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Granta Magazine: A digital subscription to the best new literary writing.

Week of Friday, May 16, 2025

This week's newsletter is loaded up with fantastic reading ideas for the longer, sunnier days of springtime. The "varied and insightful" stories in Guadalupe Nettel's The Accidentals follow people "seeking to make connections and right the wrongs of the past." In Intraterrestrials, Karen G. Lloyd provides a "thrilling jaunt" through the subterranean environments where microscopic organisms shape life on earth. And Bonnie Tsui offers "the best kind of coaching" about human musculature in the "energizing, friendly, and never preachy" On Muscle. Plus, in El Niño, Pam Muñoz Ryan has crafted "a sweeping, lyrical work of middle-grade magical realism" about a young swimmer and the Amazonian queen for whom California is named.

In The Writer's Life, Barry Lyga shares how his ongoing I Hunt Killers series transitioned age groups over time and why one story was vital in pulling together his new adult anthology, Before the Hunt.

--Dave Wheeler, senior editor, Shelf Awareness

Facts and Fables Podcast: Reading for Education and Escapism. Follow us on Spotify!

The Best Books This Week

Fiction

The Accidentals

by Guadalupe Nettel, transl. by Rosalind Harvey

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Mexican writer Guadalupe Nettel's The Accidentals contains eight poignant first-person stories of people seeking to make connections and right the wrongs of the past.

In "Imprinting," a woman stumbles on her estranged uncle while visiting another patient at the hospital. Will the bond they form be enough to heal a long-running family feud? Several stories have a similar focus on dysfunctional families. The narrator of "The Fellowship of Orphans" recognizes a man from a missing person poster and calls the man's mother, but the would-be good deed has a sinister result. In "A Forest Under Earth," a backyard tree symbolizes its owners; when it starts dying, one confesses, "I'm scared about what's going to happen with us."

The title story, too, pivots on a powerful nature metaphor. Camilo is obsessed with returning to Uruguay, from which he was exiled--just as albatrosses return to within "a few feet from where they were born." Excellent fable-like narratives incorporate gentle magic to explore characters' regret and longing. In "The Pink Door," a 60-something man discovers a shop with candy that makes him younger but alters his family in unexpected ways. "Life Elsewhere" is a cautionary tale about a failed actor who insinuates himself into the lives of the tenants whose apartment he'd coveted. "The Torpor" takes the Covid-19 lockdowns to an extreme, imagining repression--and depression--15 years on.

Nettel, whose 2023 novel, Still Born, was shortlisted for the International Booker Prize, ponders family ties and the sense of home in these varied and incisive stories. --Rebecca Foster, freelance reviewer, proofreader and blogger at Bookish Beck

Discover: Guadalupe Nettel's The Accidentals contains eight poignant first-person short stories about people seeking to make connections and right the wrongs of the past.

Bloomsbury, $25.99, hardcover, 144p., 9781639734924

Awake in the Floating City

by Susanna Kwan

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Artist/writer Susanna Kwan turns her native San Francisco into a watery wasteland in her elegiac debut novel, Awake in the Floating City. After seven years of rain, the third floor is now the ground floor in the high-rise where Chinese American artist Bo rents a 77th-floor studio. Most everyone she knows has left, "gone to Greenland or Siberia or Maine." Her cousin Jenson, in British Columbia, wants to extricate her, ever since "the big storm" swept her mother away. Her art has completely stalled.

But a handwritten note slid under her door is desperation Bo can't ignore: "I need help.... Three days a week, afternoons. Can pay in cash." Mia, a Chinese immigrant on the 51st floor, is a "supercentenarian"--about 130 years old--one of the elderly who "found themselves abandoned by family to survive personal and regional crises alone." Bo's appearance at Mia's door begins a relationship that will be renewing for Bo, soothing for Mia, and undeniably transformative for both.

Kwan nimbly constructs a dystopic San Francisco populated by the leftover few. Impermanence is delicately threaded throughout--disappearing landscapes, buildings, landmarks, records, archives. But Kwan also deftly intertwines centuries of Asian American history--the Chinese Exclusion Act, Angel Island, Executive Order 9066, ethnic studies, widespread anti-Asian hate--tracking the challenges of being repeatedly rejected, exoticized, misrepresented, othered. Even as communities dwindle, people remain connected to the past--witnesses to suffering, claimants to joy. Hearing Mia's endless stories reinvigorates Bo's need to create, and Mia's memories, "twisted with hers," gives Bo the clarity to consider "her future, ready to be met." --Terry Hong

Discover: Susanna Kwan's debut novel is an atmospheric study of two untethered souls who find companionship and support in a not-too-distant San Francisco that's sinking into the rising waters.

Pantheon, $28, hardcover, 320p., 9780593701409

Other Worlds

by André Alexis

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One doesn't have to leave Earth's atmosphere to feel as if one is on another planet. Feelings of estrangement can happen anywhere. The Trinidad-born Canadian author André Alexis (The Hidden Keys; Days by Moonlight) experiments with the multifaceted concepts of connection and belonging in Other Worlds, his assured collection of nine stories. Some of these works are indeed otherworldly, among them "Contrition: An Isekai," in which a Trinidadian sorcerer dies in 1857 and is reincarnated 100 years later as a seven-year-old boy in Ontario. Then there is "Winter, or A Town Near Palgrave," a skin-crawler that puts a writer looking for solitude in a town north of Toronto, where a patron tells him that his caretaking duties include rubbing balm on large sacks hanging inside of houses. The only advice? "Stop immediately if you hear groaning."

The more down-to-earth offerings in this brilliant collection also have the power to disconcert. They include "A Certain Likeness," where a 40-ish archivist begins a relationship with an artist in his 60s, a man who slept with her mother many years earlier and may or may not be the archivist's father; "A Misfortune," the tale of a middle-aged woman dealing with the guilt of having accidentally shot her father when she was six; and "The Bridle Path," a perceptive meditation on class and servility in its story of a tax attorney from a modest background who befriends a wealthy couple. No one in these stories is quite where they belong, and that's part of the fun of this constantly surprising assortment. --Michael Magras, freelance book reviewer

Discover: The stories in Other Worlds focus on their characters' feelings of estrangement, including tax attorneys serving the wealthy and sorcerers awakening in another century.

FSG Originals, $18, paperback, 288p., 9780374611408

State Champ

by Hilary Plum

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In the revelatory and impassioned State Champ by Hilary Plum (Strawberry Fields), a receptionist at a reproductive health clinic goes on a hunger strike to protest her boss's imprisonment after defying their midwestern state's strict abortion law.

Angela Peterson, writing on exam-table paper in the closed clinic where she once worked, chronicles her hunger strike by the day. She explains that she's protesting--wasting to such a size that "the roaches could carry [her]," letting her mouth rot "like an old rape kit"--because her boss should not be in prison for helping people. Angela discusses myriad topics, such as how the father of gynecology experimented on enslaved Black women, and how the U.S. has "this great system where if you're raped you won't go to jail, but then neither will he." She also reveals aspects of her own life (her mom's death, an eating disorder, DUIs, arrests, getting banned from competitive running, dropping out of college), establishing a rapport with readers.

Angela's fury about the abortion law and for infringed freedom flies from the pages, and the ferocious pacing of her stream-of-consciousness narrative mirrors the runner dormant within her. Yet Plum's searing prose also smartly pauses, much like how time lags for Angela as she starves herself ("Yesterday I was trying to remember every half-stack of Pringles I've ever eaten. Didn't I, one time, balance a joint, still smoking, on the mythical curve of a Pringle?"). Life dwindles from Angela's politicized body but not from her purpose in this sharp, incisive, and galvanizing portrait of a woman exerting her choice. --Samantha Zaboski, freelance editor and reviewer

Discover: In this furiously revelatory novel, the receptionist at a reproductive health clinic goes on a hunger strike to protest her boss's imprisonment for performing abortions in defiance of the law.

