Tuesday, November 18, 2025
The children's and young adult gift issue is one of my very favorite features to work on. In this issue, we highlight books about art that ask readers to draw directly on the page, guides that teach how to complete "magical" experiments, and nonfiction about the history of dogs as well as zany ways to save the planet. We've also included some incredible fiction: Frances Hardinge and Emily Gravett's The Forest of a Thousand Eyes gives readers a spooky illustrated adventure; Jungyoon Huh and Myungae Lee highlight the beauty of patience and kindness in Late Today. Additionally, authors Elizabeth Eulberg and Jen Calonita talk about their The Taylors series, based on--of course--Taylor Swift, and Lotta Nieminen gives readers a look into creating her interactive Cook in a Book series for toddlers.
The Animal People Choose a Leader
by Richard Wagamese, illus. by Bridget George
A 2013 story from the Ojibway author Richard Wagamese's posthumous One Drum is excerpted and abridged to create The Animal People Choose a Leader, an affecting, melodic picture book about how, in a time when all the animals could understand one another, they came together to choose a commander.
Each animal has a different idea about what physical qualities might make a good leader, so they confer and decide a race will determine the outcome. Horse, Buffalo, Wolverine, Cougar, and Rabbit all enter the race. Anishinaabe author/illustrator Bridget George (It's a Mitig!) provides stunning, evocative full-bleed illustrations that highlight the wonder of the natural world while encouraging a closer look at the familiar. The layered colors that compose the animals and plant life is rendered in a soothing, warmly earth-toned palette. When Rabbit appears the ultimate victor, she refuses the role: "I understand that when all our energies are directed toward the same goal, there is no need for one to lead. We all help each other complete the journey." --Michelle Anya Anjirbag, freelance reviewer
Drawing Is...: Your Guide to Scribbled Adventures
by Elizabeth Haidle
This enticing, inspiring book begins with a discussion about drawing. Drawing is not "a contest," "a waste of time," or only for the "talented ones"; drawing is a way to "explore, think and feel, experiment and question." Outlined in the table of contents as individual chapter headings are Elizabeth Haidle's tenets of drawing: "traveling, wondering, focusing, feeling, growing, not-knowing, and magic."
Readers are invited to take the pressure off and begin with just two things: a dot, which is "like a point on a map," and a line, which "takes you... somewhere." Haidle (Before They Were Artists) invites young creators on "scribbled adventures," smoothly integrating technical considerations such as scale, contrast, texture, and pattern. The author/illustrator wonderfully presents her introduction to drawing with strong-yet-delicate mixed media illustrations and mostly hand-lettered text. Drawing Is... promotes an inclusive, purposefully unintimidating approach by focusing on the process rather than the product, and offers all the encouragement that anyone who blinks, breathes, and reads--or listens to someone reading--might need to open a sketchbook and give drawing a try! --Lynn Becker, reviewer, blogger, and children's book author
Haunted U.S.A.: Spine-Tingling Stories from All 50 States
by Heather Alexander, illus. by Sam Kalda
Heather Alexander (Only in America!) invites readers to travel with her throughout the nation to learn about the country's uncanny legends, unnerving locations, hair-raising creatures, and spooky specters in Haunted U.S.A. All 50 states, as well as Washington, D.C., are represented by "spook-tacular tales" of haunted places, strange cryptids, and lurking spirits. There's the "pukwudgies" of Massachusetts, vengeful "ancient, magical woodland creatures" who "are woven into the folklore of the Wampanoag Nation"; a "paranormal hotspot" ballroom in a Louisiana hotel; and Alaska's soul-trapping "Kushtaka," a shape-shifting creature that often takes the form of an otter. A spectrum of goosebump-raising, strange, and mysterious stories speckled with facts and myths share the page with the unsettling graphite pencil illustrations of Sam Kalda (Of Cats and Men), who gives each state its own minimalistic but effective color palette of gray and one or two pops of color. Included with these weird tales are "A Ghost Hunter's Guide" that lists important gear for tracking down the supernatural, and a glossary with definitions of words like "orb" and "epitaph." This collection of coast-to-coast scares will delight, entertain, and (gently) spook young readers. --Lana Barnes, freelance reviewer and proofreader
