Shelf Awareness for Readers for Friday, September 14, 2018
From My Shelf
The Writer's Life
Yuyi Morales: The Gifts That Immigrants Bring
|photo: Gustavo Barrios|
Yuyi Morales was born in Xalapa, Mexico, where she currently lives. A professional storyteller, dancer, choreographer, puppeteer and artist, Morales has won the prestigious Pura Belpré Award for Illustration five times, for Just a Minute (2003), Los Gatos Black on Halloween (2006), Just in Case (2008), Niño Wrestles the World (2013) and Viva Frida (2014), also a Caldecott Honor Book. Morales's new picture book, Dreamers (Neal Porter/Holiday House), is an account of her own immigration experience, when she moved with her baby son to the United States.
How do you see Dreamers?
Sometimes, when the work is new or you are still creating it, you may not know what the meaning is yet--there's just an urgency there to bring it out. Sometimes it takes some time before you realize; before you understand where it comes from. In the case of Dreamers, the initial intention was for me to feel like I was doing something meaningful in a time when our culture and political environment had changed so drastically.
Eventually, I came to see this book as a recognition of the many gifts that immigrants bring to a new country. At the beginning, that wasn't my intention. I was just doing this story that was my own journey. People ask me about when I came, and I realized that my narrative was mostly, "I came with pretty much nothing." And my narrative had been that for a long, long time: I came and I had nothing with me. [There is this idea that] immigrants come to take what has already been worked and harvested by the hardworking people of the United States. At some point, I started realizing it is an illusion that [immigrants] come empty-handed. And it's an illusion that we believe as well. But the truth is that we carry much more with us every time we cross the border.
In the book, you use a pretty expansive vocabulary. You have "resplendent" in there.
I love that word!
Why is that?
In Spanish, we have words like that and you can almost feel them. It seems to embody [the meaning]. And I'm going to blame my Spanish because I think in Spanish--I will think of words like that and then I try to translate. Even now, I mix languages. So, sometimes I use words that are more Latin based because I don't recognize that they are not used as much in the United States.
You call the library "suspicious." Did you actually feel that way?
The first time I entered a library, it was as a mother, and I had never been in a library [like that before]. My mother-in-law brought me. She didn't speak any Spanish and when she took me there the first time, I had no idea where she was taking me. She made me understand that we were going somewhere so I grabbed [my baby] and got in the car with her, not knowing where we were going. From that moment, the whole thing was a mystery. She could not explain to me what [the library] was--all she could do was let me loose there. I tried to ask her if we could really grab the books. I stationed myself in the children's section. Then I looked at other people and realized they were taking the books from the shelf and so I took the books from the shelf. It was suspicious because I didn't know what to expect--I wasn't sure I was doing the right thing and behaving the right way. And then, almost in every nook, there was something I had no idea even existed. There was a book about making books, about making puppets, even about illustrating children's books. Books about things I had never imagined.
There are a lot of transitions from English to Spanish, and the Spanish is not italicized. Was that on purpose?
I think that English and Spanish--especially because Mexico and the United States are so close--are like hermanos. So, the language [in the book] is like that. In my life, English has become part of Spanish and Spanish has become part of English. We didn't want to make a differentiation because the whole thing is tied. It's not "I tell you one thing in English and then I tell you the same thing in Spanish so that you understand it." It's that both of them weave together into one single language.
Tell us about the mother's skirt--it looks like feathers and it looks like fire and it looks like waves. It's distinct and consistent.
It's very alive. I had no idea how I was going to dress her. And I didn't want to change her outfits because, in a way, the story was becoming more of a tall tale, more like mythology. Among the Aztecs, sacred Aztec women were identified by their skirts. The names would be descriptions of the skirt [the woman] was wearing: "the skirt made of snakes" or "the skirt made out of the Milky Way" or "the skirt made of stars."
In this case, the mother is the one with "the skirt made out of paper." It is crepe paper and craft paper. When I was a child, our mothers would create outfits for us for festivals. Because the economy wouldn't allow for anything fancier, parents made those costumes out of paper. And to me, that always felt like being poor. I felt that it was a vulnerability, not a strength. And I realized that those things that felt like weaknesses, in carrying them into the United States, were actually my strengths. --Siân Gaetano, children's and YA editor, Shelf Awareness
Fictional False Identitites
From the boy wizard to the bard, author Simon Lelic picked his "top 10 false identities in fiction" for the Guardian.
Quirk Books imagined "Jurassic word: classic books improved with dinosaurs (and maybe some Jeff Goldblum)."
Bustle suggested "5 reasons a seasonal TBR will help you smash your end of year reading goals."
"For sale: writing advice from Mark Twain." Atlas Obscura reported that a letter from Mr. Clemens is heading for auction later this month.
Electric Lit explored "why every writer should have a dog."
