Shelf Awareness for Readers for Tuesday, April 28, 2020

Sourcebooks Landmark: Long After We Are Gone by Terah Shelton Harris

From My Shelf

Neurodiversity in the Workplace

The term neurodiversity was coined by Australian social scientist Judy Singer and refers to the range or diversity of ways humans think, learn and relate to others.

Neurodiversity incorporates diagnostic labels such as autism, ADHD, dyslexia and dyspraxia but it represents a paradigm shift in how these disabilities are viewed, especially in the workplace. Whereas in the past there was generally a greater focus on the negative attributes of neurocognitive differences, now there is emphasis on the special strengths and talents such diversity can bring to organizations.

Author Victoria Honeybourne focuses not only on the social justice case for offering employment opportunities to those with different brain wiring, she also makes a compelling business case for doing so. In The Neurodiverse Workplace: An Employer’s Guide to Managing and Working with Neurodivergent Employees, Clients and Customers (Jessica Kingsley Publishers, $26.95), Honeybourne provides examples of organizations that have benefited from the different perspectives of, and innovation driven by, their neurodivergent workforce. She highlights the ways in which they contribute creative solutions to age-old business challenges. Honeybourne encourages employers to leverage the talent of neurodiverse employees by understanding their individual needs and making the necessary accommodations that will set them up for success.

In The Power of Neurodiversity: Unleashing the Advantages of Your Differently Wired Brain (Da Capo Lifelong Books, $16.95), Thomas Armstrong recommends focusing on the specific abilities of each individual instead of regarding them simply as the sum of their disability label. He makes it clear that diversity among brains is as enriching as cultural and racial diversity, with chapters highlighting "the positive side of being autistic," "the joys of the hyperactive brain" and "the anxiety advantage."

As Armstrong states, "there is no standard brain, just as there is no standard flower, or standard cultural or racial group." --Shahina Piyarali, writer and reviewer

The Writer's Life

Layla F. Saad: Becoming a Good Ancestor

Layla F. Saad identifies as an East African, Arab, British, Black, Muslim woman who was born and grew up in the West, and currently lives in the Middle East. She holds a law degree from Lancaster University in the U.K. Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor (Sourcebooks, $25.99) grew out of an online letter that went viral, "I Need to Talk to Spiritual White Women about White Supremacy," followed by a 28-day Instagram challenge, #MeAndWhiteSupremacy. She recently launched, a hub where you can find her podcasts and anti-racism master classes. We spoke with her via Zoom from her home in Doha, Qatar, where she lives with her husband and two children.

First, as a white cisgender woman, I want to thank you for your book. In it you write, "The primary force that drives my work is a passionate desire to become a good ancestor." This mission has the potential to unite whites doing antiracist work, with Blacks, Indigenous people and People of Color. How did your podcasts, your Instagram, and your book build toward this mission? Or did you begin with this mission and use these platforms to further it?

The idea of "becoming a good ancestor" was something that I'd seen online, and then I had read Octavia Butler's books Parable of the Sower and Parable of the Talents (Seven Stories Press). She wrote these booksin the 1990s, and they were based in the 2020s, predicting a dystopian time. It's so parallel to what we're going through right now that it's just really bizarre.

At the time when I came across her work, I'd published that viral letter "I Need to Talk to Spiritual White Women about White Supremacy" [August 15, 2017], and I'd been having these conversations online everyday with spiritual white women. This idea of becoming a good ancestor really came through for me with her books. It was energizing me. And then in the summer of 2018, the Instagram challenge came around, and between the summer and the winter, I wrote the workbook [that evolved into Me and White Supremacy]. I was developing this body of work that I could see would have a legacy beyond my lifetime.

Nobody who's alive today created white supremacy, but we're sitting with the legacy of it, and it's a heavy legacy. How do I come out from under that? How do I create a different future? And so "becoming a good ancestor" really was for me--and then for many other people--this way to find hope, to find direction in action.

