Week of Tuesday, November 19, 2024
One of my favorite issues of the year is our Children's and Young Adult Gift Issue. We joyfully showcase brilliant books for kids and teens every week, but it is extra special to highlight titles that may be slightly outside our usual coverage.
In this issue you will find incredible picture books, novels, and works of nonfiction: Kate McKinnon's merrily peculiar debut, The Millicent Quibb School of Etiquette for Young Ladies of Mad Science, features three girls on (slightly odd) STEM paths; in Westfallen, the Sisterhood of the Traveling Pants author joins forces with her brother to create a riveting alternate history; and African Icons, about 10 mostly unknown ancient African leaders, is available in a new, gorgeous edition. Readers will also be introduced to The Kids' Tarot (a deck and guidebook), Our Galaxy, a board book that can turn into a freestanding globe, and a graphic novel that teaches How to Be a Manga Artist.
Our features highlight picture book author/illustrator David Hyde Costello, and Barefoot Books executive editor Kate DePalma, who talks about the long-running interactive Singalongs series. Plus, check out our recent round-up of cookbooks for kids!
African Icons: Ten People Who Shaped History
by Tracey Baptiste, illus. by Hillary D. Wilson
African Icons is an inspiring narrative detailing the lives of 10 African historical leaders, most of whom have been lost to history: King Menes, Queen Merneith, high priest Imhotep, fable writer Aesop, military strategist Hannibal Barca, playwright Terence, Queen Amanirenas, matrilineal queen Tin Hinan, wealthy Mansa Musa, and Queen Idia. This new edition of the 2021 title features Tracey Baptiste's extensive research and focuses on Africa's history before colonial enslavement, shining light on a great number of subjects such as the way in which ancient Africans respected the land and learned from it and the importance of materials, like copper which was "hammered flat, stretched into thread, and twisted into jewelry."
Baptiste (The Jumbies series) displays how ancient Africans' way of life was contrary to the singular narrative that arises out of slavery and claims that Africans were barbaric. The continent boasted storytellers like Aesop, fierce warriors like Queen Amanirenas, and economic geniuses like Tin Hinan, who founded a city in the Sahara. Artist Hillary D. Wilson's expansive, earth-toned illustrations are realistic and an excellent complement to Baptiste's research and storytelling. Together, Baptiste and Wilson create a perspective on complex history that is accessible and engaging for young readers. --Kharissa Kenner, library media specialist, Churchill School and Center
Draw and Discover: An Art-Making Journal for Kids
by Caren Sacks
Art therapist Caren Sacks offers kids an exciting way to keep a diary in Draw and Discover: An Art-Making Journal for Kids. Using 60 prompts, children are invited to draw, scribble, and create as a way to express themselves. Each prompt is accompanied by a blank two-page spread, leaving plenty of room for imagination and exploration of feelings, experiences, and dreams.
Sacks begins with a brief introduction for parents about the usefulness of art journaling and suggestions on talking to kids about their art. A subsequent introduction for kids explains how to use the book and assures them, "There is no right or wrong way to make art," even if what they're inspired to create is different from the page's prompt. Draw and Discover holds up well to a variety of materials including brush pen, crayons, ink pens, and colored pencils, allowing young creators plenty of options to explore their art. With prompts that range in complexity and topic, Draw and Discover is a wonderful creative outlet for children of all ages. --Kyla Paterno, freelance reviewer
Good As Goldie
by Georgia Dunn
The funny, cozy adventures of everyone's favorite feline news crew continue in Good as Goldie, the eighth volume in the Breaking Cat Newsgraphic novel series by Georgia Dunn.
An enormous storm front has rolled in, and feline co-newscasters Elvis, Lupin, and Puck stand ready to provide coverage, with support from their friends all over town. Lupin spots an unknown orange cat who then makes off with his treasured tape recorder. This intrepid stray goes by the name of Goldie and is a detective determined to solve the case of her missing humans--but her only lead is literally garbage. Luckily the Woman is waiting in the wings with a plan for this new friend.
