After growing up in a silk-farming village, Lina Zhen left China as a new bride to pursue the American dream with Wei, the husband her father chose for her. Years later, the couple returns to Shanghai, though their 12-year-old daughter still spends the school term in the United States. Financially successful thanks to Wei's career in marketing, the Zhens move into the luxurious Lanson Suites, where former teacher Lina settles into life as a taitai--a housewife with no housekeeping responsibilities.

 

Both struggle to adjust: Lina striving to put on a polished appearance to fit in with the other wives in the apartment complex, Wei feeling that his work has no greater purpose. When Wei's brother, Qiang, calls after decades of no communication, his plan to visit throws Lina and Wei into private tailspins. Wei has spent years wondering if Qiang, who fell in with a gang as a teenager, is dead or alive. Lina, whose girlhood love for Qiang has lain dormant but not dead, wonders if he is finally coming back for her. Set against the backdrop of the 2010 World Expo, the Zhens' reunion will reopen old wounds and uncover the truths that divided them in the first place.

 

Winner of Ploughshares' Emerging Writer award, Lucy Tan draws an astute portrait of a staid family thrown into disarray in this assured first novel. She does not explore the Tolstoyan adage of unhappy families, but rather throws a stone into the still pool of carefully balanced domesticity. With its measuring of expectation against reality, What We Were Promised showcases Tan's sharp eye for the intricacies of human relationships. --Jaclyn Fulwood, blogger at Infinite Reads

Adored by his family and admired by his community for a life of good works, Harry Tabor is a man who seems to have it all and to appreciate the good fortune that has brought him to this place at age 70. But as Cherise Wolas (The Resurrection of Joan Ashby) shows in her introspective second novel, "luck is a rescindable gift."

 

Wolas takes her time getting to the heart of her story, delivering ample servings of the history of Harry, his child psychologist wife, Roma, and their children, Phoebe, Camille and Simon. Everyone arrives in Palm Springs for a gala celebrating Harry's selection as Man of the Decade, for his 30 years of work resettling Jewish refugees from around the world in his California community. But as Wolas deliberately scrapes away the surface sheen of the Tabors' lives, she reveals how the secrets they've been keeping from each other have affected them. Chief among these is a massive transgression in Harry's previous life as a stockbroker that impelled him to uproot his family from their Connecticut home and move west in the classic paradigm of American reinvention.

 

Despite its roots in family drama and the mystery that propels its final third, The Family Tabor is, at its heart, a philosophical novel. Wolas poses big questions: What does it mean to live a good life? How can we atone for a serious misdeed?

 

"The past is not dead. It's not even past," wrote William Faulkner. The Family Tabor provides compelling evidence of that truth. --Harvey Freedenberg, freelance reviewer

Mary Bennet, as everyone knows, is the plain middle sister: not beautiful like Jane, witty like Lizzy or even high-spirited like her younger sisters, Kitty and Lydia. But though she may be awkward, Mary is far from dull, and in Katherine J. Chen's debut novel, Mary B, she finally gets a chance to tell her own story. Beginning with the events of Pride and Prejudice, but going far beyond them both in time and scope, Chen imagines a woman ill-suited for the family and the world into which she was born. Mary struggles to make her own way in life without giving in to either convention or despair.

 

The well-worn incidents comprising Lizzy's and Jane's love stories do make the narrative drag a bit. But the action picks up after Lizzy and Darcy are married, and Mary goes to stay with them at Pemberley. There, she discovers a surprising friendship with Darcy, an unexpected connection with his cousin Colonel Fitzwilliam, and a latent passion for writing. The latter provides not only amusement and intellectual stimulation, but may change the course of her life. Gradually, Mary Bennet the minor character becomes Mary B the authoress, making bold choices for her fictional creations and herself.

 

Austen purists may be scandalized at Chen's reimagining of these familiar characters and her handling of the Darcys' relationship, but the book's plot twists are thought-provoking. Mary has long stopped believing in happy endings, but through sheer force of will and a series of unorthodox choices, she creates a surprising future for herself that might even include a bit of joy. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

It may come as no surprise that Kate Christensen, food blogger and author of the gastronomy memoir Blue Plate Special, sets her seventh novel, The Last Cruise, in a galley aboard the 1950s cruise ship Queen Isabella. The pampered guests on a roundtrip voyage to Hawaii gather to embark in Long Beach, Calif. Among them is a geriatric Israeli string quartet of Six-Day War veterans, including violinist Miriam. In her 70s, Miriam is still feisty enough to have a crush on the group's recent widower cellist--and is prepared to act on it during their carefree cruise.