Bloomsbury, $26.99, hardcover, 224p., 9781639735433

A Gardin Wedding

by Rosey Lee

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Family drama, love, and romance reside at the heart of A Gardin Wedding, the second installment in Rosey Lee's redemptive, soul-searching series about four Southern Black women who all live in Edin, Ga.

Lee established her well-drawn, multigenerational cast in the first book, The Gardins of Edin, which explored how four biblically named women serve as shareholders in a multimillion-dollar family business, Gardin Family Enterprises, the legacy of their enslaved ancestors. Mary and Martha are sisters, Naomi is a peacekeeping surrogate matriarch to them, and Ruth is a cousin by marriage. Family tension and trust issues have challenged the company, now operated by widowed Ruth, and forced the women to grapple with competing ideas for the business and secrets embedded in their personal and professional lives.

A Gardin Wedding focuses on Martha Gardin, a 38-year-old successful doctor--and a high-strung social climber--who falls for wealthy eligible bachelor Oji Greenwald. When Oji proposes, Martha believes her romantic dreams will now come true. But an emergency befalls Oji's family and the crisis brings out the true colors of the power couple--and emphasizes how Oji's leery mother ostracizes Martha, who feels slighted and left out. The emotional complexities of this messy romantic predicament play out while the Gardin family also opens a new restaurant inside a redevelopment project of Oji's real estate investment company.

Ideas of forgiveness, love, and acceptance are threaded throughout Lee's hopeful, vivid portrayal of complications imbued in contemporary family life. -- Kathleen Gerard, blogger at Reading Between the Lines

Discover: This hopeful, grace-filled novel explores how a marriage proposal unearths dramatic emotional complexities for two Black families in the South.

Waterbrook Press, $17, paperback, 304p., 9780593445518

The Dark Maestro

by Brendan Slocumb

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Brendan Slocumb's gripping third novel, The Dark Maestro, takes readers on a breathless ride through the worlds of classical music, illegal drugs, and witness protection, as a young Black superstar cellist fights the drug lords who sent him into hiding.

Growing up in the projects of southeastern Washington, D.C., cello prodigy Curtis Wilson's music gains him access to a new life: glittering concert halls, a Juilliard degree, widespread acclaim. But when his dad, Zippy, gives evidence to the FBI that implicates his former bosses, Curtis and Zippy (and Zippy's longtime partner, Larissa) must go into hiding to survive. Bereft without his music, Curtis eventually hatches a plan to get his life back by tapping into the "Dark Maestro" superhero persona he imagined as a kid.

Slocumb (Symphony of Secrets; The Violin Conspiracy) highlights the contrasts between the rarefied classical music realm Curtis enters and the desperately poor one of his childhood: opulent receptions versus cockroach-infested slums, privilege and power instead of addiction and hopelessness. Larissa, a former drug runner herself, has found her life's purpose in helping young women obtain a way out, aiding them with job training, child care, and emotional support. Her ability to straddle the underworld and the legitimate workforce proves valuable in Curtis's quest, as does Zippy's talent for numbers and spreadsheets, plus their collective determination to succeed where the FBI failed.

Propulsive and gritty, yet suffused with the fierce love of family, The Dark Maestro weaves together themes of ambition, justice, and stubborn hope--with a side of fiendishly clever musical revenge. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: Brendan Slocumb's propulsive third novel is a breathless ride through the worlds of classical music, illegal drugs, and the witness protection program.

Doubleday, $29, hardcover, 416p., 9780593687611

Immaculate Conception

by Ling Ling Huang

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Ling Ling Huang's Immaculate Conception is a dazzlingly ambitious feat of storytelling. The narrative revolves around the bond between Mathilde and Enka, two artists, one privileged in many ways, the other decidedly not, at least initially. Narrator Enka befriends the intimidatingly talented Mathilde during their first year at art school and feels continually inferior to her friend's knowledge, growing acclaim, and confidence.

As they mature and their paths diverge, Enka becomes more and more obsessed with Mathilde's life and work. Huang expertly portrays Enka's inner turmoil, her constant struggle between admiration and envy, love and resentment. Mathilde is a brilliant artist, but also deeply traumatized. Her vulnerability makes her intermittently dependent on Enka, who sees her role as Mathilde's caretaker, even at the expense of the latter's agency. Huang depicts with precision the subtle power dynamics that exist between them--the one-sided competition and the ever-present threat of betrayal.

Meanwhile, they exist in a dystopic, chillingly plausible world in which societal inequities are amplified and technology is employed to maintain a rigid social order. Ultimately, Enka uses her husband's research involving a technology called SCAFFOLD, which allows individuals direct access to another person's brain, their thoughts, their creativity, and full interiority. The stated purpose is to help Mathilde bear her emotional burdens, but Enka's motives are hardly pure.

Huang's (Natural Beauty) style is as captivating and distinctive as the story itself, with incisive prose that is alternately evocative, funny, and caustic. Immaculate Conception investigates the dark side of ambition, the seductive power of technology, and the complex nature of human relationships--a simmering rumination on covetousness, resilience, and atonement. --Elizabeth DeNoma, executive editor, DeNoma Literary Services, Seattle, Wash.

Discover: Immaculate Conception is a virtuosic work beaming the spectrum of human emotions through a prism of indifferent technology.

Dutton, $28, hardcover, 304p., 9780593850435

Forged

by Danielle Teller

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Danielle Teller's clever second novel, Forged, follows the journey of a scrappy young woman determined to outwit her circumstances. Through Fanny Bartlett's ingenious rise from naïve farm girl to polished society matron, Teller examines the hollow facades of Gilded Age society and explores whether reinventing oneself is truly possible.

Fanny is desperate to escape her isolated village and abusive father, so she sets out for Cleveland, Ohio, in search of her missing sister, Betsy. After a rough start in the city, Fanny makes her way first as a parlor maid, then as a companion to young socialite Mae Garth. The proximity to Mae's family wealth is intoxicating, and Fanny reinvents herself as Kitty, a genteel but penniless young woman. She fashions a glittering new life through her wit, charm, sleight of hand, and (later) expert forging skills. Eventually, "Kitty" makes a respectable marriage, begins trading on the stock market, and builds a financial empire. But like Jay Gatsby, Tom Ripley, and other famous deceivers, her past eventually catches up to her.

Teller (All the Ever Afters) highlights the temptations of wealth, the rigid class strictures of American society, and the loneliness of living a double life. Fanny's smarts and resourcefulness help to sustain her deception, but she knows her house of cards is fragile--and her connection to Mae may prove her undoing.

With a propulsive pace reflective of its Industrial Age setting, Forged depicts the rise of a complicated heroine and asks pointed questions about what is truly valuable. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: Danielle Teller's clever second novel charts the rise of a scrappy young woman who reinvents herself as a society matron and expert forger.

Pegasus, $27.95, hardcover, 368p., 9781639369430

Mystery & Thriller

Julie Chan Is Dead

by Liann Zhang

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Chinese Canadian author Liann Zhang heightens the twins-separated-at-(not quite)-birth trope into a savvy, deliciously satisfying debut novel, Julie Chan Is Dead. Chloe Van Huusen and Julie Chan are identical twins; at four, a drunk driver killed their parents. Chloe's fast-track adoption placed her with a wealthy white couple who insisted on a single child. Julie landed with their aunt, "a penny-pinching, foul-mouthed Cantonese woman," who only took her for the adoption subsidy.

The twins' reunion happened 17 years later when Chloe, now a high-profile influencer, arrived unannounced (with a film crew) at Julie's supermarket cashier job to gift her a house. Her performative magnanimity earned 10 million views in two days before she disappeared again from Julie's life. Three years later, Chloe calls Julie; she repeats "mistake" and "I'm sorry" before disconnecting. Panicked, Julie heads to Chloe's New York City penthouse and finds her corpse. Chloe's doorman, neighbor, even the police assume Julie is Chloe. "Is it really fair for Chloe's life to go to waste?" Julie reasons. With surprising ease, she becomes Chloe overnight, assuming Chloe's coveted position among the elite influencers. Might all that affirming love and easy luxury have a poisonous price tag?