This collection of comic strips includes a show-stealing parody of Hamilton performed by a mostly feline cast, an episode of in-world soap opera "Our IX Lives," and the cat's human baby sister's first steps. Dunn's adorable watercolor characters have a simple, winsome appeal. The Breaking Cat News team's warmth and gentle humor make their charm effective in the cat-lovers' sphere and beyond. --Jaclyn Fulwood, youth services manager, Allen County Public Library
How to Be a Manga Artist
by Balthazar Pagani, Asuka Ozumi, and Fumio Obata, illus. by Silvia Vanni
Any tween, teen, or adult who is interested in writing or illustrating their own manga could not possibly be disappointed by the breadth of knowledge and number of subjects they will find covered in the extravagantly thorough How to Be a Manga Artist.
Italian publisher and author Balthazar Pagani and Japanese graphic novelist Fumio Obata team up with Japanese translator and manga expert Asuka Ozumi to provide a manga primer that is itself a graphic novel. The nonfiction work is broken into six chapters that discuss the history of manga, life as a mangaka, what to do before you begin writing, how to get started in the field, manga icons, and must-read series. Italian comic artist Silvia Vanni exuberantly illustrates the title and expertly depicts the artistic styles of manga, visual effects, and fundamentals of storytelling discussed in the text. Backmatter includes recommended reading, a glossary, and an index to help creatives get a better grasp on the topics included. How to Be a Manga Artist is a perfect read for the manga-obsessed. --Siân Gaetano, children's and YA editor, Shelf Awareness
Making Sense of Dog Senses: How Our Furry Friends Experience the World
by Stephanie Gibeault, illus. by Raz Latif
Dog enthusiasts will find a ton of fascinating scientific and evolutionary information about their furry (occasionally stinky) friends in the entertaining and aptly named Making Sense of Dog Senses. The book, written by Stephanie Gibeault (Toby Tootles), a Canadian professional dog trainer, is composed of five chapters for five senses--vision, smell, taste, touch, and hearing--plus one on the possibility of a sixth sense. Gibeault, who holds degrees in animal behavior and ecology and evolution, provides answers to many burning questions. How does Airedale terrier Lily seem to know her human is coming home minutes before the car pulls into the driveway? What body parts help Rufus, a blind pup, get around? And why on earth would Pepper eat a dirty diaper? Pages are saturated with color and text, including sidebars with experiments (test your sense of smell against a dog's!), playful illustrations by Raz Latif (Odd Couples), and lively, pun-filled ("pee-mail") yet scientific explanations of dog behavior. Who knew a book about rods and cones, cochlea, and secret nose compartments could be so accessible and fun? Dog lovers of all ages, prepare to nerd out! --Emilie Coulter, freelance writer and editor
The Millicent Quibb School of Etiquette for Young Ladies of Mad Science
by Kate McKinnon, illus. by Alfredo Caceres
Actress and Saturday Night Live alumnus Kate McKinnon encourages "the next generation of weirdos" to shine in her joyfully bizarre middle-grade novel, The Millicent Quibb School of Etiquette for Young Ladies of Mad Science ("by G. Edwina Candlestank as told to Kate McKinnon").
Orphaned sisters Gertrude, Eugenia, and Dee-Dee Porch are misfits in the "pristine town of Antiquarium," more interested in "various scientific pursuits" than manners. The girls have been expelled from every local etiquette school, and their adoptive family is threatening to send them to boarding school. Then the Porch sisters receive an invitation to a mysterious new institution: the Millicent Quibb School of Etiquette for Young Ladies of Mad Science. Millicent, an "infamous mad scientist," introduces the girls to a world of unnatural creatures and strange inventions--and reveals she has brought them together to defeat a "sinister cohort of evil mad scientists" threatening Antiquarium.
McKinnon's debut combines madcap adventures with imaginative worldbuilding and charming characters, all enhanced by illustrator and comic book artist Alfredo Caceres's endearingly creepy illustrations. Fans of Lemony Snicket and Pseudonymous Bosch should enjoy McKinnon's wordplay and humorous footnotes, and a cliffhanger ending will likely leave readers eager for more hijinks. --Alanna Felton, freelance reviewer
On Powwow Day
by Traci Sorell, illus. by Madelyn Goodnight
Cherokee Nation member Traci Sorell and Chickasaw Nation member Madelyn Goodnight's On Powwow Day is an intriguing board book that invites exploration and is adapted from Sorell and Goodnight's picture book, Powwow Day.
