"Wow, women are really something!" Expressed through one tiny line of dialogue, this sentiment nevertheless forms the foundation of Iwaki Kei's Farewell, My Orange. Reflective of Kei's own journey, the novel is set in Australia, where the author emigrated from her native Japan 20 years ago, and spotlights the experience of immigrant women.

Salimah fled ongoing conflict in Nigeria with her husband and sons, in fear for their lives. Although safer, Australia is strange. With her different language and skin color, Salimah feels great weight on her shoulders as she labors daily cutting and packaging meat.

Similarly adrift is Sayuri, despite arriving under different circumstances. She and her professor husband moved from Japan for his career, and she is expecting their first child.

Over the course of several years, Salimah and Sayuri attempt to bid farewell to the known sunsets of their homelands and make way for the new women they are wrestling to become. Through third-person narrative and letters from Sayuri to her writing teacher in Japan, Farewell, My Orange beautifully renders the women's ebbing and flowing strength through suffering. As their paths cross in English-language classes, the twists of life bring joy, pain, success and tragedy that further hone their experiences and relationships.

Kei's work won the Kenzaburō Ōe Prize, created by publishing house Kodansha to honor Nobel laureate Ōe and promote Japanese literature worldwide. Translation to English is part of the prize, and the poignant turns of this slim volume are worthy of a broader audience. --Lauren O'Brien of Malcolm Avenue Review

Tomás González--dubbed "the best-kept secret of Colombian literature"--arrived on the English-language scene with In the Beginning Was the Sea. His follow-up is The Storm, a slim, lyrical novel about the tensions tearing apart a Colombian family. The patriarch of the family, generally referred to as "the father," rules his hotel by the seaside with an iron fist, constantly berating his twin sons, Mario and Javier. His wife, Nora, has been driven to schizophrenia by his blatant affairs and other cruelties. She spends much of the novel conversing with people only she can see. González likewise provides the reader with a multiplicity of voices as he bounces quickly among the perspectives of many of the tourists. They come to form a kind of Greek chorus, commenting on the events of the novel and giving the lie to the main characters' conceptions of themselves.

The novel begins with the father, Mario and Javier heading out for an extended fishing session to feed the hungry tourists. They ignore warnings about an approaching storm, more preoccupied with their resentment and hatred toward each other than with physical danger. As tensions bubble over into something uglier, González expertly deconstructs each character's hypocrisies and self-delusions. The father, for example, fancies himself a canny businessman when he's actually a skinflint: his hotel complex consists of a series of poorly maintained bungalows and it's revealed that he saves money by redirecting sewage into the water. The Storm is a complex psychological portrait of a family on the verge of self-made disaster. --Hank Stephenson, bookseller, Flyleaf Books, Chapel Hill, N.C.

Lola Woodby, a fallen-on-hard-times society matron, and Berta, her former cook, have been doing well in business together, securing missing items. The Discreet Retrieval Agency is hopping, and Lola and Berta are especially happy to have a case taking them to Vermont just before Christmas. Berta, who is Swedish, misses the snowy winters of her childhood.

They arrive in Maple Hill at the request of the Goddard family, to recover a missing sapphire ring. But they're shocked when Mrs. Goddard, an extremely wealthy woman, falls down dead within minutes.

The local police are extremely suspicious about the timing of Mrs. Goddard's death, so Lola and Berta have to stay in Maple Hill until the killer is caught. But as they continue to interview the people present the night of Mrs. Goddard's death (requiring them to tramp through the woods, poke into cellars and skulk beneath dining windows), two more people turn up dead. Can the Discreet Retrieval Agency catch the killer before the killer catches them?

Lola's tongue-in-cheek narration and Berta's stolid Swedish responses make for excellent repartee. Set in the Prohibition era, Naughty on Ice is a funny and clever fourth entry in a series by Maia Chance (Gin and Panic, Teetotaled). With a slew of entertaining small-town characters, a wintery setting and several interesting twists, this witty novel is sure to appeal to lovers of lighthearted historical mysteries. --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

In a future where humanity spans the galaxy, a single planet stands above all others, both in economic importance and brutality. 11-H37 is tidally locked with its parent red dwarf star, meaning one side, the Cindersphere, is a permanent furnace, while the other remains in perpetual shadow. Only a thin band of green separates these disparate hemispheres, a stretch of habitable land called the Razor, which shares that name with 11-H37's penal colony. It houses the worst of the galaxy's worst, gangs of men and women condemned to lifetime imprisonment in pursuit of one company's profit. Maas-Dorian needs the Razor to mine Xytrilium, the fuel to its ubiquitous engines, and abominable conditions in the Cindersphere make disposable labor a grim necessity.