As propulsive as a cinematic thriller, Zhang exposes addictive social media, racial inequities, rotting wealth, flexible morality--even extreme moments featuring loyalty tests with newborn mice and a human sex toy. "Too much" might apply to the too-long section involving a private island retreat, but any missteps fade with the brilliance of the shocking, shrewdly plotted finale. --Terry Hong

Discover: Chinese Canadian debut author Liann Zhang takes the separated-twins trope to chilling, desperate, delectable new heights in Julie Chan Is Dead.

Atria, $28.99, hardcover, 320p., 9781668067895

Bat Eater and Other Names for Cora Zeng

by Kylie Lee Baker

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A young Chinese American woman battles deadly and disturbing phenomena in New York City at the height of the Covid-19 pandemic in Bat Eater and Other Names for Cora Zeng, YA author Kylie Lee Baker's powerful first horror novel for adults.

In April 2020, a white man pushes Cora Zeng's ethereal, self-centered half sister, Delilah, in front of a subway train after calling her "bat eater." Cora, who sees herself as a nonperson, takes a job as a crime-scene cleaner to cover her rent. Lately, she and her coworkers are exclusively cleaning up after the murders of Asian American women. Cora has started finding bat carcasses at the scenes. Unsettling occurrences happen at her apartment, such as food going missing from the fridge. She worries that her mental health issues may be causing her to misremember or hallucinate, but the bite marks in her coffee table are less easily explained. Her co-worker Yifei warns her about hungry ghosts, spirits who don't receive the proper reverence. Cora must find out if the rising body count is related to Delilah's death and finally step out of her sister's shadow.

The author's earlier work in young adult fiction shows in the beautifully intimate immediacy of Cora's inner life. Baker (The Blood Orchid) is unafraid to go for the gore but also mines a core of sorrow that makes the story's horrifying aspects more impactful. "Fear is born in the after, when the world peels back its skin," Cora ruminates. This atmospheric, chilling novel reckons brilliantly with anxiety, racism, and grief in the pandemic era. --Jaclyn Fulwood, blogger at Infinite Reads

Discover: A young Chinese American woman faces human and supernatural horrors during the Covid-19 pandemic in this powerful, empathetic horror novel.

Mira, $28.99, hardcover, 304p., 9780778368458

Blood on the Vine

by J.T. Falco

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More than blood seeps into the soil of an elite Napa Valley winery in the outstanding Blood on the Vine. TV writer and showrunner J.T. Falco packs his first novel with murder, competitive businesses, family rivalry, greed, sex-cult rumors, controversial farming methods, and entitlement, but his smooth plotting and attention to fully realized characters ensure that this crime procedural doesn't seem overstuffed.

Lana Burrell has led a fairly isolated life for the past 22 years, ever since she fled her Napa home at age 17, when her father, Clifford, was convicted of murdering her best friend, Jessica Bancroft. Clifford, an artist, had designed bottle labels while managing the prestigious Golden Eagle Winery, owned by "Napa's First Family," the Bancrofts. Lana believes him innocent, but her prison visits to him have tapered. She is now a seasoned FBI agent in San Francisco's field office who avoids wine and Napa, preferring popcorn and beer, but reluctantly agrees to investigate the murders of two young women, who were both last seen at the Golden Eagle. Lana is surprised by the warm greeting she receives from Jessica's mother, Holly, and a somewhat civil meeting with the sheriff who arrested her father. Her investigation plunges her into a quagmire of business practices and family secrets as Lana reexamines her own choices. Her pairing with a chatty new 61-year-old deputy adds levity while allowing both women to shine.

Lana's cynical voice and perceptive insights, along with Falco's primer on viticulture, make Blood on the Vine an outstanding debut. --Oline H. Cogdill, freelance reviewer

Discover: This outstanding debut novel follows an FBI agent whose father was convicted of murdering her best friend when she was a teenager and must now confront her past in California's Napa Valley.

Crooked Lane Books, $29.99, hardcover, 336p., 9798892421201

A Death on Corfu

by Emily Sullivan

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Emily Sullivan (Duchess Material) shifts from historical romance in A Death on Corfu, the first in a planned series. Set on the atmospheric Greek island at the turn of the 20th century, the novel is a delightful cozy mystery starring an English widow.

Minnie Harper's husband, Oliver, was a diplomat in Athens but retired from that hectic world for a small-scale export business on the island. His unexpected death left Minnie and their two children in a financially tight spot. Because Oliver wanted Minnie to raise their children on Corfu, rather than in the uptight upper-class English society they grew up in, she has managed to make it work through freelance typing and secretarial work. Her daily routine has scarcely varied in the four years since Oliver's death, but Minnie is content with the monotony of their little Greek haven.

Then famous mystery author Stephen Dorian, lauded nearly as much as his rival, Arthur Conan Doyle, comes to stay in the villa next to Minnie's. She agrees to do some typing for the handsome but curmudgeonly man and finds that he's unexpectedly kind. After Minnie and Stephen discover the body of a young Greek woman who worked as a maid to an English expat family, she begins to spend even more time with Stephen as they investigate the real-life mystery.

Clever and charming, A Death on Corfu is an excellent historical mystery. Emily Sullivan has created a fresh heroine sure to appeal to fans of Deanna Raybourn or A.M. Stuart. --Jessica Howard, former bookseller, freelance book reviewer

Discover: In this charming historical mystery, a young English widow investigates the death of a Greek maid on the island of Corfu.

Kensington, $27, hardcover, 288p., 9781496751416

Romance

Great Big Beautiful Life

by Emily Henry

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Emily Henry's talent for capturing great love stories with even greater life lessons is exceptionally striking in Great Big Beautiful Life. Alice Scott's dream job is to write the biography of Margaret Ives, the elusive heiress of the most influential media empire in the U.S. Margaret has hidden from the public eye and scrutiny for 20 years, but an anonymous e-mail exposing her location brings Alice one step closer to her desire to finally make her mother proud and uncover the truth behind the salacious headlines that once flooded newsstands.

When she arrives in the remote town of Little Crescent Island, Ga., Alice discovers that she's not the only one vying for the job. Her competition is Hayden Anderson, a Pulitzer Prize-winning biographer who is seemingly always glowering. As the two are forced to spend a monthlong trial period interviewing Margaret to determine who would be the better fit, the tiny island town (with very few coffee shops or restaurants) also forces Alice and Hayden together. With nondisclosure agreements and a delightful competition between them, the pair navigate deepening feelings for each other and a growing sense that Margaret is not telling either of them the whole truth.

Alice juxtaposes scandalous rumors of Margaret's past alongside Margaret's version of events, revealing her life's biggest tragedies, triumphs, and tremendous loves. Emily Henry (Beach Read; Book Lovers) combines a wildly entertaining scoop of 20th-century celebrity gossip with a satisfying slow-burn romance brimming with amusing rivalry and indisputable chemistry, made all the more compelling because of her nuanced characters. Both plots unravel to reveal the great, big, and beautiful things that make life truly worth living. --Clara Newton, freelance reviewer

Discover: Emily Henry's wildly entertaining Great Big Beautiful Life combines a rivals-to-lovers romance with a touching narrative about a reclusive heiress.

Berkley, $29, hardcover, 432p., 9780593441299

Gold Coast Dilemma

by Nana Malone

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In her first traditionally published novel, Gold Coast Dilemma, self-publishing powerhouse Nana Malone has written an exuberant romance with a dynamic female lead. When her big Ghanaian wedding gets called off in a public debacle, even the stalwart and determined Ofosua Addo falters. She's left trying to hide her rising anxiety in her workplace at Drake Publishing, and she's piqued that the man who's poised to become her boss doesn't seem to remember the electrifying kiss they shared a year ago.