Late Today
by Jungyoon Huh, illus. by Myungae Lee, transl. by Aerin Park
The setup happens before the title page of Jungyoon Huh's extraordinary picture book, Late Today. Artist Myungae Lee captures threatening clouds looming over a crowded commute: "MORNING RUSH HOUR TRAFFIC IS CONGESTED ALL OVER SEOUL," Aerin Park urgently translates. At 8:15 a.m., "we can't be late today" is a common theme. Amid bumper-to-bumper cars, taxis, trucks, and buses, a two-week-old black kitten desperately attempts to stay alive. Many notice her, yet no one has "the courage to save her." One person finally stops, "gripped by fear... because they [can't] see the kitten anymore." Ignoring the honking protestations and pouring rain, the driver follows the "mew mew," to rescue the "quivering" bundle. Now, everybody is late. "But it's okay. Today was a good day to be late." Huh's exquisite story of simple kindness plainly exposes the hypocrisy of false concern. Meanwhile, Lee's heartening illustration of the tiny, helpless bundle finally safe in two comparatively behemoth hands provides a hopeful, restorative image of caring humanity. --Terry Hong
Let Them Stare
by Julie Murphy and Jonathan Van Ness
Dumplin' and Pumpkin author Julie Murphy partners with Queer Eye star and Over the Top author Jonathan Van Ness in a funny, snappy, exuberant novel about a gender-nonconforming 18-year-old learning to celebrate and fight for queer people--with the help of a cheeky ghost living in a vintage handbag.
When sassy gay fashionista Sully's dream internship with a New York influencer falls through, they face the possibility of a summer--or longer--in their unsophisticated, prejudiced hometown. What they don't anticipate is finding the ghost of a "cuh-yuuuute" gay female impersonator from the 1950s in the potentially priceless leather bag they thrifted. Sully is additionally surprised by an unexpected romance, a deep dive into their town's queer history, and a shift in attitude from desperate escapism to considering the role they might have in "stand[ing] up for every other kid like me" if they stick around.
The high-octane combination of Murphy and Van Ness makes Let Them Stare a sparkling, thought-provoking, hyper-contemporary read, with regular references to cultural concepts and icons. Gorge! --Emilie Coulter, freelance writer and editor
The Forest of a Thousand Eyes
by Frances Hardinge, illus. by Emily Gravett
Frances Hardinge and Emily Gravett's companion novel to Island of Whispers, The Forest of a Thousand Eyes, is an equally imaginative, visceral, and striking middle-grade illustrated novel.
The Forest is alive and hungry. Feather and her people live "within the stronghold of the Wall," a massive stone structure built to keep the villainous forest out. Over time, "the green... found weak points in the Wall and tore its way through them." Now, people only venture out of their "half-ruined" home under strict conditions. When the impossible happens--a new person appears and steals a precious tool--Feather does the unthinkable and chases him out beyond the Wall and into the Forest.
Gravett returns to her signature style of soft lines and shaded illustrations, all composed here in grayscale and green. The Forest of a Thousand Eyes, tinged with eco-horror, hinting at a dystopia, and suggesting a brighter future, examines what it means to survive and build community even in the darkest of times. --Kyla Paterno, freelance reviewer
Weird and Wonderful Ways to Save the Planet: Medical Mucus, Poo Power and Beetles for Breakfast
by Madeleine Finlay, illus. by Jisu Choi
In an illuminating book for middle-grade readers, science writer and audio producer Madeleine Finlay and illustrator Jisu Choi team up again (Beetles for Breakfast) to describe some seemingly outlandish approaches that scientists are exploring to slow or halt climate change. Finlay organizes the innovations by locations, like at the breakfast table, park, or farm. Each section begins with a description of the importance of the location followed by more detailed information about the different possible ideas. Examples include kelp packaging on the breakfast table, slug mucus band-aids in the bathroom, or garden beds made from old mattresses.
