Shelf Awareness for Readers for Friday, March 30, 2012

Dutton: Sunderworld, Vol. I: The Extraordinary Disappointments of Leopold Berry by Ransom Riggs

From My Shelf

Trifecta of Book-Related Blockbusters

It's a great moment for book-related blockbusters in theaters and on the silver screen. A week ago, The Hunger Games, based on the first book in Suzanne Collins's trilogy of the same name, opened to critical and popular acclaim. Taking in $214.5 million worldwide last weekend, the film was No. 1 in all major world markets and had the third largest opening weekend in the U.S. ever. The books, too, have been setting milestones: the series now has more than 36.5 million copies in print in the U.S. alone and has been at or near the top of bestseller lists for three years, all the more amazing considering that the initial title was published only in 2008. Many moviegoers and reviewers say that reading the books leads to a better appreciation of the film. Note that there's plenty of time to catch up before Catching Fire, based on the second book in the series, is released in November next year.

This Sunday, Games of Thrones returns to HBO for its second season, which is based on A Clash of Kings, the second volume in George R.R. Martin's A Song of Ice and Fire series. Now at five volumes with two more (and possibly others) on their way, the series continue to attract new readers: as of last fall, the book series had nearly 12 million copies in print. Many readers were drawn in by season one last year, and it's likely this new season will also create new fans. The HBO productions, under the able direction of David Benioff and D.B. Weiss, are vivid, faithful renditions of the remarkable books they're based on--and as in the case of The Hunger Games, reading the book helps viewing the show.

And next Wednesday, the 3D version of Titanic--one of the most popular movies in history--launches in theaters across the country, just a week before the April 10 centennial of the sinking of the ill-fated liner. More next week on that tragic tale and the many books it spawned. --John Mutter

Book Candy

Book Tents; Creative Shelves in L.A.; Writers' Bedrooms

A new way to pitch your book. FieldCandy tents offer a Fully Booked model that "looks like a giant has dropped his favorite best seller. Plus, it also lets you meet up with other book fans on the campsite."


Refinery29 profiled the owners of "6 of the coolest, most creative bookshelves in all of L.A." and noted that when it comes to design, "forget the sleek Eames lounge or the lush, plant-laden backyard—if there's one standout feature we can't get enough of, it's a carefully curated bookshelf."


Where do authors sleep? Apartment Therapy explored 15 writers' bedrooms, claiming that "nowhere is the essence of the artist more present than in the bedroom."


For Chronicles of Narnia fans of all ages, Boing Boing highlighted a "Narnia-themed kid's playroom with through-the-wardrobe entrance," which was made for a nine-year-old girl.

Great Reads

Shelf Sample: 'We Both Knew the Talk of Old People'

On the eve of National Poetry Month, we're featuring a poem from Counterpoint's New Collected Poems by Wendell Berry (April 2012). I found this poem in a serendipitous leafing through the book--serendipitous because not only is Wendell Berry one of my favorite authors and poets, Ernest J. Gaines (A Lesson before Dying) is also one of my favorite writers. --Marilyn Dahl, book review editor, Shelf Awareness

(to Ernest J. Gaines)

Dear Ernie,
I've known you since we were scarcely
more than boys, sitting as guests
at Wallace Stegner's table, and I have read
everything you have written since then
because I think what you have written
is beautiful and quietly, steadily
brave, in the manner of the best bravery.
I feel in a way closer to your work
than to that of anybody else of our age.
And why is that? I think it's because
we both knew the talk of old people,
old country people, in summer evenings.
Having worked hard all their lives long
and all the long day, they came out
on the gallery down in your country,
out on the porch or doorstep in mine,
where they would sit at ease in the cool
of evening, and they would talk quietly
of what they had known, of what
they knew. In their rest and quiet talk
there was peace that was almost heavenly,
peace never to be forgotten, never
again quite to be imagined, but peace
above all else that we have longed for.


Eat a Book Today!

Eat a Book Today!, produced by the Seattle Center for Book Arts, combines the creative and culinary talents of bibliophiles, foodies, book artists, chefs, bakers, librarians, kids and punsters. Participants are invited to create and bring a piece of edible art related to books: it can pun on a title, refer to a scene or character, look like a book or just have something to do with books. "Imagine The Brothers Karamatzah, S'more and Peace, Alice in Wonderbread, The Bun Also Rises, Goodnight Moon Pie, Curd Vonnegut...."  Admission is free for those bringing entries and $10 for those without entries. 

