For the tercentenary of Britain's Longitude Act of 1714, the Royal Museums Greenwich offers an exhibition and accompanying book, Ships, Clocks, and Stars: The Quest for Longitude. For centuries, longitude, which locates a place on the Earth on an east-west basis, was impossible to track at sea, posing not only economic but safety challenges. This issue was eventually solved in the 1700s, largely by British scientists and philosophers, including astronomers, inventors and clockmakers. The story of quest for a solution--first define the question, then ascertain a reliable way to determine longitude while out in the open ocean, then build reliable and consistent tools--is one of innovation, cooperation and competition, as well as science. Richard Dunn and Rebekah Higgitt, both researchers and museum curators, relate the quest for longitude in accessible prose, complementing the text with more than 150 images, maps and artwork. While the ample notes will be welcomed by academic readers, the intriguing and varied illustrations and lively subject matter--a first-class adventure tale--will entertain anyone who dreams of travel and exploration. --Julia Jenkins, librarian and blogger at pagesofjulia

A chance discovery of an old book of photographs helped former museum curator Chris Wild realize that the mental image he had of history was inaccurate. He set out to find other photographs that would transform his "low-resolution version" into "a new colorful past of high resolution, high contrast, low noise--and lots and lots of detail."

Wild took his acquisitions to the Internet and created a blog he called Retronaut, meaning "someone who travels back." Retronaut: The Photographic Time Machine brings a selection of the virtual collection into a captivating print compilation of photos, posters, advertisements and other curiosities that enhance the detail of bygone times.

The "time capsule" presentation of images, riveting quotes from a wide variety of luminaries and thorough captions will mesmerize readers as they view snapshots of the world through Wild's rear-facing lens. A great conversation starter, Retronaut also offers teachers a fresh springboard for school projects. Fans of the unusual will rejoice. --Jen Forbus of Jen's Book Thoughts

Few people put Antarctica on their bucket lists. There are no beaches, no museums, no cities or permanent residents--just five million square miles of land, 98% of which is covered with ice (the remainder is bare rock). Still, a transcontinental trip across Antarctica has entranced the modern world's great explorers since Ernest Shackleton's tragic Imperial Trans-Antarctic Expedition in the early 1900s. It wasn't until the 1955-1958 Commonwealth Trans-Antarctic Expedition that other explorers accomplished Shackleton's dream of an edge-to-edge land crossing of the continent.

Vivian Fuchs's successful expedition included George Lowe, the mountaineer photographer and filmmaker who had recorded Sir Edmund Hillary's 1953 conquest of Everest. The Crossing of Antarctica: Original Photographs from the Pioneering Expedition celebrates the centennial of Shackleton's failed crossing with the first collection of Lowe's original expedition photographs, a historical narrative by University of Cambridge Professor Huw Lewis-Jones, and selected reflections by renowned world explorers. Its 200 images show all the ice, snow, wind, frozen whiskers, Sno-Cats and sled dogs needed to illustrate the magnitude of the team's accomplishment. --Bruce Jacobs, founding partner Watermark Books & Cafe, Wichita, Kan.

In his stunning homage to the expanse of Rocky Mountains between Missoula, Mont., and Banff in Alberta, Canada, photographer Steven Gnam captures an awe-inspiring region in all its seasons while locals offer essays on the importance of this exceptional geographic stretch and the need to increase wildlife corridors.

Gnam captures the vast plant and animal life in breathtaking color. All the images--taken at ground level, and in some cases below the waterline--emphasize the miraculous expanse of this region, especially in relation to man. The interwoven essays are as mesmerizing as the images. Crown of the Continent: The Wildest Rockies was conceived as a way to educate people to the vital importance of connecting protected islands of wilderness. Each passionate essayist encourages enlightenment through anecdotes, data and insight.

