Raduan Nassar's Ancient Tillage, newly translated by K.C.S. Sotelino, offers a Dionysian rush of lyricism, a drunken dance of description and imagery that opens the darkest doors of human desire. First published in Brazil in 1975, this short yet emotionally intense novel is divided into 30 chapters, ranging in length from a few pages to brief single paragraphs. The tragic tale of a farmer family in dissolution is revealed through the point of view of André, the family's adolescent son, who is torn between a father's piety and his own indulgent desire for his sister, Ana. His transgressive sexuality and poetic sensibilities become a potent, anarchic force undermining patriarchal order.

In this way, Ancient Tillage extends the dark romantic individualism of Johann Wolfgang von Goethe; it presents the individual mind as bold destroyer of hierarchy but also, in turn, as a passive receptacle, fatally sensitive and eternally haunted by images and desires. That such self-indulgence leads to familial strife and tragedy, as in Goethe's novels, is not surprising. But unlike his European predecessors, Nassar (A Cup of Rage) hews an earthy, sensual expressionism more reminiscent of Latin American poets like Pablo Neruda. The novel brims with lavish images and symbols of nature, such as "the damp, silent blue breeze that soars like a scarf over the atmosphere at the same time every day." Nassar's sentences flow in sinuous, mesmerizing waves, educing "destiny's baroque geometry" and the "bright dust" of creation. Deeply stirring and unforgettable, Ancient Tillage is nothing short of a literary masterpiece. --Scott Neuffer, freelance journalist and fiction author

Melanie Wallace (The Housekeeper) takes readers back to 1970s New England with The Girl in the Garden. June is a very new, very young mother when Ward abandons her and their son, Luke, in a vacation cabin on the Atlantic coast. June's short life has been one of isolation and neglect; she has no one to go back to and no idea of a future to work toward.

Mabel, the woman who rented the cabin to Ward, takes pity on June and allows her to stay. When the vacation season draws to an end and the cold weather approaches, Mabel makes arrangements for June to move into a guesthouse belonging to her reclusive friend Iris. Here June meets Iris's lawyer Duncan and his friend Oldman. She begins to shape a life for herself and Luke in the small community, until Iris's estranged daughter returns, bringing a war-scarred Vietnam veteran along with her. The Girl in the Garden tells their stories--their secrets, struggles and successes--gracefully woven together in poetic prose that evokes strong atmosphere and sense of place. Whether it's Oldman's Studebaker, the town restaurant or Iris's garden on the year's first snowfall, Wallace warmly envelops the reader in the essence of her setting.

The Girl in the Garden is populated with scarred characters; some carry visible scars while others harbor hidden ones. Each suffers on the fringes of society because of these scars. But Wallace shows how healing acceptance can be. Soulful and exquisite, this novel blooms with the beauty of humanity. --Jen Forbus, freelancer

Lara Elena Donnelly's gay fantasy spy novel straddles a number of genres, but Amberlough is an audacious, hypnotic and completely compelling debut novel that never feels restrained by genre limitations or fractured by its reach. At nearly 400 pages, this is a hefty novel full of fascinating characters exploring oversized topics such as sexuality, music, culture, fascism, nationalism, class wars, revolution and love.

It opens with epigraphs from John le Carré and from Christopher Isherwood's fictional character Sally Bowles. So it's not surprising that the vaguely European city of Amberlough feels like noir-ish Berlin in the 1930s. The government is corrupt, the nightlife is decadent and a conservative, fascist organization called the One State Party (nicknamed the Ospies) is on the rise. Gay master spy Cyril DePaul works for the city's central intelligence and has been on desk duty since he was nearly killed on his last mission. Although shaken by the experience, he's convinced to go back into the field to infiltrate the Ospies. Complications arise when his cover is blown and he's blackmailed into working as a double agent to help sway the upcoming election to favor the Ospies. Amberlough is not a trustworthy city, but DePaul's only way out is to endanger the lives of two people he does trust: his lover Aristide Makricosta (the high-profile emcee at the very popular Bumble Bee Cabaret and a secret black market smuggler) and beautiful dancer Cordelia Lehane, who works with Makricosta.

Donnelly's exuberant and complicated espionage thriller is a delicious adventure that smoothly addresses timely topics such as diversity, nationalism, corruption and repression. --Kevin Howell, independent reviewer and marketing consultant

It's 2008 and the Icelandic economy is imploding, so Ari Thór Arason is thrilled to be offered a police job straight out of the academy. His girlfriend is not so excited to learn that the job is in Siglufjörður, a remote northern fishing village closer to the Arctic Circle than to Reykjavik, and so she stays behind.

