Hamish Wolfe, a convicted serial killer of women, has never stopped proclaiming his innocence, even from prison years after his conviction. Because of his charisma and good looks, many female admirers believe his assertions.

The only woman Wolfe wants in his corner, though, is defense attorney Maggie Rose, famed for getting convictions overturned, including for people whose guilt is almost certain. Maggie doesn't take on an appeal unless she thinks she can succeed, and at first rebuffs Wolfe's letters imploring her to be his lawyer. After she pays him a visit, she's still not sure she can trust him. Wolfe's entreaties don't let up, however, and Maggie finds him harder and harder to resist despite her misgivings. What if this case turns out to be her last? Succumbing to Wolf could be dangerous, and she may well risk losing not only an appeal but her life.

Sharon Bolton (Little Black Lies) is the queen of creating an unsettling atmosphere around strong female protagonists whose prickly nonconformist attitudes make them riveting. Maggie, like the lead character in Bolton's Lacey Flint series, doesn't care what people think of her and does everything on her terms; she even sports bright blue hair. The mystery is intriguing and includes thought-provoking social discourse--in the form of blog posts and media reports--on misogyny and how political correctness doesn't cover public fat-shaming (Wolfe's alleged victims are plus-size). Astute readers will probably guess what the major revelations are before they're disclosed, but Bolton doesn't need to shock in order to hold readers captive until the last page. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

Best known for his Magicians fantasy series, Lev Grossman began his literary career writing about the real world in Warp, his first novel, published in 1997. Now reissued, it's short and fueled by personal and professional post-college stagnation. It doesn't tell a story so much as drop into a couple days in the lives of Boston 20-somethings trying to figure out what's next. It ends without them having come to an answer, but it's an apt portrayal of that stage of life.

After graduating from Harvard, Hollis Kessler is quickly eating through his meager savings and working random temp jobs. He doesn't really want a career, but accepts that he's going to have to join the professional class soon. That tension underlies most of his interactions with the friends who flit in and out of his life: everyone knows what's expected of them now that they've become adults, but no one seems that interested in meeting those expectations.

There's a story about an attempt to crash in someone's house over a weekend, and a girl named Xanthe keeps appearing in Hollis's life without rhyme or reason, but these are more diversions than real plots. The girl and the "house sitting" are opportunities to explore Hollis's apathy and borderline depression, using the unusual to point out how normal his feelings toward maturity are. In the introduction to this reprint, Grossman says he hoped to capture the feeling of listlessness many people have in their 20s. He certainly did. --Noah Cruickshank, marketing and development manager, Open Books, Chicago, Ill.

Jeremy Gavron grew up with the faintest of impressions of his mother, who died when he was four years old, in 1965. He didn't know that her death was a suicide until he was 16, and only decades later did he embark upon an exploration of her life and reasons for ending it. A Woman on the Edge of Time is a record of his examination and tentative conclusions.

Gavron's mother, Hannah, is a tantalizing character. A talented, magnetic youth, she excelled in acting, equestrian sports and poetry; had an affair with the headmaster of her boarding school; married at 18; earned a doctorate in sociology while raising two young sons; and wrote a feminist text that would be published shortly after her death. In an echo of Sylvia Plath's suicide two years earlier, she gassed herself in a flat just one street over from Plath's. And, like Ted Hughes, Gavron's father all but erased her presence from the lives of her two children.

In chasing this shadowy figure, Gavron corresponds and visits with Hannah's friends, colleagues and family, and studies letters, diaries and photographs left behind. Along the way, the reader is exposed to English cultural history, particularly in Gavron's investigations of Hannah's book The Captive Wife, a qualitative study of young homebound mothers. As he concludes, there can be no thorough comprehension of a suicide or of a mother he doesn't remember. A Woman on the Edge of Time ends with Gavron's attempted "narrative verdict," which though incomplete does offer him some closure. --Julia Jenkins, librarian and blogger at pagesofjulia

A Truck Full of Money is Pulitzer Prize-winner Tracy Kidder's illuminating profile of Internet entrepreneur and philanthropist Paul English. English rose from a working-class family in Boston's West Roxbury neighborhood to create the travel website Kayak.com, a company he sold to Priceline in 2013 for $1.8 billion, netting some $120 million in the process. As Kidder describes it, that road was anything but smooth. He traces English's business successes and occasional setbacks, as well as his struggles with bipolar disorder that at times brought on a depression so deep that some nights he could only crawl across the floor.

