Olympic fencing medalist Ibtihaj Muhammad's debut picture book is the story of two sisters, Faizah and Asiya, and "the most beautiful" blue hijab. Faizah, the younger sister, narrates how the first day of the school year corresponds with Asiya wearing hijab for the first time. Faizah's pride and happiness for Asiya shine in Hatem Aly's vibrant, imaginative digital illustrations--"I'm walking with a princess," Faizah thinks. When bullies make fun of Asiya, Faizah doesn't understand, seeing the bright blue of Asiya's hijab as a scarf but also "like the ocean waving to the sky... always there, strong and friendly."

The Proudest Blue shows how the wearing of hijab is something common for many ("special and regular") that should not be seen as strange or scary. The final spread shows Faizah and Asiya unbothered by the bullying, their bond resilient like the connection between the ocean and the sky, "no line between them." --Clarissa Hadge, bookstore manager, Trident Booksellers & Cafe, Boston, Mass.

George Washington was America's first king. Now, the first female heir, Beatrice, prepares to take the throne. Before she is crowned, she must choose a noble husband (even though she loves her guard). When presented with a "terrifyingly slim folder" of suitors, she chooses Lord Teddy Eaton--who recently kissed Samantha, Beatrice's sister. But Samantha is "just the Other Washington Sister," denied Beatrice's privileges--including America's favor. Worse, the country's "sexist double standard" means they malign Samantha but "swoon" over her twin brother, Jefferson. Even Jeff's girlfriend, Nina, fears she's "not the type of girl" America wants for Jeff and bemoans their preference for his "perfect and proper" ex, Daphne (who is plotting to marry Jeff in order to become royalty).

Katharine McGee's (The Thousandth Floor) novel of alternative history gushes with electrifying emotion: Beatrice's "silent, screaming turmoil," Samantha's furtive moments with Teddy, Nina's buckling public composure, and Daphne's "terrifying" schemes. Mixing scandalous secrets and political intrigue, American Royals is thrillingly addictive. --Samantha Zaboski, freelance editor and reviewer

Science and history are scary fun subjects in Carlyn Beccia's fascinating dissection of eight storied creatures from film and folklore.

Vampires, zombies, werewolves and other mythical monsters have induced fear in audiences for ages. But in Monstrous, Beccia tickles her audience's prefrontal cortexes with eye-opening biology, riveting physics, savory nutrition and more, to prove that "Science is stronger than fear." Using gruesome history (like the story of Dracula's namesake, Prince Vlad Dracula, who impaled his enemies with stakes and left their remains to the vultures) or bizarre fun facts (such as pigs created with spinach genes), Beccia ingeniously pulls back the curtain on the supernatural. The infographics throughout help simplify the complex scientific concepts she explains, making them consumable--and enjoyable--for young readers. Even math becomes enticing when calculating why King Kong is too big for reality.

Whether a budding scientist or a horror film buff, middle-grade readers of all stripes will be captivated by the inner workings of these famous monsters. --Jen Forbus, freelancer

Author-illustrator Thao Lam (Wallpaper) celebrates the human-animal bond in a beguiling cut-paper collage picture book with an unspoken mystery that leads to a sneakily funny ending. 

Despite the difference in species, the unidentified narrator's dad and cat have a lot in common: both love sardines and belly rubs, fear heights and "never replace the toilet paper roll." The narrator watches the man-cat duo as they do morning stretches, run from a skunk and sing at the piano. Lam's illustrations broadcast a groovy late-1970s vibe with mustard-colored and floral-patterned clothing and upholstery, not to mention Dad's oversize lapels, floppy hair and luxuriant mustache. 

The enchanting surprise reveal of the narrator's identity at story's end might induce giggles in its preschool audience, and even savvy readers are unlikely to guess the joke. The humor plus the comforting message that "family is what you make it" is likely to solidify My Cat Looks Like My Dad as a new favorite. --Jaclyn Fulwood, youth services manager at Main Branch, Dayton Metro Library

No one else but Lottie knows a shark is "hiding in the swimming pool." The teacher and other kids don't notice because the shark wants to eat only Lottie--which means every Saturday, Lottie spends her swimming class safely on deck. And then Walter the walrus appears, happy to listen to Lottie's worries, to follow her home and never to leave her side. But Saturday looms again and back to the pool they all must go....

Australian author/artist Anna Walker (Peggy) draws on her own childhood fear of the water (she admits she enjoys swimming now), to create this charming adventure of a girl's brave dive into things unknown. Walker's courageous heroine gets a multicultural cast to share the pages, gleefully presented in watercolor-and-pencil illustrations filled with whimsical details (once-bitten donut floats, pom-pommed party hats) and expansive spreads, including a vast underwater scene that even features lionfish. Lottie & Walter proves to be an immersive delight. --Terry Hong, Smithsonian BookDragon

Discover "21 dazzling stories of adventure, deceit, reward, and punishment," as reteller Alli Brydon puts it in Myths and Legends of the World, a vibrantly illustrated collection of global tales.  

