The trend of adapting books into movies shows no sign of slowing. Here are a few popular books coming to the big screen this fall:
The biography First Man: The Life of Neil A. Armstrong (Simon & Schuster, paperback, $18) by James R. Hansen is the basis for the movie First Man. Ryan Gosling plays Armstrong, and Claire Foy, known for her role as Queen Elizabeth II in The Crown, plays his wife in this insider's view into the early space program, due in theaters October 12.
Angie Thomas's powerful YA novel, The Hate U Give (Balzer + Bray, $17.99), focuses on Starr, a girl caught between two worlds--her poor urban neighborhood and the wealthy, mostly white private school she attends on a scholarship. Starr's life shatters when police shoot her childhood friend, Khalil, in front of her. Young actress Amandla Stenberg (who played Rue in The Hunger Games) stars in the movie adaptation, due out October 19.
Garrard Conley's candid and heartrending memoir, Boy Erased (Riverhead, $27), tells his story of growing up gay in a religious household. Sent to a conversion program his freshman year of college, Conley must come to terms with his true self. His stirring journey hits the big screen November 2, starring Nicole Kidman as his mother, Russell Crowe as his father and accomplished young actor Lucas Hedges as Conley.
Stieg Larsson made a global splash with his political techno-thriller The Girl with the Dragon Tattoo and its sequels, and fans around the world mourned his death. Thankfully, author David Lagercrantz took over the reins to continue the series with The Girl in the Spider's Web (Vintage Crime, paperback, $9.99), another fast-paced thriller. Its movie adaption hits theaters on November 9, starring Claire Foy (she's been busy!) as kick-ass hacker Lisbeth. --Suzan L. Jackson, freelance writer and blogger at Book by Book
Deborah Eisenberg (Twilight of the Superheroes) is a writer who constantly pushes the form in intellectually dazzling directions. Your Duck Is My Duck begins with the titular story, in which a young painter is whisked off to an exotic island retreat, courtesy of a wealthy patron couple. The premises are swarming with accountants, hinting at business troubles for the couple. Meanwhile, the painter meets a genius puppeteer who stages revolution in his productions, not unlike the political tumult consuming the real-life island. In this way, the reader enters Eisenberg's quasi-farcical worlds, where biting satire meets heartbreaking pathos. She writes with an indirect, veiled structure, never revealing too much, letting readers piece together the catastrophes that always seem to be looming on the horizon.
Some stories revolve around family and other inextricable relationships. In "Taj Mahal," the grandson of a famous film director writes a biography of his grandfather and in doing so upsets a tight cadre of aged actors, who routinely meet to reminisce about better days, "waiting with patience and humility to be issued new roles." In "Cross Off and Move On," a woman tries to escape the negativity of her mother, finding some measure of independence. While Eisenberg can be caustic at times--her humor dark--these stories alight on something tender: the weird way people try to remember and love each other.
Eisenberg pulls off her uncanny narrative structures with panache. Rarely do short stories feel so full. Your Duck Is My Duck is both quirky and profound, brimming with the dangers and wonders of life. --Scott Neuffer, writer, poet, editor of trampset
Discover: Deborah Eisenberg pushes the short story to new heights in this weirdly affecting collection.
In São Paulo-born American author Samuel Park's posthumous second novel, a Brazilian immigrant looks back on her childhood with her charismatic mother.
In the early 1990s, 26-year-old Mara Alencar shares a small apartment in Bel Air, Calif., with two fellow Brazilian immigrants. An undocumented worker, she earns her living looking after Kathryn, a 44-year-old American divorcée with stomach cancer. Kathryn responds to Mara's compassionate care by trying to make their relationship more personal, promising to leave Mara her house and offering herself as a stand-in for Mara's mother. The attention makes Mara uncomfortable, as does her front-row seat to Kathryn's complicated relationship with her ex-husband, who no longer loves her but still sleeps with her out of pity. Nevertheless, Kathryn's spirit and suffering remind Mara of her mother, Ana, who had a stint as an accessory to political rebellion at a critical point in Brazil's history.