Contributor Michael Jamison says, "There is no separating the human from the wild. Our species has not seceded from nature." Readers will feel this connection acutely in Crown of the Continent. --Jen Forbus of Jen's Book Thoughts

Jackie Bennett (former editor of Garden Design Journal) examines the lives of 19 British writers and their relationships to their gardens in The Writer's Garden: How Gardens Inspired Our Best-Loved Authors. Virginia Woolf wandered the roomlike gardens at Monk's House while she labored over Mrs. Dalloway. Charles Dickens tended to the gardens at Gad's Hill Place each day before tackling his masterpieces. The woodland paths and boathouse at Greenway inspired Agatha Christie's Dead Man's Folly. And would there have ever been a James and the Giant Peach had Roald Dahl not studied his own fruit orchard and the crawly creatures in the gardens at Gipsy House?

Archival images and vivid landscape photographs accompany the profiles and enhance each intimate glimpse into the countryside sanctuaries that fed the imaginations of great writers. "Written in Residence" sidebars offer lists of works created at each locale, and epilogues explain what became of the homes and gardens after the death of each revered wordsmith. --Kathleen Gerard, blogger at Reading Between the Lines

The Living Landscape: Designing for Beauty and Biodiversity in the Home Garden aims to foster gardens hospitable to wildlife and human inhabitants. Rick Darke (plant ecologist, horticulturist, photographer and landscape designer) and Doug Tallamy (professor, entomologist, behavioral ecologist and ornithologist) unite over their shared interest in nurturing biological diversity to create "a book about how native plants can play essential roles in gardens designed for multiple purposes, with a focus on proven functionality," including durability, cooling, groundwater recharge and food and shelter.

Darke uses his own 20-year-old garden as a "living laboratory," and his aesthetic sense is demonstrated through the luminous photography. Tallamy's passion for ecosystems ensures the beautiful landscapes host an array of wildlife as he teaches gardeners how to bring lessons learned from the "structure, composition, and processes of functional ecosystems" into their own backyards. The examples are from eastern North America, but apply to many areas; a chart lists plants and their function by region to inspire gardens that embrace human desires to play, dine and entertain while respecting natural habitats. --Kristen Galles from Book Club Classics

Angela Cartwright, who played Brigitta von Trapp in The Sound of Music, grew up on movie sets and was fascinated by the way actors transformed into their characters. She and coauthor Tom McLaren delved into the Twentieth Century Fox archives and found negatives of long-forgotten continuity photos from movies made from the late 1920s to the early 1970s.

Continuity photos are taken on sets to document the makeup, hairstyle and wardrobe of every actor in every scene so that the looks can be re-created at a later time. Because the shots in Styling the Stars: Lost Treasures from the Twentieth Century Fox Archive are not publicity stills, the actors are more unguarded than carefully posed. Marlon Brando smiles with sand and fake blood on his face, and Doris Day pretends to be grumpy in a robe and pajamas. The book also covers little-known facts (Olivia de Havilland had to wear her own clothes in Hush... Hush, Sweet Charlotte). Classic-movie lovers will enjoy these glimpses of stars in the process of creating some of their iconic roles. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

Commemorating the 75th anniversary of the film adaptation of Margaret Mitchell's Gone with the Wind, this gorgeous book by Steve Wilson showcases more than 600 items from producer David O. Selznick's archives.

These items, also on exhibit at the Ransom Center at the University of Texas at Austin (where Wilson is curator of the film collection), include storyboards, costume sketches, stills from the screen tests of the top contenders for Scarlett O'Hara, on-set photos and confidential memos from the creative minds behind the movie.

Among the most fascinating artifacts is the seven-page edict from the Hays Office (Hollywood's censors), with notes about which elements were objectionable (e.g., painful childbirth, use of the N word by "white people") and needed to be toned down or eliminated. Fans of the classic film will see it again with new eyes after reading this book, and those who haven't experienced it will want to settle in for a viewing. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

Best known for his pictorial chronicles of the Beat Generation, Christopher Felver (Beat) has also spent 30 years snapping quick informal portraits of the masters of late 20th-century jazz, rock and blues. American Jukebox is Felver's own personal photographic playlist, with more than 200 black-and-white shots of an eclectic range of musical icons. Like a friendly paparazzo, he roamed the classic festivals (Farm Aid, Monterey Jazz Festival, Hardly Strictly Bluegrass) to catch the stars at their candid best.

