North of Dawn continues Nuruddin Farah's focus on the Somalian diaspora. Mugdi and Gacalo, long settled in Oslo, Norway, are devastated when their son's conversion to radical Islam leads him to their home country of Somalia and his death in a suicide bombing. This horrific loss is also the beginning of the transformation of their lives: their son had extracted a promise that they would care for his wife and her two children if something were to happen to him. As the novel opens, in 2009, Mugdi is at the airport meeting Waliya, 12-year-old Naciim and 14-year-old Saafi.

The characters in North of Dawn are patient and generous; Mugdi and Gacalo's material and emotional support are endless. But they're also fearful: Waliya clings to strict Islamic tradition, refusing to work or leave her apartment. However, "Grandma and Grandpa" soon convince the children of their good intentions, and their relationship is warm and hopeful. Mugdi, a translator and former ambassador, schools Naciim, while slowly gaining the trust of Saafi, who arrived terrified of men. Even Waliya responds to their kindness, although she is also drawn to radical Islam and the influence of an old friend.  

Real-life episodes of right-wing violence and Somalian conflicts bring a sense of immediacy to the story. Farah's (Hiding in Plain Sight) simple diction and straightforward narrative enhance this novel of the personal consequences of social upheaval. --Cheryl Krocker McKeon, manager, Book Passage, San Francisco

Carrie Callaghan follows the intertwined journeys of two women in her debut novel, A Light of Her Own. As a young artist in 17th-century Holland, Judith Leyster struggles to make a living and earn the professional respect she deserves. She's gained valuable skills during her apprenticeship to Haarlem painter Frans de Grebber, and a close friend in his daughter, Maria. But Judith has her sights set higher: she wants to open her own workshop, train apprentices and win a place in the city's powerful guild of painters, all men. Maria, though she also wants to paint, is preoccupied with questions relating to her Catholic faith: What does God want of her and what sacrifices will he require?

Like her protagonists with their paintings, Callaghan renders her subjects in rich detail, giving readers a glimpse into the world of painters' workshops, smudged with freshly ground pigments and smelling of linseed oil. The politics of the painters' guild and the women's internal challenges are also vividly drawn. While Judith burns with ambition, she struggles to make ends meet, help her ne'er-do-well brother, Abraham, and fight the sexism and corruption displayed by her male colleagues. Maria, desperate for some higher purpose, throws herself into a quest to retrieve a saint's relic. The plot meanders for a bit until Maria's return, but Callaghan brings the characters together to uncover a conspiracy and mend their relationship. Callaghan's novel is as compelling as one of Judith's paintings, a well-crafted blend of light and shadow. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

In Lee Child's Past Tense, Jack Reacher wants to go across the country, from Maine to California. On the way, he sees a sign pointing toward Laconia, N.H., his dad's hometown--a place he's never visited. Reacher decides to take a detour for a look at the old homestead before hitting the road again. His plans don't unfold that way.

Meanwhile, Shorty and Patty, a young Canadian couple, are driving to New York City. They need a rest stop and their old car is overheating, so they turn onto a rural road in the New Hampshire woods. They find a secluded motel that's far from being a five-star establishment, but the rate is cheap and the staff is solicitous. Maybe too much. The couple's and Reacher's journeys eventually converge.

Reacher's excursion is personal; he's tracking his father's roots, but he's not burning with curiosity since he seems content with not knowing too much about the man's past. What keeps Reacher in town is his discovery that the facts as he knows them don't match Laconia's records.

Some readers will likely guess early on the couple's situation at the hotel, and the lead-up to it is drawn out a little too long, but once that development gets going, the action is vintage Child. As usual, Reacher may deviate from his intended route, literally and figuratively, but finds he's exactly where he needs to be. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

Los Angeles detective Renée Ballard is making the best of the "late show," the long, lonely overnight shift that turns over cases to other detectives. One night, she discovers none other than retired detective Harry Bosch going through cold-case files. Bosch, now a back-up investigator with the tiny San Fernando Police Department, knows as well as Ballard that he shouldn't be there. But their unerring sense of justice is powerful, and they unofficially team up to solve the murder of a 15-year-old girl.