And that man? Ofosua's friends start calling him "Hot Cole," while she insists that she hates him and the two spar with veiled barbs. It's a classic setup for Malone's expertly executed enemies-to-lovers story.

All the while, Ofosua is navigating a New York publishing company that's attempting to move into a new, more diverse era, despite its legacy of publishing white male literary types and hard-boiled detective novels. Drake appoints Ofosua as the editorial head of a new imprint that "will elevate new voices in commercial African American women's fiction." But her incredible competence and admirable assertiveness fight an uphill battle as she swims in a sea of microaggressions, such as when her reasonable disagreement with a bad idea gets deemed "aggressive."

When Hot Cole starts trying to help Ofosua fight the good fight, their conflicts deepen into fraught and enlightening discussions, including the complicated distinctions between allyship and white saviorism. As a romance develops between them, the challenges of their different worlds become clear. Gold Coast Dilemma is a fun, funny, and socially astute romance for fans of powerful female leads and layered conflicts. --Carol Caley, writer

Discover: Romance powerhouse Nana Malone delivers a fun, funny, and socially astute novel for fans of powerful female leads and layered conflicts.

Gallery Books, $18.99, paperback, 384p., 9781668061183

Food & Wine

Portrait of an Oyster: A Natural History of an Epicurean Delight

by Andreas Ammer, illus. by Falk Nordmann, transl. by Renée von Paschen

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Andreas Ammer's Portrait of an Oyster is pure pleasure--an immersion in the science, art, philosophy, history, and gastronomy of a deceptively simple creature, the oyster. The oyster is no stranger to study; M.F.K. Fisher's classic Consider the Oyster probed facets of its importance. What sets Ammer's work apart is its sheer scope and the wealth of visual materials he includes. Falk Nordmann provides exquisite illustrations alongside facsimiles of paintings (for example, Édouard Manet's Luncheon in the Studio), photographs, detailed diagrams, and other historical artworks, even including a set of French collectible cards that pose the question, "What is an oyster?"

The many images complement the narrative, which explores the oyster's biology, evolution, and role in coastal ecosystems, in addition to its cultural significance. Portrait of an Oyster gracefully navigates the microscopic intricacies of oyster anatomy and the grander narratives of oyster cultivation and global trade, as well as the periods of individual indigenous oyster extinction and the expansion of non-native species.

It's all shared via elegant, engaging writing translated from the German by Renée von Paschen. Ammer's work is a delight to read for seasoned naturalists and for those with a less persistent fascination with the oyster. Consider this passage, in which Ammer pithily describes the Pacific oyster: "They might be called 'gender-fluid' in the terminology of the contemporary LGBTQ+ community. The scientific term is 'sequential hermaphroditism.' "

Portrait of an Oyster is a beautifully crafted tribute to a remarkable creature and a testament to the power of natural history writing to reveal and revel in the hidden wonders of the world. --Elizabeth DeNoma, executive editor, DeNoma Literary Services, Seattle, WA

Discover: Portrait of an Oyster is a vibrant and visually dazzling tour through every aspect of the oyster and what has made it significant to humanity throughout the ages.

Greystone Books, $22.95, hardcover, 192p., 9781778401275

Biography & Memoir

The Art Spy: The Extraordinary Untold Tale of WWII Resistance Hero Rose Valland

by Michelle Young

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In The Art Spy, Michelle Young details the work of French museum curator Rose Valland, who fought to protect the artistic and cultural heritage of Europe. By Valland's estimation, during World War II about one-third of personal art in France was looted by the Nazis and their collaborators. That such an accounting even exists is thanks to her eyewitness records. Valland had one directive during the Nazi occupation of France: no matter what, stay at the Jeu de Paume museum and protect the art. Before the war broke out in full, Valland championed art from countries under threat by the Nazis. But this directive turned her from a curator who fought for recognition in her career to a resistance spy.

Valland used her knowledge of art and artists as well as her meticulous observational habits and photographic memory to document the large-scale looting and theft from national collections and those seized from private citizens, particularly French Jewish families. As Young recounts, Valland's notes from her time working at the Jeu de Paume during its Nazi occupation provide a new angle on the deliberate dehumanization of Jewish people through the appropriation of their possessions, art, and homes. Her notes personalize the evils by attributing specific thefts, as well as stated antisemitism, to specific actors, some of whom tried to distance themselves later in life from what they did. Young's accounting of Valland's life, reconstructed from her documents and personal archives, shines light on a hero of the art world whose name has slipped from history, though the impact of her work for justice and restitution is still felt. --Michelle Anya Anjirbag, freelance reviewer

Discover: Michelle Young crafts a thrilling reconstruction of Rose Valland's life as a spy in Vichy France who was desperate to save the nation's cultural heritage.

HarperOne, $29.99, hardcover, 400p., 9780063295896

Human/Animal: A Bestiary in Essays

by Amie Souza Reilly

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In her debut memoir-in-essays, Human/Animal, Amie Souza Reilly examines a distressing period of her life through the lens of animal metaphors. By engaging with literary theory, she transcends the personal to depict the persistence of societal violence.

For several years, Reilly's family was stalked by the next-door neighbors, brothers in their 60s whose aggression unsettled them. Jim and Wes would peer through the windows of Reilly's house, follow Reilly's husband on his commute, and mow into their lawn. If Reilly failed to return a greeting, they would yell, shaming her for modeling rudeness for her son. Reilly's real estate agent dubbed the brothers "mostly harmless," but other neighbors reported similar interactions. The situation came to a head when Jim and Wes used their vehicle to barricade Reilly and her son in the driveway; she called the police.

"I am looking wherever I can for reasons" for this predator-prey relationship, Reilly writes. To that end, her short bestiary entries offer analogies for human behavior. Animal names, she noticed, are often derogatory when used as verbs: "to badger" is to pester; "to worm" is to manipulate. The interlocking essays also draw on feminist and postcolonial commentary to illuminate the power dynamics imposed by (usually white) men, and how these strictures made Reilly "feel powerless while it rendered them powerful." It's not always apparent how the animal imagery applies, but it's fascinating to watch the connections build, with topics including performance art and slasher films. Meanwhile, the brothers' story is stranger than fiction. Reilly captures the intensity of fear and claustrophobia in an unconventional book ideal for readers of Leslie Jamison. --Rebecca Foster, freelance reviewer, proofreader and blogger at Bookish Beck

Discover: This unconventional debut memoir-in-essays responds to the distressing experience of being stalked through the lenses of animal metaphors and critical theory.

Wilfrid Laurier University Press, $22.99, paperback, 216p., 9781771126809

Essays & Criticism

Life and Art: Essays

by Richard Russo

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Though he's best known as the author of novels including his Pulitzer Prize-winning Empire Falls and the North Bath trilogy, Richard Russo is also a perceptive and empathetic essayist and critic. That skill is manifest in his second nonfiction collection, Life and Art.

In the seven pieces that compose the book's "Life" section, Russo (The Destiny Thief) examines America's troubling tribal culture ("Stiff Neck"), considers the effect of the Covid-19 lockdown on his writing life ("Triage"), and tells a remarkable story of how a lost wedding ring reminded him that "stories... are incubators of meaning" ("Meaning"). Several of the remaining essays in this portion reflect from different angles on his relationship with his parents and his upbringing in the mill town of Gloversville, N.Y., named for the industry that provided its main source of employment until its collapse and that inspired him to create its fictional alter ego.

In Life and Art's "Art" section, Russo offers six essays that touch on an assortment of topics related to the writing and teaching to which he has devoted his life. In "Words and Their Arrangement," he efficiently dissects iconic singer-songwriter Townes Van Zandt's song "Pancho and Lefty" to reveal how "great art, it seems, can be made of humble materials."