 

On a work/play junket, 34-year-old Maine farmer Christine agrees to accompany her New York City friend Valerie, a webzine editor doing a story on the world's working class. Valerie plans to drink and schmooze her way through the rank and file while Christine enjoys a break from farm drudgery to dress for dinner and read from the shipboard library's collection of classic Waugh, Wharton and Wodehouse.

 

The ship's Hungarian sous-chef, Mick, oversees the fresh produce and luxury meat cuts stowed to satisfy a vintage menu heralding '50s decadence. He and the largely immigrant coterie of workers berthed on the lower decks are charged with providing the upper deck hoity-toity a retro experience. After the cruise, however, they are all being sacked, as the global corporate owner of the Isabella plans to send it to the scrapyard.

 

Like many novels of isolated microcosmic societies, The Last Cruise slips from a romantic storybook idyll to a struggle between haves and have nots. In the process, Christensen delivers an engrossing tale that reveals the fragile veneer of civilization. --Bruce Jacobs, founding partner, Watermark Books & Cafe, Wichita, Kan.

Ghosted by British author Rosie Walsh is a modern story of love, both filial and romantic, thickly coated in mystery. Sarah, an L.A. transplant, meets Eddie while visiting her hometown of Gloucestershire. The two of them are swept up in an all-consuming romance and, despite the fact that they barely know each other, both are convinced that they have found their true-life partner. After seven blissful days they reluctantly part and Eddie promises to call. But then he doesn't.

 

Sarah's friends tell her to accept the fact that she's been "ghosted," but she refuses to give up on him. As the mystery of Eddie's silence deepens, the devastating past that Sarah spent her whole life trying to escape catches up with her. Walsh employs clever descriptive contrasts to reflect the very different worlds Sarah and Eddie inhabit: the cozy dampness of Gloucestershire against the stark brightness of L.A.; restless Sarah who fled to America versus stable, constant Eddie who stayed close to home; her high-visibility career and his quiet work as a traditional British cabinetmaker.

 

Ghosted heralds a new subgenre of romance mystery, one that builds relationship suspense through unreturned texts, deleted messages, mysterious Facebook posts and, of course, good old-fashioned phone calls. Walsh includes letter writing, too, to round out the communication struggles Sarah and Eddie face as they attempt to balance their need for each other with the consequences of being together. --Shahina Piyarali, writer and reviewer

Devastatingly brilliant, Jock Serong's On the Java Ridge is an emotionally grueling mix of high-octane action, life-and-death political maneuvering and, at its heart, an anguishing portrayal of worldwide refugee crises. On the eve of federal elections, Minister for Border Integrity Cassius Calvert discloses a new policy regarding unannounced boats in Australian waters--no unidentified vessels will be offered maritime assistance.

 

Meanwhile, two phinisi (Indonesian-built sailboats) head toward Australia. The Takalar is packed with asylum seekers--men, women and children of varied ethnic backgrounds trying to escape the terror of their homelands. The Java Ridge, owned by a charter surfing company, is full of white Australians headed for legendary remote island waves.

 

The boats' trajectories result in an ill-fated meeting, and the Australian government becomes aware of a phinisi in potentially dire straits. Willing to sacrifice foreign lives to keep the favor of the electorate, officials stand behind the new policy. Even when Calvert suspects Australian lives may be at stake, he's ordered to stand down and maintain plausible deniability.

 

Serong (author of the 2015 Ned Kelly Award-winning Quota) writes masterfully from varied perspectives, crafting haunting characters struggling to survive in a raging sea of human horror and callous partisanship. Life aboard each boat is depicted in detail that highlights the dichotomy like a red-hot poker to the gut--cavalier tourists relieve themselves over deck rails as refugees struggle to maintain their dignity while living in their own waste. Beautiful, mournful, infuriating and brimming with tension, On the Java Ridge is utterly incomparable. --Lauren O'Brien of Malcolm Avenue Review

In 1968, a sexually transmitted disease called teratogenesis swept the globe. Infected mothers gave birth to monstrous infants. Many died, at first, but by the time scientists developed a test for the disease, a million malformed babies were born in the United States. Congress created a system of state-funded Homes for these cast-off miscreations. Strict reproductive laws stopped the spread of teratogensis, but it was too late to save the plague generation.

 

In 1984, in rural Georgia, Enoch Bryant, also known as Dog, lives in a ramshackle Home with hundreds of other unwanted plague kids. His generation seems destined to serve as a distrusted underclass, kept separate and subservient to normals. But the plague kids are also entering adolescence, and some are discovering they have abilities far beyond mere deformities. To Dog's dismay--and that of a federal agent looking for new test subjects--all Dog can do is run fast and snarl with his canine head. Dog's days doing farm work might be numbered if his ultra-genius friend Brain's revolution ever comes to pass. Meanwhile, he envies the normal kids who go to a regular school in the nearby town, one of whom is a monster passing for human.