Daisy Clayton was one of countless runaways disposed of on the mean streets of L.A., but Bosch made a promise to Elizabeth, Daisy's mother, a recovering opioid addict struggling to stay sober and to find meaning in life. He has even taken Elizabeth in, straining his relationship with his daughter, Maddie. Meanwhile, Ballard juggles multiple cases on the night shift and Bosch finds himself the target of a violent San Fernando gang that leaves one witness dead--with Bosch's business card stuffed in the victim's mouth.

Dark Sacred Night is a magnificently complex thriller and an outstanding entry for both lead characters. Ballard, introduced in The Late Show last year, is still paying the price for filing a sexual harassment complaint. And Bosch believes he saved Elizabeth from the throes of addiction, only to be "left with the question of whether he had rescued her at all." Ballard's willingness to bend the rules and Bosch's propensity to break them make for a gripping police procedural with surprises at every turn. --Frank Brasile, librarian

In this vibrant, engaging tale set in 1786 England, Poppy Bridgerton's ordinary life is turned upside down when she explores a known smugglers' cave on the Dorset coast. Discovered by two gruff sailors, she's kidnapped and taken aboard the ship of Captain Andrew James. Poppy believes Andrew is a pirate, but he's actually a privateer secretly working for the Crown. He has official business in Lisbon that cannot wait, so Poppy is confined to his cabin for the journey. Their initial annoyance with each other quickly gives way to being intrigued by each other's keen intellect and their shared interests--and the close quarters forces them to become more thoroughly acquainted than would otherwise be allowed. Andrew is keeping multiple secrets, but one in particular may ruin any chance of a future with Poppy: his real name is Andrew James Rokesby. His family in Kent are neighbors to Poppy's uncle, and his oldest brother is married to her beloved cousin. Andrew has little doubt Poppy will be outraged when she discovers his deception. When dangerous Lisbon criminals kidnap Andrew and Poppy for ransom, however, he realizes he may never have the chance to confess.

Delightfully witty, wonderfully romantic and filled with adventure, The Other Miss Bridgerton stars two exceptionally likable, honorable people of strong and admirable character. Quinn's fans are certain to adore this latest entry in the tales of the Bridgerton family. --Lois Dyer, freelance book reviewer

Adapting a novel as universally beloved as Harper Lee's Pulitzer Prize-winning To Kill a Mockingbird into a graphic novel is fraught with peril. For many students, Lee's compassionate and humorous coming-of-age tale is their first exposure to grappling with issues of racial inequality, gender roles and compassion for those different in color, class and beliefs. Nevertheless, Fred Fordham (who illustrated Philip Pullman's The Adventures of John Blake: Mystery of the Ghost Ship) has done a magnificent job adapting and illustrating the 1960 classic.

Set in Alabama over a three-year period (1933-1936), To Kill a Mockingbird is told from the point of view of six-year-old Jean Louise Finch (aka Scout), whose lawyer father is defending a black man accused of raping a white woman. Although judiciously edited, Fordham's adaptation is amazingly faithful to the novel--even more faithful than Horton Foote's Oscar-winning screenplay for the 1962 film starring Gregory Peck as lawyer Atticus Finch. (Atticus's sister, Aunt Alexandra, was absent from the film but is present in this new medium. Mrs. Dubose, the antebellum morphine addict down the street, also regains her prominence from the novel.)