Female Characters; Relationship Reads; Literary Insiders

Forbes magazine introduced Katniss Everdeen/Suzanne Collins fans to "6 other unforgettable lady characters by female authors."


Conceding that "love isn't all you need," psychologist Harriet Lerner, author of Marriage Rules: A Manual for the Married and the Coupled Up, recommended "3 relationship building reads" for NPR's Three Books series.


Flavorwire showcased "12 great small press books recommended by literary insiders."


Noting that in an improving economy, "you might be considering a career change," SecondAct highlighted "10 insightful books for career changers."

Game of Thrones: Nine New Clips

The second season of Game of Thrones, based on the series by George R.R. Martin, begins this Sunday at 9 p.m. on HBO, which is sharpening its swords and whetting viewers' appetites with nine sneak preview clips from the first two episodes, Indiewire reported.

Book Brahmin: Aimee Phan

A 2010 National Endowment of the Arts Creative Writing Fellow, Aimee Phan received her MFA from the University of Iowa. Her first story collection, We Should Never Meet, received the Association for Asian American Studies Book Award in Prose, was named a Notable Book by the Kiryama Prize in fiction and was a finalist for the Asian American Literary Awards. Her writing has appeared in the New York Times, USA Today and the Oregonian. She grew up in Orange County, Calif., and now teaches in the MFA program at California College of the Arts. Phan's first novel, The Reeducation of Cherry Truong, was published by St. Martin's Press on March 13, 2012.

On your nightstand now:

Marjane Satrapi's Persepolis and Jeffrey Eugenides's The Marriage Plot.

Favorite book when you were a child:

Judy Blume's Starring Sally J. Freedman as Herself and Just As Long As We're Together and Beverly Cleary's Ramona series.

Your top five authors:

Jessica Hagedorn, Gish Jen, Kazuo Ishiguro, Sherman Alexie and Junot Diaz.

Book you've faked reading:

Philip Roth. (I did not fake it very well. I just vaguely nodded at these acquaintances at the dinner party. Later, I was told they assumed I hated Roth, which I don't.)

Book you're an evangelist for:

Never Let Me Go by Kazuo Ishiguro.

Book you've bought for the cover:

I found a 1952 edition of Steinbeck's East of Eden at a used bookstore that I bought for its salacious cover. It had this seductive temptress leaning against a barren tree, and I can only assume the woman was supposed to be Cathy. But it was one of my favorite books before that. So different from what the cover was trying to suggest was inside.

Book that changed your life:

Amy Tan's The Joy Luck Club. This book arrived at a pivotal point in my life in high school. She made me realize that as an Asian American woman, I could write, and that our stories were worth telling.

Favorite line from a book:

"Indeed--why should I not admit it?--in that moment, my heart was breaking." --from Ishiguro's The Remains of the Day. It's all the careful, precise writing the author did beforehand to earn that wonderful line.

Book you most want to read again for the first time:

The Hunger Games trilogy. I devoured those books in a single weekend.

Favorite book as a parent to read to my child:

Princess Prunella and the Purple Peanut by Margaret Atwood. I think it's out of print because my colleague had to go searching for a used copy to give to me at my baby shower. It is a fantastic story and so cleverly, hilariously told. My three-year-old daughter has it memorized. Who knew Atwood could thrill at every age level?!

Pesky Distinctions

"Strauss-Kahn Charged in French Prostitution Probe" read a recent headline, marking a new stage in the months-long investigation into organized sex parties in Paris, Vienna and Washington, D.C. allegedly involving French politician Dominique Strauss-Kahn. Strauss-Kahn's lawyer Henri Leclerc caused a stir late last year by stating, "People are not always clothed at these parties. I challenge you to tell the difference between a nude prostitute and a classy lady in the nude."

This has long been a dilemma, I found, while researching The Unruly Passions of Eugenie R. However, during France's Second Empire, under the Regulation System, the problem was much more easily resolved: one, by examining the palms of women--if callused and scarred, they were honest working girls; if smooth and clean, prostitutes. Two, by way of furniture: "An honest woman does not live in furnished rooms," stated one police guideline. Rented furnishings signaled a sure commitment to a life of vice. And three: failing, upon arrest and interrogation, to be able to name a husband or "protector." In order to make sure these pesky distinctions were kept up to date, arrests of women--in shopping arcades, for example--were frequent. Once arrested, put in the proper category and registered, a woman carried a card indicating that she was an inscrit, or inscribed prostitute. The slang for this item was "carte de brème," named for a flat white fish, the bream.