Into this hellish world enters Dr. Flynn, ironically a former senior scientist for Maas-Dorian, framed for reasons that matter less than his immediate survival. Maddox, a former guard on the Razor turned prisoner for snitching on corrupt colleagues, joins Flynn on a mobile mining rig crawling out to the Cindersphere. During the course of normal operations, neither of them would have very long to live, but an emergency--including a planet-wide power vacuum--threatens to end their incarceration even earlier. They must escape their scuttled mining rig and reach the planet's starport before the Razor's thin edge fails to protect them.

The Razor is thrilling science fiction at its finest. J. Barton Mitchell has combined something like The Chronicles of Riddick with The Fifth Element into a pulse-pounder with its own rhythm. Though The Razor relies on plenty of sci-fi tropes, Mitchell's plotting keeps pace with any adventure or thriller tale. The Razor cuts a wide swath across genre interests. --Tobias Mutter, freelance reviewer

Martha's Vineyard is the setting for N.D. Galland's On the Same Page. Galland (The Rise and Fall of D.O.D.O., written with Neal Stephenson), an island resident, uses her insider's understanding of the social and political tensions as backdrop for a delightful romantic comedy.

Journalist Johanna Howes is Vineyard-born but worked off-island for years. Returning to care for a cranky uncle, she finds not much has changed. Year-round island residents are fiercely provincial, scorning rich summer people but needing the economic boost that they provide. One wealthy resident says, "You're xenophobes. You don't want outsiders coming in."

Johanna is hired at one of the two local newspapers but, realizing one salary isn't enough, secretly takes a job at the competing paper under a pseudonym. The biggest story on the island is the lawsuit of a summer resident who wants to land a helicopter on his property. The two newspapers take opposing views, and Johanna has to surreptitiously cover the story from both angles. "It's just simpler not to explain it to my bosses," she tells a friend.

Meanwhile, she begins dating an attractive man she meets at a zoning meeting, only to find out that he's Orion Smith, the very man bringing the lawsuit. Johanna engages in elaborate juggling to keep her jobs secret, and serious emotional gymnastics to try to dislike the man she's actually becoming very fond of.

On the Same Page is perfect for fans of Elin Hilderbrand and Nancy Thayer, as well as those looking for a romantic comedy enhanced by contemporary social issues. --Cindy Pauldine, bookseller, the river's end bookstore, Oswego, N.Y.

In The Life of Frederick Douglass, David F. Walker (Super Justice Force) presents a retelling of the life of one of the abolition movement's most famous leaders, a man "who exists as both a historic personality and as something of a mythological figure." With stark illustrations by Damon Smyth and Marissa Louise, Walker's graphic narrative brings Frederick Douglass to life, highlighting the lasting legacy of his work in the U.S.

Walker narrates The Life of Frederick Douglass in the voice of Douglass himself--a decision perhaps not surprising given Douglass's famous autobiography, Narrative of the Life of Frederick Douglass, and the transcripts available from his lectures on slavery, abolition and racial prejudice. "I made real for them the inhuman horrors of slavery," says Douglass of his lectures to crowds of white abolitionists.

Walker places these horrors in historical context with short lessons on the history of the slave trade, photography (and its importance in documenting Douglass's life) and the trajectory of the Civil War. He also highlights Douglass's key relationships--with his wife, and with abolitionist John Brown and Abraham Lincoln, to name a few. Smyth and Louise's illustrations highlight the human cost of these larger historical trends as well as the emotions packed into each of Douglass's personal relationships. The result is a work that, like the man himself, reveals the violence and horror of slavery at both the human and systemic levels and the pervasive legacy of racism it left in its wake. --Kerry McHugh, blogger at Entomology of a Bookworm

Before she became an artist and author (Slow Days, Fast Company), Eve Babitz was a party girl par excellence. Carousing with artists, actors and musicians came naturally to her: Eve's mother was an artist; her father was a movie musician; and her godfather was composer Igor Stravinsky. In 1963, when she was 20, she gained notoriety when for an art exhibit she posed for a nude photograph playing chess with artist Marcel Duchamp. She was sexually free and enjoyed her drugs. Babitz once said, "Anyone who lived past thirty just wasn't trying hard enough to have fun."

Much of this juicy and illuminating biography concerns how Vanity Fair contributing editor Lili Anolik's appreciation of Babitz's numerous books and album cover art led her to seek out the now-reclusive icon. Babitz left the limelight after a 1997 fire left her with third-degree burns and massive medical debt. The generous quotations from the author's novels display a witty, caustic and observant writer well worth rediscovering.