That statement is an apt characterization of Russo's own approach to his craft. As is true of his fiction, he's a direct and plainspoken stylist. But that lack of affectation should not be confused with an absence of depth. Despite their brevity and transparency, Life and Art's insightful explorations offer more grist for contemplation than many longer and superficially more complex works. --Harvey Freedenberg, freelance reviewer

Discover: In 13 cogent essays, novelist Richard Russo candidly reflects on aspects of his personal and professional life.

Knopf, $28, hardcover, 208p., 9780593802168

Science

On Muscle: The Stuff That Moves Us and Why It Matters

by Bonnie Tsui

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In the spirit of Better Faster Farther by Maggie Mertens, On Muscle by Bonnie Tsui (Why We Swim) takes readers on more than a simple anatomical journey. Along with descriptions of what muscles do and why they matter, Tsui shares stories of growing up with a physically active father and learning to love moving her body. Filled with conversations with experts such as Jan Todd, a kinesiology professor and power lifter who once famously lifted the Scottish Dinnie Stones (which have "a combined weight of 733 pounds"), Tsui's analysis makes muscles irresistibly interesting.

Tsui's not afraid to tackle serious subjects, with chapters such as "Who's Afraid of a Lady Hercules" that handle subjects like sexism, racism, and transphobia with compassion. In "Remembrance of Exercises Past," Tsui discusses epigenetics and encourages readers to begin or continue their fitness journeys to live longer, healthier lives.

Perfect for fans of Mary Roach, On Muscle shines light on the muscular system, why it's important, and how it can be properly maintained. The book is full of fascinating facts (like how muscles are responsible for goose bumps), and even the most knowledgeable readers are sure to come away with something new. The interspersed family stories provide a backbone for the science, not just telling but also showing readers the whys and hows by applying the information.

Energizing, friendly, and never preachy, On Muscle feels like the best kind of coaching. Readers may just find themselves inspired to pick up some weights after they've put the book down. --Alyssa Parssinen, freelance reviewer and former bookseller

Discover: On Muscle by Bonnie Tsui is an energizing and inspiring journey into the world of muscles and those who use them.

Algonquin, $29, hardcover, 256p., 9781643753089

Intraterrestrials: Discovering the Strangest Life on Earth

by Karen G. Lloyd

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More than a look at tiny organisms living within the earth, Karen G. Lloyd's Intraterrestrials is a thrilling jaunt through scientific research and the experiences of a scientist. Lloyd's delight in her work shines across the pages and generates appreciation and excitement for even the most tedious aspects of research.

Lloyd, who is professor of earth sciences and the Wrigley Chair in Environmental Sciences at USC, eases readers into a world many people tend not to think about as she describes the habitat beneath the surface of Earth and the methods used to study this microscopic life. She then brings readers deeper by looking at how intraterrestrials survive in an environment so alien to the surface and how the discovery of the immense diversity of these tiny life-forms radically changed scientists' understanding of the evolutionary tree. Finally, Lloyd details how intraterrestrials explain why life on Earth formed in the first place and how they can point a way to a future free from the devastation of climate change.

Through her energetic tone, Lloyd makes microscopic organisms dynamic and full of personality. She illustrates the circumstances of scientific fieldwork, the methodology of which rarely makes it into scientific publications, she points out. She emphasizes the collaborative nature of her work and gives the layperson peeks behind the curtain of scientific communities, including a scientist exclaiming "bullshit" at an academic conference and a casual dinner conversation about solving obstacles in the scientific process. Laden with plenty of complex concepts such as DNA sequencing and thermodynamics, Intraterrestrials is nevertheless accessible and enthralling to readers at all levels of scientific expertise. --Dainy Bernstein, freelance reviewer

Discover: In Intraterrestrials, author Karen G. Lloyd's foray beneath Earth's surface reveals a thriving world and its implications for humanity's understanding of the origins and future of life itself.

Princeton University Press, $27.95, hardcover, 248p., 9780691236117

Children's & Young Adult

El Niño

by Pam Muñoz Ryan, illus. by Joe Cepeda

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Children's Literature Legacy Award-winner Pam Muñoz Ryan (Mañanaland) delivers a sweeping, lyrical work of middle-grade magical realism about resilience, nature, and human connection. Ryan crafts a mythical story, illuminating the ways in which El Niño shapes both the environment and personal destinies.

It's the summer before Kai Sosa's eighth grade year, and he has been selected to compete on an elite swim team, the Aquarius Aquatics. He hopes that he will be able to live up to his family's history of powerful swimmers, but Kai, the "heir apparent," is having problems keeping up with the rigorous workouts, and cannot match the skill his sister, Cali, once displayed. But Cali disappeared two years ago, and the Sosa family is still feeling the aftershocks. Kai finds a beloved library book of Cali's that tells the story of Queen Califia, the Amazonian queen for whom Cali (and California) is named. "Her Realm, a labyrinth of cobbled streets bordered by rock houses trimmed in mother-of-pearl, was most famous for its towering mountains encrusted with gold." Through Queen Califia, Kai finds a gateway--both figurative and literal--to processing his grief over Cali's disappearance.

El Niño addresses many issues, including climate change, migration, survival, loss, and hope. Ryan's use of magical realism blends and enhances the story of grief, displaying the author's poetic finesse and skill at developing emotion. Delicate blue-scale illustrations by Joe Cepeda (Sumo Libre) skillfully assist the text in separating Kai's world from Queen Califia's. Fans of The Canyon's Edge by Dusti Bowling and Crenshaw by Katherine Applegate will surely be captivated by this stunning novel. --Shannan Hicks, librarian

Discover: El Niño showcases a breathtaking use of magical realism that lingers like the echo of thunder--powerful, haunting, and deeply core-shaking.

Scholastic Press, $18.99, hardcover, 256p., ages 9-up, 9781338068559

Cranky, Crabby Crow (Saves the World)

by Corey R. Tabor

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A stern-tempered corvid guards an astonishing secret in the disarmingly adorable, sneakily hilarious picture book Cranky Crabby Crow (Saves the World) by Caldecott Honor winner Corey R. Tabor (Mel Fell; Papilio).

Crow, a small blackbird with an oversized head and stick legs, stands in his place on the power line and glares from under his floating unibrow. A host of twee, conventionally adorable would-be animal friends arrive one by one, only for Crow to banish them with a severe "KAW!" Eventually Cat warns him of becoming a "lonely crow shouting at the world" but meets the same response. Finally alone, Crow gets a call on the phone hidden in the equipment box. A voice commends him for clearing the area and tells him, "The world is counting on you." Crow promptly takes a hidden elevator in the power pole to a subterranean base, dons a spacesuit complete with tail pocket, and blasts off in a rocket to destroy an asteroid headed straight for Earth. Mission accomplished, Crow hosts a twilight power line party for the other animals, who watch the light show that is the asteroid fragments burning up in Earth's atmosphere.

Tabor subverts the trope of the grouch who learns the lesson of loneliness in a story that portrays a real, albeit absurdist, need for alone time. The sweet, simple characters are usually shown against a dreamily washed-out blue sky. Short sentences should make this story easily digestible for little readers, while their grownups should appreciate the meteoric plot twist. Expect a KAW-rus of laughter. --Jaclyn Fulwood, youth services manager, Allen County Public Library

Discover: A cute yet crabby crow chases off potential friends with surprising cause in this funny, subversive picture book.

Greenwillow Books, $19.99, hardcover, 40p., ages 4-8, 9780063373587

Hurricane

by Jason Chin

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In Hurricane, Caldecott and Sibert Medalist Jason Chin (Watercress; Life After Whale) delivers another sensational work of creative nonfiction that features precise details and exacting illustrations.