Weird and Wonderful Ways to Save the Planet is full of ingeniously zany notions that may one day save the planet, and it concludes with actions that young readers can take right now to help make "the world a cleaner, greener place." Choi's art is bright, playful, and extremely detailed giving readers illustrations of the eccentric, environmental concepts they can repeatedly examine. Finlay and Choi's collaboration is perfect for budding environmentalists or anyone concerned about the future of the planet. --Jen Forbus, freelancer
The World at Night: Discover the World That Wakes When You Sleep
by Ben Lerwill, illus. by Paula Bossio
The World at Night is an enthralling guide that provides an expansive overview of what happens while (most) humans sleep, described through digestible passages and captivating illustrations. Travel writer and children's author Ben Lerwill (The Biggest Dog in the Book) establishes what night is, then transports readers to the world's oceans, forests, plains, deserts, poles, and cities to meet nocturnal and crepuscular ("active at dawn and dusk") critters, like climbing glowworms in Europe, Greenland's double-coated musk oxen, cacomistles ("rare, shy, raccoon-like creatures") tiptoeing through Mexico City, and pizza-loving Chicago rats. Intriguing floras are also featured, such as the Desert Ironwood tree that protects saplings beneath it, and concepts like light pollution and moon phases are smoothly tied in. Every page brims with whimsical art by Colombian artist Paula Bossio (The Wild Life of Animals), whose warm background tones, striking use of light and shadow, and subtly anthropomorphized fauna will likely inspire giggles. Fun spreads require turning the book sideways, while cross-sections of select places (like the Antarctic research section) reveal humans working past dark. The World at Night is a stellar nighttime companion. --Samantha Zaboski, freelance editor and reviewer
For a Girl Becoming
by Joy Harjo, illus. by Adriana Garcia
Mvskoke Nation member and former U.S. Poet Laureate Joy Harjo (Poet Warrior; Girl Warrior) and Pura Belpré Award winner Adriana Garcia (All Around Us; Where Wonder Grows) combine their vast talents in For a Girl Becoming, an intricately constructed picture book comprised of a powerful free verse poem that speaks directly to a newborn baby, offering her advice as she grows.
A newborn baby's two Indigenous families bring ceremonial and practical gifts to the girl: "We carried tobacco and cedar, new clothes and joy for you.... They carried a cradleboard, hope, white shell, and turquoise for you." These objects appear in Garcia's sumptuous, magical paintings which depict both daily life and the world of spirit. Rainbows, smoke swirls from smudging, and powerful, racing horses--both of this world and not--appear throughout the illustrations. Readers will surely want to pore over this picture book and uncover all the beautiful details of this Indigenous family's life. A thought-provoking book for the mothers, grandmothers, and aunties in your life. --Melinda Greenblatt, freelance reviewer
The Wizard's Guide to Magical Experiments: 40 Science Experiments to Try at Home
by A.J. Wood, illus. by Jo Rioux
A creator of the wildly popular Ologies series, A.J. Wood matches talents with author/illustrator Jo Rioux (Cat's Cradle series) in The Wizard's Guide to Magical Experiences, a playful, interactive title for "wizardlings" (wizards-in-training) in which science and magic are one and the same.
