Ariel Courage presents a provocative, hypnotic excursion with her debut novel, Bad Nature, which offers a road trip, a revenge fantasy, and a snarky sendup of American culture.
Courage's mesmerizingly repellent protagonist, Hester, is a successful lawyer with money to burn--one form of revenge upon her "impracticable, unprofitable" upbringing--and an antiseptic lifestyle kept up by a personal trainer, a dermatologist, a cosmetic dentist, and other professionals. In her nondescript but designer-decorated Manhattan condo, she has regular, emotionless sex with the "objectively repulsive" building super.
Hester relates early in her narrative: "I was always going to kill my father." This intention shifts from someday to immediate when, just after her 40th birthday, she receives a breast cancer diagnosis. The oncologist tells her that, without treatment, she has six months to live. With characteristic, practiced detachment, Hester quits her job and leaves Manhattan in her Jaguar E-type, aiming for her long-estranged father's new home in Death Valley. She will kill him and then herself with the gun in her glove box. Simple.
Hester's cross-country road trip is beset with trouble. She loses the E-type to theft at a Philadelphia rest stop, and with it, her gun and her mother's ashes. The first lesson that her wealth--an important feature of her constructed armor--will not solve all her problems comes when she must settle for an insultingly affordable rental car. She picks up a hitchhiker: "what my mother had euphemistically called an urban outdoorsman and what in college I would've called a crustpunk." This young man, John, becomes her unlikely companion on a convoluted and indirect route toward the eventual destination. John is a principled traveler: eschewing consumerism, he photographs Superfund sites, documenting destruction. Stops along the way include Hester's (only) ex-boyfriend from college and a friend (likewise) from high school, with disappointing if predictable results. Hester gets sicker. The outcome of her larger journey is less easy to guess.
Caustic Hester is aware she has "daddy issues" but "I'd rather pluck his eyeballs out with a fork and eat them jellied on toast than endure five minutes of therapy." Her first-person voice is deeply sarcastic, darkly funny, and almost entirely self-aware. Bad Nature's title offers commentary on Hester's terminal cancer (and her mother's), on the violent impulses of her hated father (and her own), on the environmental devastation John is called to witness. Even more than wealth, rigorous self-grooming, and personal aloofness, Hester's carefully cultivated cynicism is her final weapon, and its potential loss might be the most painful and surprising part of this madcap expedition. Courage delights and challenges with this mashup of emotions, until readers may be surprised, in turn, to care about Hester after all. --Julia Kastner, blogger at pagesofjulia
Shelf Talker: Bleakly funny, gloomy, and magnetic, this novel's revenge-fueled, terminal road trip will tender surprising truths.