For many followers of history, among the most grievous miscarriages of justice perpetrated by the U.S. government were the 1953 executions of Ethel and Julius Rosenberg, who were convicted of espionage. Such grim subject matter would seem an inauspicious backdrop for a literary caper, yet Francine Prose nimbly employs the Rosenbergs' fate to launch The Vixen, an often funny escapade revolving around a fictional New York publishing house at Red Scare-mad midcentury.

A few months after the Rosenbergs are executed, Simon Putnam, a Jewish, Brooklyn-bred recent Harvard graduate, begins a job as a junior assistant editor at Landry, Landry and Bartlett, a publishing house whose literary bona fides mitigate its financial precariousness. Simon has been winnowing the publisher's slush pile for six months when he's finally given a real assignment: he must pretty up for publication a debut novel called The Vixen, the Patriot, and the Fanatic, a potboiler based on the Rosenberg case; it's intended to make enough money to get Landry, Landry and Bartlett out of hock.

Simon is aghast at the prospect of having a hand in the novel's publication, and not just because it's a piece of propaganda designed to convince readers of the Rosenbergs' guilt: if Simon's parents knew what he was working on, they would be devastated. And yet Simon understands that challenging his boss would be career suicide.

Prose (Lovers at the Chameleon Club, Paris 1932) has crafted an inspired work of fiction that, while staying within a realistic framework, does for an invented New York publishing house what Ira Levin did for a certain Manhattan apartment building in Rosemary's Baby. --Nell Beram, author and freelance writer

Originally published in the U.S. in 1938 to critical and popular acclaim, Address Unknown is the epistolary story of two friends torn apart by political extremism. Weighing in at a mere 96 pages, this novel-in-letters is as relevant now as it was when Kathrine Kressmann Taylor released it to the world, the year before Hitler invaded Poland. This new edition also acknowledges the full name and sex of the author for the first time, as Address Unknown was initially published under the gender-neutral pseudonym Kressmann Taylor.

It is the story of two German friends, Max Eisenstein and Martin Schulse, who co-own an art gallery in San Francisco but are separated when Martin returns to Munich with his family in the fall of 1932. Their correspondence is initially warm and chatty, with playful asides to the questionable artistic tastes of their clients and homey descriptions of family life. But the tone darkens quickly when Adolf Hitler comes to power in early 1933. As a Jew, Max is alarmed and questions Martin about conditions in Germany. Martin's early ambivalent replies reveal his wait-and-see attitude about the extent of Hitler's aims. As the months go by, the correspondence devolves chillingly until an unforgivable betrayal by one of them is revealed--and the power of the pen is cleverly and fiercely mobilized by the other. Bookended with an introduction by Margot Livesey and a poignant afterword by the author's son, Charles Douglas Taylor, Address Unknown reintroduces readers to a forgotten classic by a truly prophetic writer. --Peggy Kurkowski, book reviewer and copywriter in Denver, Colo.

October 1968 in New Long Lincoln, East Texas, a father turns to his 14-year-old son, Daniel, and says, "Sometimes you have to do what's best for all involved," before driving their Buick off a bridge into the icy waters below. The words turn out to be prophetic in the exceptional murder mystery Moon Lake by Joe R. Lansdale (More Better Deals; The Thicket).

Jeb Candles and his daughter rescue Daniel from the sinking car in Moon Lake and offer to take the boy in. But Daniel is white, the Candleses are Black and that living arrangement creates conflict with the city council, forcing Sheriff Dudley to relocate Daniel a two-hour drive away to live with an aunt he forgot he had.

Ten years later, when Moon Lake dries up, authorities discover two bodies in a car--one in the driver's seat and the other in the trunk. The police request that Daniel return to Moon Lake to identify the bodies. They suspect Daniel's father killed his mother and stuffed her in the trunk before driving off the bridge, but the trunk corpse doesn't match his mom's description. Then several more cars with dead bodies in their trunks are pulled from the lake, and Moon Lake becomes a bigger murder mystery than the town can keep secret.

Lansdale's descriptions ("He wore a thin smile like he had farted and thought it was funny") mesh nicely with the throat-grabbing plot, but it's Lansdale's mindful mixing of the bright and the brutal that keeps fans clamoring for more. --Paul Dinh-McCrillis, freelance reviewer

Aubrey sends mail to a writer and calls his private cellphone in the middle of the night. But this is impossible, because Aubrey is a character from one of the writer's bestselling novels. Threats of blackmail from a fictional person turn into real-life extortion and murder in Laura Lippman's teeth-grinding psychological thriller Dream Girl.