"A storm is raging over the Atlantic Ocean." But it's no ordinary storm, it's a hurricane, with "howling winds, raging waves, and torrential rains [that] can cause terrible destruction." And it's heading toward the east coast of North America. Luckily for people who live in its path, the storm is being watched by a weather satellite hovering 22,000 miles above Earth, meteorologists at the National Hurricane Center in Florida, and brave hurricane hunters who pilot their "airborne weather station[s]" into the very storm itself. Informed residents know to prepare with emergency supplies; they fuel cars, check on neighbors, board up windows, and when forecasts indicate lives may be at risk, these residents lock their doors and leave.

Chin's fascinating, information-packed narrative tracks the hurricane day by day, describing the violent storm and its effects on the residents in its path, while sidebars and back matter explain related topics. His pen, ink, watercolor, and gouache illustrations gracefully and diligently depict both the meteorology and the urgent-yet-measured approach informed residents might take. Chin demonstrates the extreme importance of weather monitoring in general, and hurricane tracking in particular, offering a welcome presentation of how they can be vital to human safety and emergency preparedness. Hurricane is a top-notch addition to the strong body of hurricane picture books for children. --Lynn Becker, reviewer, blogger, and children's book author

Discover: In Hurricane, Jason Chin presents a gripping look at these powerful storms, while highlighting the importance of weather monitoring, specifically hurricane science, to keep residents safe.

Neal Porter Books, $19.99, hardcover, 48p., ages 5-8, 9780823458493

Up in Smoke

by Nick Brooks

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In this gripping, exhilarating YA murder mystery, two childhood friends work together to uncover who murdered a young woman during a police protest.

Cooper King, a Black teen from Washington, D.C., reluctantly agrees to help his mentor and big brother figure, Jason, loot during a protest--a Black 14-year-old was brutally murdered by a cop and people have taken to the streets. Cooper expected to be the lookout but ends up ransacking the place with the group. Gunshots ring out, a young woman is killed, and Jason becomes the lead suspect for her death. Cooper, who ran from the scene of the crime, is scared he'll be arrested next. Jason's sister and Cooper's longtime crush, Monique, is convinced Jason isn't the killer; she decides to work with Cooper to find out who the murderer truly is. Their investigation leads them through a web of deception, cover-ups, and threatening twists--some initiated by Cooper himself, manipulating evidence to keep Monique from learning he was with Jason. As Cooper and Monique fall for each other, Cooper must keep his secret from Monique, exonerate his friend, and try to stay safe himself.

Nick Brooks (Promise Boys) delivers another engrossing, rapidly paced thriller in Up in Smoke, his second work for young adults. The story is told through Cooper's and Monique's alternating points of view, giving readers direct access to the emotional stakes for each character. Brooks does not shy away from tackling difficult subjects like systemic racism and the oppression of marginalized communities. Up in Smoke is a riveting murder mystery that should appeal to fans of Tiffany D. Jackson and Jade Adia. --Natasha Harris, freelance writer

Discover: In this superbly written, heart-pounding mystery, two teens work to find the killer of a young woman during a peaceful protest.

Holt, $19.99, hardcover, 256p., ages 13-up, 9781250359933

Trans History: From Ancient Times to the Present Day

by Alex L. Combs and Andrew Eakett

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First-time graphic co-creators Alex L. Combs and Andrew Eakett--who are neurodivergent, trans, and partners--present their illuminating Trans History: From Ancient Times to the Present, an informative antidote to the accelerating misinformation surrounding trans people, further necessitated by the "unprecedented number of anti-trans laws introduced and passed in the US."

The duo's goals are three-fold: to dispel myths that trans people are a new phenomenon; highlight the diversity of trans experiences; and empower trans people. They open in 4000 BCE with Mesopotamian goddess Ishtar/Inana, notable for having followers "whose maleness Ishtar turned female, for the awe of the people." Ancient Egypt had Pharoah Hatshepsut, "raised to be a queen but instead became a king." Fourteenth-century sex worker "John Rykener, calling [herself] Eleanor" claimed in court that "Priests pay the best." Meanwhile, throughout the Americas, European colonialism attempted to destroy Indigenous understanding and presentations of non-binary gender. Subsequent chapters consider the science of sexology and the conversation around medicalization, then explore trans activism and media representation. Chapter five proves most affecting with real-life (and death) experiences of being trans, including Eakett's personal story.

Chapters feature color-coded palettes, visually dividing topics and historical periods. Various illustrative styles throughout include meticulously detailed realism and simplified cartoon-like characterizations. The creators readily admit their "specific viewpoint" as "two trans white-passing Americans raised in the US." They thoughtfully balance their "culturally dominant Western biases" with the work and words of an impressive cast of historians and scholars, while carefully annotating and indexing sources. An impressive village emerges to share a diverse history more necessary than ever. --Terry Hong

Discover: Alex L. Combs and Andrew Eakett present an empowering, more-necessary-than-ever overview of Trans History: From Ancient Times to the Present.

Candlewick, $24.99, hardcover, 384p., ages 12-up, 9781536219234

Now in Paperback

The Writer's Life

Barry Lyga: Still Hunting Killers

Barry Lyga
(photo: Morgan Baden)

Barry Lyga is the author of several acclaimed young adult novels, including his 2006 debut, The Astonishing Adventures of Fanboy and Goth Girl; Bang; Time Will Tell; and After the Red Rain. Before the Hunt (B&Z Books) is an adult anthology that features short stories from the points of view of several characters in Lyga's YA I Hunt Killers trilogy, about teen Jasper Dent and his serial killer father, Billy.

Here, Lyga chats with Shelf Awareness about how the prequels fit into the series, what it was like writing a story from a point of view with which readers are unfamiliar, and the upcoming adult titles featuring Jasper Dent as an adult.

Would you tell our readers a little bit about this book?

Most of the stories in this anthology had already been available in one way or another to readers. One of them was from a mystery anthology from the Mystery Writers of America and a couple of them were e-books. Over the years--even long after the trilogy was over--I would get e-mail from people wanting the stories in print. It only took me 10 years to figure out that if I put them all together, it would make a nice little book that I could sell.

The first thing I loved about this collection was that you included a personal note at the beginning of each story.

To give credit where credit is due, I copied that from author Joe Haldeman, a wonderful science fiction writer I adored as a kid. The first thing I ever read from him was an anthology called Dealing in Futures and that's what he did: before each story, he'd have a piece saying, "This is why I wrote the story and this is what I was thinking." So, since the age of 13, it stuck in my head that that's how you do an anthology. When the time came to do this an anthology, I decided I would do the same thing.

And you write in your last note that the final story is the story that pulled this book together.

Yes. I had all the other stories but there was one missing--a story I had never written. That was "Ugly J and the Beautiful Day." I had it in mind for years because Ugly J is a very important character in the trilogy but, unlike every other character, readers never got into that character's head--they never saw what made J tick. I knew, and I always felt bad that the readers didn't know. But there was no way to fit in there--it didn't work in the trilogy itself. I had the short story in mind. So I went ahead and assembled the anthology, wrote my intros, and then prepared to write that last story, the one I've been dying to write. It ended up being so much worse than I thought in terms of content--this is the darkest thing I've ever written. It is really disturbing. I spent some time sitting with it wondering if I was willing to put it out in the world with my name on it. Luckily, I have zero sense of self-preservation, so I said sure.

I tried to reread I Hunt Killers before we chatted, but having read the entire series, I couldn't handle Jazz's flashbacks.

The stuff at the end of the third book where you find out what Jazz's mother did to him--my editor and I had a long talk about that. She was very disturbed by it. Appropriately! She had asked if I could not describe the abuse, and I said I had to--readers wanted to know what happened to him by that point. It's horrible to tell them, but it's also not fair to not tell them.

I'm a parent now, my kids are young, and it hits differently. I think that was another reason why I had to write "Ugly J and the Beautiful Day"--I had to show you she is deeply fucked up. I have been saying to myself from the very first book that everybody thinks Billy is terrible, but they don't know how much worse she is.