But many will read Hollywood's Eve for the tantalizing tales of her sexual exploits. She dated Steve Martin, Jim Morrison, Jack Nicholson and others. Novelist Dan Wakefield remembers, "Our year together was one of my favorite years, but I couldn't have lived through two of them. My God, the decadence!" Her relationship with struggling actor Harrison Ford was strictly physical. "Harrison could f***," says Babitz. "Nine people a day. It's a talent, loving nine people in one day. Warren [Beatty] could only do six." Hollywood's Eve is a gossipy delight and entertaining reintroduction to a very talented writer of L.A. life. --Kevin Howell, independent reviewer and marketing consultant

The 1995 bombing of the Alfred P. Murrah Federal Building in Oklahoma City, Okla., killed 168 people. When retired teacher and grandmother of six Wilma Melville showed up with her search-and-rescue dog Murphy, there wasn't much to be done. At the time, there was a woeful nationwide shortage of search teams--only 15, a fraction of what was needed. Knowing more dogs would save lives, Melville created the National Disaster Search Dog Foundation with an unspoken goal of certifying 168 SAR teams--one for each soul lost in Oklahoma City.

Hero Dogs is the astonishing story of how one tenacious woman, helped by a legendary dog trainer and some willing firefighters, fashioned a three-dog pilot program that revolutionized disaster response. Without funding for selectively bred dogs, Wilma was forced to turn to the rejected and allegedly defective. Though she "[doesn't] exactly share their sense of humor," Wilma ended up with three golden retrievers--a twice-rejected guide dog that terrorized wheelchair users, an abused stray and a washed-out field trial competitor.

With co-author Paul Lobo, Melville shares her story in straight-talking prose that evokes the tension and emotion reflective of the high stakes. She is also slyly funny, offering delightfully ironic thoughts on dog humor. When the pilot teams are thrust into the national limelight during their first real-life disaster on 9/11, the results are both triumphant and throat-closing. A fascinating read for animal lovers, thrill-seekers and rescue-hounds alike, Melville's work is proof that some good can rise from the ashes of catastrophe. --Lauren O'Brien of Malcolm Avenue Review

"Every so often there is a year when events converge in surprising ways," writes Martin W. Sandler. "And there was never anything quite like 1919." Few will argue with Sandler after reading 1919: The Year That Changed America. In nature and in number, the dramatic happenings of that period in U.S. history were staggering.

Each of 1919's six chapters tackles an event, or series of related events, of that year: Boston's deadly molasses flood; the passage of the Prohibition and women's suffrage amendments; the largest number of labor strikes of any year in U.S. history; hysteria-driven responses to postwar anxiety about the spread of communism, known as the Red Scare; and the Red Summer, the violent and racially charged period during which African Americans were first emboldened to organize against white oppressors.

Sandler, whose previous books for kids include Imprisoned: The Betrayal of Japanese Americans During World War II, seems to anticipate young readers' assumption that history is old news by providing "One Hundred Years Later" sections at the ends of most chapters; by connecting, say, the Red Summer's activism with the Black Lives Matter movement, Sandler illuminates the relevance of history. Harbored in 1919's chapters, which are copiously illustrated with photos, are two-page spreads presenting other high- and lowlights of that tumultuous year, such as the World Series scandal, during which the Chicago White Sox threw the contest. Many readers will leave this authoritative and absorbing book wishing 1919 both a happy centennial and good riddance. --Nell Beram, freelance writer and YA author

Park City, Utah, high school seniors Elin, Ket, Rosie and Jenna are best friends--sort of. Their relationships have been strained lately, but now it's the end of the school year and, as Rosie says, "[t]he thing is... when one of your oldest friends who also tried to kill herself wants to go to prom... well." You go.

Told in four voices, RuthAnne Snow's debut novel moves through prom night (which ends up being "one long nightmare" of missed messages, misplaced friends and some nasty sexual blackmail), flashing repeatedly back to "BEFORE" the suicide attempt. Secrets abound as each girl tries desperately to protect Elin from herself, her parents, her sweet ex-boyfriend, each an unhappiness that might send her spiraling again.

What sets When the Truth Unravels apart is the remarkably undramatic authenticity of Elin's situation. Throughout, everyone--readers included--waits for the big reveal: Why did Elin attempt suicide? Was there abuse in her past? Secret drug use? "Senioritis?" No, no and no. Elin simply and unbearably suffers from depression. Once properly medicated, she is baffled by the foggy memories of what she felt: "I was just sad? That was all?"

Coming to terms with her depression and finally trying to explain it to her friends makes all the miscommunication and turmoil in the preceding months all the more poignant. "[I]t's not 'just depression,' " as Jenna says. "It's f***ing depression. It's a nightmare, that's what it is, and don't ever think it's something to be embarrassed about." For teens struggling with depression or supporting friends who suffer, this novel offers a seriously good understanding of its devastating effects. --Emilie Coulter, freelance writer and editor