Black Cloud Rising, David Wright Faladé's immersive first novel for adults (after the YA novel Away Running), is set during the Civil War and told from the conflicted perspective of Sergeant Richard Etheridge as he takes part in a campaign that sends Black soldiers deep into Confederate loyalist territory. The African Brigade is composed in large part of formerly enslaved men, which gives the expedition emotionally charged dimension as the brigade emancipates enslaved people and punishes former slaveowners. In one particularly dramatic scene, General Edward Augustus Wild--a ferocious abolitionist who lost an arm in an earlier battle--directs that a slaveowner be whipped by one of his soldiers before giving a newly emancipated woman "the chance to settle old scores." It's a rousing declaration of purpose for the African Brigade, though Etheridge's response is uneasy as he imagines his father, who once owned him, being whipped by his mother.

As the campaign progresses and the violence intensifies, Etheridge struggles to separate his feelings about their mission from his feelings toward his father, his half-sister and his cousin. He learns that the latter, a childhood playmate, has joined a band of Confederate guerillas. This deeply researched work of historical fiction devotes much more time to the campaign's wearying tasks of marching and provisioning than the brief but ferocious outbreaks of fighting. Just as central to the novel are the battles taking place in Etheridge's heart, as he must learn to stop searching for belonging among people incapable of seeing him as fully human. --Hank Stephenson, manuscript reader, the Sun magazine

The snags, sorrows, secrets and estrangements of familial connections are ripe themes explored in the fiction of British author Katy Regan. In How to Find Your Way Home, she astutely--and with great empathy for her characters and their predicaments--plumbs the depths of one family torn apart by a simple moment in time that upends lives and fates.

This deeply moving story of siblings Stephen and Emily Nelson is set on Canvey Island in Essex, England. The first scene, set in 1987, lays the literary groundwork: Stephen, as a child, eagerly awaits the happy homecoming of newborn Emily. It is clear that brother and sister are bonded from the start, and sensitive Stephen will spend his life looking out for and remaining extremely protective of his baby sister.

The tender innocence of this opening chapter is shattered when Regan pushes the timeline forward to 2018: Stephen and Emily are now adults in their 30s and have been estranged for 15 years. Revealing the separation--filling in the gaps that uprooted and unsettled both of their lives--becomes the focus of the story.

Regan is a meticulous, graceful writer whose insight on the human condition makes for a completely absorbing story. As in her other novels (Little Big Love), she presents a full, well-balanced picture--tragic, yet buoyed by hope--of the far-reaching influences of family dysfunction. Love, sacrifice and loyalty along with chilling betrayals and rejections are strong undercurrents that ultimately shape and mold blood ties and destinies forever. --Kathleen Gerard, blogger at Reading Between the Lines

All the residents in Rockton, an off-the-grid town in the Yukon wilderness, respect that everyone there has secrets. In fact, the town was created for people who need to hide out--no one arrived without having been involved in something at least unsavory and, at worst, murderous. But at the start of the absorbing The Deepest of Secrets by Kelley Armstrong, Rockton's deputy sheriff, Will Anders, is publicly but anonymously outed as having committed a brutal killing. The town erupts with discontent, divided between people who demand Will's immediate removal and those who defend his exemplary record in Rockton.

Detective Casey Duncan begins by looking for the person who made the accusation--revealing others' secrets violates a town rule--but she ends up finding the primary suspect nearly dead from an attack in the surrounding woods. And then there's an actual murder. On top of all this, Casey and her boyfriend, Sheriff Eric Dalton, are bracing themselves for the possibility of Rockton being shut down by the powers-that-be who financed and built it. Where would everyone go? How would their secrets remain hidden?

Though Deepest of Secrets is number seven in the series that launched with City of the Lost, readers who haven't read the previous books can enter Armstrong's world without confusion, thanks to the helpful introduction. Before chapter one, all the important information about Rockton and its central residents is provided. The characters, even the cantankerous ones, have grown into a fascinating community over the course of the series. Their fates are left somewhat uncertain, but the ending remains satisfying--and even keeps the door open to new adventures for Casey and her friends. --Elyse Dinh-McCrillis, reviewer and freelance editor at The Edit Ninja

Dr. Mimi Winsberg, a Stanford-trained psychiatrist and founder of the behavioral health company Brightside Health, takes a fascinating, research-based look at the often-vague language of love: texting. In her first book, Speaking in Thumbs, she walks readers through the decoding of messages from would-be lovers as well as current partners.