Like Kathryn, Park (This Burns My Heart) suffered from stomach cancer, which took his life at age 41. Some of his most powerful passages meditate on the horror of cancer, which Mara compares to torture: "Both changed the meaning of the body. No longer the purveyor of pleasure, but instead a battleground." The book's backmatter includes Park's frank essay "I Had a 9 Percent Chance. Plus Hope," in which he discusses his fight with cancer. While not an uplifting read, Park's final novel hums with quiet importance and thwarted promise. --Jaclyn Fulwood, blogger at Infinite Reads
Discover: Shortly before dying of stomach cancer at 41, Samuel Park finished this quiet, heartfelt story of an undocumented Brazilian immigrant's tumultuous early years with her charismatic mother.
Simon & Schuster,
$26, hardcover, 288p., 9781501178771
When Jess Harney explains "the house was left to us women" near the end of Whiskey When We're Dry, it's jarring. John Larison's character is so convincing as a man, it's hard to remember that Jess was Jessilyn before disguising herself at 17 and riding her beloved mare in search of her brother, a notorious outlaw and the only family she has.
Her mother died in childbirth, leaving newborn Jessilyn with her father and five-year-old Noah in their remote cabin. A rough homesteader who fled west during the Civil War, Pa is inept at both parenting and ranching. Disgusted and headstrong, teenage Noah leaves home and a distraught Jessilyn. After Pa dies, she considers her options and heads out.
Jess and Noah were childhood sharpshooters. Noah's wanted posters confirm his skills, so Jess knows she needs to aim true to survive. As a small young man, her talent draws the attention of the narcissistic governor of the territory, who takes Jess in, planning to bet on the unassuming young gunslinger. Life in the governor's mansion brings her face to face with brutal frontier justice, racism, political skullduggery and her emerging sense of self. Always good at heart and loyal, Jess's unwavering goal is to find Noah.
Whiskey When We're Dry is historical fiction, but locales are unnamed and geography and boundaries significant only as they affect Jess, Noah and the people in their lives, who represent the diversity of the western expansion. For any setting, Jessilyn Harney's story is a great adventure. --Cheryl Krocker McKeon, manager, Book Passage, San Francisco
Discover: An orphaned teen disguises herself as a boy and attempts to find her brother, a notorious outlaw in the wild West.
The snow-covered peaks of the Scottish Highlands serve as the stunning setting for The Christmas Sisters by Sarah Morgan. Suzanne McBride, owner of a café and inn in Glensay, loves the trappings of Christmas. This year, her three adopted daughters will be home for the holidays, and Suzanne is determined to make each day absolutely perfect. An avalanche 25 years earlier resulted in her adoption of Hannah, Beth and Posy, and Suzanne knows the tragedy has had an enduring emotional impact on all of them. But she couldn't have foreseen how very much her grown daughters need the support of their family this holiday, nor how fate has conspired to force all of them to confront their fears, dreams and desires. This unforgettable Christmas gathering has the potential to draw the McBrides closer or tear them apart, compelling them to consider whether the strength of bonds formed due to tragic circumstances are strong enough to hold a family together forever.
The dangers of rescuing lost mountain climbers stand in stark, thrilling contrast to the cozier scenes of familial interaction and each sister's romantic entanglement. Morgan has created thoroughly likable characters, adding humor and emotional depth to a strong plot with a surprising twist. The result is a warm, inviting story that is both engaging and heartfelt. --Lois Dyer, freelance book reviewer
Discover: The blended McBride tribe gathers in Scotland for the Christmas holidays and rediscovers the importance of family.
In Praise Song for the Butterflies, Bernice McFadden turns her keen eye to the subject of ritualistic slavery in West Africa.
Abeo Kata is nine years, seven months and three days old when her father takes her to a remote village in Ukemby and leaves her in the arms of strangers. "You should be honored to be here," she is told, "to become trokosi, to become wife of the gods." Abeo lives at the shrine for 15 years, witnessing unspeakable horrors and surviving horrific conditions before she is rescued.