I remember tweeting at you when I finished the third book being like, "I cannot believe that you made me feel better about Billy."

That's the twist! Billy is actually a good dad. People don't get that, but I wanted to show how absolutely monstrous Ugly J is.

This collection is a great companion to the series, but I think I think you're right--that final story makes it.

I wish I could claim this was intentional, but it just happened: I think the way the anthology is set up mirrors the trilogy. You start off with Jazz, Howie, and Connie and it sort of mimics the first book. Then you get to the G. Williams and the Billy stories, and it gets a little more grown-up like the second book. And then you get to the last story which is--

Brutal.

--vile and disturbing. Like the third book.

It's interesting to me that I Hunt Killers was published in the same year that Generation Why, what is seen as the first true-crime podcast, started. What was in the cultural consciousness at that time?

I really hate to say this because there's already people who make the comparison, but Dexter was huge. I didn't watch Dexter, but my editor did, and I asked her to warn me if I ever came too close to it. I didn't want to watch it or read it--I wanted to be able to genuinely say I had never read the books or watched the show.

I think Dexter took off and we had a flowering of interest in serial killers, but it was really coincidence for me. I had the idea for the story, and it hit at the right time. I think it was a success, though, because it wasn't just, "I'm going to track down a serial killer." It wasn't just, "Oh my dad's horrible." You know? It was a combination of stuff.

That's what I liked about "Six Ways to Kill Your Grandmother." I loved how much Jazz missed home, despite the horrible things his father was doing.

I was asked to participate in the NWA anthology and the point was supposed to be teenagers' first experiences with murder. I could've written a story about Jazz going off with Billy, but he wouldn't have been a teenager when that happened. My own continuity made it impossible for me to fulfill the mandate of the anthology. Instead, I offered one weird, quirky story where nobody dies.

I was very pleased with how it turned out. I think all these stories fill in something from the original trilogy that I knew was missing but that a reader wouldn't necessarily question. I wanted readers to know how Jazz got his nickname, how Jazz and Connie fell in love, how G. William caught Billy....

I would love a whole book about G. William.

It was such a pleasure to write that story--it's one of my favorite things I've ever written, specifically the two myths of how Lobo's Nod was founded. I think it's the best writing in the whole series.

G. William is simply fun to write. The only problem with both G. William and Billy is once they start talking, I can't get them to shut up. Especially Billy. I realized every time Billy was on the page and had dialogue, I would have to settle in.

And then you have them talking together.

It was going to be a short story, and it became a novella.

It feels like good time to highlight I Hunt Killers, considering the massive pop in true-crime over the past 10 to 15 years and all the YA thrillers. I'm psyched you decided to put this out in print.

It's something I've wanted to do for a while now and for various reasons I kept putting it off. One of those reasons was that I couldn't sit down and get into the right headspace to write that last story. But you know what's funny? Somebody pointed out to me the other day that there's a Dexter prequel series now.

There is.

I can't escape that guy.

Is there anything you're particularly excited about now?

I am currently working on the next segment in the life of Jasper Dent: Bride Killer. It's a new series of books set about 10 years after the end of the trilogy. The epilogue of the original trilogy says that Jasper occasionally helps the FBI, and I've decided it's time to tell those stories. He's in his 20s, still living in grandma's house, and trying to fix it up but the house fights him.

That's awesome! I hope you're going the printing route?

Yes, absolutely. 1,000%. I love physical books. --Siân Gaetano, children's and YA editor, Shelf Awareness

Book Candy

Book Candy

Statues of J.R.R. Tolkien and his wife, Edith, will be unveiled in East Yorkshire, the Guardian reported.

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Mental Floss explored the history of the Penguincubator, a 1937 vending machine for books.

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K.A. Merson recommended "6 great puzzle novels" for CrimeReads.

Roll the Sun Across the Sky

by Barbara Linn Probst

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Barbara Linn Probst explores the complexities of family and grief in Roll the Sun Across the Sky, a captivating, multi-generational novel of mothers, daughters, and the persistence of past mistakes.

Arden is traveling across Europe with her boyfriend Robert in 1977, when the pair set out on one of the last runs of the no-longer-glamorous Orient Express from Venice to Istanbul. Their eventual decision to press further on to Luxor proves pivotal to their lives, sending shockwaves decades into Arden's future. "[Robert] has an idea about who I am: a nice person, trustworthy, loyal.... Until Egypt, that's mostly who I was." A chance encounter in Egypt makes Arden impatient for something she is unable to name and she is suddenly appalled by Robert, who is nothing like the strong, powerful man she wants him to be. In the months and years that follow, she learns "how cruel my impatience can make me," though it is also what ultimately makes her a mother. And in raising her daughter, Leigh, she finds a selflessness she's unable to access with anyone else in her life. "Arden thought of the people she had been mean to, or careless with, which ended up being the same thing. How selfish she had been, except with Leigh."

Arden is many things following this fateful trip: a wife, an ex-wife (twice over); a daughter, a sister, a mother, a grandmother. A writer, a traveler, a weaver of stories, which some might call a liar. She is not, despite her longing to be, good. When her third husband and adult daughter are both killed in a freak train accident in 2013, Arden can only assume their loss is the "punishment she always knew would come. The price for all the acts she'd never had to pay for."

Probst (The Color of Ice; The Sound Between the Notes) moves back and forth between these two timelines in Arden's life, as readers encounter a heroine who is complicated and complex, often infuriating in her faulty decision-making and frequently hard to like. Yet in Probst's care, Arden becomes more than an unlikable narrator, greater than the flawed person that she is. She grows and learns about herself through every season of her life as Probst's fast-paced novel unfolds. She strives to be good, fails, and tries again. "Let me be good," she thought to herself in Egypt. "I have never stopped yearning for it, despite everything."

That yearning is the drumbeat of Arden's life, though she does not always choose goodness. She lies to her first husband about Leigh's paternity; she fails to keep a crucial confidence about her second husband. She lets others take the fall for her mistakes, time and time again, thinking of herself as a fierce and independent woman who needs no one but herself to care for her daughter. "She had done things that she'd never had to be responsible for. Harmed good men, who had done nothing wrong. Walked away without paying. Mary Arden Rice, gold medalist in selfish and thoughtless acts."

As Arden comes to terms with the harm she has done in her life, Probst explores the fundamental question of what it is to be good--and, more specifically, what it is to be a good mother. If Arden was, as she believed herself to be, a "good mother," how could Leigh have been unkind in mothering her own daughter? What is the price of being good, and who is asked to pay it? What is the cost of independence? Of not recognizing our interdependence? Of the mistakes we make when we are unprepared for whatever life throws our way? "It was a foolish question," Arden tells herself. "You were never prepared for what life threw at you. Even if you were the one who tossed the ball through your own window."

Roll the Sun Across the Sky takes its title from the Egyptian myth of Khepri, the god who rolls the sun across the sky to start each day anew, just as the scarab beetle rolls its eggs in dung until they are ready to hatch and emerge, "transformed, resurrected, from what may appear ugly and worthless." And as Arden ponders what can be built in the wake of her worst mistakes, the depth of Probst's stunning novel shines through in her refusal to answer the question for readers, instead inviting reflection and consideration long past the story's end. It's the kind of nuance that is nectar for rich book club conversations (further supported by Probst's offering of discussion questions at the end of the novel). Pairing the rich inner life of Arden's struggles with the fast-paced unfolding of two momentous train rides, Roll the Sun Across the Sky is sharply plotted and emotionally layered, sure to provoke readers into reflections on grief and loss, the selfish selflessness of motherhood, and the many forms a "good" life can take--mistakes and all. --Kerry McHugh

She Writes Press, $18.99, paperback, 320p., 9781647428990

A Page Turner and a Slow Burn

An Interview With Barbara Linn Probst

Barbara Linn Probst
(photo: David Heald)

Barbara Linn Probst is a former researcher, teacher, and therapist whose novels explore complex themes through the lens of different artistic crafts. In her fourth novel, Roll the Sun Across the Sky (She Writes Press), she unravels the story of a writer whose life as a daughter, mother, and grandmother is shaped by words both in and outside of her control. Probst writes frequently about the craft of writing, and currently lives in New York's Hudson Valley.