In that viral letter, you write: "just because I'm going to do this imperfectly does not mean that I should not do it at all…. I'm not going to allow my fear to do that to me. So my words will be imperfect. But I pray that both the intention and impact of my words are of service." Your phrasing gives everyone permission to make mistakes if the intention is to be of service. Can you talk about your experience of watching people struggle with this fear?

I'd like to start off by speaking about my own struggles. I definitely have perfectionistic tendencies. Perfectionism has very powerful momentum, and it can stop us. One of my favorite writers is Audre Lorde. I think of her as one of my good ancestors. She has an essay called "The Transformation of Silence into Language and Action." It's about this idea that your silence will not protect you. She had a lump in her breast, and she was waiting to hear if it was benign or malignant. In that time waiting for the test results, she really went deep inside of herself. She said, the question I'm asking myself is, "of what had I been so afraid?", if I can face the prospect of my own mortality, then I must speak because my not speaking never protected me from any harm or any fear.

I myself, as a Black woman doing this work, several times felt like I don't know if I'm the right person to write this book; I don't know if I'm the right person to teach this work. And what kept coming back to me again and again is, yes, but your silence won't protect you from not experiencing racism. So speak!

So for people with white privilege, your silence doesn't mean that you do not then perpetuate racism. When you have white privilege, and you've not been very adept over your lifetime at having conversations about race, the idea of jumping in and really saying something and really claiming it is very, very hard because you're fighting your own perfectionism. And then you're also thinking about what other people are going to be thinking about you: What are other white people going to think about you? What are People of Color going to think about you? So you won't say anything at all. It keeps you in a state of fear around engaging with the work, and then for the People of Color in your life, it means that they're not clear where you stand; they're not clear how safe they are with you.

You're not anti-racist through silence. So speak up, be willing to stumble, be willing to fall, be willing to make mistakes. It's the only way we learn.

In your book, you describe a conversation that your mother had with you when you were seven years old, about how you would have to work three times harder because 1) you're Black, 2) you're Muslim, and 3) you're female. Would you say that's about the right age for those of us who are white parents and educators to be having these conversations with children about white supremacy and the constructs of white supremacy?

I love that you bring up children because, you know, outside of teaching them about these issues, we want our children to have a strong sense of empathy. We want our children to be able to read the room, to be able to see the people around them, if somebody's hurting, somebody's happy. Because if they're tapped into their own emotions, they can connect with another person's emotions. That absolutely applies within anti-racism work, and that's why I said it is appropriate that you would feel those emotions because you understand what Black, Indigenous, and People of Color have for centuries been experiencing and if you have a sense of empathy, then you will feel those feelings.

Children learn at different ages, and we have to be mindful of what we're introducing to kids and at what ages. When parents ask me, how do I speak to my kids about white supremacy, what I always say is: Don't think of it as a one-time very serious conversation. It's not the sex conversation. [Laughter] It's an ongoing conversation that isn't just about what's wrong or the mistakes that have been made, but really helping children have an understanding of how the world actually works, what history actually has been.

Most people who are white haven't had a very nuanced and deep education when they were young about racism. You know, they hear things like "we don't see color" or "it's not nice to point out color, or people's race." Things like, "you know, we're all one race: the human race." "Racists are bad people." That's the definition of a racist, a bad person who is not very nice to people who aren't white, and that's the end of it.

So the first place to start is with yourself--really taking the responsibility for your own anti-racism education and your own personal anti-racism work, because you cannot have deep and nuanced and complex conversations with anyone else if you don't know. And when you don't know, you're afraid you're going to say the wrong thing, you're afraid you're going to scar them for life. Anti-racism is really thinking about how do we show up for our community? Our friends at school, our teachers and in our communities, at work? It's about understanding that anti-racism is a practice.

In terms of the ages, I can't remember the age at which they say that children begin to notice differences in skin color. When we say, "We don't see color," kids are like, "No we do see color." My kids crack me up when they say, "Oh, she's pink!" They do notice. It's just that they don't start off in life ascribing meaning to it. But soon meaning is given to it, because whether it's said to them directly or indirectly, society is reinforcing, Who is the norm? What is the norm of beauty? What is the correct way of speaking? What's the norm of the races of people in our community? They're noticing. Their brains are formulating what does it mean, and until parents give them a meaning that's anti-racist in practice, the meaning they will ascribe is the status quo. Which is white superiority.