Back to the present-day saga, the Independent tells us that the women at the sex parties were allegedly recruited through a man "known as 'Dodo la Saumure,' a Frenchman who operates legal brothels in towns on the Belgian side of the Franco-Belgian border. (Saumure is the kind of brine used to pickle mackerel, which is a French slang word for pimp.)" If I didn't know better, I'd think I was still in the 19th century.... --Carole DeSanti, author of The Unruly Passions of Eugénie R. (Houghton Mifflin Harcourt)

Book Review


The Widow's Daughter

by Nicholas Edlin

The ghost of the old-fashioned romantic war novel comes gloriously to life in Nicholas Edlin's hypnotizing story of lust and betrayal during the Second World War. Replete with dusty drawing rooms, sinister butlers, Axis spies and fresh-faced Yanks who brawl with world-weary locals, The Widow's Daughter unspools an irresistible, darkly lovely web of intrigue, arriving at an epic and satisfying conclusion. Luxuriously paced with note-perfect tone and graceful prose, it gives readers a pleasure too smart, too refined to inspire any guilt.

Peter Sokol is an American surgeon stationed in New Zealand. Divorced, disaffected and more interested in art than a medical career, Sokol finds his hardened senses lit aflame by a mysterious local beauty. Emily's family, European immigrants tumbling into war-time penury, seem eager to auction their daughter to either Sokol or Cartwright, who is Sokol's colleague, nemesis, former brother-in-law and a widely acknowledged horse's ass. Emily clearly prefers Sokol, but an air of gloomy foreboding--and the fact that Sokol is remembering the story from an Emily-less future--indicate dark forces will doom this passion.

Edlin's choice to set the tale amid the largely-unexamined American presence in New Zealand allows him to take the reader to a forgotten corner of the war, a place where soldiers with overflowing amounts of money to spend force locals to endure a boom in licentiousness and drunkenness (along with the casual cluelessness of the occupying troops). It's a new and welcome perspective, and it adds just the right amount of modernity to this perfect execution of a classic form. --Cherie Ann Parker, freelance journalist and book critic

Discover: A greatly satisfying update of the old-fashioned romantic war novel.

Penguin Books, $15, paperback, 9780143120827

Science Fiction & Fantasy

Range of Ghosts

by Elizabeth Bear

Even a reader completely unfamiliar with Elizabeth Bear's work will be able to tell within the first few lines of Range of Ghosts that she is a seasoned professional. Her prose is lean, elegant and immediate; her world-building subtle and convincing. The world of the Eternal Sky is richly imagined, but Bear is careful not to offer too many details all at once. Rather, she allows us to discover this world as though we were travelers passing through, gleaning culture, history and mythology though its fabulous landscapes and the characters that people them.

Bear is not afraid to put those characters through hell, either: in the opening scene one protagonist staggers across a battlefield with a gaping throat wound; soon after, we encounter the once-princess Samarkar just as she's given up her ability to have children. Through their suffering, Bear's lead characters become sympathetic and accessible, and their ability ultimately to conquer the odds makes them believable heroes.

Range of Ghosts is, at its heart, a classic adventure story that calls on all of the old favorite tropes--good versus evil, the unlikely hero, swords and sorcery--and somehow makes them real, almost prosaic. The story never falls into the trap of melodrama, although the stakes are certainly very high. Instead, with patience and skill and a refreshingly light touch, Bear creates an absorbing universe that is easy to get lost in and difficult to leave. --Katherine Montgomery, book nerd

Discover: Bear convincingly creates a world in which even the Sky itself is a fully realized character.