Everyone is welcome at powwows and this small book, filled with people wearing traditional dance regalia, has much to offer children from any background. Energetic digital images from the original are woven into this new creation: a counting book with numbers one to 10 that features colors and sounds and encourages young children to fully participate in the excitement of the festive occasion. Each double-page spread highlights a number, a color, and a sound, related to the visual imagery, allowing young viewers to fully engage with the text. For example, a deep purple page reads: "5/ Five dancers/ listen to the drum./ BAH-dum!/ BAH-dum!/ Where are all the gray feathers?" In the picture opposite, five dancing figures each hold traditional objects with gray feathers. Viewers and budding readers will find a rousing and exhilarating experience on every page. --Melinda Greenblatt, freelance book reviewer
Our Galaxy: A First Adventure in Space
by Sue Lowell Gallion, illus. by Lisk Feng
Mission control located a stellar board book for earthlings curious about the cosmos. Our Galaxy is a nonfiction introduction to space exploration that offers young readers dual points of access: gently rhyming text on the left-hand page is accompanied by a paragraph with more complex details to the right. The paragraphs often include prompting questions for further discussion. For example, alongside the left-hand "A final countdown/ To the flight.../ The rocket blasts off,/ Out of sight!" readers learn about the International Space Station and are asked, "Would you like to watch a rocket launch? Or would you rather be on board?" Cozy references to the galaxy as "our neighborhood" keep the scope of the material from overwhelming while Lisk Feng's dappled, detailed artwork capitalizes on the book's die-cut design. This is the fourth entry in Sue Lowell Gallion and Feng's Our World series, and an ingenious construction adds a novelty element to their work: sturdy pages open flat for reading but hidden magnets attach its covers to create a freestanding globe. It's an informative piece of art that'll make an out-of-this-world holiday gift. --Kit Ballenger, youth librarian, Help Your Shelf
Seoul Food
by Erin Danielle Russell, illus. by Tamisha Anthony
Author Erin Danielle Russell and artist Tamisha Anthony create delicious Seoul Food by celebrating the diverse backgrounds and cultures within a single family. Young Hana--her mother is Black, her father Korean--is "close to both [her] families." Her Grandma and Grandpa Williams hail from South Carolina, while her Halmoni and Harabeoji live in South Korea. Hana precociously realizes that "distance and differences get in the way," but at least tonight they're all gathering for a visit. While Daddy has plenty of suggestions for a big family dinner, Hana yearns to "make something they'll all like." When Mommy suggests she "cook what makes [her] heart happy," Hana comes up with the perfect dish to satisfy all palates. Russell writes from her own heart--and perhaps appetite, as she herself is Black, her husband Korean. Endpapers include a glossary and Hana's toothsome, fusion recipe. Anthony's wonderfully whimsical style brims with enhancing details, particularly throughout Hana's home, filled with endless reminders of extended, bonded family. "Love," as Hana insists, "is the ingredient that brings us all together." --Terry Hong
The Bedtime Boat
by Sital Gorasia Chapman, illus. by Anastasia Suvorova
Ask young readers if they want to learn mindfulness techniques, and they may shrug. Show them The Bedtime Boat by Sital Gorasia Chapman (The Math Adventurers series), with art by Anastasia Suvorova (Shadow), and they will likely sit rapt as the picture book's mindfulness message plays out in soothing rhyme and calming color.
It's bedtime for young Chandan following a stimulating day, but after his mother turns out his light, "Dragons and dinosaurs whizzed around his head,/ Rabbits and robots raced over the bed." Chandan calls to his mom, who places a miniature boat on his stomach and says, "Watch the boat, Chandan,/ it floats on the ocean./ It rises and falls with your/ breath's gentle motion." It takes a few tries, and a few rounds of that slumberous rhyming refrain, but finally, "The waves' gentle whoosh/ in the silvery light/ rocked Chandan to sleep./ 'Sweet dreams./ Good night.' " Suvorova's swirly ocean blues and loose seafoam greens are studded with objects in grounding solid colors--golden stars, a ruby-red sail--leaving the bewitching impression of jewels laid out on velvet. --Nell Beram, freelance writer and YA author
The Kids' Tarot: Illustrated Deck and Guidebook for Life's Big Questions
by Jason Gruhl, illus. by Kristina Kister
This outstanding 78-card tarot deck from Jason Gruhl (Just a Thought) and Kristina Kister (The Prince of Yorsha Doon) encourages kids to find answers within themselves. Gentled renditions of classic tarot center the everyday experience, like roasting a marshmallow (the Ace of Wands) and dreaming (Death), as well as magical moments of unbridled power and limitless adventurousness. Nature features prominently in sun-dappled, starlit, or fiery scenes of trepidation, uncertainty, anticipation, despondency, hope, change, or ebullience, with fantastical and real-world beings (a brown-skinned mermaid, a unicorn, bees, a hummingbird, an adorable dog).
