Corporate America during nine months of the Great Recession is the setting of This Could Hurt, Jillian Medoff's shrewd and deeply affecting fourth novel. Ellery Consumer Research--with offices in New York City, Raleigh and Atlanta--is a cutting-edge, boutique market research firm for clients like Walmart and General Motors. Medoff roots the story amid the company's shrinking human resources department in New York, offering a well-drawn ensemble cast of flawed characters who orbit around Rosalita "Rosa" Guerrero, the 64-year-old HR chief.

Rosa is a seasoned old-timer--personally and professionally. She is bossy, but fair. Her take-charge, no-nonsense approach serves as a "voice of clarity and calm" in her quest to advocate for and boost the morale of those in her department despite drastic corporate cutbacks. Rosa's predicament grows more complex when she's forced to fire the v-p of operations--a trusted confidant of Rosa and her right hand--who was being groomed as her successor, but was embezzling from the company.

His departure leaves an open door for the rest of the HR staff, most of whom are scrambling to find ways to stay employed under the corporate restructuring and downsizing. Medoff (I Couldn't Love You More) has a spot-on grasp on the often cutthroat nuances of office politics--especially within the high-stakes uncertainty of the Great Recession. She skillfully reveals the modus operandi of the staff as they vie to keep their jobs. Sharply drawn intimate details about the lives of each character add even greater depth and broaden the timeless appeal of this very smart, thoroughly absorbing story. --Kathleen Gerard, blogger at Reading Between the Lines.

As Jacqueline, a Haitian art teacher living in Baltimore, watches the news reports of the 2010 Haiti earthquake, she mourns for her country and prays that her family, somehow, is alive. Her husband, Kevin, a former marine who battles PTSD, takes care of their three-year-old daughter, but is often too wrapped up in his own suffering to be sympathetic to Jacqueline's. In the aftermath of the quake, Jaqueline struggles with her national identity--she left Haiti for boarding school when she was 10, and while she considers herself Haitian, she feels disconnected from both the country and her parents, who sent her away from it. "She had never considered herself an expat. In order for her to identify as an expatriate, she had to have been a patriot in the first place." She had never planned to see Haiti again, but almost a year after the earthquake, she feels compelled to return. "She wanted to remember the person she was long ago, before leaving Haiti. The country was a part of her no matter how much she tried to run away from it."

With lush descriptions and Creole-inflected dialogue, Katia D. Ulysse frankly and deftly writes about the nuances and class differences in Haiti. Mouths Don't Speak explores how trauma touches us at home and abroad, wherever those places may be. This includes the experiences of the underserved kids Jaqueline teaches, American veterans, the earthquake victims, and children and their parents. Ulysse illustrates the complicated but unbreakable connections we have to family and home, and shows how privilege doesn't necessarily keep you from tragedy. --Katy Hershberger, freelance writer and bookseller

After Devon Connor finds a Rolex, designer clothes and a thick roll of cash in her teenage son's room, she hires Los Angeles private eye Elvis Cole to see what kind of shady business the kid, Tyson, is involved in. Turns out he and two buddies have been burglarizing the rich. Still, it doesn't sound like Elvis's toughest case--until Tyson goes missing and one of his accomplices is murdered. It appears Tyson and his friends stole something from a very powerful person who will stop at nothing to get it back, and it'll take Elvis and his partner, Joe Pike, to prevent Tyson from ending up dead.

With The Wanted, his 17th Elvis Cole novel, Robert Crais proves yet again he's a master of lean, mean storytelling and creating memorable characters. Even people who do very bad things are allowed moments of humanity and vulnerability. The relationships are just as important as the plot--the friendship between the killers somewhat mirrors that between Cole and Pike--and what Crais leaves off the page is as important as what he includes. Cole's cat is famous for his crankiness, but when he senses despair in Cole, he is right there to offer his support in a way both simple and deep. The case involves a McGuffin-like device and becomes almost secondary to the complex characters, but it does receive a satisfying resolution. Cole and Pike fans definitely want to get their hands on this one. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

In her endearingly profane 2015 memoir, Fat Girl Walking, social media personality Brittany Gibbons wrote about growing up lower-middle class in small-town Ohio, and her lifelong struggle to make peace with her plus-size body. The Clothes Make the Girl (Look Fat)?: Adventures and Agonies in Fashion makes clear that, while the struggle isn't over, Gibbons sees no reason not to look fetching while fighting.