McFadden (The Book of Harlan; Gathering of Waters) weaves past and present times to build Abeo's story, including the stories of her ancestors, which are crucial to understanding her father's actions. McFadden's writing is strongest in these moments, building a complicated and nuanced web of tales that reveal religious customs and cultural beliefs of a time and place that is both modern and yet rooted in the traditions of its past. As the novel evolves, more characters and plot threads are introduced--including that of Taylor, an American woman who is called to help the trokosi--and these can at times feel flat and cluttering. In the moments of brilliance, it is Abeo who emerges most fully on the pages: a fierce, vibrant and complicated woman whose survival shapes not only her life, but the lives of those around her.
At once a heartbreaking tale of violence and oppression and an uplifting story of hope and redemption, Praise Song of the Butterflies sheds light on the lasting legacy of ritual servitude in West Africa in way that is not easy to forget. --Kerry McHugh, blogger at Entomology of a Bookworm
Discover: A contemporary novel sheds light on the lasting legacy of ritual servitude in West Africa and the endurance of one woman offered to be a "wife of the gods" by her family.
In an unusual side trip after 25 years covering art for the New York Times, San Antonio-born Randy Kennedy (Subwayland) delivers a first-rate debut novel set in the llanos of West Texas. At its heart, Presidio is a road trip story. Two long-estranged brothers set out to retrieve an inheritance from their father stolen by the con artist Bettie, who bedded one brother and married the other. Troy, the elder, is a professional lone wolf thief, serially stealing cars and clothing from random motel occupants while rambling across the plains. Harlan remains rooted in their hometown, living in a tweaker shack beneath an abandoned radio tower.
When they boost a car to go after Bettie in the border town of Presidio, they find the plucky 10-year-old Mennonite Martha hiding in the backseat. After settlement elders "shunned" him, Martha's father escaped with her to the Mexican Mennonite colony of Cuauhtémoc City. Ostracized there also, he's now in a Juárez jail for kidnapping, and Martha is determined to reunite with him when he's released into El Paso.
With this rabble of characters, country twang humor and apt descriptions of the pumpjack, cocklebur and turpentine weed landscape, Presidio is a tale of the hard luck life in a place "so far out in the sticks there aren't any sticks." Kennedy paints as powerful a picture as those of the artists he once covered. --Bruce Jacobs, founding partner, Watermark Books & Cafe, Wichita, Kan.
Discover: Art journalist Randy Kennedy's inspired first novel is a story of two tough-luck brothers on a West Texas road trip that goes awry.
Touchstone,
$26, hardcover, 320p., 9781501153860
Biography & Memoir
Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits
by Reese Witherspoon
Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits
by
Reese Witherspoon
Oscar-winning actress and Emmy-winning producer Reese Witherspoon already leads a popular book club on Instagram, so it seems a natural next step for her to write a book. The title, Whiskey in a Teacup, refers to Witherspoon's grandmother's description of Southern women: "delicate and ornamental on the outside... but inside we're strong and fiery."
The book is a pleasant collection of lifestyle and decorating tips, personal anecdotes and recipes of Southern staples like fried chicken and cornbread chili pie that are simple enough for even novice cooks. Witherspoon shares her pride for her roots and love for her Nashville childhood traditions (midnight barn parties!), some of which she has adapted for her adult life. She goes Christmas caroling--in Los Angeles. She transforms her home into a pumpkin patch for Halloween--with 47 pumpkins in the front yard. She reveals she's a highly competitive bowler and, as a child, ran two successful businesses (selling lemonade and personalized barrettes) and wanted to be president of the United States.