 

One of Us is part AIDS-parable, slavery story (the Home is in an old plantation house), coming-of-age tale, period piece and so much more. Craig DiLouie has crafted something special, with sympathetic characters, tragedy, hope and humor all expertly woven together. One of Us is a stunning achievement in speculative fiction. --Tobias Mutter, freelance reviewer

In Debbie Macomber's (If Not for You) latest, Cottage by the Sea, Annie Marlow, a physician assistant in her 20s, deals with the aftermath of a catastrophic mudslide that wiped out an entire Seattle community--including her family--one Thanksgiving weekend.

 

Annie, inundated by grief and red tape, takes a leave of absence from her job. In search of solace and a sense of home, she retreats to Oceanside, "a small, out of the way town" in the Pacific Northwest, where she and her family happily vacationed during the summer when she was a teenager. Annie accepts a temporary job at the town medical clinic. When she tries to rent the same cottage from her past, she finds the place overgrown and in disrepair. She convinces the landlord, Mellie Munson--a reclusive hermit just a few years older than Annie and emotionally paralyzed by a shattered romance--to rent her the place anyway. As Annie tries to spruce up the cottage, she is helped by Seth Keaton--a shy, reserved local painter, a towering figure in town with a sensitive heart--trying to hide his own life battle scars, as well as his feelings for Annie.

 

Her presence in the small seaside community becomes a rallying force for good until Annie is faced with a choice that could affect not only her life, but the lives of others, too. Macomber's tender story demonstrates how kindness, support and love can heal wounded hearts and souls, making them profoundly stronger in all the broken places. --Kathleen Gerard, blogger at Reading Between the Lines

Michael Arceneaux's inspiring and delightful debut collection of autobiographical essays about growing up black and gay in Texas is alternately hilarious and touching. "This book is about unlearning every damaging thing I've seen and heard about my identity and allowing myself the space to figure out who I am and what that means on my terms," writes Arceneaux. Growing up in a home with a rage-prone father and religious mother, he kept his sexuality under wraps. Calling himself a recovering Catholic, he still contends, "Catholic guilt never leaves you, and follows you everywhere; it's the herpes of your conscience."

 

Arceneaux details his fumbling sexual encounters, bad dates and his painful coming out to his mother: "As a gay man, you already have so many people against you," he writes. "Your family--especially your mother--is supposed to be in your corner as you battle these people, not throwing sucker punches with them." He finds solace and a source of strength in favorite musical divas Madonna, Janet Jackson and his goddess Beyoncé. One fascinating chapter covers his mixed feelings about gay people marrying. He's happy for the progress but doesn't see it in his future, writing, "The failure to learn how to love someone properly is a trait that has since been passed down to me."

 

While I Can't Date Jesus is filled with razor-sharp observations and sly and snarky one-liners, the book's most impressive attribute is Arceneaux's bravery and skill at tackling complex issues with humanity, eloquence and compassion. This book is a winner. --Kevin Howell, independent reviewer and marketing consultant

"We've known that climate change was a threat since at least 1988, and the United States has done almost nothing to stop it. Today it might be too late," writes Roy Scranton. We're Doomed. Now What? is his latest book of essays focused first on climate change and then on war, whether as seen through the lens of his own experiences in Baghdad or upon his return to the city 10 years later as a journalist covering the elections. Scranton's thoughts are sobering and provocative as he ponders the next 20 to 30 years, with the potential for sea levels rising, food and potable water becoming scarce and the rich continuing to prosper while millions, possibly billions, are left in deprivation. Imaginary storm scenarios, "speculative realism," ecology and the loss of Arctic ice are some features in the shorter section on climate change.

 

Equally as challenging and confrontational are Scranton's musings on war: why he joined the army, why the United States ever sent troops to Iraq in the first place--what did the U.S. hope to gain by this?--and the effects war has on the people who serve on the front lines. Scranton skillfully integrates literature and philosophy into his own thoughts, creating multilayered writings that beg to be read slowly and carefully by a reader willing to pay attention for a steady length of time. Eye-opening and honest, these essays are like receiving a terminal diagnosis from a specialist while still leaving a margin of hope on the sides. --Lee E. Cart, freelance writer and book reviewer

You're not a hero. At least, you don't think you're a hero... you can't quite remember. In fact, you can't remember anything since waking up on the beach with nothing but "an ordinary pencil" in your pocket and a note beside you. The note is alarming: "HELP! I'VE BEEN CAPTURED! DEAR HEAVENS, I BEG OF YOU, RESCUE ME! Prince S." It's confusing, not remembering anything, and "[d]espair smothers you like a heavy blanket woven by an evil grandma." The only thing to do is try to find this prince. As you wander through the strange land of Astorya, where stories written on Earth come to life, strange friends and foes cross your path. You learn that, in order to get home, you will have to save Prince S.--and your pencil may be the greatest weapon in the land.