What distinguishes English from an ordinary software plutocrat is his commitment to doing something other than indulging himself or deploying his substantial resources solely to make more money. And during an evening Kidder spends with English among Boston's homeless, the brilliant, ceaselessly creative software engineer discovers that some intractable problems can't be solved by creating a new app.

Along with writers like John McPhee and Gay Talese, Kidder is among the contemporary masters of narrative nonfiction. His is an understated, unobtrusive style, not one that injects him into the narrative. His portrait of English is clearly admiring, but honest, consistent with what he says was his subject's desire for a "promise not to make me look better than I am." When it comes to Paul English's fascinating story, Tracy Kidder leaves us wondering with great anticipation: "What's next?" --Harvey Freedenberg, attorney and freelance reviewer

As a co-founding member of the Beach Boys in the 1960s, Mike Love offers readers an insider's look at the magic and mania of being a vital part of that volatile, iconic and enduring musical group with Good Vibrations. In 1962, Love, his teenage cousins Brian, Carl and Dennis Wilson, and high school pal Al Jardine went from recording a two-song demo to signing with Capitol Records. Their intoxicating sound mixed driving surf music and angelic harmonies. Capitol pushed out 10 albums during the group's first four years. While Brian Wilson composed the music, Love penned the lyrics to classic songs like "California Girls," "Help Me, Rhonda," "I Get Around" and "Good Vibrations."

The Beach Boys began to fracture as the group's carefree sound began to play at odds to the turbulent mid-'60s landscape of protests, war and assassinations. Mental illness, alcoholism and an abundance of drugs fueled the group's decline. Over the decades, members quit, were fired, filed lawsuits and often returned, while still managing to tour and produce albums for six decades.

Good Vibrations is a gripping, clear-eyed saga of success, ego, debauchery and murder (Dennis Wilson fell under the spell of Charles Manson, and housed him and his followers and even recorded one of his songs). Love and co-writer James S. Hirsch skillfully surf the perilous waters of the troubled band's history with candor and perspective. Love's devotion to making music is unmistakable throughout, as is his loyalty to his troubled bandmates, whom he refuses to cast as simply heroes or villains. --Kevin Howell, independent reviewer and marketing consultant

Many people would like to think they can trust certain publications, news sources and authorities, that they can believe the statistics and the arguments without having to dig any deeper. It's easy, it's comfortable, but it can lead to believing outright lies, voting against one's interests, damaging one's health and ruining one's finances.

Daniel J. Levitin (The Organized Mind) is a neuroscientist, musician, record producer and bestselling author. In his smart and humorous A Field Guide to Lies, he explains how readers can use common sense and a variety of simple analytical tools to locate the right information needed to make important decisions.

Levitin suggests starting by looking for three kinds of errors: "how the numbers were collected, how they were interpreted, and how they were presented graphically." How plausible are the claims? Does the pie chart add up to 193%? "Infographics are often used by lying weasels to shape public opinion, and they rely on the fact that most people won't study what they've done too carefully." He explains how to identify trustworthy experts and sources; determine averages, probability and risk; how to interpolate and extrapolate; and how to wade through the difficulties of collecting data fairly and presenting it honestly.

A Field Guide to Lies is a densely packed, well-organized book that may be read and used as a reference by general readers, students and anyone who collects and interprets data. Levitin offers the necessary tools for maintaining a well-informed and open mind. --Sara Catterall

Tiger Beatdown blogger Sady Doyle's Trainwreck takes a close look at the women whose lives have been derailed to the shock and delight of the watching public. Beginning with Mary Wollstonecraft--known today as the author of the groundbreaking A Vindication of the Rights of Woman but recognized in her own time mostly as the suicidal mother of an illegitimate child--and working through history up to the much more recent rise (and subsequent fall) of Britney Spears, Doyle delivers an exploration of "the women we love to hate, mock, fear... and why."

Trainwreck covers the narratives of woman who are defined by "their sins and errors: Insensitive, provocative, promiscuous, off-the-wagon, crazy." Wollstonecraft and Spears sit side by side with Amy Winehouse and Sylvia Plath, Miley Cyrus and Marilyn Monroe, Paris Hilton and Princess Di, Charlotte Brontë and Billie Holliday. Unlike the stories that have followed these women throughout history, Doyle recounts their tales not to reveal, shame or judge, but to understand why we have done so. By examining the sins, options and roles, Doyle comes to posit that the trainwreck, ultimately, acts as a social symbol: she is what happens when women are too visible, too loud, too stubborn to adhere to the female virtues of the day.

