"Were you ever out in the great alone when the moon was awful clear"--a line from a Robert Service poem--is where Leni Allbright lives, literally and metaphorically. At 13, she's with her PTSD-plagued Vietnam War POW father and her loving, compliant mother in their rickety VW bus, headed from Seattle to Alaska. Here, her dad is certain, they will end their years-long quest for peace and security. Kristin Hannah, whose 2015 novel The Nightingale, about sisters in World War II France, endeared her to millions of readers, again brings life to a time and place with vibrant characters.

In 1974, Alaska drew pioneers seeking to live "off the grid," and when Ernt Allbright inherits a place in remote Kaneq, it seems like the solution to the Allbrights' rootlessness. Cora shares this dream, loyal to Ernt even through violence, abuse and poverty. Leni, too young to resist, relies on her books, photography and love for her parents--the mother she hopes to protect and the dad she remembers from before the war. Alaska's grandeur leaps from the pages--snowy peaks, Northern lights, lush spring--as does its brutality: 18-hour winter nights, isolation, foraging bears, fearsome cold. Ernt's demons revive here, trapping Leni and Cora. The colorful residents of the tiny town of Kaneq bring both friendship and danger, but it's Matthew Walker, the only local her age, who changes Leni's life. Her resilience sustains her through horrific challenges, and by the novel's satisfying conclusion, Leni Allbright is no longer among the "great alone." --Cheryl Krocker McKeon, manager, Book Passage, San Francisco

Young Brooklyn photographer Lu Rile is working on a series of self-portraits in front of her loft window in an illegal apartment building. Career lightning strikes when the 400th shot reveals an unambiguous background image of a young boy falling to his death from the roof. A blown-up color print confirms the brilliance of the photo's composition and sets Lu on a determined path to get it included in a group show at a chic SoHo gallery.

But what about the feelings of the shattered parents whom she barely knows? What if seeing their son's death in her masterpiece irrevocably exacerbates their grief? In Lu's first-person narrative looking back on that formative time, former Indiana Review fiction editor Rachel Lyon captures the gritty artistic ambition of New York City in the 1990s, when just-getting-by artists elbowed each other to land on rich collectors' walls. It was an artist-eat-artist world, and Self-Portrait with Boy illuminates it--a bold first novel with bite.

Working three jobs and making prints among the rats and roaches in her freezing squat, Lu desperately needs her self-portrait to lift her out of a life of dirty black tees and shoplifted food. Gathering with her artist neighbors for the obligatory wake, the socially awkward Lu becomes drawn to the boy's mother as both comforter and semi-erotic friend. Soon Lu must choose between her art and her new friend's wellbeing. Set in a particular time of New York artistic renaissance and with allusions to Vivian Maier, Self-Portrait with Boy is a snapshot of an ambitious artist as a young woman. --Bruce Jacobs, founding partner, Watermark Books & Cafe, Wichita, Kan.

When 15-year-old Cielle discovers her father's suicide, she becomes the keeper of a secret that threatens her family's livelihood. Their Wisconsin farm is suffering a historic drought, and the patriarch's sudden death could be reason enough for the landowner to repossess it. As World War II rages overseas, Cielle grapples with tragedies both near and far from home. The war takes young men from their hometown and returns them changed, if it returns them at all.

The Driest Season is Meghan Kenny's debut novel, based on her Iowa Review Award-winning short story of the same name. It explores the ways tragedy can alter a person and, for Cielle, how those changes intersect with those of adolescence. She begins to consider the big issues facing her community and herself--love and melancholy, the consequences of truth and lies, and the fears and benefits of leaving or staying.

Kenny's prose is quiet and lovely: "Her house, her skin, the light in the sky, and the leaves on the trees all seemed more alive than ever, and she was more aware of herself and everything, in vibration, breathing, part of something bigger." The plot doesn't propel the narrative. Instead, the book sits quietly, like summer heat, amid unanswerable questions about things beyond our control. It's a coming-of-age story that could be published as YA, and lends itself to crossover readership. --Katy Hershberger, freelance writer, bookseller, and publicist

Tracee de Hahn (Swiss Vendetta) continues her Agnes Lüthi series with A Well-Timed Murder, an enjoyable and suspenseful thriller set in Lausanne, Switzerland. Agnes, who was recently injured in another case, technically is still on leave for three more days. Agnes, however, can't resist looking into the death of precision watchmaker Guy Chavanon, after being asked by Julien Vallatton, a friend who moves in Switzerland's most exalted circles.

Chavanon's death seems straightforward: he had a severe peanut allergy and died of anaphylaxis during a reception at his son's boarding school. But then strange incidents keep popping up. Chavanon's daughter, for instance, finds a note warning that he was being watched. An old friend tells Agnes that Chavanon was on the precipice of an astonishing breakthrough in timepiece technology that would revolutionize the industry. And, most curious of all, no one can figure out how he ingested peanuts, since all food being served was peanut-free, due to student allergies.