In the book you write, "the aim of this work is not self-loathing. The work is truth--owning it and figuring out what to do with it. This is lifelong work." It reminded me of something that M. Scott Peck wrote in The Road Less Traveled about coming to consciousness. That once you are aware of patterns of behavior--once you've brought the unconscious to a conscious level--you can't stop the work if you want to remain conscious.

I love that you used this quote because before I started anti-racism work, I was a life coach. I try and understand this work from the perspective of human behavior and around truth and consciousness broadly, and how that applies here. Once you come into this consciousness of how the world actually operates, to decide that you want to close your eyes and not want to have to deal with it, is now worse than where you were before. Because before you were ignorant because nothing in your world had ever told you otherwise.

Now you begin to see, and you begin to understand and it's undeniable. Now to choose to say, "No, I don't want to have to deal with it" is actually worse. Now you become the so-called "bad racist" that you've been trying to not be associated with. It's really important to keep opening our eyes wider and wider.

I think many people come into this work because integrity is a huge value of theirs. So when you have this dissonance between, this is what I now know and understand, and yet my behaviors are not matching what I now know and understand, it's very painful. The difference between this work and personal development work is there is no nice neat bow at the end. There is no graduation. --Jennifer M. Brown, senior editor, Shelf Awareness

Book Candy

Covid-19's Effect on Language

"Covidiots? Quarantinis? Linguist explains how Covid-19 has infected our language." (via CBC)


"New Yorkers are posting elaborate recreations of famous book covers while stuck inside," the NYPL noticed.


"Gruffalo stayed in the cave." The Guardian featured Axel Scheffler and Julia Donaldson's coronavirus cartoons.


J.K. Rowling bought and is renovating her childhood home, which had inspired the Harry Potter series, Forbes reported.


"The mystery of a medieval blue ink has been solved," Atlas Obscura reported.

Great Reads

Rediscover: Donna Kauffman

Romance writer Donna Kauffman, author of more than 70 novels, which have been translated and published in 26 countries, died April 9 at age 60. A native of Washington, D.C., Kauffman ultimately called the Blue Ridge Mountains home, where she drew inspiration for her novels--including the setting of her final work, Under a Firefly Moon, which was released January 28. Her romance novel series include Blue Hollow Falls, the Brides and Bachelors of Blueberry Cove, Cupcake Club and Glass Slipper, Inc. Alicia Condon, Kauffman's book editor, said: "Donna had a special gift for telling tender, uplifting stories while offering a uniquely insightful glimpse at the human condition. She made a world where every character was important and where love always wins the day." Under a Firefly Moon is available from Kensington's Zebra Books imprint ($7.99, 9781420149333).

In a statement, author Nora Roberts said, "My friend Donna had a laugh that rolled right up out of her belly, the sort you'd recognize as hers from across the room. She was warm and funny, independent and hard-working. Knowing she's no longer in the world is a hard, sharp loss."

Book Review


The Immortals of Tehran

by Ali Araghi

Ali Araghi begins his prodigious debut novel with a literal bang: once upon a time in an apple orchard, a returning soldier urges his rifle into his son's hands, forcing the boy to shoot him. The shocking tragedy renders 10-year-old Ahmad mute, and has significant familial, societal and political repercussions, set against the backdrop of tumultuous 20th-century Iran. The family's ancient patriarch Agha attempts to enlighten Ahmad, his great-great-great-great-great-grandson, with a fantastical story involving a desert community of humans and cats who once co-existed but devolved into viciously murderous enemies, a tale revealed to be less myth than family curse. Ahmad's grandfather Khan remains aware of feline-initiated prescient warnings--especially of impending disasters--throughout his own long life.