Some of her most interesting stories are about her grandmother Dorothea, a civil rights supporter and schoolteacher with a master's degree, who always wore dresses, even while gardening, and looked like a movie star. Dorothea bought books for young Reesey and read them aloud in different voices, striking a spark that became Witherspoon's love of performing. Witherspoon's voice in Whiskey is conversational, with elements of her perky onscreen characters, and when she writes "Y'all come back and visit sometime, ya hear?" fans will want to accept the invitation. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd
Discover: Reese Witherspoon shares stories, recipes and tips on how to create a Southern lifestyle anywhere.
Touchstone,
$35, hardcover, 304p., 9781501166273
Social Science
Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth
by Sarah Smarsh
Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth
by
Sarah Smarsh
The election of Donald Trump helped expose the fault lines separating Americans who inhabit different regions and economic strata. But long before class was a subject of newspaper columns, it was fundamental to Sarah Smarsh's life. Smarsh, a fifth-generation Kansas farm girl who comes from a long line of teenage moms, explores her family's experience and her struggle both to honor and escape her roots in her first memoir, Heartland.
Now a journalist, Smarsh delves into the many factors affecting the United States' rural-urban divide: the "Reaganomics" policies of the 1980s, the rise of industrialized agriculture, the decline or disappearance of many industries that had long sustained Midwestern communities. She examines the challenges of being both poor and female through the histories of the strong women who raised her: her mother, Jeannie, and her grandmothers, Betty and Teresa. Each of them, including Smarsh, was frequently ignored, undervalued or shamed by systems that permeated American life. In taut, lyrical prose, Smarsh blends personal and economic perspectives to show the challenges faced by the heartland and to insist on the region's dignity and worth.
Americans, Smarsh notes, are often defined by how they move: "along highways across big stretches of earth, to the place we think will do right by us, the place we hope we might belong." Her explorations have taken her to the East Coast, but she has returned to Kansas, at least for now. "Most essential to my well-being was the unobstructed freedom of a flat, wide horizon," she writes. "If there was something to get out of, some place or class, in many ways I am still there and perhaps always will be."
Searing, timely and blazingly eloquent, Heartland challenges readers to look beyond tired stereotypes of the rural Midwest and is a testament to the value (on many levels) of "flyover country." --Katie Noah Gibson, blogger at Cakes, Tea and Dreams
Discover: Sarah Smarsh's searingly eloquent memoir explores the challenges and dignity of her rural Midwestern home.
Scribner,
$26, hardcover, 304p., 9781501133091
Psychology & Self-Help
The Science of Sin: Why We Do the Things We Know We Shouldn't
by Jack Lewis
The Science of Sin: Why We Do the Things We Know We Shouldn't
by
Jack Lewis
In The Science of Sin: Why We Do the Things We Know We Shouldn't, neurobiologist and self-professed atheist Jack Lewis takes a close look at sinful behavior to explore the brain circuitry behind some of our most extreme actions.
Lewis defines sin as conduct that might be fine in small quantities but crosses over into antisocial behavior if indulged in too much. For example, a healthy dose of envy, or "benevolent" envy, can be an excellent motivator for self-improvement, whereas in extremity it can lead to destructive or criminal behavior.
The chapter on lust is where things get really interesting. While necessary for procreation, natural lust can morph into vice if it involves adultery, porn addiction or worse. Lewis explores the neurological processes that lead perfectly responsible people to succumb to temptation despite their better judgment. As part of his analysis of deviant sexual behavior, Lewis describes the neurological anomalies present in the brain of a pedophile, both in structure and function, that explain but do not excuse the behavior. In fact, Lewis doesn't let anyone off the hook with the excuse "my brain made me do it." Instead he cautions those with a biological propensity to "sin" to be extra vigilant, work harder on self-control and exercise proven strategies for more thoughtful engagement with the world.
Whether one believes in Dante's vision of hell or prefers to understand sin in a philosophical context, the fascinating insights into human behavior gleaned from The Science of Sin are sure to impress friends and family at one's next social gathering. --Shahina Piyarali, writer and reviewer
Discover: A neurobiologist's entertaining foray into human behavior as it relates to the seven deadly sins.