The Clothes Make the Girl has a self-help aspect that diverges from Fat Girl Walking's more personal reminiscences and woman-on-the-brink humor. It has a patchwork feel, darting from topic to topic: shopping for a wedding dress; Spanx and how to modify shapewear for bathroom needs ("Just don't get too aggressive with your cutting; it's all too easy to go from shapewear to assless chaps"); and maternity underwear, about which surely no one has ever written more, or more enthusiastically, than Gibbons. She touches on key moments in her life--working at the Gap, discovering Lane Bryant, modeling plus-size clothes for Lands' End, first seeing Clueless--that ultimately led her to become "the openly plus size I am today."

Gibbons often sounds like the love-child of Samantha Jones and Roseanne Barr. Her response to the notion of being judged for being fat and pregnant: "The only 'right' way to do pregnancy weight is with your doctor. Everyone else can suck it." --Nell Beram, freelance writer and author

In 1961, as consultant to the Office of the Secretary of Defense, Daniel Ellsberg (Secrets: A Memoir of Vietnam and the Pentagon Papers) saw U.S. plans for nuclear war that were projected to kill about 600 million people. "From that day on, I have had one overriding life purpose; to prevent the execution of any such plan." His career gave him years of classified access to information on U.S. nuclear war planning and crises, and he copied every top secret document that went through his office. Enough of them have now been declassified to back up The Doomsday Machine.

Although public fear of nuclear war has ebbed in recent decades, Ellsberg believes nothing has changed fundamentally. He considers U.S. nuclear planning to have been completely immoral to the point of insanity. Deterrence of a Russian first strike was always a fiction; the plans are for a U.S. first strike. And as far as he is concerned, plans to kill hundreds of thousands of civilians in a first strike "is a terrorist threat. Any nation making such threats is a terrorist nation. That means the United States and all its allies."

From a close insider's perspective, he describes how the U.S. came to create and adjust this potentially world-destroying arsenal, how presidents have used it to threaten foreign leaders, and the responses of other nuclear powers. We have narrowly avoided many previous crises, but he fears that the current U.S. administration could charge straight into a worst-case scenario. This book deserves to be widely read, discussed and acted upon. --Sara Catterall

With wondering intelligence and a deep understanding of history, Nobel Laureate J.M. Coetzee (Disgrace) tackles literary classics and lesser-known works in Late Essays.

The volume includes 23 essays written between 2006 and 2017. They offer interesting historical and biographical details of major literary figures like Daniel Defoe, Johann Wolfgang von Goethe and Samuel Beckett. They also dissect prevalent themes in major literary works like The Scarlet Letter and The Sorrows of Young Werther. Coetzee turns the same analytical eye on modern writers like Philip Roth; he relates Nemesis to fictional treatments of the plague. Coetzee also shines light on writers less known in the English-speaking world, including French Jewish author Iréne Némirovsky and Spanish author Juan Ramón Jiménez.

Perhaps the best essay is Coetzee's analysis of Gustave Flaubert's Madame Bovary. He astutely examines letters Flaubert wrote while working on the classic novel, illuminating his construction of the famous Emma character and his groundbreaking compositional style. Coetzee argues that Flaubert showed how "psychological analysis could have the same swiftness, clarity, and forward drive as narrative." He elicits the ways Flaubert inhabited the world of his doomed heroine: "in the white heat of creation the individual self of the artist is consumed and absorbed into his creative self."

By focusing the mysterious inspirations of so many luminary authors, Coetzee has made his Late Essays into a vibrant and inquisitive work of literary criticism. --Scott Neuffer, writer, poet, editor of trampset

Food, along with sex, is key to the survival of humans and provides pleasure along with sustenance. Our relationship with food is exceptionally complex and influenced by a host of external factors. In Why You Eat What You Eat, neuroscientist Rachel Herz reveals the surprising reasons we decide what (and how much) to eat.