How do you describe the themes of Roll the Sun Across the Sky?

I think it's about the question: What kind of human being am I? What defines me? Am I more than my worst acts? Can I be more? Is it possible to search for goodness even if you're not always good? That's what interested me in writing the book, and I hope it interests readers as well. Arden is complicated, as we all are. We've all done things we regret, but that doesn't mean we're not capable of rising above them, especially in how we treat others. If I had to give a true elevator pitch, I'd say it's the story of a woman's life from her early 20s to age 60. She has to come to terms with the complexity of that life, and it's not over yet.

She has a life with many chapters.

Yes, it has to do with place, with who she is in relationship with.

I love that. Context shapes who we are and how we show up in the world.

Yes, and it's literally a journey. The novel begins with a train ride, based on one I actually took myself.

Does that make this an autobiographical novel?

I didn't do any of the things Arden did, but I did take that train ride on the Orient Express. I recently found a bunch of really bad short stories I had written after that trip. As bad as the stories were, the sensory details were good. Those impressions of Luxor, the tombs of the workers, the train ride through Bulgaria and Istanbul. I absorbed that and let it germinate into this, but Arden is not me.

The novel also includes details from a real train crash that happened in 2013, on a line I frequently travel. These two trains, these journeys, became symbolic. Life is a journey, and sometimes things happen that change everything, beyond our control.

Arden has certain expectations about the train ride, shaped by literature and idealized notions, but reality doesn't align with them. That idea seems to extend throughout the novel--things happen outside our control, and our expectations don't always match reality.

Absolutely. One of the novel's themes is the contrast between the idea of the story we tell ourselves and how it really is. Arden has an image of the train ride on the Orient Express, but the reality is different. And she tells herself a particular story about what she did to Robert, but that's not quite how it happened. She frequently tells stories that aren't quite the truth, for different reasons. By the end, she even crafts a new story for her granddaughter; is it true? We don't know, and it doesn't matter, because the way she re-stories, re-narrates this moment helps her granddaughter heal. We all have events that we give new meaning to, remember in a certain way, project in a certain way, and tell about, which can have an impact for better or worse.

That makes me think of the "spotlight theory," where people believe they are the center of everything when, actually, there's an entire cast of unseen players influencing the story.

At one point in the book, Arden says, "The only story that interests me is my own." As you mature, you begin to include other people's stories and what you might do to help them have a better story. Part of her transformation is understanding that she wasn't the essential character in someone else's life, and that realization changes her.

Storytelling itself is a force in the novel. Arden wields words in different ways, even weaponizing them at times.

All of my books have been framed around an art form--the previous novel [The Color of Ice] was glass-blowing--and this one is writing. Words are a character, a force in this novel. The things she regrets, her bad acts, are things she says. She says things in moments of thoughtlessness or when she feels trapped, sometimes saying cruel things deliberately. That's her weakness, and she has to live with that. In the end, her growth comes from choosing when to withhold words or reshape them into something healing.

Which is not to say the book is very internal; it's very fast-moving. Readers who have not liked Arden have still said to me, "I couldn't put this book down." And that to me is the greatest compliment as a writer: maybe you don't like my protagonist, or she makes you uncomfortable, but you still want to know what happens next.

Arden is complex.

Yes, humans are all complex. Which brings me to what ended up being the title, this image of a scarab beetle, the symbol of the sun god in Egypt, who rolls the sun across the sky each morning to begin again. Even more than that, the beetle lays its eggs in a ball of dung; new life emerges from waste, from ugliness, from what we would think of as vile. That's a powerful message: we can rise from our own mistakes and find new beginnings. Given the state of the world, I think we need that hope, that sense that goodness and light can still be ours. Something can be built from waste. It's not a sappy hope. It's not sentimental. It calls us to be brave and strong and try again even after we've not been the person we would wish to be.

Hope is critical. And Arden's story involves deep grief and loss, yet she finds ways to continue forward. But the novel isn't just about that loss--it's about what happens after. How do we move forward? How do we find meaning again? That's why the story begins with that tragedy rather than ending with it. The novel is about the journey beyond loss.

The novel moves through time, from 1977 to 2013, jumping between past and present, yet it never feels jarring. How did you manage that balance?

Each timeline is chronological within itself. And each transition has to be so organic, it has to feel necessary. I paid close attention to how each chapter ended and the next began, ensuring a seamless flow, and there is always a link. I'm conscious of the portals between the timelines, and that things are unfolding as you need to know them.

I actually pulled out each timeline separately at one point into a separate little mini-book to ensure they worked as standalone narratives. I also think about writing as an experience--not just telling a story but creating a space where the reader has their own emotional journey. I like books that really invite you to chew over some stuff, with that kind of depth: a page turner, yet a slow burn. --Kerry McHugh

She Writes Press: Roll the Sun Across the Sky by Barbara Linn Probst

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Rediscover

Rediscover: Jack Katz

Comic book artist and writer Jack Katz, "whose 768-page magnum opus, The First Kingdom, published in installments over a dozen years starting in 1974, was widely credited with helping give birth to the long-form graphic novel," died April 24 at age 97, the New York Times reported. Katz published The First Kingdom, "a sprawling blend of fantasy and science fiction with philosophical underpinnings," in two books every year until he reached issue #24, a number he arrived at intentionally because it was the number of books in Homer's Iliad and Odyssey.

Comics pioneer Will Eisner called The First Kingdom "one of the most awesome undertakings in modern comic book history." Jerry Siegel, who created Superman with Joe Shuster, wrote that "reading The First Kingdom is like seeing captured on paper glimpses of a dream world depicted by an artist with remarkable creative vision."

Katz started his career in the industry in his teens and later worked for a variety of comics publishers, including Marvel, DC, and Standard. Although he worked with some of the biggest names in the business, including Stan Lee, Alex Raymond, and Hal Foster, Katz "had an artistic temperament, and he chafed at the commercial strictures of the business," the Times wrote.

In a recent appreciation in the Comics Journal, comic book writer Steven Ringgenberg observed that had it not been for his midcareer turn with The First Kingdom, it is likely that Katz "would have been regarded as just a journeyman artist, who tried--with little success--to make a living in comics."

Katz had recalled that, as a student at the School of Industrial Art (now the High School of Art and Design) in Manhattan, "he was awful at every subject but art. He got his first taste of the business as a teenager, penciling for Archie Comics and drawing the superhero Bulletman for Fawcett. He later worked on a variety of projects, including war and Western books, for Atlas Comics, which would evolve into Marvel," the Times noted.

During the mid-1950s, he quit comics to focus on painting, then returned to the field in the late 1960s, but took another break in his 40s after leaving New York for the San Francisco Bay Area. His wife, Carolyn, encouraged him to pursue what became The First Kingdom. The volumes were originally issued by the publishing arm of Berkeley's Comics & Comix, and later by Bud Plant, a founder of Comics & Comix.

Katz continued to paint and teach art. He published two books on the art of anatomy, two volumes of sketchbooks, and another graphic novel, Legacy. Katz also created "an ambitious follow-up to his masterwork: a 500-page graphic novel called Beyond the Beyond," which he financed in part through an Indiegogo campaign, the Times wrote. That work, completed in 2019, remains unpublished.

He was realistic about the odds against replicating his earlier book's success, saying, "For heaven's sake, you know, if you climbed Mount Everest one time, it's not a snap the second."

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