When Sandeep Jauhar (Doctored), director of the Heart Failure Program at Long Island Jewish Medical Center, discovers coronary plaque has partially obstructed his arteries, he gets "a glimpse of how I was probably going to die." Cardiovascular disease affects two-thirds of Americans; a third will die from it. It killed both of his grandfathers.
In Heart, Jauhar takes a journey through the organ--"muscular, constantly toiling, and yet so vulnerable at the same time"--which retains its mystery despite significant advances in the 20th century. Medical pioneers C. Walton Lillehei and John Heysham Gibbon made discoveries in cross-circulation, leading to the heart-lung machine that paved the way for open-heart surgery. It shocked the medical establishment when Werner Forssmann risked his own life by inserting a catheter in a vein in his arm and entering his heart; thanks to cardiac catheterization, angioplasty soon followed, saving countless lives. The nature of early experiments on animals (and occasionally humans) meant that death was a not-uncommon result. And the famous Framingham Heart Study, though flawed, revealed that chronic heart disease "is inextricably linked to the state of our neighborhoods, jobs, and families."
Jauhar's history of advances in treating heart disease is accentuated by his experiences with patients and his own family. His reflections are intimate and candid; he contemplates patients he lost and regrets the warning signs he missed among family members in distress. Heart shows that, even for a cardiologist, caring for the heart means treating the whole person. --Frank Brasile, librarian
Discover: This physical and metaphorical history of the heart highlights achievements in treating and repairing the fabled organ.
Farrar, Straus and Giroux,
$27, hardcover, 288p., 9780374168650
Growing up in 1903 Eatonville, Fla., is idyllic for 12-year-old Zora Neale Hurston and her friend Carrie Brown. Since Eatonville was incorporated as America's first "all-colored" town a few years before they were born, the girls have never known a different life. But their peace is abruptly shattered on the night their friend Mr. Polk, the "town mute," is mysteriously attacked. Suddenly, Eatonville's history begins catching up with its present.
Zora and Me: The Cursed Ground is told in two alternating voices: Carrie's 1903 viewpoint and that of Lucia, a young girl in 1855 who is taken from the Caribbean to Florida, where she is forced into slavery. The two narratives gradually come together, culminating in an explosive scene that exposes Carrie and Zora to the ugliness of slavery's recent history and the racism that still exists all around them. The narrator, adult Carrie, remembers that moment and how they awaited a lynch mob coming to take land from a black landowner: "This was the moment when our color became our curse."
This stunning sequel to Zora and Me is a fictionalized mystery based on Zora Neale Hurston's childhood and includes a biography of Hurston as well as a timeline of her life. T.R. Simon's writing does elegant justice to the grownup Hurston's genius as a writer as well as to the character she apparently was as a child. Readers should be profoundly moved by Carrie and Zora's coming-of-age revelations: "No matter how long I lived," Carrie says, "the hate white folks could have toward us would never make sense to me." And, as the "town conjure woman" says, "Slavery is over, but tonight you saw how it still haunts us." --Emilie Coulter, freelance writer and editor
Discover: In the sequel to Zora and Me, a fictionalized mystery based on Zora Neale Hurston, young Zora and her friend Carrie learn that their relative freedom as black girls in 1903 Florida is tenuous at best.
Evil figures in childhood stories--the Wolf, the Giant, the Witch--disclose their secrets in this French import. Through cunning paper-engineering techniques (using flaps, levers and strings), skillfully rendered images, traditional stories and personal dossiers, each villain's history unfolds in the creamy thick pages of this oversized volume. Inside the Villains by Clotilde Perrin is a handsome literary and visual package that invites exploration with the fingers, the eyes and the imagination.
Each of the three sections opens with a first-person narrative by the villain. The wolf starts, "Yes, it's true that I sometimes happen to eat (okay, devour) lost children, little pink piglets, grandmothers and occasionally even baby goats." A gatefold then reveals "More About Me," including "My Strengths," "My Weaknesses," "Games I Like" and "My Library," listing the Wolf's various starring roles. The story of "The Wolf and the Seven Little Goats" appears next, in a three-column layout with generous white space, and then--the pièce de résistance--a full-page hairy wolf shape opens to expose grandma's embroidered nightgown and valentine socks over hairy feet. Other flaps open to show the wolf's stitched-up stomach, his brain with dastardly thoughts labeled "brilliant ideas" and his long snout with pointed teeth, closing around baby goats.
