. --Rebecca Joines Schinsky, blogger at The Book Lady's Blog

In his first book for young adults, Geoff Herbach (The Miracle Letters of T. Rimberg) explores with insight, humor and poignancy the transformation of Felton Reinstein during the summer in Bluffton, Wis., that he turns 16. His mother, Jerri, witnesses the pivotal spring gym class in which he sprints the entire 600-yard dash and outruns the best runners by 150 yards ("stupid fast"). At first, she encourages him. But as he shoots up to more than 6 feet and 168 pounds, and the coaches line up to talk to him, Jerri begins to withdraw.

Herbach perfectly captures the unexpected tradeoffs that come with gaining acceptance in one arena while losing the foothold in one's foundation. Felton is the one who found his father hanging in the garage when he was five ("This could be a dark tale!" he says. "It's not"). Jerri won't talk about it to Felton or his 13-year-old brother. She simply shuts down. And Felton's best friend is away for the summer. Luckily, Felton's paper route puts him in the path of Aleah Jennings, who's moved in for the summer, and a relationship develops between them.

Felton's questions about his mother's increasingly bizarre behavior feed a larger mystery at the center of the novel. If the narrative at times rambles, you will forgive Herbach because it's so true to Felton's stream-of-consciousness meanderings. The author grants access to a male teen's thoughts at his most vulnerable, as he builds tenuous friendships with his jock buddies, and takes Aleah's hand, "which made me totally dizzy and sort of sweaty." --Jennifer M. Brown, children's editor

Nick Bruel reunites the full cast of Bad Kitty characters--plus one significant addition--in this newest chapter book installment of the laugh-out-loud series. When Kitty's owners go off to bring home "a very special surprise," Uncle Murray reprises his role as pet-sitter. Kitty, of course, must misbehave, leading to Uncle Murray's latest Fun Facts: "Why Do Cats Climb Trees?"; "Why Do Cats Get Stuck in Trees?"; and the all-important "How Do You Get a Cat Back Down from a Tree?"

When the surprise finally arrives, Kitty can't figure out what it is. This sets up one of the funniest bits in the book, the "What the Heck Is that Thing?" game show with contestants who must guess its identity. We know, of course, that it's a baby. But readers will be amused to find that, while Kitty decides it's a dog, the neighborhood cats think it's a fellow feline and invite the baby to compete in the Pussycat Olympics. This leads to a temper tantrum of epic proportions.

As the dust settles, Kitty discovers that she and Baby have a lot in common. The ending is a soft-tackle of both adoption and sibling relationships, and the take-home lesson is that, while change can be scary, new friends are worth it. Bruel covers all the bases with a heart-warming, chuckle-inducing and slyly educational read. --Jenn Northington, event manager at WORD, Brooklyn, N.Y.