The gorgeous full-color guidebook demystifies the tarot process with a handy suits chart; fun spread guides; suggested questions to ask; and, for each card, a full-page of heartening interpretations preceded by a pithy summary ("thoughts can be deceiving," "we are all inspiring," "it's ok to say no"). Journeys, friendships, love, and family topics receive guidance, as do complicated times, via nontraditional major arcana ("The Upside Down" instead of "The Hanged Man"; "Forgiveness" instead of "Judgment"). Here, the focus is to "explore anything" in a refreshingly accessible and wholly original deck that will spark healthy contemplation, lively conversation, and beautifully atmospheric readings. --Samantha Zaboski, freelance editor and reviewer
The White Guy Dies First: 13 Scary Stories of Fear and Power
by Terry J. Benton-Walker, editor
The White Guy Dies First: 13 Scary Stories of Fear and Power is a compelling, welcome addition to the horror genre that centers teen protagonists of color. "Every story in this collection," editor Terry J. Benton-Walker states, "has a greater purpose beyond frightening you."
Benton-Walker and 12 other talented BIPOC authors collaborated on 13 artful short stories that create a common thread. Each is inspired by a fictional filmmaker's disappearance, the 13 unseen horror films he left behind, and the 13 white male movie stars who vanished "in a poof of privilege."
In Kalynn Bayron's grim "Hedge," a group of boys ventures into a dangerous garden maze while a vicious killer is on the hunt; Chloe Gong paints a stark tale of a girl who reluctantly joins her peers to decorate the gym for the school dance in "Docile Girls"; and a trans, nonbinary student studies an ancient Iranian skeleton in Naseem Jamnia's haunting "Break Through Our Skin." The characters harness their agency in often unpredictable ways that will likely leave readers shocked, despite the cheeky spoiler in the book's title.
This YA collection transcends typical horror expectations and is unapologetically terrifying in both direct and insidious ways. --Kieran Slattery, freelance reviewer, teacher, co-creator of Gender Inclusive Classrooms
Westfallen
by Ann Brashares and Ben Brashares
In the high-stakes, absorbing middle-grade series opener Westfallen, siblings Ann Brashares (The Here and Now; Sisterhood of the Traveling Pants) and Ben Brashares (The Great Whipplethorp Bug Collection) pose the question, What if the Axis powers had won World War II? Their disturbing answer: Nazi America, where genetic testing determines people's residence, education, and work. But how did this happen? Timelines and points of view in this transfixing novel shift between two 12-year-olds, Henry (in 2023) and Alice (in 1944), who with their friends discover a "radio with a strange and incredible power": they can use it to talk to each other through time. At first, the 1944 kids ask about flying cars and jetpacks, but when they find out their beloved candy store will burn down, everyone agrees there's no harm in preventing the fire... right? One change leads to another, however, and in their attempts to manage fate, they cause a massive shift in history. The new friends then must use "old-fashioned gumshoeing" and ideas straight from the movies to try to realign the universe in a race against time.