"Wizarding can look like magic," Wizard Wood of Touchwood Academy of Magical Thinking explains, but it's actually all "chemistry." Forty kid-friendly experiments are divided into 12 sections (like "Experiments with Water" or "Magical Matter") that all use household supplies to guide wizardlings through interactive observations of chemistry. Practitioners can "Move Water to Your Command" (learning about principles like immiscible mixtures) and "Make a Color-Changing Potion" (based on the pH scale) using practical steps, safety tips, and spells ("Aqua calfacio!"). The book is gorgeously packaged, including gold foil, a 30 mm embedded jewel, and paper novelty elements; Rioux's charming illustrations feature pages packed with features to investigate as well as several children modeling the experiments in cozy fantasy settings. Inquiring minds of all ages will likely want to reproduce the magic. --Cristina Iannarino, children's book buyer, Books on the Square, Providence, R.I.
Why Are Dogs: An Illustrated History of the Wonderful World of Dogs
by Brittany Long Olsen
Canine-obsessed children will likely devour the illuminating Why Are Dogs by cartoonist Brittany Long Olsen (The Happy Shop), a middle-grade deep dive into the histories of dog breeds and why different dogs now look and act the way they do.
"Why do Borzois have such long noses?" "Why do poodles have that distinctive haircut?" In this illustrated history, Olsen asks questions about some of the world's "more than three hundred different dog breeds" and explores their backgrounds. With answers spanning continents and centuries, Olsen describes the jobs dogs did, how humans responded to those breeds, and how individual dog breeds act and appear now. Olsen does not shy away from harder topics, and the conversations around docking (cutting short the tails of certain dog breeds) and dog fighting might alarm more sensitive readers. The artist's style features thick lines and slightly cartoonish figures reminiscent of Raina Telgemeier, and renders dogs down to their basics through long, broken lines that differentiate breeds remarkably well considering how closely some resemble one another. Olsen's title will be an absolutely pawsome gift for dog lovers and burgeoning historians. --Nicole Brinkley, bookseller and writer
Take a Line for a Walk
by Marion Deuchars
This engrossing activity book helps unlock the power to draw for anyone interested in boosting their creativity. Marion Deuchars (Make Every Day Creative) first shows readers how to move their hand in any and every direction. This loosens up ingrained habits or creative blocks, allowing full enjoyment of dozens of inspiring, "rule"-breaking exercises. In each, Deuchars demonstrates what's possible (her kooky line art examples feature prominently), then invites practice either in provided blank spaces (the book easily opens flat) or directly on top of her own work. Among other artistic fun, users create blobby, triangle, and acrobatic people; bring to life continuous-line drawn animals; master glitchy, runaway, and crosshatch lines; and build cities, grow flowers, and set off fireworks. Gentle, inviting prompts ("discover what happens when") instead of direct explanations of expected results let artists find something special about each method. Ink, pencil, and crayon transfer pleasingly onto the thick stock. The wonderful Take a Line for a Walk should bring joy to any beginning artist as they watch their scribbles become full worlds. --Samantha Zaboski, freelance editor and reviewer
Mindworks: An Uncanny Compendium of Short Fiction
by Neal Shusterman
In the unforgettable, wondrous Mindworks, Neal Shusterman (All Better Now) presents a collection of his "eerie, or surreal, or mind-melding, or darkly absurd" short stories; some brand-new, and others previously published and revised to reflect social changes and tech upgrades. The 43 stories (a number of which were co-written with either his son Brendan or TV writer friend Terry Black) are organized into seven categories with themes like "the dead and undead," "nature out of control," and "personal transformations," and include two stories from the beloved world of The Arc of a Scythe series.
Some of the stories contained within this "uncanny compendium of short fiction" are unsettlingly odd, like "Butterball," which is a snappy one-pager about a "self-basting" turkey that "soaked its own bloated body in the cloudy liquid that had been boiled from its flesh." Others are spine-chilling, like "Yardwork," in which an older man enlists his young neighbor to help him dig his own grave. Shusterman's inventive, thought-provoking compilation of sci-fi, dystopian, and horror stories is sure to entertain for hours. --Lana Barnes, freelance reviewer and proofreader
Charley Mouse Cleans House
by Katerina Gorelik
Charley Mouse Cleans House is a delightful and enchanting picture book by Curious Creatures series author/illustrator Katerina Gorelik.