When Lüthi discovers that one of the students with a peanut allergy may be a target because of his warlord father's notoriety, she starts to wonder if Chavanon was an accidental victim. As she digs further into the world of elite watchmakers, though, she learns that more than one competitor may have had reason to have wanted Chavanon out of the way.

Perfectly paced, set in a rarefied society and with a pleasant, widowed mother of three as its protagonist, A Well-Timed Murder is bound to appeal to both traditional mystery lovers and those who enjoy an intriguing novel. --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

Keith Thomas's debut novel, The Clarity, mixes high-concept science fiction with ultra-violent action scenes. Thomas was a clinical researcher before writing for film and television, and his expertise shows.

Matilda Deacon is a psychologist obsessed with the biochemical properties of memory. Her mother is dying of Alzheimer's, and Matilda wants to find a way to reverse memory destruction before the disease claims her own mind. Her goals are thrown into disarray when she meets Ashanique, a young African American girl who experiences the memories of people from the past. Skeptical but intrigued, Matilda discovers that not only is Ashanique telling the truth about past lives, but that she's hiding from a shadowy group of scientists called "Night Doctors," who want the secrets buried in her memories. Matilda and a detective named Kojo take Ashanique into hiding as they're stalked by Rade, a ruthless assassin who plans to unlock past lives and become a super being.

Thomas proves himself a fine writer of speculative fiction, though not without shortcomings. Rade, for example, starts off as a convincingly bizarre villain but slowly becomes a generic psychopath bent toward excessive gore. The novel's most thrilling parts occur when Thomas lines up the narratives of past lives with present-day action. He weaves the perspectives of characters from World War I as well as prehistoric times into a compelling continuum. These parallel tales are all the more fascinating for the science fiction behind them; the novel analyzes the nature of memory and how memories could be embedded in DNA, passed from one generation to the next. The Clarity is a thriller that raises interesting questions about consciousness. --Scott Neuffer, writer, poet, editor of trampset

Oliver Hilmes's Berlin 1936, translated from the German by Jefferson Chase, brings to mind Erik Larson in the way it resuscitates famous figures from history alongside forgotten contemporaries. Focusing on the 16 days of the 1936 Olympics, held in Berlin, Hilmes has managed a deft re-creation of a city caught between the opulent, transgressive splendor of its past and the iron grip of Nazism. Various entertainers, club owners, Olympic athletes and even American novelist Thomas Wolfe feature in the book as they try to find their footing in an uncertain new world.

Berlin 1936 has its strongest modern resonances in the way the Nazi regime uses the games as a massive propaganda campaign. Hilmes highlights official missives encouraging the media to tamp down their usual output of nationalism and race-baiting in order to present a sanitized version of Nazi Germany. Many visitors were successfully persuaded by the regime's benign self-representation even as concentration camps were being filled and Hitler was fanning the flames of war in Spain.

Against this backdrop, the two weeks Hilmes describes seem almost surreal. An American woman launches a "kiss attack" on Adolf Hitler. Nazi leaders try to outspend each other with competing parties. Alcohol abuse is on the rise as "young people were being systematically depoliticised by ritualized celebrations and drinking." Hilmes shows Berlin as a strange world that will get darker once the games have ended. --Hank Stephenson, bookseller, Flyleaf Books, Chapel Hill, N.C.

Slovenian philosopher and cultural critic Slavoj Žižek is a devoted student of psychoanalysis and Marxism; no matter the subject his eye wanders to, his lenses are that of the psychological and of class struggle. Whether movies or President Donald Trump's first year in office, Žižek takes conventional wisdom and uses the works of Marx and Lacan to flip it on its head. In The Courage of Hopelessness, he surveys the political landscape in 2017 and argues that the true disaster upon us is the ever-growing domination of global capitalism.

Broken into sections focusing on different parts of the world, the book delves into the subversion of religion by capital in China, the political chaos around the rise of the Grecian Syriza party, the 2016 American presidential election, transgenderism and dozens of other topics. As usual, Žižek deftly weaves disparate strands of commentary together to show how the economic, political and social structures of countries across the world are all prey to the same forces of havoc. The book's jacket suggests Žižek sees no hope left for the future, but he certainly recognizes opportunities on the horizon, especially in historical moments like the rise of Syriza and Trump.

While The Courage of Hopelessness is relatively breezy in comparison to most other philosophical considerations of the world's predicaments, Žižek's writing here isn't an easy entry for readers interested in his work. Nevertheless, fans and sympathizers of the writer will certainly find what they're looking for in this polemic. --Noah Cruickshank, adult engagement manager, the Field Museum, Chicago, Ill.

