Shelf Awareness for Readers for Tuesday, September 11, 2018
From My Shelf
Reading More Than One Book at a Time
Bustle shared advice on "how to read more than one book at a time."
"Neil Gaiman and Chris Riddell on why we need libraries--an essay in pictures," via the Guardian.
Malia Wollan offered tips on "how to start a book group" in the New York Times.
Quirk Books wondered what might happen "if famous authors played Dungeons & Dragons."
Buzzfeed shared "21 To All the Boys I've Loved Before book quotes that'll make you swoon."
CrimeReads showcased six of "fiction's most alluring families... that enchant, seduce and lead to doom."
The Lady's Guide to Petticoats and Piracy
by Mackenzi Lee
In The Lady's Guide to Petticoats and Piracy, her splendid historical novel/fantasy/pirate adventure/feminist anthem, Stonewall Book Award honoree Mackenzi Lee raises questions about such intertwined topics as colonialism, science, naturalism and even magic.
"You are Felicity Montague, I remind myself.... You have sailed with pirates and robbed tombs and held a human heart in your hands and sewn your brother's face back together after he got it shot off over said human heart.... You deserve to be here."
Felicity Montague frequently needs to give herself pep talks. Having denounced her family and devoted herself to studying preventative medicine, Felicity finds herself exactly where she doesn't want to be: facing a man who wants to make her his wife, with everything that title entails in 18th-century Europe. She's been working for a kind Scottish baker while trying to get medical schools interested in accepting her, and he has fallen in love with her. Panicked, and a little bit torn--capitulation to a traditional marriage would be easier in many ways--Felicity flees to London where her brother, Monty, and his best-friend-turned-lover, Percy, are living.
She persists in reaching out to doctors and schools but none will take her seriously, in spite of her obvious intelligence, commitment and autodidactic scholarship. Learning that her maverick idol, Dr. Alexander Platt, may be in the market for an assistant on a research expedition, Felicity jumps at the chance to track him down. As it turns out, Platt is about to marry Felicity's best childhood friend, Johanna, with whom she had a falling out a few years earlier. Monty and Percy (who disapprove of Felicity "gallivanting off" again) inadvertently introduce Felicity to her ticket to that chance: Sim, an Algerian Muslim woman and erstwhile pirate, offers to help her get to Stuttgart, Germany, where the wedding is to take place.
Thus begins the most adventurous whirlwind "grand tour" since, well, the previous year, when Felicity traveled Europe with Monty and Percy (The Gentleman's Guide to Vice and Virtue). Twists and turns and tangles of fate result in the three unlikely traveling companions--Felicity, Johanna and Sim--banding together in a race against time, overbearing macho pirates and drug-addled scientists.
Each of the women has a driving passion to do "work that matters": Felicity, to become a doctor; Johanna, a naturalist; and Sim, a pirate commodore with an environmental preservationist bent. The three challenge each other in unexpected ways. Felicity, who has rested in the odd security of her reputation as a "feral girl in a domesticated world," learns to confront intimacy and her fear thereof. She begins to understand that she may in fact be what her 21st-century cohorts would call asexual, but that being "in the company of women like this--sharp-edged as raw diamonds but with soft hands and hearts, not strong in spite of anything but powerful because of everything"--makes her feel invincible. Johanna grapples with her desire to be flirtatiously feminine even while grubbing around in the natural world. Sim rails against the inherent sexism in a patriarchal society; as firstborn, she wants to claim her birthright, but she knows her younger, less qualified brothers are likely to inherit her father's fleet of pirate ships. All three women struggle mightily for agency and independence in their lives.
In the midst of all this adventure and personal growth, they also manage to be hilariously, dryly funny, particularly Felicity: "I wrote to Monty before we left Zurich, informing him I was safe and in, if not good, at least neutral company, and that I would not be back in London as soon as I'd planned. I did not mention that there was a good chance I might be running off to join a pirate expedition to protect sea monsters. I have a sense that would get his breeches in a twist."
A fierce feminism permeates Mackenzi Lee's swashbuckling sequel to The Gentleman's Guide to Vice and Virtue. Fans of the first novel will be pleased to see its heroes--Monty and Percy--happy now (if impoverished) and to enter an entire new chapter of the Montague family drama. Felicity is supremely likable in all her flaws, and sophisticated readers will appreciate how she learns to hold a mirror up to herself even though she could easily convince herself that she is unique and special due to her determination to break deeply rooted misogynistic traditions. She is special, it's true, but she's not alone, and her way through the world is only one of many.
Lee, who has also produced such literary treasures as Bygone Badass Broads and This Monstrous Thing, weaves together folklore and science, history and imagination to create a world so rich in detail and imagery, readers will emerge from the book's covers blinking just as they would coming out of a movie theater. As Felicity herself would say: Zounds! --Emilie Coulter
The Reader's Guide to Mackenzi Lee
When not fawning over every dog she sees, Mackenzi Lee writes award-winning books like The Gentleman's Guide to Vice and Virtue, This Monstrous Thing and Bygone Badass Broads: 52 Forgotten Women Who Changed the World. With The Lady's Guide to Petticoats and Piracy (available October 2, 2018, from HarperCollins), her sequel to The Gentleman's Guide, Lee brings readers on another wild and dangerous Grand Tour of 18th-century Europe, this time including Africa and the uncharted seas beyond.
Did you plan all along to write a follow-up to The Gentleman's Guide to Vice and Virtue? Or did Felicity nag you until you did it?