Charley Mouse lives in a cozy teapot and "loves cleanliness and order." Thus, Charley adores her job tidying the homes of the other residents of the Wild Wood and the Magical Forest. Readers follow Charley as she travels from house to house, starting with the Mole family's burrow, moving on to Mr. Snail and the Frog's swamp, and finishing with the Gingerbread family's cinnamon chalet. Cross sections of each house allow readers to peek inside and see how the characters live: spooky decorations fill Madame Witch's Baba Yaga-like home; the Unicorns' house is filled with rainbows, sparkles, and fluffy pink. The immersive, full-page illustrations include search and find items along with plenty of opportunities for observation and reader-led storytelling. Some visual and narrative irony may go over the heads of little ones--Mr. Wolf's house is overflowing with the meat of his butchered neighbors--but Gorelik's book is sure to provide an entertaining read that will be returned to many times. --Michelle Anya Anjirbag, freelance reviewer
Forest Magic for Kids: How to Find Fairies, Make a Secret Fort, and Cook Up an Elfin Picnic
by Susie Spikol, illus. by Renia Metallinou
Author Susie Spikol and illustrator Renia Metallinou's first collaboration, Forest Magic for Kids, offers a charming and whimsical array of activities, crafts, and ruminations to encourage children to find wonder in the natural world. Readers are encouraged to step outside, look around, and enjoy some essential "open-ended time in nature." Spikol suggests a list of top 10 tools for a "Forest Magic Search" and a DIY secret notebook for "planning, creating, and designing," then delves into potential activities featuring green plants and wildflowers, foraging, mushrooms, "wee" forest inhabitants, or hidden worlds. She offers abundant prompts for creative thinking, such as recipes for dandelion tea and lembas bread, fanciful crafts like a "mini magical moss garden," and hints for sighting myriad marvelous creatures, including gnomes, trolls, and, of course, fairies. Metallinou's full-color, deeply saturated art offers images of fairy folk, the instruments needed to make the magic, and children taking part in the suggested activities. Science, folklore, and imagination come together in this delightful offering brimming with ideas to get kids thinking, observing, and discovering outdoor wonders. --Lynn Becker, reviewer, blogger, and children's book author
Staff Recommendations
The Writer's Life
Elizabeth Eulberg & Jen Calonita: Taylor Swift Brings People Together
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Elizabeth Eulberg was born and raised in Wisconsin before moving to New York City to work in the publishing industry. She is the author of novels for teens and young readers, including The Lonely Hearts Club and Better Off Friends, and the Great Shelby Holmes middle-grade series.
Jen Calonita graduated from Boston College where she majored in communications. She writes books for teens, including the Secrets of My Hollywood Life series.
Calonita's The Taylors (Scholastic) is a middle-grade novel featuring four girls named Taylor who dedicate themselves to attending the Eras Tour; Eulberg's Love Stories (Scholastic) is the first in a YA series about the very same Taylors.
Jen Calonita: So, our The Taylors books just came out in the world!
Elizabeth Eulberg: And Taylor Swift gave us the best gift by releasing a new album to help promote them!
Calonita: We both got to see illustrations of our girls--Teffy, Tay Tay, Taylor, and TS--on display cases for the Scholastic Book Fairs today.
Eulberg: I freaked out, and I'm often told that I need to calm down so I was A LOT. I had no idea this was going to happen: our girls on huge displays in schools around the country. It made me so excited, like I was going to the Eras Tour all over again. What about you?
Calonita: For me, the moment came last week when someone sent me a Scholastic Book Fairs poster with our girls on it. As someone who has taken my own kids to countless book fairs at their schools, having a book on a poster is peak coolness.
Eulberg: Writing these books has been amazing, since I got to work with you! Honestly Jen, there's nobody else I could imagine doing this with.
Calonita: Same! We have known each other for, what, 20 years now? Fun fact: you were my publicist when my first book, Secrets of My Hollywood Life, came out in 2005.