Storytellers and culture enthusiasts will surely enjoy immersing themselves in Alli Brydon's imaginative retellings of myths from Africa, Europe, Asia, Oceania, the Americas and the Arctic. Each section begins with a two-page spread that briefly describes the types of legends found in each part of the world, such as "myths steeped in reverence for mystical gods" in Asia and strong oral traditions with a "history of animism" in the Americas. All six regions have their share of creation myths ("The Creation of the World" from the Kuba people of present-day Democratic Republic of Congo), cautionary tales ("The Fisherman and His Wife" from German folklore) and origin stories ("Sedna, the Mother of the Sea" from Inuit mythology). Julia Iredale's stunning gouache, ink and digital artwork elegantly complements the myths and legends, the jewel-toned illustrations dramatic and subtly detailed. --Lana Barnes, freelance reviewer and proofreader

Born on the same day during a freak September blizzard in Tennessee, Eric and Morgan--and their families--"became friends for life." The shared birthday anchors them through life's most dramatic changes: Morgan's mother dies and Morgan's father shuts down, while Eric's once-perfect family implodes. At 13, Morgan desperately needs to tell Eric, "I'm supposed to be a girl," while Eric struggles to understand who Morgan really is--especially to him. Over the next six birthdays, the BFFs will reevaluate, redefine and reinvent their bond as they mature together toward adulthood.

#OwnVoices author Meredith Russo's follow-up to her 2017 Stonewall Award-winning debut, If I Was Your Girl, is another affecting examination of teens grappling with relationships, socioeconomic disparities, school challenges and mental and physical abuse--with an added layer of affirming gender identity. Russo seamlessly melds difficulties with joy and impossibilities with solutions, to create a resonating "love story eighteen years in the making." --Terry Hong, Smithsonian BookDragon

You've seen the photograph: an adorable African American toddler stares, gobsmacked, at Amy Sherald's portrait of First Lady Michelle Obama at Washington, D.C.'s National Portrait Gallery in 2018; now you can read the book.

In Parker Looks Up: An Extraordinary Moment, Jessica Curry, Parker's mom and coauthor, decides to take her young daughters to the museum, where they enjoy a range of portraits, as of Albert Einstein ("They saw... a bushy mustache"), before Parker freezes by Obama's image. Although this may seem like a slight premise for a picture book, it's the rare reader who won't be moved when Parker sees herself in Obama's likeness ("She had rich brown skin, just like Parker") and extrapolates her own power ("Parker saw more than just a portrait--she saw a road before her with endless possibilities"). The decorous dazzle of Brittany Jackson's illustrations recalls Mary Blair's work for golden-age Disney. --Nell Beram, freelance writer and YA author

Jon Klassen and hats: they're a thing. In I Want My Hat Back (2011), a bear in search of its lid doesn't see it hiding in plain view on a rabbit's head. (The reader will.) In This Is Not My Hat (2012), a little fish swipes the hat right off a big sleeping fish, figuring "he probably won't notice that it's gone." (He does.) And in We Found a Hat (2016), each of two turtles wants to claim ownership of the nifty white chapeau they find together in the desert. All three stories are told in dialogue or interior monologue so spare and funny that the books' atypical brown and grayscale palettes haven't put off young readers, who have made Klassen a bestselling author/illustrator. Now Candlewick has created Jon Klassen's Hat Box, a hat-tastic boxed set containing the trilogy, plus a frame-worthy print from I Want My Hat Back. What could be better than (t)hat? --Nell Beram, freelance writer and YA author

The poet and writer Lee Bennett Hopkins, who died earlier this year, compiles poems and illustrations from 30 individuals of diverse backgrounds, commemorating family, memory and life's happy and sad moments in I Remember: Poems and Pictures of Heritage. This rich collection is greatly enhanced by the creators' personal statements, professional biographies and photographs, both youthful and contemporary.

Nick Bruel of Bad Kitty fame contributes an unexpectedly serious poem, "Pick One," about choosing a single ethnicity on an official form. Margarita Engle highlights an embroidery session with her abuelita in "La visita" ("The Visit"); an image of a girl and her grandmother accompanies the poem, done by Paula Barragán in a colorful, naïve style. Marilyn Nelson's "Route 66" comes from the perspective of the child of an Air Force officer, traveling to a new base: "What if somebody who hates black people/ drives past our car and shoots him in the head?" Strong feelings and sweet memories abound in this exceptional assemblage. --Melinda Greenblatt, freelance book reviewer

George isn't happy. He never smiles or speaks to anyone. He's a "grump" who doesn't "even like ice cream." What the polar bear really needs is "to go back home," though he can't remember where that should be. George leaves the city and tries the jungle, only to discover he's not a fan of "sleeping in trees." He tries a mountaintop, but isn't happy about heights; tries the hot desert, but gets thirsty. When George reaches the sea, he rows "sadly for days and days."

Eventually, he finds a place where he's not "grumpy anymore"--a place so "cold and covered with ice" that it feels perfect for a polar bear. Ronojoy Ghosh's winsome illustrations depict a sweet-looking George (despite being a grump), who is accompanied on his quest by some equally appealing tiny birds. George and bird-friends can be "sure of one thing. There is no place like home." --Lynn Becker, blogger and host of Book Talk, a monthly online discussion of children's books for SCBWI

In Poems to Live Your Life By, former U.K. Children's Laureate Chris Riddell (The Edge Chronicles) has chosen an assortment of poems that have most affected him--Lewis Carroll's "Jabberwocky" in childhood, Leonard Cohen's songs while falling in love--and surrounded each selection with his detailed and fanciful black-and-white sketches. He divides the volume into eight sections, such as "Musings," "Love," "Family" and "Endings," and includes works by William Shakespeare, Emily Dickinson, Rumi, Imtiaz Dharker and Kate Tempest.

Riddell's intricate illustrations range from dreamlike to grisly, and forcefully capture the mood and tone of the verse; the dark blue leather-like cover of the volume is etched with gold embossing and smooth to the touch, making it even more enticing to readers. This curated gem gives readers an inside look into what has influenced Riddell as an artist and writer, but more than that, it is a collection of words and artwork that will hopefully provoke and inspire others. --Shelley Diaz, supervising librarian, BookOps: New York Public Library & Brooklyn Public Library