"In true Darwinian progression," Winsberg writes, "we evolved opposable thumbs first to swing from trees, then to hold tools. Now to flirt." But texting struggles to convey subtleties, such as tone. Winsberg finds that her clients frequently share their messaging app screens, filled with mixed signals, in the fervent hopes she can decode the subtext. Using research from top institutions, including Cornell University and John Gottman's Love Lab, Winsberg gives readers insight into dating app algorithms, tips on spotting and avoiding narcissists and a deep dive into making the most of the medium in an ongoing relationship.

Winsberg's guide provides practical advice as well as a dose of light, guilt-free voyeurism. Alternating between subject analysis and samples of real text conversations, including her own, the author clarifies connections between technology and communication. While aimed at anyone trying to improve their digit-driven romance skills, the book also gives ample opportunities to play spot-the-liar or judge the would-be beau who uses the phrase "poignant and precious week." However, it's clear that Winsberg aims to create an educational experience, and her passion for the topic and broad collection of sources will give readers enlightenment about the impact of technology on who and how we love, regardless of relationship status. --Jaclyn Fulwood, blogger at Infinite Reads

Teenagers today are coping with unprecedented social issues. As a parent, it can feel impossible to know how to handle the situations teens face, because they're so different from the challenges of earlier generations. Psychologist Roni Cohen-Sandler (Stress Sucks!; Friends and Life) has written a helpful, practical guide to assist mothers in creating strong mother-daughter bonds in the digital era.

Internet bullying, sexual misconduct and the #MeToo movement, social media addiction, eating disorders, fear of school shootings, anxiety caused by the Covid-19 pandemic, FOMO (fear of missing out) caused by seeing friends attend events to which they weren't invited--these are among the many situations teens are facing. As a result, many struggle with mental health. Cohen-Sandler explains how vital it is to parent with intention, and teach teens to be emotionally resilient in order to "launch" successfully into adulthood.

Through hundreds of sample conversations from mothers and daughters Cohen-Sandler has seen in her psychology practice, Anything but My Phone, Mom! makes it reassuringly clear that many mothers experience the same dilemmas and that most daughters, despite their avid defense of their devices, actually need less screen time and more time with Mom. Cohen-Sandler does not limit herself to phones and texting; she also explores how to help daughters handle a variety of complicated issues, including coming out, dating, school drama and the pressure of college applications. Parents of teens and tweens are sure to refer back to Anything but My Phone, Mom! with great frequency as they grapple with these challenging years. --Jessica Howard, bookseller at Bookmans, Flagstaff, Ariz.

Like The Mothers, Brit Bennett's second novel, The Vanishing Half--named a Best Book of 2020 by the New York Times, Washington Post, NPR, People, Time magazine, Vanity Fair and Glamour--is emotional and compelling, with evocative prose and deep characterization.

Spanning 30 years and two generations, The Vanishing Half follows twin sisters Desiree and Stella as they run away from home in the 1950s and follow dramatically different paths in life. Their hometown of Mallard, La., is intentionally populated exclusively by light-skinned black people, and Stella disappears from Desiree's life when she decides to cross over, passing as white and starting a white family.

The story begins in 1968, when Desiree and her very dark-skinned daughter, Jude, come back to Mallard, fleeing years of escalating domestic violence. Returning to the town where her father was brutally murdered by white men is the last thing Desiree ever expected to do after so many years away, but she still feels the pull of home and the cold comfort of the mother and community who raised her. Meanwhile, Stella is living as a wealthy white woman, avoiding all Black people, as she's convinced they'll be able to discern her secret. She goes so far as to teach her blonde daughter that she shouldn't play with their new Black neighbors' child.

While shifting points of view and alternating timelines can become confusing, Bennett skillfully carries readers through three decades and seven narrators. The Vanishing Half handles subjects such as post-traumatic stress disorder, domestic violence, grief and colorism, exploring them within the context of complicated and messy family and romantic relationships. Bennett exposes the myriad ways people can hurt those they love best--or heal generational trauma. --Suzanne Krohn, editor, Love in Panels

The murder of a queer teen boy causes a queer girl to question whom she trusts in this stunning small-town YA mystery from Eisner Award and Printz Honor recipient Mariko Tamaki (Laura Dean Keeps Breaking Up with Me; This One Summer).