Determined to give his only heir a future beyond their village, Khan hires a Russian polyglot to make Ahmad fluent in French in preparation for sending him to Paris to become a lawyer. That overseas migration never happens, but the extended family soon moves to Tehran, where Ahmad eventually becomes a lauded poet. He marries, fathers two daughters, and discovers a son who will never acknowledge him. His grandfather continues building rooms to keep the family together; his mother talks to the dead; his childhood best friend turns revolutionary, then prisoner. Through his seven decades, Ahmad will learn, love, endure, run, return--where his voice fails, his writing enables.

Tehran-born author and translator Araghi has clearly been immersed in the composition of words for decades. From that adroit fluency emerges The Immortals of Tehran, an impeccably realized literary gift for discerning readers. --Terry Hong, Smithsonian BookDragon

Discover: This superb debut follows an extended Iranian family through feline curse, daily survival, unintended betrayals and the transformative power of language.

Melville House, $27.99, hardcover, 400p., 9781612198187

Simon the Fiddler

by Paulette Jiles

As the Civil War nears its end, fiddler Simon Boudlin is conscripted into the Confederate Army, weeks before its defeat. While providing music at an officers' dinner, Simon meets Doris Dillon and falls instantly in love with the young Irish woman indentured as a governess. Paulette Jiles's novel Simon the Fiddler traces the musician's winding journey around postwar Texas and his efforts to earn both his fortune and Miss Dillon's heart.

Jiles (News of the World) follows Simon and his fellow musicians through scrappy garrison towns, down to the Gulf Coast and eventually to San Antonio, where Doris lives. The narrative paints a layered portrait of Texas in the 1860s: a rough-edged, untamed land full of ex-soldiers, Southern landowners, Tejanos with deep roots in the land and immigrants from many countries. The gruff but sincere friendships among Simon and his colleagues are one of the book's great strengths; another lies in Jiles's spare but lyrical writing, which brings the natural beauty of the state to life. Beyond grimy saloons and barroom brawls, Simon finds the Nueces River "like silk and trembling with star reflections," and the city of San Antonio "tucked into the knees of the hills, a layer of mauve woodsmoke sliding overhead." Though he struggles against poverty, hardship, disease and capricious military law, Simon is a determined dreamer who loves his music above all. Readers who relish a quixotic hero's quest or stories set on the frontier will find much to enjoy in his adventures. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: An adventurous novel of a quixotic fiddler traveling around post-Civil War Texas.

Morrow, $27.99, hardcover, 352p., 9780062966742

The Woman of a Thousand Names

by Alexandra Lapierre, trans. by Jeffrey Zuckerman

First published in France in 2016, The Woman of a Thousand Names by Alexandra Lapierre makes its American arrival in this translation by Jeffrey Zuckerman. Lapierre traveled to Russia, Estonia, France, England, Italy and the United States over the course of three years, gathering letters, reports and accounts of the life of Maria Ignatievna Zakrevskaya-Benckendorff-Budberg--Moura to her friends. Though fictionalizing the biography of Baroness Budberg, Lapierre (Artemisia) nevertheless assures "readers can presume that all the protagonists, all the places, all the dates, all the words, and all Moura's acts of which I am aware have been rendered with as much accuracy as I can provide within this novel."

The Woman of a Thousand Names reads like classic Russian literature; perfectly apropos, for that is the way Moura lived her life. "She embodied the novelistic form so thoroughly that she came to belong wholly to legend, myth, and fantasy," writes Lapierre. "Facts and objective reality barely counted for her. She never owed anything to Truth. Except to her own truth." Lapierre holds nothing back in describing Baroness Budberg's life, with exacting detail painting the fluctuating state of the world (beginning with the Bolshevik Revolution and continuing on through the World Wars); the parade of lovers, friends, family, husbands and children who all knew a different side of her; and the near-constant changes in settings during Moura's tumultuous existence. Did anyone truly know who Moura was? Did she know herself? Lapierre leaves it up to readers to decide, lyrically presenting a life without judgment: "She was the personification of loyalty. She was the personification of deceit.... She was a survivor." --BrocheAroe Fabian, owner, River Dog Book Co.