Rediscover: The Big Short
It's been 10 years since the bankruptcy of Lehman Brothers sparked a 4.5% single-day decline on the Dow Jones Industrial Average. That record, the biggest stock market drop since 9/11, was broken on September 29, 2008, by a 7% plunge. The Lehman bankruptcy, still the largest ever, with more than $600 billion in assets pre-crisis, was neither the only nor earliest catalyst of what became the Great Recession, though it brought systemic problems in the financial industry to stark light. Merrill Lynch and Bear Stearns, among many others, followed Lehman into dissolution, acquisition or bailout. Though the recession officially ended in June 2009, the economy took many more years to recover--a recovery that is at once precarious and top-heavy.
The housing bubble and related financial instruments made most people poorer and a few much richer. The Big Short: Inside the Doomsday Machine (2010) by Michael Lewis shows how a handful of unknown insiders figured out what was going on before the government or Wall Street's biggest players did. Lewis wades through the morass of subprime mortgages and their bundling into collateralized debt obligations to explain why a handful of people basically bet against the global economy (and won). In 2015, The Big Short was adapted into a film starring Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt, which won the Academy Award for Best Adapted Screenplay. A movie tie-in version of The Big Short is available from Norton ($15.95, 9780393353150). Lewis's latest book, The Fifth Risk (Norton), comes out October 2, which is just a day shy of the 10th anniversary of the Emergency Economic Stabilization Act of 2008, aka The Bailout. --Tobias Mutter
by Kate Walbert
Discover: In devastatingly beautiful literary prose, His Favorites offers a deeply intimate portrait of sexual assault and manipulation.
If You Leave Me
by Crystal Hana Kim
Discover: This is a heartfelt story of love, war and self-determination in the aftermath of the Korean War.
A River of Stars
by Vanessa Hua
Discover: A River of Stars is a revelatory novel that highlights the struggles of immigrant mothers in their quest to achieve citizenship and the American dream.
Mystery & Thriller
Sweet Little Lies
by Caz Frear
Discover: A detective constable trying to solve a murder unearths disturbing secrets that might ruin her career and her family.
by William Boyle
Discover: Boyle's reissued debut, Gravesend, is a remarkable evocation of character and place.
Tales from La Vida: A Latinx Comics Anthology
by Frederick Luis Aldama, editor
Discover: A group of Latinx artists provide glimpses into their lives through this collection of comic strips.
Identity: The Demand for Dignity and the Politics of Resentment
by Francis Fukuyama
Discover: Francis Fukuyama delves into identity politics in this wide-ranging work of history and political philosophy.
The Sky Is Falling: How Vampires, Zombies, Androids, and Superheroes Made America Great for Extremism
by Peter Biskind
Discover: Biskind's The Sky Is Falling is a fast-paced and eloquent ideological treatise on how radical politics has normalized extreme behaviors in films and TV shows.
Essays & Criticism
In the Shadow of King Saul
by Jerome Charyn
Discover: Decorated writer Jerome Charyn composes an autobiography of essays, sharing lessons learned from a lifetime of love for leading ladies, literature and language.
The Future Has an Appointment with the Dawn
by Tanella Boni, trans. by Todd Fredson
Discover: The Future Has an Appointment with the Dawn is the first English translation of a collection of celebrated Ivorian poet Tanella Boni.
Children's & Young Adult
by Yuyi Morales
Discover: Yuyi Morales tells her own immigration story in the glorious, emotional picture book Dreamers.
Hammering for Freedom: The William Lewis Story
by Rita Lorraine Hubbard, illus. by John Holyfield
Discover: This meticulously researched account of Bill Lewis's life in--and escape from--slavery is an engrossing work of nonfiction for young readers.
There's a Hole in My Garden
by James Stewart
Discover: Hoping to grow an unusual tree, a boy plants larger and larger objects in an ever-widening hole in his garden.
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by C.W. Gortner and M.J. Rose
To catch a leopard wear diamonds.
A year after THE BAIT, Ania Throne is on the prowl. Gone into hiding, she's planned her next move to perfection, intent on winning her dangerous game of cat-against-cat with the Leopard. But Ania doesn’t know that even the best-laid heists have hidden flaws.
Jerome Curtis has taken a job at a Hollywood movie studio to try and put his life back together. When a familiar face from the past shows up unexpectedly, Jerome realizes that much as he’s tried to forget her, there’s no escaping Ania. And this time, what she's about to do could be her doom.
The heist is on. Passion and vengeance collide as father and daughter bait each other in a high-stakes gambit, with Jerome caught in the middle.
From the glamour of late 1950s Hollywood to a desperate chase in the ravines of Los Angeles, two leopards must hunt each other to the end. And only one of them can bring down its prey.
THE HEIST is the thrilling conclusion in the To Catch A Leopard series, a dramatic romantic caper that began with THE STEAL and THE BAIT.