He covers all the greats with their hats, horns and other gear. There's B.B. King with Lucille (his guitar), Oscar Peterson in an elegant tuxedo, Dr. John and Clarence "Frogman" Henry with their walking sticks, Trombone Shorty with his 'bone and mirrored aviators and Ironing Board Sam wearing a sequined jacket and a big smile. With essays and comments from the likes of Dan Hicks, Ed Sanders of the Fugs and Ramblin' Jack Elliott, American Jukebox is a warm tribute to those who created this nation's modern musical legacy. --Bruce Jacobs, founding partner Watermark Books & Cafe, Wichita, Kans.

Like a piece of couture, a decadent book demands reverence. So it is with Vogue & the Metropolitan Museum of Art Costume Institute: Parties, Exhibitions, People, with an ornate, glossy interior that's a work of art unto itself. The volume spans exhibitions from 2001's "Jacqueline Kennedy: The White House Years" to 2014's "Charles James: Beyond Fashion," and the array of historical gowns, starlets and striking photographs are an argument that fashion is more than the sum of its parts: it's an art form, a cultural barometer and a touchstone of identity.

Hamish Bowles (editor-in-chief of Vogue Living) follows the thread of a garment from its inception to its modern iteration: first a harem costume from 1911, then a gossamer 1920s gown and, finally, a photo of model Natalia Vodianova in flapper-inspired Dior in a 2007 issue of Vogue. Running the gamut from oddity to conventional beauty, these designs are a feast of artful confections. --Linnie Greene, freelance writer

In the popular imagination, quilts have a homespun, make-do-and-mend image: they often appear in historical movies or novels as potent symbols of hearth and family. But for Roderick Kiracofe (Going West!), quilt expert and collector, the history and aesthetic of this art form goes far beyond that notion. In this gorgeously illustrated coffee-table book, Kiracofe showcases nearly 150 examples that break the rules. Made by Americans (mostly women) in the latter half of the 20th century, the quilts range from surprising takes on traditional patterns to Pop Art creations featuring mod patterns, bold color combinations and unusual motifs.

Accompanying the photos are 10 essays by quilters, museum curators and historians (whose designations sometimes overlap). The essays offer commentary on specific pieces, but also explore the history of the craft and its practitioners, common textiles and motifs and quiltmaking as an art form. For those interested in these slices of Americana as handicrafts, objets d'art or historical artifacts, this is a fascinating exploration of modern quiltmaking. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Leaving Cuba for the U.S. as a teen refugee, Mario Algaze grew up to become a detached yet knowing observer of the Latin American experience. His street-scene photographs span three decades and 16 countries, and the Spanish titles of most of his photographs serve as a dislocation technique, challenging the viewer to create meaning out of their "found" formalism.

While the ideal clashes with the real in most of Algaze's work, the artist does not seem to indict the poverty or desolation that he witnessed. Instead, he seems to project humor and hope: Lady Liberty, with one arm missing, holds her torch at the bottom of a dilapidated stairway; postcard images of Che and Castro wait for potential tourists in a sunlit alley; former Bolivian dictator Hugo Banzer, who lost in the 1978 election, still leaves tattered traces of his presence on a wall in La Paz (Banzer was later democratically re-elected); a dwarfed yet sturdy figure of a cotton-candy seller stands next to a young sapling, all symbols of both endurance and optimism. --Thuy Dinh, editor, Da Mau magazine