Discover: This biography masquerading as a Russian novel explores the complicated loves, losses and unfettered life of a 20th-century marvel.

Atria, $30, hardcover, 640p., 9781501197918

Science Fiction & Fantasy

The Book of Koli

by M.R. Carey

With The Book of Koli, M.R. Carey (Fellside) launches an exciting post-apocalyptic coming-of-age trilogy. It is the distant future, and nature has become hostile to the point where even trees attack those who venture into the forest. Small human settlements remain within walled communities. The Ramparts who can "wake" the small amount of surviving technology make up the ruling class of teenage Koli's village. When Koli learns a secret that may allow him to master the tech and shake the Ramparts' control, he begins a journey that will take him far beyond the relative safety of his village.

Koli looks back on his story from a future distant enough that he expects his audience to be unfamiliar with the society of his youth, so he makes this strange world in which he lives accessible to readers. At the stage of his life when the action takes place, Koli is not an especially mature teenager, and the rash decisions he makes in pursuit of a changed life are both believable and extremely ill-considered, but his first-person narration makes it clear that his heart is good, and the deep bonds that he forms with his companions will win readers' hearts. He will evidently live long enough to tell his tale, but watching him grow and learn is a pleasure. One hopes he will not only survive but thrive. Readers will finish The Book of Koli eager to read the next installment. --Kristen Allen-Vogel, information services librarian at Dayton Metro Library

Discover: A teenager challenges authority and must face a hostile, post-apocalyptic wilderness in this first book of a thrilling trilogy.

Orbit, $16.99, paperback, 416p., 9780316477536


The Happy Ever After Playlist

by Abby Jimenez

Abby Jimenez, author of The Friend Zone, has created an irresistible, heart-wrenching romance in The Happy Ever After Playlist. Artist Sloan Monroe is still living in a fog of grief two years after the death of her fiancé, Brandon. As Sloan drives down a Los Angeles street, a dog leaps into her car through its broken sunroof. Shocked to find herself with a lap full of dog, she finds herself suddenly, fully awake for the first time in years.

It turns out the dog's owner is a sexy musician named Jason who's currently touring in Australia. Sloan agrees to keep the dog until he gets back, since Jason's original dogsitter was clearly unreliable, and finds herself texting him at all hours of the day and night.

When Jason arrives back in L.A., Sloan can no longer deny that she's attracted to him. But it makes her feel guilty, as though she's leaving Brandon behind. Things are further complicated by the fact that Jason's career is on the rise, and he's about to set out on a long tour. Is Sloan's heart going to be broken just when she feels that it's finally started functioning again?

Sweet and funny, yet with vulnerable depths, The Happy Ever After Playlist is a delightful romance. Sloan's struggles with moving on after Brandon's death make for compelling reading--and create a surprisingly plausible story, in spite of the rock star accoutrements. Fans of contemporary romance are sure to love Abby Jimenez's second novel. --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

Discover: In this poignant romance, a woman finds herself falling for a kindhearted rock star, two years after the death of her fiancé.

Forever, $15.99, paperback, 400p., 9781538715642

Biography & Memoir

Laugh Lines: Forty Years Trying to Make Funny People Be Funnier

by Alan Zweibel

Like Steve Martin's Born Standing Up, Alan Zweibel's jaunty and laugh-out-loud funny Laugh Lines serves as both a compelling memoir and an invaluable primer to anyone hoping to succeed writing comedy. Before he became an Emmy Award-winning writer (Saturday Night Live; It's Garry Shandling's Show) and novelist (The Other Shulman won the Thurber Prize for American Humor), Zweibel was a college graduate living with his parents and selling jokes to Catskill comedians for $7 apiece. In 1975, Lorne Michaels hired him as one of the original writers for Saturday Night Live.