 

In Drew Callander and Alana Harrison's first middle-grade novel, Mightier Than the Sword, "you" is the main character. Told in a hilarious, second-person voice, this thrilling interactive adventure invites readers to draw, write and create their own elements of the story through word puzzles, Mad Libs-like fill-in-the-blanks and illustrations. Along the way, Callander and Harrison offer wonderful word plays and quips while fleshing out the story with a varied and fantastical cast of Couriers, a group tasked with protecting stories from erasing, the one thing that can destroy them. Ryan Andrews's black-and-white illustrations generously scattered throughout are full of energy and humor and make the work all the more delightful. Daringly original and quick-witted, Mightier Than the Sword deftly pairs lighthearted humor with themes of bravery, friendship and the power of imagination, putting this story in a category all its own. --Kyla Paterno, former YA and children's book buyer

Author Tom Angleberger (Origami Yoda series; Inspector Flytrap series) teams up with artist Dan Santat (Lions & Liars; Drawn Together) in The Princess and the Pit Stop, a picture book that brings NASCAR-style racing to the land of fairytales.

 

"Once upon a time, there was a Princess who made a pit stop. While the Birds and the Beasts changed her tires, her Fairy Godmother told her she was in last place! With just one lap left! SHE MIGHT AS WELL GIVE UP!" The comic-book style panels show the Princess's pit crew members--a gnome, a pig, a bowtie-wearing bunny and the caterpillar from Alice in Wonderland--racing to replace her tires. Fairy Godmother (wearing a noise-cancelling headset) points out the number of laps left; a close-up on the Princess's red face shows her determination to win. Give up? "Instead, the Princess hit the gas!"

 

A frog in a sparkling gold suit jacket screams into a microphone with the Princess's progress: "SHE PASSED HUMPTY DUMPTY! SHE PASSED ALL THE KING'S HORSES! SHE PASSED ALL THE KING'S MEN!" Watch out Wicked Witches, Hansel and Gretel, Sleeping Beauty and the Wizard of Oz! The Princess is coming for you, Three Bears, Flopsy, Mopsy and Peter Rabbit! Thick black lines dissect the pages into large panels, making it easy for young readers to interpret the action, even as Santat's vividly colored illustrations swerve, flip and rocket across the black lines and off the page. Angleberger's text is simple and silly, switching between direct storytelling (white text on colored backgrounds) and exuberant announcements from the frog (black text in speech bubbles). With its breakneck speed and massive number of storybook references, The Princess and the Pit Stop is sure to be a story time favorite. --Siân Gaetano, children's and YA editor, Shelf Awareness

"I'm Denis, Matt's twin brother. Matt is alive and twelve now. I'm one of those, but not both." Being dead isn't the worst thing in the world. Denis Egan has been dead for five years now, and is shedding his memories in reverse order, on track to progressing to the final stage of death. "Being clean is the total point when you die," he says. "You clear your life out of your system like, well, your food when you have stomach poisoning. You shake off the heaviness, you become air." But just recently, Denis has been experiencing "noises clawing the inside of [his] head" which, according to his great-grandmother GeeGee, mean someone has unfinished business with him. To stop the noises and finish whatever business it is, Denis must return to the land of the living. And, just like that, his peaceful trajectory toward the "ever after" is interrupted.

 

When Denis starts making the excruciatingly painful journeys to "the before place," he makes contact with Matt, who is agonizing anew over the horrific circumstances of Denis's death. Their family is falling apart, with secrets "whirling around... like a simmering industrial fire." Matt begs Denis to stay in his world and "haunt" him until they find out why Denis was "ripped away." As they piece together the complex series of events from five years ago, it becomes clear that their lives--and deaths--will be forever altered.

 

Tony Abbott has written more than 100 books for children, including the Secrets of Droon series, the Copernicus Legacy series and The Summer of Owen Todd. Witty, suspenseful and full of hope, Denis Ever After fearlessly travels into the dark mysteries of life, the afterlife and the spaces in between. --Emilie Coulter, freelance writer and editor