The Giant and the Witch get the same treatment with the stories "Jack and the Beanstalk" and, unexpectedly, "Alyoskha and Baba Yaga," where a Russian witch tries to roast a boy. The witch's attributes come from tales listed in her library section: a dress embellished with lollipops, an apple, a cat hidden in her pocket and a boy in a small cage on her inner skirt. Open the skirt again for further surprises. This is a book that children will likely ask for eagerly (and repeatedly) to continue discovering its mysteries. --Melinda Greenblatt, freelance book reviewer
Discover: Not a beginner's fairy tale book, the beautifully designed Inside the Villains provides shivery delights for children.
Belle Bear is a spirited little polar bear with a big heart, an orange cape, and a world full of snowy adventures...until she has to leave it all behind. The Adventures of Belle Bear is a heartwarming picture book about courage, self-confidence, and discovering the bravery to be yourself, no matter where life takes you.
Belle Bear lives with her beloved grandmother, Baba Bear, in the magical land of Mount Bearia. Her days are full of games, cozy hugs, and little moments that make her feel special. But when they must move to a new country, everything changes. There’s no snow, no other polar bears, and no cape. Just Belle Bear and the courage she has discovered yet.
Starting at a new school without familiar comforts, Belle Bear struggles to feel like she belongs. With gentle guidance from Baba Bear and a little courage from within, she begins to build her self-confidence. She makes new friends, explores new experiences, and learns that true confidence comes from believing in herself.
Perfect for families, educators, and anyone helping a child navigate change, The Adventures of Belle Bear is full of tender moments and important lessons: “You are kind. You are curious. You are brave. And you can do anything.”
Belle Bear also believes every child deserves a full belly and a bedtime story, and through December 31, 2025, 100% of the book’s proceeds will be donated to Good Shepherd Food Bank, Maine’s largest hunger-relief organization.
Whether for bedtime, a meaningful gift, or a story that helps children build courage and self-confidence, The Adventures of Belle Bear is a charming and inspiring addition to any bookshelf.
The biography First Man: The Life of Neil A. Armstrong (Simon & Schuster, paperback, $18) by James R. Hansen is the basis for the movie First Man. Ryan Gosling plays Armstrong, and Claire Foy, known for her role as Queen Elizabeth II in The Crown, plays his wife in this insider's view into the early space program, due in theaters October 12.
Angie Thomas's powerful YA novel, The Hate U Give (Balzer + Bray, $17.99), focuses on Starr, a girl caught between two worlds--her poor urban neighborhood and the wealthy, mostly white private school she attends on a scholarship. Starr's life shatters when police shoot her childhood friend, Khalil, in front of her. Young actress Amandla Stenberg (who played Rue in The Hunger Games) stars in the movie adaptation, due out October 19.
Garrard Conley's candid and heartrending memoir, Boy Erased (Riverhead, $27), tells his story of growing up gay in a religious household. Sent to a conversion program his freshman year of college, Conley must come to terms with his true self. His stirring journey hits the big screen November 2, starring Nicole Kidman as his mother, Russell Crowe as his father and accomplished young actor Lucas Hedges as Conley.
Stieg Larsson made a global splash with his political techno-thriller The Girl with the Dragon Tattoo and its sequels, and fans around the world mourned his death. Thankfully, author David Lagercrantz took over the reins to continue the series with The Girl in the Spider's Web (Vintage Crime, paperback, $9.99), another fast-paced thriller. Its movie adaption hits theaters on November 9, starring Claire Foy (she's been busy!) as kick-ass hacker Lisbeth. --Suzan L. Jackson, freelance writer and blogger at Book by Book