Horace Poolaw (1906-1984), a Kiowa Indian from Oklahoma, was an avid photographer who never made a living from that passion. For a Love of His People: The Photography of Horace Poolaw is the first major collection of his work, and serves as companion to a 2014 exhibition under the same name at the National Museum of the American Indian in New York City. Poolaw's own photographs of his family and community, many never before published, are accompanied by related artwork in a collection of more than 150 images; these striking, vibrant images are not the only appealing aspect of this beautiful book. Essays and interviews by scholars, natives and non-natives, artists and activists and Poolaw's family put his work in artistic, political and historical context, and portray him as documentarian of his time, place and people. These diverse contributors express Poolaw's intention to preserve his piece of the 20th century, and complement the richness of his vivid work. --Julia Jenkins, librarian and blogger at pagesofjulia

This gorgeous history of Anglo-American couturier Charles James (1906-1978) is eye-catching even on the outside: the cover bears a striking edge-to-edge image of women wearing beautiful James creations. The pages are full of hundreds of breathtaking full-color photographs of dresses, close-ups of fabric and sketches done by the designer himself.

Published to accompany the 2014 exhibit at the Metropolitan Museum of Art, Charles James: Beyond Fashion is a definitive study of James's work. Detailing his early life in England, his time as a milliner in Chicago and his rise to preeminence in American fashion, the book is both fascinating and striking. The stunning photographs superbly showcase his distinctively architectural approach to couture, and make clear how his creations have withstood the test of time instead of falling into obscurity like those of so many of his peers. James, one of America's first couturiers, receives his due in this fine retrospective. --Jessica Howard, blogger at Quirky Bookworm

Sensitivity and refined, delicate elegance mark the career of intuitive and interpretive visual artist Beth Van Hoesen (1926-2010), who was raised in the American West. She lived and pursued her art for more than 50 years in San Francisco with her husband, artist Mark Adams. Beth Van Hoesen: Fauna & Flora features more than 90 of the kinds of pieces for which Van Hoesen was best known--understated, meticulously composed, warm, appealing prints and drawings of the natural world--separated into two sections: animals (from birds to bears) and flowers (from pomegranates to poppies).

Previously unpublished journal excerpts written by the artist accompany the two portfolios and reveal the depth of her quiet artistic vision, how she captured various subjects and her feelings toward them. Bob Hicks, who has written about Van Hoesen before, introduces each section. He thoughtfully examines the late artist's work and eloquently sheds light on aspects of her life and how she cultivated, maintained and mastered her artistic sensibilities. --Kathleen Gerard, blogger at Reading Between the Lines

Nathan Sawaya had followed a fairly traditional life path until the plastic bricks he loved as a child enticed him to leave his career as a lawyer and become an artist. The Art of the Brick: A Life in Lego is Sawaya's memoir of this transition, accompanied by rich photographs of some his more famous creations. He has sculpted well-known people (Conan O'Brien), iconic images (Mt. Rushmore, the flag raising at Iwo Jima), and deeply personal faces and buildings that marked pivotal moments for him.

For those unable to visit one of Sawaya's extraordinary exhibits, The Art of the Brick is the next best thing, showcasing the tiny details and vivid colors of his sculptures. Hundreds of photos of Sawaya at work and of his art in partial and final stages bring his anecdotes to life. A fun conversation-starter and ideal for anyone into art or Legos, this is a dazzling full-color showcase of an unusual art form. --Jessica Howard, blogger at Quirky Bookworm

For Proust, the cure for homesickness was a madeleine dipped in tea, which transported him back to Combray. For displaced Los Angelenos, the cure is Barbara A. Thomason's 100 Not So Famous Views of L.A., a gorgeous collection of paintings and text depicting city vistas both famous and obscure. Thomason dares to face down her city as it truly is--looping highway overpasses and all--and in this mixture of high and low, natural and urbane, California natives, transplants and tourists will find a winsome and loving portrait of an iconic city.

The paintings, done with the same Cel-Vinyl paint that animators use, cover neighborhoods from Silver Lake to the Miracle Mile. The span of a few pages can take the reader from #38 ("View from the Hollywood Home Depot") to #45 (the Kermit-topped Jim Henson Company Lot). Devoid of humans, these images give the city a personality and evolution unto itself, chronicling its charms, its oddities and its perennial allure. --Linnie Greene, freelance writer