Famous novelist Gerald Andersen is bedridden in his multi-million-dollar high-security condo after a nasty fall. His assistant, Victoria, takes care of his errands during the day; Aileen the night nurse monitors his medication; and Claude, Gerry's physical therapist, makes twice-weekly visits. Gerry's bored, but comfortable--until he starts getting calls and mail from his most popular character, Aubrey. Only Gerry hears the phone ring when Aubrey calls and the phone display shows no record of the call. The mail sent from Aubrey disappears. Thinking his medication might be causing hallucinations, he cuts back, but the late-night calls from Aubrey continue and money begins to disappear from Gerry's accounts. Just when he thinks he is experiencing early signs of dementia, he awakens to find a dead body slumped in the corner of his room.

Laura Lippman (Sunburn) keeps readers on edge with a continuous onslaught of unexplainable moments leading her main character to question his sanity before giving himself completely over to the horrible situation. The novel's conclusion may cause unruly debate, but getting people to talk about a story this well written should be the ultimate goal of all writers. --Paul Dinh-McCrillis, freelance reviewer

Jeffrey B. Burton melds nail-biting action and appealing characters in The Keepers, his highly satisfying second novel about Mason "Mace" Reid, who trains dogs in human remains detection (HRD), assisting various Chicago law enforcement agencies.

Burton infuses The Keepers with fascinating details about HRD training as well as a detailed look at Mace's five working dogs, managing to reveal each one's personality but showing they are dogs, not humans with four legs. Still, Burton realistically illustrates the skills, instincts and abilities that dogs have, while highlighting the strong bond that service dogs have with their handlers. This is especially true of Vira, Mace's sensitive golden retriever, who works on "the Sherlock Holmes level," able to sniff out the guilty. Vira does her job superbly--it's up to the people to find the evidence to support her.

Mace and officers Dave Wabiszewski and Kippy Gimm tackle three separate investigations--the deaths of a faded rock musician, a union organizer and the head of the Special Prosecutions Bureau in the state attorney's office. The cases begin to merge as the three--and the dogs--come up against dirty Chicago politics.

Hard-charging action scenes collar the plot's realism, leading to a fast-paced finale. Readers can be assured that each dog survives, and each is a hero. The believable characters continue to evolve as the investigations affect each in different ways. The growing relationship between Mace and Kippy adds to their character development. Burton's appreciation of dogs and how they relate to people elevate The Keepers. --Oline H. Cogdill, freelance reviewer 

Charlotte Joko Beck (1917-2011) is widely regarded as one of the most influential Western-born teachers of Zen Buddhist practices. Ordinary Wonder: Zen Life and Practice collects 34 of her never-before-published talks and teachings, which present her lessons on awareness, joy and developing one's practice. Beck also discusses how to cultivate a steadiness with the practice of what she refers to as "sitting"--meditation--in accessible ways both for newcomers to Zen practice and also longtime practitioners.

Beck avoids lofty metaphors in favor of plain explanations of how moments in everyday life present opportunities to engage in Zen practice. She states, "There isn't some magic in Zen practice. It's not going to change you the way you expect. It will not give you anything you think you deserve. But when you do the work of being with exactly what is, slowly, unexpectedly, transformation happens."

She also emphasizes that practicing is not about striving toward something, but rather, a process of finding one's "core belief"--a negative belief about ourselves that causes us pain--and instead of suppressing it, learning to sit with it and to exist with it so that we can "recognize what's underneath the surface, what's underneath even that core belief. There you are." For Beck, finding oneself isn't about striving toward enlightenment but learning to find peace in the everyday and to find the courage to be in the moment and in one's body, and do things differently than one might have before. --Michelle Anya Anjirbag, freelance reviewer

The propulsive memoir Notes on a Silencing opens in October 1990, when 15-year-old Lacy Crawford was sexually assaulted by two star athletes at St. Paul's School in Concord, N.H.--described in the third person.

The facts carry readers along as they would in a crime novel, with clinical details that force observers to imagine the motives and emotions of the perpetrators and victim. Crawford then shifts to a first-person narrative. "What interests me," she writes, "is the near impossibility of telling what happened in a way that discharges its power." What follows is an exploration of power in its countless iterations: the power of peers, the power of teachers, of administrators, of alumni, of parents--and the power that a diploma from a storied school can bequeath unto its graduates. What is that diploma worth, and what would you endure to get it?

From that initial chapter describing the assault during the fall of her junior year, Crawford flashes back to her first days on campus: fresh from Lake Forest, Ill., and newly exposed to the wealth and worldliness of her classmates. By toggling between the timelines before and after the book's central event, Crawford conveys the universal experience of survivors--the divide between the person she was and the person she becomes afterward--and builds the narrative to the epiphany that unlocks her silence. A Shelf Awareness Best Book of 2020, Notes on a Silencing was also named a New York Times Book Review Editors' Choice, and a Best Book of the Year by Time, People and NPR. --Jennifer M. Brown, senior editor, Shelf Awareness

Raven Leilani's first novel, Luster, is a rocket-paced, sensual fever dream of sex, trauma, relationships and conflicting perceptions.

