Callan Wink's Beartooth is a meditative and startling literary heist tale about two struggling brothers. Their father has recently died, leaving them with medical bills they can't pay, and other expenses are piling up at the family cabin. Older brother Thad is desperate to keep things together; his younger brother, Hazen, didn't have any of Thad's practical sense but more than his fair share of restlessness.
Enter the Scot: mysterious, up to no good, and refusing to take no for an answer, the Scot is looking to enlist the strapped brothers for a dangerous--not to mention illegal--job in the protected lands of Yellowstone. While Thad is reluctant, he's even more unwilling to let the house go, or to allow headstrong Hazen take on the job alone. But agreeing to the Scot's proposition sets a course into motion that Thad can't keep under control. And soon Hazen's increasingly impulsive, wild ways will find an outlet that can't be bound, even by his brother's love.
Wink (August) is very much at home in rugged but beautiful settings, and he takes his time to look around at both the grandeur and the rot, the rippling muscles of this landscape and its bones. Rather than painting a static portrait, Wink makes this place the timeless one of the American West. In one particularly compelling passage, he describes how "warm Chinook winds came up from the southeast and filled the valley with the smell of rotting snow. The river shed its layers of shelf ice and seemed to come awake, readying itself for the great annual runoff.... Down in the valley it wasn't spring; it was mud season." Sometimes counterintuitive, sometimes nostalgic, yet always surprising, these descriptions vacillate between the soft and the raw, the dead and the living.
While Beartooth's plot packs a punch, its natural rhythm builds gradually. Even at the start, when Thad is focused on the minutiae of just trying to get by, it's clear that the tension cannot hold. His realization while balancing bank statements that "adding and then subtracting, subtracting, subtracting. That's how it always seemed to go" serves as an early clue that the other shoe is bound to drop. It would be too easy, though, to say that shoe is Hazen. Despite Hazen's loaded personality, readers feel the same pull Thad does: to understand how deep Hazen runs, to embrace his perhaps more doomed but also more hopeful way of being in the world, a way of being that might be freer but is also more elusive. --Alice Martin, freelance writer and editor
Shelf Talker: Callan Wink's Beartooth evokes the breathtaking beauty of Yellowstone in its tense exploration of the complicated love and survival of two brothers.