Tor, $25.99, hardcover, 9780765327543


by Nick Harkaway

Most of Angelmaker, Nick Harkaway's second novel (after The Gone-Away World), takes place in a fantastical London that combines the edgy urban fantasy of China Mieville with the cerebral action-movie pacing of Neal Stephenson. (As in the classic Cryptonomicon, the contemporary narrative is driven by a long-forgotten scheme from World War II.) Joe Spork's father was a gentleman thief of mythic proportions--think the Kray brothers with the psychopathic edges shaved off and replaced with a Raffles-like charm. Joe rejects that life, barely making ends meet repairing clocks and other mechanical antiques. Then a particularly weird assignment drops him into a world of robot bees, killer aesthetic monks (no, that's not a typo) and an aging ex-spy named Edie, who roams around London with her blind dog.

Harkaway revels in the blockbuster approach. It isn't just about pushing the accelerator all the way to the floor, but also about a conscious steering of scenes to over-the-top effects. When Joe finds a gift his father left behind, it builds up to an almost ridiculously dramatic and ostentatiously self-conscious climax. On the other hand, it's so much fun that most readers will be willing to play along. Edie's flashback scenes, recalling her education in espionage and her cross-dressing battles against Shem Shem Tsien, the Opium Khan, are both stirring and hilarious. Angelmaker takes the piss out of the modern techno-thriller, infusing it with a sleek retro style and a sexy sense of humor--both of which mark Nick Harkaway as a writer to watch.-- Ron Hogan, founder of

Discover: Harkaway's almost-not-quite-realistic world is one in which readers will gladly immerse themselves.

Knopf, $26.95, hardcover, 9780307595959

Graphic Books

Joe Golem and the Drowning City

by Mike Mignola, Christopher Golden

Molly McHugh is a bright young girl in the drowning city of lower Manhattan. She's Felix Orlove's assistant and witness to his true talent in contacting the dead, until a being from another dimension connects through Felix, killing him. Thus begins the wild, weird romp of Joe Golem and the Drowning City. As Molly flees from the strange man-shaped, gas-masked creatures sent by Dr. Cocteau to capture her, she is rescued by Joe, a hulking, super-strong man with a mysterious past and an even more mysterious benefactor--who takes Molly in as the last great hope in saving the universe from the mind-boggling horror from beyond.

Joe Golem is the second collaboration between Mike Mignola and Christopher Golden (after 2007's Baltimore, or, The Steadfast Tin Soldier and the Vampire). Mike Mignola may best be known for his Hellboy comic book series and its various spinoff titles, and this story is sparingly illustrated in his trademark style, filled with heavy contrast, tentacles and Lovecraftian horrors at every turn, while Golden applies his experience with dark fantasy and teen thriller novels to the story with good effect.

The sense of dread here is palpable, with both prose and picture creating the mood. The characters are both over the top and disturbingly realistic, and the city itself, shown within the upper stories of older buildings in the flood area, reinforces the plot and the tone of the novel. Fans of deep characterizations and quirky tales will enjoy this tale of weird science fiction. --Rob LeFebvre, freelance writer and editor

Discover: A young girl and her stolid companion are the last line of defense against Lovecraftian horrors.

St. Martin's Press, $25.99, hardcover, 9780312644734

Biography & Memoir

What to Look for in Winter: A Memoir in Blindness

by Candia McWilliam

Blindness: possibly the worst-case scenario for a woman who makes her living reading and writing. In What to Look for in Winter, Scottish novelist Candia McWilliams (Wait Till I Tell You) slowly unveils her 2006 descent into the physical condition of blepharospasm--the involuntary twitching of one's eyelid--in her case, a rarer form of the illness clamped her eyelids shut. With no outward vision, McWilliams zigzags inward, as she attempts to understand the illness that has made her functionally blind. "My eyes work quite well," she explains, "but my brain has decided that they must be shut and that its self-allotted job is by no means to permit them to open."

In this bluntly honest memoir, McWilliams puts her entire past (including her mother's suicide and her own alcoholism) under the microscope as she bumps and fumbles her way through her physical surroundings. After years of muffling, winter-like sightlessness, she comes to a possible psychological basis for her non-seeing "shameful pain." However, despite remorse, she writes, "I must put myself out into the warm and light, that I am convinced I do not deserve." With the undertaking of a painful, two-part operation called the "Crawford Brow Suspension," McWilliams regains sight, although the condition is just "held off" rather than cured. What to Look for in Winter is an intense and meandering journey through the bittersweet landscape of a talented writer's life. --Lee E. Cart, freelance writer and book reviewer

Discover: A Scottish writer's candid examination of her life while hindered by a rare form of blindness.