Siglufjörður is surrounded by fjords, and the only road access is through a narrow tunnel. This seems charming at first, but quickly gives the already lonely Ari a mounting sense of claustrophobia. Then, in quick succession, a retired, famous author is found dead at the bottom of the local theater's staircase, apparently the victim of an unfortunate stumble, and a woman is found lying in the snow, half-naked, bleeding and barely alive.

As an avalanche blocks the road, Ari becomes convinced that the two incidents might be related, and that the elderly writer's fall was no accident. But small-town prejudices are playing against Ari the newcomer, and he must race to catch a killer before the road reopens. His suspect pool is small, but they seem to be protecting each other.

A blend of Agatha Christie's classic crime stories and Arnaldur Indridason's Icelandic thrillers, Snowblind aptly depicts Ari's tension and terror as he grows ever more isolated. Perfectly capturing the pressures of rural life and the freezing, deadly Icelandic winter, Snowblind will keep readers on the edge of their seats--preferably snuggled beneath a warm blanket. --Jessica Howard, blogger at Quirky Bookworm

Catherine Ryan Howard's Distress Signals--shortlisted for the Irish Book Awards' Crime Novel of the Year after its U.K. release--opens with a man plunging off a cruise ship into dark waters, but readers will have to wait to discover why he jumped.

Adam Dunne's girlfriend Sarah leaves Cork, Ireland, to attend a business conference in Barcelona. She doesn't return. And no one can reach her. Then he receives her passport in a package mailed from France, with a note saying, "I'm sorry--S."

Adam sets out to track down Sarah, not believing she would leave him like that. When he digs into her recent activities, however, he discovers a shocking secret, and that Sarah was last seen on a cruise ship called the Celebrate. He books himself on the same ship, but will he find Sarah at one of the ports, or his own death?

Though this is Howard's debut novel, she writes with complete command of language, plot and the thriller genre. She also knows the ins and outs of maritime laws that often lead to deaths on ships in international waters going unsolved.

The chapters alternate among the points of view of three characters: Adam; a crew member on the ship; and a boy named Romain, whose story occurs mostly in the past and is itself a mystery in how it intersects with the others. In a testament to Howard's skill, Romain's narrative is the most moving and resonant--his soul may be distressed but his humanity comes through loud and clear. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

After more than 15 mysteries starring the maverick, whisky-drinking Inspector John Rebus, it seemed Ian Rankin (Even Dogs in the Wild) had left him behind, instead writing about Inspector Malcolm Fox, a teetotalling, do-it-by-the-books cop. But, in his last few novels, Rankin has crafted some delightful mysteries starring these two as part of an unlikely trio of investigators: Rebus, Fox and DI Siobhan Clarke.

When Darryl Christie is badly beaten, Clarke immediately suspects the Edinburgh gangster's long-term rival, Big Ger Cafferty, who has supposedly retired from the life of crime. Fox and his team of specialist investigators are called in when the organized crime alerts go off, and Clarke and Fox turn to the retired Rebus as their unofficial assistant, since his knowledge of Big Ger Cafferty goes back decades.

Over the years Rebus has achieved a grudging respect for his former nemesis, especially since the young new villains aren't playing by the rules. But things get more complicated as Rebus can't resist poking his nose into a cold case, Fox and Clarke find a former cop dead under suspicious circumstances, and Christie's supposed assailant vanishes from police surveillance. In addition, Fox is facing some huge problems with his sister, who struggles with addiction and who tangentially gets involved in their case against Cafferty.

With his spare Scottish prose, some hilarious moments between Rebus and Fox as their disparate personalities clash, and a deft weaving of many separate plot lines, Rather Be the Devil is a practically perfect mystery. And its shocking denouement will leave the reader eager for the next in the series. --Jessica Howard, blogger at Quirky Bookworm

In Nnedi Okorafor's series, a gifted young Himba girl named Binti heads to an off-Earth university for highly talented galactic citizens, against her family's wishes. En route, she chooses to become genetically altered to better broker a peace between the jellyfish-like aliens who attack the transport ship (the Meduse) and the humans aboard.

This altering gives Binti tentacles in place of hair, further making her feel like an outsider at home. While she befriends aliens on a different planet, her Himba family and friends value putting down roots and never wandering. Binti and her honorable Meduse friend, Okwu, have both done well in their studies on Oomza; still, Binti feels called to return to her family home and undergo the traditional rites of becoming a woman. Taking her friend home with her is Binti's way of harmonizing relations between humanity, her conservative family and Okwu himself.

Once on Earth, Binti's family has a hard time accepting Binti's new tentacles, not to mention her wanderlust. When Binti's paternal grandmother comes to the tiny village from the nearby desert, Binti must choose between loyalty to her matriarchal tribe and yet another unsanctioned trip away, with her grandmother's tribe, who are outcasts among the Himba.

