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photo: Natalie Smaill |
Anna Smaill is the author of Bird Life (Scribe, January 2, 2024). Her first novel, The Chimes, was longlisted for the Man Booker Prize and won best novel in the World Fantasy Awards in 2016. Born in Auckland, New Zealand, she has spent several years in Japan and the U.K., and holds a Ph.D. from the University of London. She lives on Wellington's south coast with her husband, novelist Carl Shuker, and their two children.
Handsell readers your book in 25 words or less:
Bird Life is a retelling of The Magic Flute set in contemporary Tokyo. It's about grief, madness, friendship, and the redemptive power of doughnuts.
On your nightstand now:
Super-Infinite by Katherine Rundell. I'm in awe of her brain. She perfectly captures the agility and sex appeal of John Donne's writing.
Rebecca by Daphne du Maurier. This is, somehow, my first time reading this novel, though I feel like I've absorbed the rhythms and plot beats through cultural osmosis. Such an incredible lesson in narrative voice.
Favorite book when you were a child:
One of my favourite authors as a child was K.M. Peyton, who wrote serious, elegant, and completely absorbing realist novels about growing up in England. I adored all of her work, but my favourite was probably The Beethoven Medal, from a series of novels about a moody, gifted, young, working-class pianist called Patrick Pennington.
Your top five authors:
Jane Austen, George Eliot, Janet Frame, Marilynne Robinson, Michael Ondaatje.
Book you've faked reading:
I've never outright claimed to have read it cover to cover, but I've definitely bluffed my way through a few conversations about James Joyce's Ulysses.
Book you're an evangelist for:
I read Riddley Walker by Russell Hoban in 2013, while in a bit of a rut with reading--and it completely rewired my brain. I felt like I was walking around with new eyes. It reminded me of the complete immersion I had in books as a kid. I always recommend it to anyone who seems a bit jaded about fiction.
Book you've bought for the cover:
My local secondhand bookstore used to sell used Virago Press books, with their distinctive green covers. Once I realized how consistently great the imprint was, I worked my way through at random--buying books on the basis of the green spine alone. I discovered an incredible array of women writers I would have never encountered otherwise--from Mary Cholmondeley to Storm Jameson.
Book you hid from your parents:
My parents were big readers, and I used to sneak their books off the shelves long before they were age-appropriate. But the only books I actively hid from them were the Sweet Valley High novels I borrowed from the library. I remember my Dad despairing about my literary taste.
Book that changed your life:
Not a book but a short story. At primary school, one of my teachers read "Flowers for Algernon" by Daniel Keyes to the class. I was totally transfixed. I think it was the first time I consciously thought about writing as craft, and how one might set about learning it. I was completely hooked by the inevitability of the story arc and the dramatic irony of the narrative voice. I knew I wanted to find some of that power.
Favorite line from a book:
"He knew he would have to believe in order to go where she had been; knew that, if he believed, he could go there even if it didn't exist." --John Crowley, Little, Big (another book that I evangelically recommend).
Five books you'll never part with:
Two of the most precious books I own are my grandmother's copies of Love of Seven Dolls and Flowers for Mrs Harris by Paul Gallico. I used to read them when I went to stay at their house in Christchurch, and they remain the purest form of comfort. Also in the list is a copy of one of my favourite children's books: Lotta's Bike by Astrid Lindgren. She was my role model when I was a child; still is, perhaps. There's also a Selected Poems of Anna Akhmatova that I received when I was 16 years old and have kept nearby ever since, and a copy of Frank Bidart's Watching the Spring Festival with the most wonderful inscription from Frank.
Book you most want to read again for the first time:
Probably The Lion, the Witch and the Wardrobe by C.S. Lewis. How wonderful would it be to step into the limitless expanse of that world for the first time? I'm reading the Narnia series to my son at the moment, which is probably about as close as you can get to seeing it again through new eyes.
Subjects or stylistic tropes you're particularly drawn to in books:
I adore books that sustain different, possibly competing versions of the world--whether these are aesthetic, philosophical, or imaginative. I love that sensation of vertigo when the moral balance or the known reality of a novel shifts. It's something Henry James does so brilliantly. And Daphne du Maurier also. I really wanted to catch something of that intoxicating and dizzying feeling in Bird Life.