At SNL, he enjoyed partnering with Gilda Radner ("Our chemistry was magical"); their friendship lasted until her early death in 1989. The TV series brought him acclaim, awards and long-lasting friendships with many top comedians of that time. After five seasons, he left the show and found even greater success co-creating Garry Shandling's innovative sitcom. There were a few career missteps, including a 1991 sitcom starring Ryan O'Neal and Farrah Fawcett ("a romantic comedy for a couple who are neither romantic nor comedic," he remembers) and the big-budget film adaptation of his novel North (film critic Roger Ebert famously wrote, "I hated this movie. Hated, hated, hated, hated, hated this movie"). He also co-authored Billy Crystal's one-man Broadway show, 700 Summers, which won the 2005 Tony Award for Special Theatrical Event.

Laugh Lines is a delightful and moving memoir, filled with sweet and sour star-studded behind-the-scenes tales of dealing with egos and creating or polishing material to make other comedians even funnier. --Kevin Howell, independent reviewer and marketing consultant

Discover: This laugh-out-loud memoir of a career writing material for other comedians is also an encouraging and indispensable guide for budding comedy writers.

Abrams Press, $27, hardcover, 272p., 9781419735288

What Is the Grass: Walt Whitman in My Life

by Mark Doty

It was part of Walt Whitman's extraordinary innovation with Leaves of Grass to close time and space, to bring his observations and a sense of intimacy to each reader who finds him. It feels perfectly natural that acclaimed poet and memoirist Mark Doty (Dog YearsStill Life with Oysters and LemonDeep Lane) chooses to receive, interpret and muse upon these transmissions with What Is the Grass: Walt Whitman in My Life.

Doty, like Whitman, is gifted with words, a lover of beauty and of men, a New Yorker. He feels haunted by the elder poet, sees and smells him in the museum of Whitman's home, again encounters his ghost "above the shoulders of a bedmate on a winter afternoon early in the twenty-first century, in an apartment tower in Hell's Kitchen." What Is the Grass is a close reading of Whitman's great work, but also of American poetry, same-sex love, the exuberance of the physical body, myriad cultural shifts and Doty's own life.

As is his habit, Doty's mind on the page wanders widely. Readers should be prepared to dig out a copy of Leaves of Grass (or find one: "there is a copy of the Leaves in every used bookstore, everywhere in the nation, count on it") upon reading this book, which makes an indispensable companion and guide. Arriving finally at "the poet's greatest glory, and the exegete's inescapable defeat," in the end, Doty reminds us that Whitman's "words accomplish what words cannot," and exits quietly. --Julia Kastner, librarian and blogger at pagesofjulia

Discover: This companion to Leaves of Grass is literary criticism and explication, memoir and meditation, and the kind of fine, evocative, thoughtful prose that Mark Doty does best.

W.W. Norton, $25.95, hardcover, 288p., 9780393070224


This Is Chance!: The Shaking of an All-American City, a Voice that Held It Together

by Jon Mooallem

Every now and then, a story comes along that introduces a character from history who never should've been forgotten in the first place. Genie Chance--a radio reporter from Anchorage, Alaska--is one such person. When a devastating earthquake struck the city in 1964, Genie became a voice for all of Anchorage, working nearly three days straight to broadcast alerts, put out calls for resources and manpower, and read aloud hundreds of individual messages in hopes of connecting loved ones otherwise unable to communicate.

As captured in Jon Mooallem's This Is Chance!, the radio reporter's heroics for local station KENI was but one of countless stories of regular people who took the burden of ensuring Anchorage's future on their own shoulders. Far from being a straightforward recounting of events, Mooallem's account latches onto a production of Thornton Wilder's classic piece of meta-theater, Our Town, as a framework for the story. A production of the play was scheduled to take place the night of the quake, but Mooallem also employs characteristics of the show's Stage Manager in sharing the story of Chance and the '64 Anchorage quake. Beyond this intriguing element, Mooallem's knack for description is also one of the book's biggest strengths. "All over Anchorage, so many rectangles and squares had become shapes with no names," he writes of the earthquake's structural carnage. As Mooallem himself begins to enter the narrative late in the story (referred to in the third person), he reveals the fascinating ways in which disaster can intangibly connect people as a core focus of this engaging, enlightening read. --Zack Ruskin, freelance reviewer

Discover: The winning story of how Anchorage, Alaska, survived a devastating 1964 earthquake thanks, in part, to the effort of intrepid radio reporter Genie Chance.