As a ghost, 17-year-old Todd Mayer "[takes] up no space," much as he did while alive. His "practiced exterior of not caring about anything" only ever cracked for "the boy with the mop of hair and the luggish smile." But as he recalls his death, Todd reveals that "he died without ever kissing anyone he loved." Mr. McVeeter, a gay teacher, was the only person he could confide in--and thus becomes a prime suspect in Todd's murder.

Sixteen-year-old Georgia Walker met Todd only once: when he stood on her doorstep, asking for her brother Mark. But Mark won't talk about Todd or the mysterious bag of money in his room. Georgia feels "super dense," like she isn't asking the right questions: "there's always some whole other layer of f***ed up you don't even know to ask questions about because you don't even know it’s there."

Tamaki's authentic characters demonstrate the anxiety of vulnerability, the desire to feel needed and the horrible mistakes good people can make to look cool. The two myopic detectives' indifferent investigation underscores how misunderstood Todd--bullied and silenced for being gay--became. Todd's darkly poetic observations set a chilling atmosphere (such as watching his body moved "like a piece of luggage") while a sapphic love story brightens Georgia's narrations ("We're sitting right next to each other. And my heart is beating so hard I can feel it in my eyeballs."). A lush, haunting and gripping read. --Samantha Zaboski, freelance editor and reviewer

In the lyrical Powwow Day, readers are welcomed into an uplifting "celebration of dance, song, culture, and community."

River wakes on powwow day full of excitement--until she remembers that, because she's been ill, there will be no dancing and no jingle dress competition for her today. Still, she hopes at least to join in for Grand Entry at the start of the ceremony. She waits with the other girls as warriors enter the arena carrying flags, followed by elders heading up the long line of dancers. But her own feet are still. It seems that River is the only one who "can't feel the drum's heartbeat." The competitions begin and "fancy dancers twirl and ribbons whirl." Finally, River feels the drum beat inside her. She watches as her sister, cousin and friends step and turn with feathery fans; she sits tall as they "dance for the Creator, the ancestors, their families, and everyone's health... including mine."

Traci Sorrell (At the Mountain's Base; We Are Still Here), member of the Cherokee Nation, enhances her graceful text with back matter about powwows. Through River, the author neatly conveys the magic and allure of the dances themselves, along with the all-important sense of community and healing fostered by the celebratory event. Madelyn Goodnight (illustrator of Look Grandma! Ni, Elisi!), member of the Chickasaw Nation, uses dynamic layouts and a variety of viewpoints in her colorful digital illustrations to portray the vibrancy of the powwow. Readers will likely find it easy to empathize with River's sorrow as well as her hope for strength, for healing and to dance again. --Lynn Becker, reviewer, blogger and children's book author

In Ophelia After All, debut author Racquel Marie serves up a humorous and compelling slice of high-school life that's lovingly populated by characters with varied sexual orientations and racial and ethnic backgrounds, all intent on finding their way through a year of tumultuous romantic ups and downs.

Senior prom is quickly approaching, and Ophelia Rojas is indulging in many a "swoonworthy" fantasy involving the perfect date. She's known for "drooling" over cute guys, and her friends and family assume that she's always on the alert for new crush-worthy male specimens to romanticize. Sometimes, though, when Ophelia lets her mind wander, "someone stands out against the collection of boys": Talia Sanchez, a classmate she knows "once kissed a girl and liked it." But Ophelia worries that admitting she may be questioning her sexuality goes against everything everybody knows about her, including her Cuban American father and white mother with whom she has always happily shared her emotions. In anger and frustration over her inability to share her newfound feelings, she alienates almost everyone she cares about. How can Ophelia be sure her loved ones will like this new version of her?

Marie's story of questioning and coming out in high school is a multilayered look at high school romance and the benefits, as well as the confining aspects, of long-held group friendships. Her fully realized characters believably love, fight, banter and support one another during this momentous last year of high school. Ophelia is the ultimate romantic, and the story paints a compelling picture of a young woman coming to terms with what exactly that word means for her. --Lynn Becker, reviewer, blogger, and children's book author