Trainwreck is part history, part analysis and part encouragement; Doyle urges readers to make the future better than the past has been. "We can drown in it, the judgment and hatred we have for each other. We can tank women's lives, hold them under until they shut up or stop breathing. Or we can let it wash away." --Kerry McHugh, blogger at Entomology of a Bookworm

Readers admire the work of Jane Austen for many reasons. Some are drawn to her unforgettable characters and her mastery of wit, language and dialogue. Others seek out her keen observations, including her grasp of relationships, the resonance of her themes and the various twists and turns of her plots. Many "Janeites" who are also writers turn to Austen to learn craft. In The Jane Austen Writers' Club, Rebecca Smith--the "five-times-great-niece" of Jane Austen, as well as a novelist and a former writer-in-residence at the Jane Austen House Museum--dissects the work of her beloved aunt in order to inspire writers and teach them what makes Austen's work so universally appealing.

Smith (Jane Austen's Guide to Modern Life's Dilemmas) explores, in depth, techniques and devices found in Austen's fiction, pairing them with letters of advice Austen wrote to nieces and nephews bitten by the writing bug, as well as correspondence she wrote to others. Topics include setting, point-of-view and building suspense, along with overcoming discouragement and maintaining discipline. By outlining these facets--and highlighting excerpts and examples of Austen's own words, with spin-off writing exercises--Smith demonstrates how and why the Pride and Prejudice author chose to fashion her timeless stories in the manner she did. This method of deconstruction is a great teaching tool, providing intimate insights into Austen's life and work, which will hold great appeal to writers seeking to dig deeper and improve their own craft. --Kathleen Gerard, blogger at Reading Between the Lines

Charles Thompson is not as excited as his parents are to move into a graffiti-slathered, dilapidated former hotel in Echo City. As he unpacks his collectible warrior beanbag animals in his cell-like top-floor room, his dad says, "Minimalism, Charles. We are not what we own." "Hands off my stuff!" his son retorts. It's not just the witty dialogue that distinguishes The Creepy Case Files of Margo Maloo, it's the delicious, expertly paced suspense-building, starting with the giant yellow eyeball peering out from Charles's closet his first night in the room.

Charles knows instinctively that no adults will ever acknowledge the fanged truth of his closet monster. Fortunately, a neighborhood kid gives him the business card of "Margo Maloo, Monster Mediator." Charles calls her, and one hour later, the oddly vampiric, brown-skinned girl creeps into his window. Charles and Margo descend through an old access panel in the closet into a long-neglected hotel kitchen and follow a path of bones (probably fried chicken) that leads straight to the yellow-eyed troll's lair. Thus begins the meat of the adventure in this tremendously funny and superbly illustrated graphic novel by Drew Weing (illustrator of Eleanor Davis's Flop to the Top).

Margo Maloo acts as a go-between for monsters and children, trying to foster good will and cultural understanding for everyone's safety. Before long, Charles--blogger and wannabe journalist--starts tagging along with her on missing-kid cases and missing-ogre-baby cases alike. For readers as curious as Charles, there's a mini-encyclopedia of monsters and the like with pencil sketches and astute observations like "Goblins are very bureaucracy-minded." Scoop this one up. --Karin Snelson, children's & YA editor, Shelf Awareness

The revolutionary invention of the Braille alphabet brought the joy, knowledge and power of literacy to blind people everywhere. A clever, highly motivated blind boy named Louis Braille developed this "six-dot," domino-based lettering system in the 1800s at Paris's Royal Institute for Blind Youth by simplifying a military code.

In this vivacious picture-book biography by Jen Bryant (author of A River of Words: The Story of William Carlos Williams and The Right Word: Roget and His Thesaurus), readers will be floored by the sheer tenacity of Louis Braille, who was blinded when he was five years old in Coupvray, France. Louis's father, a leatherworker, was always telling his son not to touch his sharp tools ("N'y touche pas!") but the awl proved irresistible and, tragically, it slipped. When the world went dark for Louis, he felt held back from life like a tightly chained dog. This frightening, suddenly dangerous world is expressively illustrated in inky blackboard spreads with whisper-like chalk outlines of people and places once familiar to Louis. With depth and warmth, Boris Kulikov (illustrator of Papa's Mechanical Fish and of Kate Banks's Max books) expertly captures the boy's emotional journey, the small-town French 19th-century community that rallies around him and the evolution of Braille itself.

While there are no actual Braille bumps in Six Dots, the full alphabet is represented, and a question-and-answer section about Braille then and now is as fascinating as the illustrated story. Louis Braille's fire within blazed a trail for millions, and Bryant and Kulikov fan the flames of this inspiring story with skill, style and heart. --Karin Snelson, children's & YA editor, Shelf Awareness