Harper, $27.99, hardcover, 9780062094506

How to Piss in Public: From Teenage Rebellion to the Hangover of Adulthood

by Gavin McInnes

How to Piss in Public is a book that will punch you in the gut--and other, less-salubrious places--then make you ask for more. It's a memoir of one of the hardest, most unapologetic human beings to grace the planet over the past 40 years, the story of Vice magazine founder Gavin McInnes as only he could tell it.

McInnes covers it all: drugs, rock and roll, greed, writing, journalism, sexual escapades and alcohol--often all at once. His sense of humor is one that polite readers may cringe at, but the rest of us will laugh until our eyes tear up. The considerable volume of sexual encounters he describes would sound like bragging in any other context; here, McInnes's authorial voice gives them an air of documentary truth, warts and all. The amount of alcohol he's imbibed and the number of drugs he's done would have killed a lesser man--and yes, there are stories about that as well.

The progression of McInnes from a teenage punk rock fan to the founder of Vice and then, in his 40s, a rich married man with kids takes up most of the book. He is unapologetic about his drug and alcohol (ab)use; McInnes wants his readers to laugh through the pain of every story about death, overdose, loss of fortune and humiliation. Somehow he survived and is now able to write about it all with humor and, oddly enough, a rough sort of grace. --Rob LeFebvre, freelance writer and editor

Discover: An unapologetic memoir of excess and a few lessons learned, though maybe not the expected ones.

Scribner, $24, hardcover, 9781451614176

Some Assembly Required: A Journal of My Son's First Son

by Anne Lamott, Sam Lamott

From Operating Instructions, the 1993 memoir that remains a popular new-parent-support book, through subsequent spiritual memoirs that honestly revealed the joys and frustrations of parenting, Anne Lamott's son, Sam, became "our boy" for many readers. So they may do a double take at the subtitle of Lamott's Some Assembly Required, which describes it as "a journal of my son's first son." (Sam's a FATHER?!?) Thus Lamott invites readers into--can it be?--her life as a grandmother, and Sam's life as a dad.

While this is Anne's memoir, with her trademark style of sharp humor mixed with witty philosophy and poignant observations, she includes interviews with Sam, so he's telling his own story. It's not a he-says-she-says exchange; Sam's contributions are straightforward reflections on his life as a 20-year-old new father with a headstrong girlfriend who's still fulfilling his obligations as an art student.

Longtime Lamott fans will reconnect with many familiar faces and meet some new ones: Amy, Baby Jax's mother; Amy and Sam's friends; and Jax himself. Readers unfamiliar with Anne's forthright self-deprecating humor, or her ability to mix a quick prayer and a judicious use of colorful language in the same paragraph, may need a few pages to get her rhythm.

What's obvious throughout Some Assembly Required, though, is the love and support this family shares. Their common passion is baby Jax, showered with affection amidst the complications his unexpected arrival brings. Anne Lamott has a gift for putting life in perspective. We feel glad for Sam and his family that she's the Nana. --Cheryl Krocker McKeon, bookseller

Discover: A sequel of sorts to Operating Instructions follows the first year of Anne Lamott's grandmotherhood.

Riverhead, $26.95, hardcover, 9781594488412

Social Science

Eating Bitterness: Stories from the Front Lines of China's Great Urban Migration

by Michelle Dammon Loyalka

China's rapid growth and urbanization has come at the expense of a huge investment of human capital--underpaid and overworked rural migrants, peasants from the countryside who came to the city seeking a better life. These industrious individuals raised buildings, laid highways, swept streets, shined shoes, cleaned homes and sold produce on street corners--cheap labor to fuel China's single-minded march toward capitalism, the friends without benefits. And, over the next two decades, another 300 million migrants are expected to follow them to China's glimmering showcases of modern urbanism.

These downtrodden masses are the subjects of Michelle Dammon Loyalka's Eating Bitterness, as she offers a sympathetic ear to eight residents of Gan Jia Zhai, a village in the city of Xi'an on the verge of demolition: the bicycle-peddling knife sharpener; the husband-and-wife vegetable vendors who earn a pittance; the nanny who tends to strangers while leaving the care of two daughters to relatives; a free-spirited recycler who job-hops as the mood pleases; and the nouveau riche proprietor of a convenience store chain with a secret past.