This alternate history thriller is nerve-racking and thought-provoking. --Lana Barnes, freelance reviewer and proofreader
Who Knew?: The Wonders of Biomimicry
by Kathleen Madden
Kathleen Madden marvelously introduces budding readers to the phenomenon of biomimicry, "the design and creation of materials, buildings, and processes that are modeled on nature." She offers 18 intriguing examples of innovation inspired by the natural world, like coral reefs helping engineers make a new kind of cement, termites influencing architects in building design, or polar bear fur triggering researchers to produce a new material for space travel. Each example includes facts about the natural element and a quick connection to the scientific result or study. Curious readers may be left with additional questions and, hopefully, a motivation to pursue more in-depth information. Stunning photographs sourced from a number of different photographers accompany each example. Striking colors and meticulous detail radiate from every image: the intricacies of moth wings; the soft textures in a lotus flower; and the multitude of extremities on a lobster. Readers are likely to take their time with each page, as there is so much to admire in every image. The Wonders of Biomimicry illustrates an underappreciated value of nature and teaches young audiences to acknowledge the importance of the world around them. --Jen Forbus, freelancer
Why Not?: A Story About Discovering Our Bright Possibilities
by Kobi Yamada, illus. by Gabriella Barouch
Kobi Yamada (Finding Muchness) and Gabriella Barouch join forces again (Maybe) for a gorgeous picture book that offers several imaginative, inspirational ways for readers to live their own unique, "rare and wonderful" lives. A child with light brown skin wearing a hooded, animal-eared vest scrutinizes a puddle of water, their white fox-like pup by their side. The child is shown investigating their "vast treasure of talents" and making "the most of every moment," including riding in a magical balloon guided by flying stingrays, petting an enormous turtle with a crown, and examining ice crystals while cuddling with a menagerie of wild animals. Even though "the way might be difficult," courage, small steps, and the faith to keep going turn "shrinking possibilities" into "second chances."
Yamada's uplifting text nudges readers to find the extraordinary every day and embrace it--"especially the messy parts." Barouch's splendid illustrations feature the realistically rendered child wearing an orange and yellow vest that stands out against the generous white space and pastel colors that permeate the fanciful backgrounds. Why Not? is a perfect gift to entice young readers to explore themselves and ask "Why not see how good your best can be?" --Lynn Becker, reviewer, blogger, and children's book author
More Gift Ideas
The Writer's Life
Reading with... David Hyde Costello
David Hyde Costello (photo: Jeanne Birdsall) |
David Hyde Costello is a picture book author and illustrator. He lives in Amherst, Mass. He also designs and creates the puppets which feature in his online videos and films such as The Legend of Sleepy Hollow: A Shadow Puppet Film. I Can Help in the Neighborhood (Farrar, Straus & Giroux) is the second book in the I Can Help picture book series.
Handsell readers your book in 25 words or less:
I Can Help in the Neighborhood is a sequence of animals helping each other solve problems, creating a community by looking out for one another.
On your nightstand now:
I'm currently reading To the Lighthouse by Virginia Woolf.
I don't consider myself well-read, so sometimes I go for one of the big names just to try to fill in some of the giant gaps in my education. My college curriculum was weighted heavily toward visual and performing arts. So, while I've read and seen productions of Who's Afraid of Virginia Woolf by Edward Albee, this is my first time reading anything by Virginia Woolf herself. (Nothing frightening so far.)
In the nonfiction department, I'm reading Chess: The History of a Game by Richard Eales.
Favorite book when you were a child:
Frog and Toad All Year by Arnold Lobel was one of them, and it still is. As a child, I think I responded to the warmth of the friendship between the two characters, and to the humor. As an adult, I never stop being impressed with the construction--it's made of such simple lines, there's nothing extraneous, but the overall effect is so generous. Maybe what I was responding to as a child and as an adult is Arnold Lobel's success in making something that feels personal. I remember reading an obituary for Stan Lee (another author who was important to me as a child) and it included a quote about Marvel Comics that went, "I wanted the reader to feel we were all friends, that we were sharing some private fun that the outside world wasn't aware of." First of all, that is a great description of exactly what it felt like to read Marvel Comics as a teenager in the 1980s, but also, I think that feeling is something like what Lobel achieves for his audience.
Are there authors who are particularly influential or inspiring to you in your own work?
Sometimes I think I'm really just trying over and over again to recreate 'Christmas Eve' from Frog and Toad All Year by Arnold Lobel. It has it all, and he does it in only 11 pages.
When I encountered the children's poetry of Langston Hughes in adulthood, I thought, yes, exactly; that's what I want to be able to do.
For example,
'Garment'
The clouds weave a shawl
Of downy plaid
For the sky to put on
When the weather's bad.
As for contemporary, living children's authors, Julie Fogliano and Hilary McKay are the ones whose writing I most admire.
David Small and Lisbeth Zwerger are the two illustrators I'm most overtly trying to emulate (which I think is true of a lot of illustrators).