Random House, $28, hardcover, 336p., 9780525509912

Social Science

Midwest Futures

by Phil Christman

The heartland, flyover country, the breadbasket of America, the bring-a-casserole-to-the-potluck capital of the world: whatever you call it, Paul Christman's searching, searing essay collection Midwest Futures surveys the past, present and potential of the U.S.'s ill-defined midsection. With wit and an activist's outrage, Christman's debut centers on the question of how the Midwest became what it is, both as a gridded landscape ruled by grain elevators and agribusiness, but also as a persistent (and stubbornly vague!) idea.

Christman, who teaches at Michigan State University, offers an appealing, skeptical guide, busting myths and relishing ironies, such as the one about how a region known for its people's stoic humility also has positioned itself, over the last century, as the purest expression of the very idea of American-ness. In its 36 short essays--each of uniform length and arranged, inside larger chapters, like plats of property within surveyors' rows of land--Midwest Futures offers a clear-eyed look at the region's settlement, development, culture, boom times and downturn. Christman argues that, since it was first divvied up by Congress into ownable parcels in the 1780s, the Midwest has been shaped and ruled not by the hard work of homesteading families but by corporations, large land owners and the brutal logic of capitalism. The futures of the title refers not only to what might be next but also to how the land and its people (including the Native Americans who were there first) have come second to speculative economics. --Alan Scherstuhl, freelance writer and editor

Discover: This funny, fierce study of the Midwest's past, present and future never comes close to "Minnesota nice."

Belt Publishing, $26, hardcover, 150p., 9781948742610


Rue: Poems

by Kathryn Nuernberger

Enlightening with its gut-wrenching wisdom, Rue by Kathryn Nuernberger (The End of Pink) unapologetically dismantles the patriarchy and the bane of societal expectation through an ireful speaker's contemplative free verse.

The speaker in Nuernberger's third poetry collection finds her behavior incongruous with her imagined self. In professional settings, she uses "a lot of smiley faces and exclamation points... to iron [her]self disarming." She wants a divorce, but convinces herself that's crazy. Sexually assaulted by her male OB/GYN, she grapples with what she did wrong; similarly, she plays "nice" rather than being "mean" and reporting a stranger's unwanted touches. To cope, she retreats into biographies of female scientists (Maria Sibylla Merian, Anna Atkins) and artists (Diane Arbus, Lee Bontecou) whose work she admires--as well as plants that, like her, perform opposite actions; images that seem human but conjure a sense she's not.  

Between portraits of sexism and ruminations on identity, she catalogues plants once used to induce abortion. In doing so, she affirms how Mother Nature, even in beautiful forms like Queen Anne's lace and pennyroyal, wrests control away from men--"a woman flipping the patriarchy the bird." Multiple poems refer to women keeping silent as boxed rabbits, their "haunches... itching springs." Mermaids and centaurs in other poems further hint at undomesticated creatures aching to break free. Nuernberger's imagery forces readers to see what may at times be invisible--a true and furious inner being. Raising difficult questions, Nuernberger delivers a sublime meditation on womanhood and the complexity of the self. --Samantha Zaboski, freelance editor and reviewer

Discover: The speaker in this ecopoetic collection reflects on her unsatisfying marriage, profiles little-known female ecologists and disparages misogyny as she works to embody her authentic self.

BOA Editions, $17, paperback, 104p., 9781942683971

Children's & Young Adult

Ways to Make Sunshine

by Renée Watson, illus. by Nina Mata

In Coretta Scott King Author Award-winner and Newbery Honoree Renée Watson's spirited debut chapter book, Ways to Make Sunshine, Ryan Hart is a recipe-writing, bicycle-racing queen whose first name actually means "king."