"In the three decades since the country's economic reforms began," Loyalka writes, "rural and urban Chinese alike have set their sights on material progress with single-minded devotion, driven by the belief that material prosperity is an essential foundation for just about everything else." Urban Chinese may not think twice in their quest to exercise eminent domain, but they can ill afford to ignore their neighbors. --Nancy Powell, freelance writer

Discover: How rural migrant workers and peasants contributed to the growth of China's modern urban empire.

University of California Press, $29.95, hardcover, 9780520266506

Essays & Criticism

On Celestial Music: And Other Adventures in Listening

by Rick Moody

Fans of Rick Moody's discursive, word-drunk fiction are well aware of how effortlessly he uses music to help achieve cohesive, emotionally powerful scenes. The essays in On Celestial Music reveal how integral music is to Moody's creative process and its relevance in re-knitting his life after hitting a drug- and drink-fueled rock bottom.

These essays are uniformly smart and well-crafted. They are psychologically acute, literate and even offer something akin to spiritual solace (much like the songs they discuss have done for Moody). Some of the high points include a dissection of five Wilco songs, a long recap of Pete Townsend's career and enigmatic personal life and a beautiful appreciation of the modern sacred classical composer Arvo Pärt's work. The essay on Pogues frontman Shane McGowan, a genius of lyric, song and boozy self-destruction, is a perfect marriage of subject and essayist. Finally, though it is only a short aside, Moody's thoughts on the Beatles' song "Golden Slumbers" is such a gem of wise observation on how these mundane bits of disposable pop become instances of the sacred, pointers toward an underlying meaning and design to life, that it alone is worth the price of admission.

On Celestial Music is a wonderful collection for fans of great writing and great music and for those who trying to find their own sacred chord progression in our hectic modern lives. --Donald Powell, freelance writer

Discover: Essays that offer insight and a measure of wisdom about music's place in modern life.

Back Bay Books, $15.99, paperback, 9780316105217


Illegal Procedure: A Sports Agent Comes Clean on the Dirty Business of College Football

by Josh Luchs, James Dale

The University of Miami's decision to withdraw from bowl games after the 2011 college football season followed claims by former "booster" (and currently jailed Ponzi schemer) Nevin Shapiro that he illegally lavished booze, parties, hookers and cash on players. According to former sports agent Josh Luchs, the Hurricanes' alleged scandal is just an extreme example of what has become routine practice among sleazy sports management types--paying college players in hopes of buying a piece of later NFL success. In this breathless tell-all, Luchs details two decades of NCAA violations committed in pursuit of the most lucrative players. It's a wild read, full of outrageous anecdotes involving big names, but along with the gossipy thrills, Illegal Procedure also provides an undeniable argument for changing the current system.

This is not Luchs's first blow of the whistle: he participated in an explosive 2010 Sports Illustrated article on graft in college sports and he continues to speak on panels and before hearings. But Illegal Procedure allows Luchs to explain more fully how he fell into such an unethical role. It also allows him to drop more tantalizing stories about clients who do things like keep Grey Goose vodka in their Gatorade bottle or run off with a Mercedes rented with Luchs's credit card.

Luchs attempts to offer correctives, but his ideas (such as paying college players outright) are already familiar sports-talk fodder. While Luchs's answers to the problem may not be remarkable, his up-close examination of the corruption--and its effects on the game and players--certainly is. --Cherie Ann Parker, freelance journalist and book critic

Discover: A former sports agent exposes the corruption involved in recruiting college footballers for the NFL

Bloomsbury USA, $25, hardcover, 9781608197200

Children's & Young Adult

Georgia in Hawaii: When Georgia O'Keeffe Painted What She Pleased

by Amy Novesky, illus. by Yuyi Morales

This lushly illustrated picture book recounts an episode in Georgia O'Keeffe's life that offers young readers insight into the painter's artistic style and her values.

In February 1939, O'Keeffe arrived in Hawaii at the request of the Hawaiian Pineapple Company (later known as Dole), which commissioned two paintings to advertise their pineapple juice. She wanted to stay near the pineapple fields, to observe "the sharp and silvery fruit, quite strange and beautiful." But the company said only the workers could stay there, and gave her a pineapple to paint that had already been picked. Yuyi Morales (My Abuelita) portrays O'Keeffe's defiant stance at this response, then fills the pages with images of what she painted instead: mountains and volcanoes, feathered fishhooks and flowers. One image depicts O'Keeffe wreathed by birds of paradise, "foot-long heliconia" and nana honua, which also grace the endpapers so readers can identify the flowers. Novesky's (Elephant Prince) description of Hawaii appeals to all five senses, through "the scent of burning sugar" in the mill town of Koloa, and the feel of rain on the artist's skin in Maui.