Edie is in her 20s and struggling, with her crappy shared Bushwick apartment, her low-level position in children's publishing, her uninspired sexual choices and her irritable bowel syndrome. Her painting is not going well, and she is a Black woman in New York City: "Racism is often so mundane it leaves your head spinning, the hand of the ordinary in your slow, psychic death so sly and absurd you begin to distrust your own eyes." Early on, her affair with Eric seems different, refreshing, in spite of the 23-year age gap. Then Edie gets fired and evicted, and she spirals, landing, weirdly, in the middle of Eric's open marriage. His wife, Rebecca, set a lot of rules for his relationship with Edie. But Edie finds herself taken in, literally, by Rebecca, living in their guest room in New Jersey, asked to mentor this white couple's adopted Black daughter, Akila.

Edie's first-person narration is nearly stream-of-consciousness, long sentences overflowing with imaginative visual impressions and self-deprecation. Her particular blend of despair, panic and self-destruction is spellbinding. As she hesitatingly helps Akila with her hair and accompanies Rebecca to work (conducting autopsies at the VA) and to a midnight mosh pit, Edie begins to paint again, inspired by the minutiae of this family home.

A Shelf Awareness Best Book of 2020 and winner of the John Leonard Prize from the National Book Critics Circle, Luster is intoxicating and surprising, never letting readers settle into recognizable patterns. Leilani has crafted an unforgettable novel about a young woman making her own way. --Julia Kastner, librarian and blogger at pagesofjulia

Dhonielle Clayton (The Belles), along with powerhouse authors Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk and Nicola Yoon, present a satisfying and hopeful series of half-dozen love stories in Blackout. Together, the six women of color work to show that love can be found in even the most unexpected circumstances.

A blackout in New York City changes the course of several Black teens' lives. Tammi and Kareem have to travel together on foot from Harlem to Brooklyn when public transit goes down, forcing the two to face the aftermath of their breakup. Jacorey, stuck on his own in a stalled underground train, deals with buried feelings for a crush. Nella falls for a beautiful girl who helps her search in the dark for a lost photo of her grandmother. Lana, locked inside the New York Public Library, prepares to tell her best friend that she's in love with him. Kayla's disappointing boyfriend and troublesome crush get into a spat while stuck on a bus during a school trip; Kayla learns that choosing herself might be the best option. And Grace, who gets stranded when her ride-share runs out of gas, finds a potential love interest in her driver.

Clayton, the brains behind Blackout, divides the book into five acts to tell each teen's story. She weaves the authors' short stories together through precisely laid-out chapters that make connections among characters. For example, in Clayton's "All the Great Love Stories... and Dust," Lana sees Tammi and Kareem (from Jackson's "The Long Walk") and wonders what their love story could be. Each author brings an unmistakable voice to the humorous, lighthearted storytelling, affirming that Black people are not a monolith. Every character and every chapter celebrates Black culture through language, fashion and individuality. --Kharissa Kenner, children's librarian, Bank Street School for Children

Best friends can't always be on their best behavior, and, sometimes, even the best days can turn bad in seconds. Prolific author Marilyn Singer (Every Month Is a New Year) captures that push-and-pull in her energetic picture book Best Day Ever!, illustrated by debut artist Leah Nixon.

Within minutes of waking up, a rambunctious puppy has already decided today is the "best day ever." She's stretched, greeted her favorite human with plenty of licks and helped him get dressed. The morning only gets better as she digs in the yard, barks at a cat, runs in the park and jumps in the lake. But when the young pup brings the stink of a dead fish onto her best friend's lap, the day ends early with a return home for a dreaded bath. When knocking over a lamp causes hollers, best becomes worst... until apologies and assurances of "everything's okay" restore the best day ever.

The simple, affecting text is significantly enriched by Nixon's colorful, dynamic digital art. The first spread reveals hints of a bed handrail and wheelchair; the next page shows the boy in it. Nixon's illustrator's note and photo reveal she, too, is wheelchair-bound since a recent construction accident, making Singer's dog-and-boy celebration "the best book for me to illustrate," even allowing her the opportunity to use herself and her dog Lucy as models. Both author and artist showcase their lifelong canine devotions, made clearly visible in the hugs, cuddles, mischievous joy and agonizing sorrys between bffs--the puppy's regretful eyes! This effervescent adventure is irresistible. --Terry Hong, Smithsonian BookDragon