Herz identifies different types of tasters ("supertasters" are most likely to dislike strong flavors like cilantro, but are also less likely to become alcoholics, while sriracha-loving "non-tasters" who yearn for big flavor are more susceptible). Yet taste alone does not solely dictate our food choices. Smell is an important influencer, and the stronger the aroma of a food, the higher the satisfaction level and the less we will consume. The adage "our eyes are bigger than our stomachs" is true, so eating meals on small plates will satisfy our brains when the plate is empty. But Herz cautions against the "health halo effect"--if a snack promotes its health benefits too much, we will reach for seconds. Are organic food consumers healthier than the rest of us? Not necessarily, since the health benefits of organic food entitles consumers to choose decadent desserts along with their kale salad. Conversely, Herz discusses comfort food--satisfying but unhealthy--and how nostalgia and other factors (like a reaction to a sports game or the night of the 2016 presidential election) may tell our brains to shovel it in.

Using dozens of research studies, Herz provides readers with a greater awareness of the brain's complicated and contradictory relationship with food, and a roadmap to make smarter food choices down the road. --Frank Brasile, selection librarian, writer, editor

Cardiac stents, artificial knees and hips and pacemakers are just a few of the well-known medical devices routinely implanted into humans. But as Jeanne Lenzer expertly discovers in The Danger Within Us, they are not as rigorously regulated as pharmaceuticals. Their side effects are not tracked. Many either don't work as advertised or do more harm than good, and some are used for purposes other than originally intended, with dire results.

Blazing a new trail in medical research, Lenzer examines these medical devices and the industry surrounding them. Rather than looking at multiple cases, she focuses on one man with epilepsy, Dennis Fegan, who had a vagus nerve stimulator implanted into his neck; the consequences were life-threatening. Not only did it not regulate his seizures, it left him with a wire and blood clot embedded in his jugular vein.

Lenzer follows the money: from manufacturers to doctors who push these implants on patients, receiving bonuses and kickbacks from the sales. Furthermore, she uncovers a lack of regulation at the federal level for these products. "Medical inventions... are now the third leading cause of death in the U.S., killing an estimated 225,000 to 440,000 Americans each year." It is a scary scenario that needs to be addressed on multiple levels. For anyone considering surgery, or who has had surgery and suffered strange or unexplained side effects, this book is a definite read. --Lee E. Cart, freelance writer and book reviewer

In a collaborative picture book debut with illustrator Tatyana Fazlalizadeh, folk singer-songwriter Laura Veirs--known best by families for her 2011 children's album Tumble Bee--gives young readers a loving portrait of the life of African American outsider musician Elizabeth "Libba" Cotten.

The narrative opens on Libba as a girl, smiling in shut-eyed bliss as she hears music in the rhythms of her daily life in early 20th-century North Carolina. Left-handed Libba, her face rapt in concentration, practices with brother's guitar, playing it "upside-down and backwards," and "before you could say 'DANG,' " she's "written her first song." Not "even thirteen yet" and Libba had written "Freight Train." Then, scenes of Libba's next 40 years of life speed past, painted on freight train cars across a single spread. Now a grandmother, Libba finds work as a housekeeper in Ruth Crawford Seeger's household, where we again see her luminous listening smile and the Seegers hear her music like "a gentle spring rain," a prelude to her belated stardom. 

Veir's reverence for her subject shines, her text studded with curving passages from Cotten's songs, and an extensive author's note fills in the finer details gleaned from research and interviews. Fazlalizadeh's drawings strike a perfect balance of sooty graphite shading and soft colors, the contrast making guitars and faces look smooth enough to touch. Parents and teachers should cue up "Freight Train" ahead of time as children will beg to hear Cotten's recordings after reading this inspiring love song to an American talent who always kept rolling. --Jaclyn Fulwood, youth services manager, Main Branch, Dayton Metro Library