Eulberg: And we hit it off right away. I like to say we're basically the same person. We even share our childhood number one fandom: New Kids on the Block. I love you Jen, but I'll still fight you for Joey McIntyre.
Calonita: We've also road tripped together for our books. I remember one time you made us an epic playlist and we wound up singing so much my voice was hoarse. And we've been roomies countless times.
Eulberg: And now we're writing together! On my first trip to New York after living in London for five years, you were one of the first people I saw. You and I were walking the High Line and you said that David Levithan was going to talk to me about a project. I saw him that night at dinner and he told me the project was going to be about four girls named after Taylor Swift and that you'd write their middle-grade origin story while I tackled their first loves in YA. I may have screamed, "Yes, yes, a thousand times yes!"
Calonita: I don't think anything like this has been done before, releasing a middle-grade and YA book at the same time about the same characters?
Eulberg: Yes! What I loved about creating these characters and this world was how we were able to use our different strengths. We started a Google doc so we could keep everything straight: secondary characters, family, hobbies, etc. And you're so good at description, I just let you have at it.
Calonita: And you are the best at capturing personalities! I felt like I could see each one vividly when I read your first draft. I loved having you as a partner in all this. Being able to share our books with each other and fine-tune the characters and the stories together, then working with our amazing editor, Maya Marlette, was such a gift.
Eulberg: I really do feel like they are OUR girls. I got emotional when our cover artist, Liz Parkes, did character illustrations of them side by side from both books. We saw them grow up. I'm so proud of our work. And I won't give any spoilers away, but I still SOB at something you did at the end of your book. GAH! I mean, I did beg you to do it, and I have no shame.
Calonita: It was your idea, and it was a great one.
Eulberg: And, of course, this gave us an excuse to listen to Taylor Swift 24/7 and study videos for "research." I did a deep dive into her lyrics and pushed myself to include lots of fun Easter eggs for the real ones.
Calonita: The girls are trying hard to get tickets to the Eras tour in my book, which is something I went through. I didn't get in the lottery and was sure I wasn't going to get to go. I kept freaking out to my friend Elpida about the Ticketmaster debacle and finally she texted me: "Call me." She'd somehow gotten into the queue and snagged six tickets, including one for me, that was supposed to be a birthday gift, but I was so upset, she had to tell me early. I was very fortunate--I had so many friends who didn't get to go. But the stories! About trying to get tickets, how certain kids were traveling abroad for shows, what people were paying. I knew I wanted to write a book that showed kids who had a budget and stuck to it and had to find another way to make their Eras dream come true.
Eulberg: But mostly these books are about the friendship between four girls. I love how this one thing they have in common starts their friendship in The Taylors. When I was at Wembley Stadium for the Eras Tour, I really felt like I was there with 90,000 new friends. We traded friendship bracelets, got dressed up, and sang along like our lives depended on it. It was such a joy.
Calonita: Taylor Swift brings people together! I think that's what I'm most excited about: going to bookstores and schools and meeting readers and Swifties, talking about favorite songs and trading friendship bracelets.
Eulberg: I think I'm going to spend more time singing and dancing with readers at our events than signing books.
Calonita: After 20 years of friendship, that doesn't surprise me at all.
Book Candy
Book Candy
Mental Floss screened the "5 best Ernest Hemingway adaptations."
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A "hitherto unknown photograph" of Ralph Waldo Emerson has been acquired by the Concord, Mass., Free Public Library, Fine Books & Collections reported.
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CrimeReads investigates "How Many Times in the Original Stories Is Sherlock Holmes in Disguise."
The Writer's Life
Lotta Nieminen: Making the Cake
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| Lottia Nieminen (photo: Ilkka Saastamoinen |
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Lotta Nieminen is an illustrator, graphic designer, and art director from Helsinki, Finland, with her own studio in New York City. Cake! is the sixth interactive board book in Phaidon Press's Cook in a Book series, with each title designed to be an immersive experience for toddlers. (For more fun food ideas, check out these Cool Cookbooks for Kids and Teens.)