Ryan works hard to live up to the royal expectations of her name, but she finds herself facing difficult transitions after her dad loses his job. Adding to her stress is a new, smaller house, friendship discord and a dash of doubt about her natural hair. Luckily, Grandma eases that uncertainty by telling Ryan, "How you wear your hair is your choice and... it's not going to determine if you're beautiful or not. The only thing that will determine that is how you treat others."

Every chapter in Ways to Make Sunshine is a charming episode that details Ryan's heartfelt hijinks in her hometown of Portland, Ore. Each new adventure is broad enough to connect with diverse audiences while also containing nuanced, slice-of-life experiences seen through the eyes and felt through the actions of a bold, brilliant Black girl. Nina Mata's softly patterned illustrations animate Ryan's world, adding texture to sweet scenes with family and friends as well as some of her more mischievous moments. Watson (Some Places More than Others) deftly captures the straightforwardness of children like Ryan who care deeply about what's happening to the people they love, even if they're still learning how best to show their concern. Still, sometimes, they know exactly how to bring their distinctive shine to brighten up even the bleakest of circumstances. Ryan is a bright new star in chapter books. --Breanna J. McDaniel, author, freelance reviewer

Discover: A fresh beginning to a new chapter book series featuring a girl who can coax out sunshine from behind the darkest storm.

Bloomsbury, $16.99, hardcover, 192p., ages 8-11, 9781547600564

Cat Dog Dog: The Story of a Blended Family

by Nelly Buchet, illus. by Andrea Zuill

The main text of Cat Dog Dog: The Story of a Blended Family employs only nine different words, and that includes noises ("Grrr..."). How is it, then, that debut author Nelly Buchet leaves readers with the impression that they have just enjoyed a picture book magnum opus about the intricacies of the stepfamily?

As Cat Dog Dog begins, a man carrying moving boxes returns home to his oblivious dog ("Dog"). Meanwhile, a woman's two pets ("Dog / Cat") cohabitate agreeably, a "Hisss..." notwithstanding. When the man and his dog move in with the woman and her pets, things are amusingly strained: the woman's dog destroys the man's shoe. There's dog-on-dog tension at the food bowls. A backyard chase ("Bird") earns the pet trio some censure, complete with matching cones of shame.

Given Cat Dog Dog's minimalist text, it's tempting to conclude that Andrea Zuill (Wolf Camp) is doing the book's heavy lifting; she's responsible for charmingly fuss-free illustrations, like a cozy, droll, two-page spread showing the pets' eventual acceptance of their new living situation: together they pose in Halloween costumes, ogle a fresh-cooked turkey and look out the window at falling snow. But Buchet's bold black text itself is actually essential to the book's visual presentation: by fusing the animals' names on the page as "Dog Dog Cat," "Dog Cat Dog" and "Cat Dog Dog," the author signals their bond. Of course, having strength in numbers will come in handy when the pets must face the biggest challenge of their blended lives (hint: "Waaaah!"). --Nell Beram, freelance writer and YA author

Discover: This funny pet-centric picture book employs a bare-bones text and nimble visuals to capture what it's like suddenly to be part of a stepfamily.

Schwartz & Wade, $17.99, hardcover, 40p., ages 3-7, 9781984848994


Author Buzz

Every Time We Say Goodbye

by Natalie Jenner

Dear Reader,

EVERY TIME WE SAY GOODBYE was the hardest book I will ever write, and the most rewarding. I packed everything I could into this book: love and conflict, faith and religion, censorship and resistance, art and moviemaking, fashion and food, cameos by favorite actresses and characters from my earlier books, and above all Rome, my favorite city in the world. I hope that my novel gives you the entertainment and inspiration that nourished me throughout its writing.

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AuthorBuzz: St. Martin's Press: Every Time We Say Goodbye by Natalie Jenner

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Pub Date: 
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Happily Ever Maybe
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AuthorBuzz: 1001 Dark Nights Press: Happily Ever Maybe (A Montgomery Ink Legacy Novella) by Carrie Ann Ryan

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