I had zero plans for this book when I first wrote Gentleman's Guide. Honestly, I didn't think Gentleman's Guide would take off the way it did, let alone have enough of a readership to warrant a sequel. But since I had readers who seemed to love this world and these characters as much as I do, it felt like a natural next step to take. When I originally started plotting a second book (at the urging of my editor), I intended to make it another Monty-narrated book. But he and Percy already got their happy ending, and I didn't want to mess with that. So instead, I looked to Felicity, and her story sort of unfurled.
I know you love history. What did you learn in your research for The Gentleman's Guide and The Lady's Guide that surprised you most?
Where to even start? I read about so many bizarre medical treatments from the 18th century for this book, like sealing up a deep cut with toasted cheese, and the incredible extravagance that was the Grand Tour. But queer culture in history continues to be the most exciting and surprising thing for me to research. We tend to talk about history in sweeping generalizations, and queer experience is no exception, while we talk about queer people today with the benefit of individuality. We know that your experience as a queer person in the United States in 2018 can vary hugely depending on a plethora of factors, but we don't often grant that same individuality to queer people in history. I love finding these individual stories that disprove the idea that every queer person before Rent came out was sad and lonely and unable to live true to themselves. Reading the stories of queer people in history who were able to live openly with the people they love will never stop giving me hope.
Felicity, Sim and Johanna are pretty nontraditional 18th-century women, at least the way we tend to think of that period. Did you find many examples of badass 1700s women to draw from?
You can't throw a rock in the 1700s without hitting a badass woman (but please don't throw rocks at women). My philosophy when studying history is that everywhere we talk about men doing things, there are women (and queer people and people of color and disabled people) doing that same thing, we just don't tell those stories. Johanna and her mother are inspired by Maria Merian, a real naturalist and artist whose documentation of the natural world took her around the globe and made her one of the most important people working in science at the time. Felicity has many influences, including Sophia Jex-Blake, the first woman to be admitted to medical school in the United Kingdom, and Elizabeth Blackwell, the first female doctor in the United States, who was admitted to medical school as a joke but then totally kicked ass at it. And Sim is part of a host of badass lady pirates in history--Ching Shih, Jacquotte Delahaye, Jeanne de Clisson, Sayyida al-Hurra.... I could go on. Badass women aren't the exception in history; they are the rule.
Felicity's brother, Monty, is happily coupled with a man. Felicity herself may be asexual. How important is it to you to be LGBTQ+-inclusive in your work?
SO IMPORTANT! Because I want my readers--particularly my teen readers, and even more particularly my queer teen readers--to know in no uncertain terms that queer people have existed as long as there have been people, and that they have been more than tragic subplots in BBC period dramas. They have lived and loved and thrived and had happy, full lives. They've carved out spaces for themselves and found people they loved and made history. There's something very validating in knowing not only that other people like you exist but that people like you always have.
The friendship among the three women in Ladies Guide is complex and beautifully authentic. Do the friendships in your life play into your fiction writing?
As a teenager, my friendships were the most important relationships in my life. I felt so passionately--almost romantically--about all of my friends, and I think the contained nature of high school along with the intensity of every feeling during your teenage years leads to these sorts of friendships. My memories of my teenage friendships hugely informed the relationships among Johanna, Sim and Felicity. I still feel incredibly strongly about my friendships. I'm so lucky that I have many incredible women in my life now, and they were all close to my heart as I wrote this book (and many of them quite literally cheered me on through the writing of it).
What was your biggest challenge in writing Lady's Guide? What came easiest?
The hardest part was writing it. I've never written a sequel, never planned to write this sequel and was initially overwhelmed by the expectations readers would bring to this book--I wasn't sure I could make lightning strike twice. So, the biggest challenge was just getting out of my own head and focusing on the story rather than the audience. Gentleman's Guide came from a place of writing about tropes, history and archetypes that I love. Once I found that same love in Lady's Guide, the writing came much easier, though that nasty little internal monologue that tells you you're destined for failure never quite goes away.
The easiest part? Having written it. I hate writing books but oh boy do I love having written a book.
The (other) easiest part was probably Felicity's voice. From page one, Felicity's voice was there, just like Monty's had been, and it was so easy to channel.
If you didn't write, what would you do for work?
I've always wanted to be a set dresser for historical films and plays. Because I love history and I love buying stuff.
How do you know when you're finished with a book?
When my editor e-mails me and says, "Okay, this is the last call, we really need the manuscript now." I'd fiddle with a book forever if given the chance. --Emilie Coulter
Shelf vetted, publisher supported.
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by C.W. Gortner and M.J. Rose
To catch a leopard wear diamonds.
A year after THE BAIT, Ania Throne is on the prowl. Gone into hiding, she's planned her next move to perfection, intent on winning her dangerous game of cat-against-cat with the Leopard. But Ania doesn’t know that even the best-laid heists have hidden flaws.
Jerome Curtis has taken a job at a Hollywood movie studio to try and put his life back together. When a familiar face from the past shows up unexpectedly, Jerome realizes that much as he’s tried to forget her, there’s no escaping Ania. And this time, what she's about to do could be her doom.
The heist is on. Passion and vengeance collide as father and daughter bait each other in a high-stakes gambit, with Jerome caught in the middle.
From the glamour of late 1950s Hollywood to a desperate chase in the ravines of Los Angeles, two leopards must hunt each other to the end. And only one of them can bring down its prey.
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