Fordham's full-color illustrations are vibrant, imaginative and detailed. And his text adaption retains the simple poetry and wry humor of Lee's writing. This beautiful, full-color graphic novel incarnation is sure to please Lee's fans and win new devotees. --Kevin Howell, independent reviewer and marketing consultant

Andrea Chesman (The Backyard Homestead Book of Kitchen Know-How) has created a surprisingly beautiful cookbook in The Fat Kitchen: How to Render, Cure and Cook with Lard, Tallow and Poultry Fat. It begins somewhat unusually, with a chapter on the chemistry and biology of animal fats and why--probably to the surprise of many Americans--they may be healthier than many vegetable fats. For example, when vegetable seed oil is heated in a deep-fryer, it releases aldehydes (linked to cancer and dementia). According to Chesman, repeated frying in any kind of vegetable oil makes food increasingly contaminated. Animal fats, however, can safely be re-used several times for frying.

The Fat Kitchen is full of information on which fats come from which parts of animals, how to render them at home (or where to buy them) and how to store and use them properly. But the real showpiece of The Fat Kitchen is its many delectable recipes. Each one includes gorgeous photos, detailed instructions and tips on how to best incorporate fats. And the recipes themselves will have readers salivating, including Onion Confit and Chorizo-Cheese Empanadas; Curried Beef Pasties in the savory section; and Amish Potato Buns, Jelly Doughnuts and Blueberry Galette in the sweets. Any home cook wanting to avoid processed oils, as well as anyone hoping for more tender baked goods and tasty main dishes, is sure to enjoy The Fat Kitchen. --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

In her early 70s, moving with her beloved older husband to a more manageable apartment, editor and critic Susan Gubar (Memoir of a Debulked Woman) turned to literature and the arts to find stories of romance and devotion in old age. Late-Life Love combines criticism with her memoir of the persistent love in her marriage, despite the pains and humiliations of advanced age.

In most works of art, love has been traditionally tied to youth. After a certain age, women in particular are supposed to give up romantic love and focus all their affection on younger generations. "This terrible and terribly influential belief that Eros hates old people seems to be intensified by a lens of ageism that presents people beyond their prime as fearful, garrulous, foolish, solipsistic, or doddering."

Couples who meet late in life, as Gubar met her husband, are her first subject. After a certain age, most people have learned a few things about love and relationships, but also carry emotional baggage and deep-set loyalties to family and places. Untrustworthy bodies, anxiety about lost looks and fear that the time left may be too short can all act as obstacles to new love.

Works she considers include poems by Elizabeth Barrett Browning and Donald Hall, the opera Fidelio and novels by Gabriel García Márquez, Toni Morrison and others. Between them, she manages her husband's care, quilts, remembers past moments of romance and reports new ones, and attends a cancer support group for herself. They lose old friends, accept the support of family and make the most of what they still have together. --Sara Catterall

Until just a few months ago, Beleza, Indi, Oscar and Zulu traveled the seas with their parents. Their mom and dad were sicarios: poachers who hunt sea monsters for prestige, sport and (sometimes) money. But then Mom and Dad went away, leaving behind only their travel journal. The four siblings haven't seen them since.

Now, Beleza, Indi, Oscar and Zulu are all alone on a ship so small they "can't breathe without getting air that's just come out of someone else's mouth." Elder sister Beleza has taken on the role of captain, while 17-year-old Indi is first mate and caretaker, and the two are doing their best to hunt the seas and raise "the kids," 12-year-old Oscar and six-year-old Zulu. Indi, whose love for his siblings "sweeps [him] away like a tide," wants something more than this life for them. Beleza, however, has one driving focus: revenge. She wants to use the travel journal to find out which monster likely killed their parents and kill it in return. When a stop on land for information unearths a pretty Tunisian pirate named Hura and rumor of a giant, unkillable monster called El Diamante, the siblings' already dangerous world becomes all the more perilous.

Under 300 pages with extremely short chapters, Hannah Moskowitz's (Zombie Tag) Salt is a quick read with a swiftly moving plot. While monsters pull the reader in, it's the humans and their interpersonal relationships that are the true shining stars of this work. Pick up Salt for the sea monsters and adventure; fall in love with it for the exasperating yet endearing characters. --Siân Gaetano, children's and YA editor, Shelf Awareness