One thing they all have in common--the poetry of Langston Hughes or the line quality of David Small--is that the technique doesn't dominate. The character of the artist comes through, but not the effort, not the ego.
Book you've faked reading:
I may be too naïve for this question. Why would I pretend to have read a book?
Book you're an evangelist for:
I give kids The Birchbark House by Louise Erdrich whenever I get the chance because I love the story, and because I wish I'd encountered books like it when I was a kid.
Book that changed your life:
I can't think of a book to which I would apply that phrase, but of course there are some that made lasting impressions. Impro by Keith Johnstone was assigned in a college theater class, but I remember revisiting it after college in my mid-20s because it applies to creativity in general. I found it inspiring and mentally freeing in a way. The Autobiography of Malcolm X by Malcolm X and Alex Haley is another book I particularly remember reading in my mid-20s. That one has stayed with me for a lot of reasons--my early- to mid-20s was when I had experienced just enough personal history to start to have a dawning comprehension of the connections across the broad sweep of human history. But something else I took away from that book at the time was the idea that, even in a short lifetime, we can have multiple chapters, different stages of ourselves.
Book you hid from your parents:
I can't even think of a book I would have needed to hide from my parents. My brother and I were afforded a wide latitude on this kind of thing when we were growing up. My brother was the reader, and I can't remember a single example of his ever feeling like he needed to read something on the sly.
Favorite line from a book:
One recent example that I keep returning to is from The Dead Bird by Margaret Wise Brown. I only know the Christian Robinson version, which I love. The line is, "And every day, until they forgot, they went and sang to their little dead bird, and put fresh flowers on his grave." What a brilliantly simple way to acknowledge that we're not meant to mourn forever.
Five books you'll never part with:
My four Frog and Toad books, and an anthology called The Tall Book of Make-Believe by Jane Werner with illustrations by Garth Williams, which belonged to my mother when she was a child.
Book you most want to read again for the first time:
Funny you should ask. I've recently been thinking about the difference in people's preferences about repetition, whether it's reading the same book again, watching the same movie, eating the same meal two days in a row...
I have noticed that I have a large appetite for repetition. I don't know why that is, but I don't have a wish to encounter any book for the first time again. I'm very happy re-reading something a second or third time and finding different things to appreciate about it. I recently reread Emma by Jane Austen, and part of the pleasure of it came from knowing what was going to happen and seeing how Jane Austen was subtly setting up the ending.
Also, at 53, I have found it interesting to revisit books and movies and music from my childhood--to examine the craft, to reflect on the time when I was growing up and the cultural messages around me, and in some cases, to enjoy the parts that still deliver. And after all, there will always be new, great books to encounter.
Book Candy
Book Candy
The intrusive narrator, for example. Mental Floss highlighted "7 obscure literary devices."
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"How thrillers predict tomorrow's threats: five decades of prophecies," courtesy of CrimeReads.
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Open Culture found a website featuring "356 issues of Galaxy, the groundbreaking 1950s science fiction magazine."
Barefoot Books Singalongs
Barefoot Books Singalongs: Boogie, Rap, Classical, and So Much More
Kate DePalma (photo: Sarah Soldano) |
Kate DePalma is executive editor at Barefoot Books, where she has developed dozens of picture books over more than a decade, including many authored and co-authored titles. She holds an M.A. in Classics from the University of Texas and is a published poet and scholar. DePalma lives with their husband and daughter in Pittsburgh, Pa.
As executive editor, DePalma has spent more than a decade working directly with authors, illustrators, singers, and musicians to create Barefoot Books' Singalongs series. Here, DePalma chats with Shelf about the process of making multilayered media and the impact the books have had on children and caretakers.
How would you describe this series to readers unfamiliar with them?
Barefoot Books' singalong collection consists of colorful, educational picture books that come with a QR code that leads to both an audio singalong and video animation. They're books you can read, watch, sing, listen, dance, and move along to. Our more recent singalongs, such as Earth Song and The Rattlin' Bog, include educational endnotes in the back of the book. Earth Song, for example, covers the calendar, seasons, orbits, and stars, and The Rattlin' Bog has information about Irish peat bogs and the creatures that live there, as well as plant and animal life cycles. We also have Spanish editions of some of the titles.
