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photo: Nina Subin |
Bridgett M. Davis is the author of Love, Rita: An American Story of Sisterhood, Joy, Loss and Legacy (Harper Books, March 11, 2025), which is a family memoir of her beloved older sister Rita. Her first memoir, The World According to Fannie Davis, was a New York Times Editors' Choice, a 2020 Michigan Notable Book, a Kirkus Best Book of 2019, and was featured as a clue on the quiz show Jeopardy! Davis is also writer/director of the 1996 award-winning feature film Naked Acts. She lives in Brooklyn, N.Y., with her family.
Handsell readers your book in 25 words or less:
Love, Rita is a tribute to my sister Rita and to sisterhood, even as it explores the complex fragility of Black lives by asking the question: Why Rita?
On your nightstand now:
I love to read nonfiction and memoir alongside poetry and fiction. My brain likes to mix it up. So, I'm about to finish The Black Utopians by Aaron Robertson, which is about African American intentional communities and their utopian quests, and it's equal parts riveting and revelatory. For sheer pleasure I'm rereading Annell López's I'll Give You a Reason, a deftly crafted short-story debut filled with tough and vulnerable and funny immigrant women characters, each indelible. Also, I love a book I can dip in and out of, so I'm also reading award-winning poet Ross Gay's The Book of Delights, his mini prose-poems/essays written over one year, chronicling small joys that are, thanks to his genius, somehow both quotidian and arresting.
Favorite book when you were a child:
My favorite book was Daddy Was a Number Runner by Louise Meriwether, which I read when I was about 10 or 11. Even though it wasn't a children's book, it WAS a book with a Black girl like me as the main character, which up to that point I'd never before experienced. Also, my mother was a numbers runner just like the father of the book's title. That blew me away--that Francie, the girl in the book, and I shared the same secret!
Your top five authors:
If I was on that proverbial desert island, whose books would I take with me? Toni Morrison, James Baldwin, Gabriel García Márquez, Tayari Jones, and Arundhati Roy. All revel in language, all are truth-telling, and all teach me how to move better through the world.
Book you've faked reading:
Invisible Man by Ralph Ellison. I was supposed to read it in college, then write an essay, but I just couldn't get through the book. Still haven't. And that essay got a very low grade.
Book you're an evangelist for:
Notes from a Black Woman's Diary by Kathleen Collins, who was a visionary Black woman writer; she also made a seminal feature film, Losing Ground. The book is a compilation of her short stories, screenplays, stage plays, a novel excerpt, letters, as well as her diaries. Collins was not well-known in her lifetime, sadly; this is always my go-to gift for friends. The world should know her name.
Book you've bought for the cover:
Aaron Robertson's The Black Utopians has such a gorgeous cover: an arresting image of an Afro-ed woman against a gold-leaf backdrop--painted by the late artist Barkley L. Hendricks. I bought a second copy to put on display like a coffee-table book. I just pre-ordered Honorée Fanonne Jeffers's newest book, Misbehaving at the Crossroads, because its exquisite cover art of three Black women is from a painting by the artist Elizabeth Catlett. Also, in honor of James Baldwin's 100th birthday, I bought a newly issued copy of Giovanni's Room because its cover boasts Beauford Delany's beautiful painted portrait of Baldwin. I do love seeing the works of Black artists on book covers. My dream is to have a Mickalene Thomas artwork on the cover of my next book.
Book you hid from your parents:
Dopefiend by Donald Goines. Goines was a Detroit-based author who wrote prolifically and truthfully about life in the streets of 1960s and 1970s Detroit. I was probably too young to be reading his gritty and explicit books, but I devoured them, right alongside Jacqueline Susann's novels.
Book that changed your life:
My life was never the same after I read Toni Morrison's Sula, the first book by her I ever read. It was a revelation--the startling and rich cadence of her prose, the centering of two Black women's friendship, the complex world she revealed in this small Ohio town, the unapologetic approach to rendering Black life in all its complexities. This is what literature could be?! I've never recovered.
Favorite line from a book:
"Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for." --Sula by Toni Morrison
Five books you'll never part with:
Daddy Was a Number Runner--the original hardcover first edition and the actual book my mother gave to me when I was a child. It has a foreword by James Baldwin. Forty-five years after its publication, I met the author, Louise Meriwether. She signed my copy: "To Bridgett, my Daddy, your Momma were Number Runners and we are soul sisters. Keep writing the truth in your own beautiful way. Love, Louise Meriwether."
Sula--the original, first edition hardcover from 1974.
Their Eyes Were Watching God by Zora Neale Hurston--a 1991 hardcover edition with cover art illustrated by the late great illustrator and children's book author Jerry Pinkney, and with a foreword by Ruby Dee.
One Hundred Years of Solitude by Gabriel García Márquez--a well-worn paperback copy that sat on our bookshelf when I was growing up, and that belonged to my older sister Deborah. She loved that book, and I couldn't wait to grow up and read it so I could love it too. I did and I do!
Beloved--Morrison autographed it at a reading she gave when the book was newly released. I read the novel on the plane en route to West Africa, and I'll always equate those two profound experiences in my life--reading Beloved and traveling to the Mother Land.
Book you most want to read again for the first time:
The God of Small Things by Arundhati Roy is so stunning and haunting and enthralling. Roy is a genius storyteller. I've reread this novel again and again, and always enjoy it, but as the Sade song goes, it's never as good as the first time.
Book that made you want to become a writer:
Gorilla, My Love by Toni Cade Bambara. This is a collection of short stories by Bambara, which she wrote throughout the '60s and early '70s. I discovered it in my early 20s when I was still thinking my urge to write could be satisfied by being a journalist. But when I read "The Lesson," I stopped fooling myself. The story is told from the first person in the present tense by a Black girl narrator. The girl's voice is in what Bambara used to call her "straight up" style, and what critics back then described as "the Black Style." It was a revelation to meet a voice on the page so honest and unvarnished, yet highly crafted. The first short story I ever wrote was an homage to "The Lesson" in voice and POV. That story and Toni Cade Bambara herself--whom I had the great fortune of studying with years later--cemented my commitment to becoming a "real" writer.