Norman Lock is one of the best writers you've never heard of, but that could change with Love Among the Particles, a collection of stories that combines absurdist elements and avant-garde fiction with conventional storytelling to satirize our romance with devices and our penchant for confusing technology with living.
The worlds in these stories are nearly recognizable, familiar but disguised by Lock's fabulist instincts. The first story, "A Monster in Winter," adopts flawless Edwardian language to tell the story of an ambitious journalist's efforts to exploit Mr. Hyde, with horrifying consequences. In the title story, with a nod to Kafka's Metamorphosis, a man dematerializes, becoming nothing more than particles in a digital space alongside data bits, longing for true love as he observes the world happen around him.
Lock's writing is beautiful, with clean, clear, perfect sentences. He might delight in pyrotechnics but they are never self-indulgent; his language and imagination are always in service of the story. Each story feels total, complete, seducing the reader with language and narrative into a fully realized alternative world to say something new about our own.
Philip Roth invited a young Lock to his writing seminar and helped launch a career that has included recognition from George Plimpton at the Paris Review and the publication of four novels and hundreds of short stories and plays. Love Among the Particles is topical, astonishing and provocative--and should help Lock reach his widest audience yet. --Jeanette Zwart, freelance writer and reviewer