Home, like its Hugo and Nebula-winning predecessor, Binti, gives readers a view of humanity's future from a non-Western perspective, with a young woman-of-color protagonist and a well-constructed universe full of alien and human foibles. --Rob LeFebvre, freelance writer and editor

Patricia Bosworth's moving and raw The Men in My Life is a riveting memoir of family dysfunction, comparable to Jeannette Walls's The Glass Castle and Brooke Hayward's Haywire.

This unsparing and superbly written follow-up to Bosworth's 1997 memoir, Anything Your Little Heart Desires, focuses on the years 1953 to 1964. At 20, she marries the first man she bedded--a volatile and physically abusive painter who distances her from her family and erodes her self-esteem. When her gay younger brother commits suicide, her family splinters further. "We remained a family full of terrible silences," she writes. Her lawyer father's escalating alcoholism and prescription drug addiction leads to several suicide attempts and unsuccessful rehabs stints before he also kills himself. Adrift from her family and reeling from grief, Bosworth focuses her attention on an acting career and is accepted into Lee Strasberg's Actors Studio. She channels her suppressed emotions and forges friendships with Marlon Brando, Jane Fonda, Elaine Stritch and others.

Her bad romantic choices in men (including a married actor four years her father's senior), and a near-deadly abortion days before flying to Rome to film The Nun's Story opposite Audrey Hepburn, finally bring an epiphany. Although she had appeared in several Broadway productions, she realizes her true passion is writing. Her friendships with Tennessee Williams and Gore Vidal point her toward this calling. Bosworth's memoir excels as both a searing and tragic family portrait and fascinating look at a budding stage career in the 1950s. --Kevin Howell, independent reviewer and marketing consultant

In 1995, ghostwriter Lisa Dickey (Citizenville by Gavin Newsom) was working as a translator in St. Petersburg when she set out on her first voyage across a Russia still reeling from the fall of the Soviet regime. Guided by intuition, she and a photographer made their way westward from Vladivostok, profiling locals and making friends in 11 cities and villages, including Lenin impersonators, the nouveau riche and farmers descended from Genghis Khan. Dickey returned in 2005 to a Russia that was more affluent, confident and open. And in 2015, she found that that confidence had stubbornly ossified amid economic collapse and growing tensions with the U.S. Yet wherever she went, she found a gracious, savvy and often humorous people who were easily able to overlook their differences.

Bears in the Streets is about real people and their cultures, a journalistic ethnography as much as a travelogue. Dickey knows when to report objectively and when to cut loose and enjoy the vodka. She sprinkles her reportage with humorous footnotes and includes personal photos that become a metacommentary on life and aging. Dickey deftly uses her own homosexuality as a lens and point of contrast, as Russian attitudes toward gays change--albeit more slowly than in the U.S.--in the time between her visits. They still believe, however, that Americans think bears roam the Russian streets.

Bears in the Streets is one of those rare books that shows readers something new in the ordinary; it's touching, funny and utterly necessary. --Zak Nelson, writer and bookseller

"Once upon a time/ there was a tiny little chick/ who went down to the dance hall/ just to get some kicks." The bad news is that Chickie Baby just hatched yesterday and doesn't know how to dance. The good news is that the dance hall is filled with jazzy, jiving animals eager to help the baby chick learn. A three-piece band of rhinoceroses (called The Rhinyls, naturally) keeps the beat while hula-skirted hippos show Chickie Baby how to shake and shimmy, alligators do the Gator Mashed Potater and bowtie-clad pigs demonstrate the Crazy Piggy Tap: "Tippity, tippity,/ tippity, tippity,/ tippity, tippity,/ TAP!"

It's hard to decide what is the best part of Matthew Van Fleet's (Tails; Dog; Heads) extra-sturdy interactive board book. Is it the toe-tapping rhymes, the adorable pastel-colored animals or the big tabs that, when pulled, make the gator's arms swing, the hippopotamus's skirt swish and the Bouncy Bunny's feet "hippy hippy HOP!" behind clear plastic windows? Preschoolers will chant along with a menagerie of wild and barnyard animals as they "boom, baba, BOOM!" and "shimmy,/ shimmy,/ SHAKE!" until the final spread when a partial page folds back to reveal a pop-up grand finale and curtain call. The message to Chickie Baby--and to the reader--is, "You can dance!" Fans of Barnyard Dance (Sandra Boynton) and Saturday Night at the Dinosaur Stomp (Carol Diggory Shields and Scott Nash) will do the Busy Beaver Bop in their joy at being able to add another happy, energetic dance book to their repertoire. --Emilie Coulter, freelance writer and editor