The author convincingly describes O'Keeffe's change of heart toward the pineapple company: "She thought about Hawaii and all that it had given her. She decided to give the company what they wanted." We also see, however, that she paints the pineapple in her own way. Morales imagines the painting's beginnings as a white-hot sun, with green spikes spreading out like rays, as the pineapple bud symbolizes a luminous gift that sent O'Keeffe on a journey to discover an enchanted cluster of islands. This snapshot of Keeffe's spirit and artistry is sure to send many children off to discover more about her life and work. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: An episode in the life of Georgia O'Keeffe that illuminates her strong character and the deep of love of nature that infused her artwork.

Harcourt, $16.99, hardcover, 40p., ages 6-9, 9780152054205


by Stefan Petrucha

Stefan Petrucha's (Dead Mann Walking) masterful combination of historical facts, mystery and steampunk make this novel set in 1895 New York City a standout. Jack the Ripper's murderous streak stopped almost as suddenly as it began. The killer was never caught. What if the rampage stopped because Jack crossed the Atlantic to find his son?

When 14-year-old orphan Carver Young breaks into Ellis Orphanage's records, he discovers in his file a single mysterious letter from his father with the name torn off. Carver has one last chance at adoption and one last hope for finding his father. He writes to the only man he believes can help him: New York City's new police commissioner, Theodore Roosevelt. Though it seems as though his letter has been ignored, Carver is not: he's adopted by the strange and surly Mr. Hawking. Hawking turns out to be a highly skilled detective working with a top-secret agency, the New Pinkertons. Under his mentor's watch, Carver begins searching for his father and notices disturbing ties between his father and the apparent serial killer targeting socialite women. Carver wonders who his father truly is, whom he can trust and what he may have inherited from his father.

Fans of steampunk will delight in the gadgets of the New Pinkertons, from stun batons to auto-lock picks. The author incorporates excerpts from actual letters sent to Scotland Yard by the real Jack the Ripper and includes a handy "Character and Gadget Glossary," detailing the truth behind the characters and their fanciful gizmos. In this skillfully imagined, thrilling mystery, Petrucha keeps readers guessing to the last pages. --Kyla Paterno, retail coordinator and blogger, Garfield Book Company

Discover: Fourteen-year-old Carver Young, who's in a race against time to find his father, who may be the infamous Jack the Ripper.

Philomel, $17.99, hardcover, 432p., ages 14-up, 9780399255243

Huff & Puff

by Claudia Rueda

Youngest fans of the Three Little Pigs will feel both smart and indispensable in this interactive paper-over-board twist on the classic.

Why does the porcine trio peer out of a die-cut hole in the cover? So children can do the huffing and puffing and play the part of the Big Bad Wolf. When we first meet the pigs, they are reading (etiquette and recipe books.) Next we see the pink heroes hauling their requisite straw, wood and bricks.

Claudia Rueda (No; My Little Polar Bear) distills the action to its bare essence. Each builds his house, then smiles through the window. But then comes the line, "One wolf huffing and puffing," on the left, while on the right, "Huff & Puff" appears in bold black stenciled letters, with a hole cut out of the middle of the page. Turn the page, and the straw (or wood) scatters willy-nilly with the pig exposed (except for an apron), bowl of eggs and whisk in hand (the first and second pigs are "not happy"). But of course, "Third pig is happy," because "wolf" can't blow down his house. Perceptive toddlers will notice that (A) the pigs do not look afraid and (B) they seem to be up to something with their eggs and bowls. Let's just say the three pigs knew we were coming, so they baked.... Children will want to follow the pigs on the endpapers right back to the beginning. Sure to be a family favorite. --Jennifer M. Brown, children's editor, Shelf Awareness

Discover: A pared-down interactive twist on The Three Little Pigs certain to bring out the wolf in everyone.

Appleseed/Abrams, $12.95, hardcover, 32p., ages 2-up, 9781419701702

Powered by: Xtenit