Theater director Isaac Butler and writer/editor Dan Kois have created a compelling, surprising and inspiring oral history of Tony Kushner's Pulitzer Prize-winning play, Angels in America. They weave together the recollections of more than 240 actors, playwrights, critics, theater insiders and Kushner himself. The World Only Spins Forward is an amazingly ambitious book that traces the origin of Kushner's epic-sized two-part play ("Millennium Approaches" and "Perestroika"). It also does an outstanding job of reminding readers of the repressive political climate in the United States concerning gay rights and AIDS activism during the play's gestation, rewrites and many productions over the past three decades.

The play has a fascinating, byzantine history, beginning with various workshops between 1988 and 1992. A month before "Millennium Approaches" opened on Broadway in April 1993, it won the Pulitzer Prize for Drama. Several months into the production, while the cast was performing the 3.5-hour play eight times a week, they began rehearsing the four-hour second part of the play, "Perestroika." That November, the cast began performing both plays on alternative nights (or consecutively on matinee days). Cast and crew members illuminate the plays through their Broadway runs, an opera adaptation, a 2003 HBO miniseries starring Meryl Streep and the 2018 Broadway revival starring Nathan Lane and Andrew Garfield.

New York Times theater critic Frank Rich said, "It has everything you want in a play." The World Only Spins Forward has everything you want in an oral history of Angels in America: historical context, funny and thoughtful memories from hundreds of eyewitnesses and a celebration of an enduring, powerful theater piece. --Kevin Howell, independent reviewer and marketing consultant

Parsippany, N.J., resident Kiranmala ("Just Kiran is fine") is not having the 12th birthday she anticipated. Born on Halloween, Kiran always wants to dress up as something scary for her birthday. But no matter how much she begs, her parents always make her dress as a princess. According to Kiran's Ma and Baba, she is "a real Indian princess"--"the daughter of an underworld serpent king"--and Halloween is the "single day [she] can actually look like one!" Even though Kiran hates princess things, her parents not only force her into a princess costume, they also have the audacity to get "swallowed by a rakkhosh and whisked away to another galactic dimension."

Post-parental disappearance, Kiran finds a note from her mother: "the magical spell protecting us all has been broken on this, your twelfth birthday. Forgive us for trying to shield you from the truth." It goes on to tell Kiran to "trust the princes" and to make sure she takes her gummy vitamins, then cuts off in an ugly inkblot. Moments after reading the note, "the strangest trick-or-treaters" Kiran has ever seen arrive on her doorstep: two boys, probably brothers, about her age, one "so handsome he almost melted [her] eyeballs." They are the princes, here to escort princess Kiran back to her real home... right after they immobilize this other rakkosh (a "carnivorous, snot-trailing demon") that has suddenly appeared in Kiran's house.

Inspired by the Bengali folktales author Sayantani DasGupta heard as a little girl, The Serpent's Secret is a silly, fantastical series opener. Friendly, slapstick humor, a series of riddles to solve and appealing spot illustrations by Vivienne To make Kiran's slightly surreal journey delightfully entertaining. --Siân Gaetano, children's and YA editor

Ten-year-old Arram Draper doesn't have any friends at the Imperial University's School for Mages. Though he's a talented student who has been moved ahead two terms, he's still bored--until the day he taps into "the strange shove of power" within, loses control of his Gift and nearly drowns his entire class. Headmaster Cosmas recognizes that Arram needs to be given a more "engaging" schedule to keep him out of trouble, and moves the boy into a new dormitory with "leftover prince" Ozorne Tasikhe, the emperor's nephew and fourth in line for the throne (therefore not likely to ascend to it). Together with Varice Kingsford, "the most beautiful girl [Arram] had ever seen," they form an inseparable trio. Headmaster Cosmas confides in Arram that he believes the three are "the most rapidly advancing students in the Lower Academy" and have been brought together by "[s]ome special thread."

As Arram's studies progress, his talents become more prominent. He meets Enzi, god of the river crocodiles, who warns Arram that he has "a destiny"--a part to play in "the battle one day." Not long after Arram hears this prophecy, a teacher is found dead and secrets and lies begin to surface. Heirs to the throne are dying, and suddenly Ozorne is not so far down the line of succession. Tempests and Slaughter, the first book in the Numair Chronicles, begins the origin story of a powerful mage who previously appeared in Pierce's Wild Magic (the Immortals Quartet). This new saga, with its deeply compelling characters and nuanced magical world, will surely attract new fans while welcoming back the old. This is first-class fantasy from a master writer. --Lynn Becker, blogger and host of Book Talk, a monthly online discussion of children's books for SCBWI