And what is your job with this series?
My fellow editors and I collaborate closely with the authors, illustrators, musicians, and animators to create every element of these books. We're a small and scrappy team, and we all wear lots of different hats! (I've even written three singalongs under the name Sunny Scribens.)
There are so many things going on with each book: text, illustration, audio, video.... How do you pull everything together?
Barefoot Books is maybe a little unusual in that our editors are also art directors. So when it comes to making singalong books, we also get to dip our toes into being music producers and animation directors. We joke that we never make books the same way twice, and singalongs are no exception. Picture books are already such complex, interwoven projects, and adding two additional layers of media makes these projects an absolute beast to create. If you find an error late in the game, that might mean amendments to the text, the illustrations, the audio track, and the animation.
How did the series get started?
The history of this series reaches back even beyond my 14 years at Barefoot Books to the late '90s. Our first singalong books came with audio CDs, and many of those classic titles, like If You're Happy and You Know It! and Port Side Pirates!, are still in print and going strong all these years later. Our bestseller The Animal Boogie (first published in 2000) was inspired by a song that CEO and co-founder Nancy Traversy's children made up when they were small. It's since sold over two million copies.
When the YouTube era dawned, we started animating the illustrations to the music and they took off! Our YouTube channel has half a billion views, and most of that is our singalong videos.
Who are some of the authors, illustrators, singers, and musicians who work on this series?
We collaborate with a broad and ever-growing pool of collaborators on these books. There are some Barefoot faves you'll see again and again in our collection: illustrators like Debbie Harter and Sophie Fatus as well as musicians like Susan Reed and The Flannery Brothers. But by and large, each project brings a different set of collaborators. Lots of the musicians adapt classic songs, such as Over in the Meadow, which is a traditional English song, while other singalongs are originals, like Boogie in the Bronx! and Twice as Many Friends. Those two were composed by Sol y Canto, an award-winning Pan-Latin ensemble led by Puerto Rican/Argentine singer and percussionist Rosi Amador and New Mexican guitarist, singer, and composer Brian Amador.
Your website says the books "build the mind-body connection"--could you talk about that?
These books have so many layers and give children so many ways to engage with storytelling and educational content. The music encourages little ones to get up and move their bodies as they listen, look, and watch. This kind of multisensory engagement is so good for little brains and bodies as they develop, helping to build listening and gross motor skills.
What kind of feedback do you get about the books?
We get the most wonderful fan mail about our singalongs--stories about how they're magic for library story times and classroom dance breaks, photos of children who carry the books around as transitional objects or who love to lay the books out in a colorful mosaic of covers, and of course videos of kids really giving it their all singing and dancing along.
These books seem to have become particularly popular with caretakers of children with autism?
We have gotten a number of messages over the years from parents and teachers of children on the autism spectrum letting us know that our singalongs have had a special resonance with their kids. One parent shared: "The reason [my son] can now speak is because of Barefoot Books. He has every Barefoot book possible, but his favorite are all the singalongs. They go on holiday with him, they go to school with him and most of all he makes sure nobody touches them. We are so grateful for Barefoot books and everything they have taught [my son] and how they have brought so much joy to his life." We are honored that our singalongs have had this special impact.
How many books are there now? Do you have a favorite?
We have over 40 singalong books. One of my all-time favorite Barefoot memories is making Dinosaur Rap with my dear friend Mikey Henry Jr. We spent hours listening to old-school hip-hop tracks and taking notes for inspiration. We modeled the intro on the iconic intro to "Here Comes the Hotstepper" by Ini Kamoze, slowly layering in different sounds that build in intensity.
Our latest singalong, Earth Song, came out this fall, and it describes how the sun and moon create the Earth's seasonal and daily cycles. The art is done by the amazing Mariona Cabassa, who illustrated award-winners such as A Gift for Amma and Barefoot Books Water.
Our next singalong, releasing March 2025, is Take Me Out to the Ball Game!, a reimagining of the classic baseball anthem introducing kids to the diverse history and culture of America's pastime. Of course, the back-of-the-book resources include further details on facts about baseball, the basics of how to play a game, and more. It's such a fun book. --Siân Gaetano, children's and YA editor, Shelf Awareness
a new twist on groundhog day! |