How have you witnessed children being fascinated by food depicted in art?
Food plays a role in children's daily lives from a very early age. Because of this constant presence, food also becomes one of the earlier motifs kids recognize and relate to (like, for example, when it appears in books). I am personally fascinated by how food can provide children a gateway for independence. Cooking (or pretending to cook) gives children a sense of agency--they feel that they can do something that's often seen as a grown-up task. To me, this is at the core of these books: it shows children that cooking isn't just for adults--it's something they can take part in, explore, and feel proud of. That kind of confidence-building experience can have a lasting impact.
Would you share an early memory you have related to cooking?
As a child, I ran a cafe every summer at my grandmother's summer cottage. I enlisted all family members to help on the project. Tasks included baking, building a countertop, making menus. Eventually, the entire staff also had to double as the customers.
What do you think makes this series appealing or well-suited for younger readers?
I've watched my daughter (who is almost three) engage with these books in different ways as she gains physical and cognitive skills. When she was younger, she enjoyed pointing out and naming the ingredients and objects she recognized. Now, she is more drawn to the immersive aspects: the pull tabs and wheels that let her cook. I think that is what makes the series compelling: the combination of interactivity, simplicity, and agency. The books are not just something to read. They invite children to take part in a real-world activity that feels exciting and meaningful: cooking.
Plus, so much of what makes this series appealing and ideal for pre-readers is the production team's wonderful work. With the editors and art directors I have collaborated with at Phaidon (including Maya Gartner and Meagan Bennett), we have been able to execute intentional novelty elements which encourage hands-on interaction with each book. The page where a child can chop the vegetables with a pop-out knife in Tacos! is an example of this kind of immersive illustration. These books are as close as a pre-reader can get to a play kitchen in print.
Another magical element is that the books captivate the kids' attention with an adult present, as well as on their own. This is by design since there are multiple levels of reading experiences children can have over the years as they grow--from reading the book with a caretaker to actually making the recipe from one of these books in real life. The Phaidon team's goal was to create a series that ignited a passion for cooking that young readers could take beyond the books as they get older and feel ready to try making snacks and meals.
What has most influenced your artistic rendering of the foods each book highlights?
The illustration style for this series is quite minimalist, with a focus on shape, composition, and color. Which means I am always striving to find the balance between elements reading as what they are, while leaving room for imagination through a level of abstraction. I like the process of translating something familiar into a simplified form that still feels recognizable. I want the images to spark curiosity; not just depict something literally.
Color is central to all my work and has had a key role in this series as well. I begin each book by developing a palette that sets the mood, reflects the temperature, and visually expresses the flavor. The overall effect creates a sensory experience through color alone.
What is your favorite ingredient to draw?
What inspires me most when working on this series is the variety--some ingredients, like flour, sugar, or salt, appear repeatedly across the books. But each new book brings the opportunity to explore new ingredients that require creative problem-solving.
What is the first recipe you can recall having made?
The first recipe I remember making on my own came from a children's cookbook: mashed banana mixed with plain yogurt and lemon juice. And the candy Smarties was the last topping. You might be surprised to know that I still occasionally make this. Although I swap the Smarties for granola in my grown-up version.
Is there a particular food you hope will be added to this series?
My publisher and I begin each new book in the series by discussing potential food ideas together. The recipe can't be too simple or too complex. It has to fit nicely within the set page count because each book has had the same number of pages so far. We also try to avoid repeating similar steps across books. This means we look for recipes that feel distinct. We also prefer to alternate between sweet and savory dishes. I will confess that we have already chosen the recipe for the next book. But I can't reveal that just yet! --Rachel Werner, author and teaching artist at The Loft Literary Center and Lighthouse Writers Workshop
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