Shelf Awareness for Readers for Friday, January 14, 2022


Wiley: Prep, Push, Pivot: Essential Career Strategies for Underrepresented Women by Octavia Goredama

From My Shelf

William Morrow & Company: The Lightning Rod: A Zig & Nola Novel (Escape Artist #2) by Brad Meltzer

Soho Teen: History Is All You Left Me (Deluxe Edition) by Adam Silvera

A Year of Ozeki

A trusted bookseller recommended Ruth Ozeki's A Tale for the Time Being (Penguin, $18) four years ago. The book came home with me and vanished in the drift of my to-be-read pile. A year ago, I finally shouldered aside the others and inhaled the whole delicious story in two days. The tale of teenaged Nao braids into the life of the prickly character Ruth, an American novelist who becomes increasingly invested in Nao's discovered diary. This tethered relationship magnifies the involvement between character, author and reader. I was hooked.

Ozeki is forthright, and her characters unflinchingly able to sabotage themselves and discover wonders. I paced myself through the rest of her books. In spring, I read her first novel, My Year of Meats (Penguin, $18), a richly narrative undressing of the meat industry and reality television, still timely. In summer, it was All Over Creation (Penguin, $18), which also addressed food and human frailty, specifically genetically modified foods and people who push for and against them.

Even more prevalent than her food politics is Ozeki's ability to write about families. Her characters are authentic and recognizable. They're messy families coping with estrangement and aging, in All Over Creation, or mental health and loss, in A Tale for the Time Being and in her newest novel, The Book of Form and Emptiness (Viking, $30)--my autumn read. Ozeki feels present in this recent book--a Hitchcockian cameo in the library beside the narrator.

The Face: A Time Code (Restless, $12.99) is her only nonfiction book. In this meditative essay about a three-hour-long self-stare-down, Ozeki writes that characteristics of ancestors and influences of strangers are all reflected in her face: "The light and shadow are here, too, the joys, anxieties, griefs, vanities and laughter." All of which are reflected in her books, too. --Kristianne Huntsberger, partnership program manager, Shelf Awareness


Sourcebooks Casablanca: Electric Idol (Dark Olympus #2) by Katee Robert


Book Candy

Mapping Fiction, an Exhibition

Mapping Fiction is an exhibition at California's Huntington Library, Art Museum and Botanical Gardens that focuses "on the ways authors and mapmakers have built compelling fictional worlds."

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Maya Angelou "is the first Black woman to be featured on a U.S. quarter," NPR reported.

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Mental Floss explored "the strange literary puzzle only four people have ever solved."

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"Jon Hamm narrates a modernized version of Plato's 'Allegory of the Cave,' helping to diagnose our social media-induced narcissism." (via Open Culture)

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Author Alafair Burke picked her top 10 books about amnesia for the Guardian.


Charlesbridge Publishing: Powwow Day by Traci Sorell, illustrated by Madelyn Goodnight


Great Reads

Rediscover: F. Sionil José

F. Sionil José, the author of "a dozen socially engaged novels and countless short stories and essays who was sometimes called the grand old man of Philippine letters and even the conscience of his nation," died January 6 at age 97, the New York Times reported. José's writing, "rich in themes drawn from his rural upbringing, amounted to a continuing morality play about poverty and class divisions in the Philippines" and often explored "his anguish over what he saw as his country's failure to overcome centuries of Spanish colonization, followed by further domination by the United States."

José wrote more than 35 books, all in English, with the core being the Rosales Saga, five interconnected novels published over 20 years, beginning with The Pretenders (1962) and continuing with My Brother, My Executioner (1973), Mass (1974) Tree (1978) and Po-on (1984). He received many awards, grants and fellowships from abroad as well as in the Philippines, where the government named him a National Artist for Literature. His works have been translated into 28 languages. José opened and ran a bookshop in Manila, Solidaridad, and founded the Philippine chapter of PEN International. He also published Solidarity, a monthly journal of "current affairs, ideas and the arts." Several of his titles are available from Modern Library.


The Writer's Life

Jessamine Chan: When the Village Becomes a Surveillance State

photo: Beowulf Sheehan

Jessamine Chan, a former book review editor at Publishers Weekly, has had short stories published in Tin House and Epoch. She lives in Philadelphia with her husband and daughter. Her debut novel, The School for Good Mothers (reviewed below), is an imaginative and chilling depiction of a dystopian future where society's hypervigilance and surveillance is particularly brutal on new mothers.

This is such an unusual and gripping novel. I found myself thinking about the plot, the imagery and the issues long after I had finished it. What inspired you to tell this story?

First, thank you for reading and spreading the word! Hearing that my work has made a lasting impression is so satisfying. This story emerged from a few different threads of inspiration. When I started the project in 2014, my partner and I were trying to decide whether to have a baby, so I was ruminating on motherhood with great anxiety and ambivalence. Around that time, I happened to read a nonfiction article about one mother's struggle to regain custody of her toddler son after leaving him home alone, and her nightmarish experience with the family court system. The story lingered in my mind. I felt so much rage on the mother's behalf. In addition to the way she was treated, the way that Child Protective Services--and everyone working for the state--spoke to that mother, and the way they talked about parenting, sounded cold and clinical to me, almost like science fiction.

How did the plot come to you? Was it prompted by real-life news or current events?

The book's plot came to me on one really good writing day, where I wrote feverishly for six hours and wound up with the foundation for the book. From that day's scribbling, I had Frida's whole arc, all the main characters, the school, the tech elements and, most importantly, the voice. I wish I could say I sat down with a plan, but I tend to write toward a feeling or image, or even by just playing around with sentences and following the lines until I hit upon a cool idea. The inciting incident was inspired, on a subconscious level, by a story I'd read in the New Yorker, but once I started reading about parents who got in trouble with CPS, I found that this story was one of many, whereby one misstep can change your life.

What inspired you to set this novel in a dystopian future with speculative elements, and how did that aid in the storytelling?

I was interested in using speculative elements to raise the stakes and hopefully see our current reality more clearly. While I was writing, I didn't spend much time dwelling on the "why" of it all and just followed my crazy ideas to their conclusion. There's a note on my bulletin board from a workshop teacher, Percival Everett, that says: "Don't worry about what it means. Just make the world. Keep making the world." Though this book has big themes, I don't think about theme when I'm drafting. I write almost entirely from instinct.

The surveillance in my book is based on the feeling of being watched and judged by other parents, and thus, society. For example, I remember one impasse I had with my daughter where she did the "protestor resisting arrest" move on the sidewalk and simply wouldn't budge or get in her stroller. I felt the eyes of West Philly on me as she screamed and I implored her to cooperate, alternating between a raised voice and a lot of begging. It was not my best parenting moment. I wanted to take that feeling of being monitored and make it literal, using imaginary future technology.

As the daughter of Chinese immigrants, how did your upbringing influence your perception of the idealized American family and guide your shaping of the characters?

As a child of the '80s and early '90s, growing up in a mostly white community in suburban Chicago, I was always aware that my Chinese family was different, and that I was different. We always had at least one grandparent living with us, and almost all our socializing was with my aunts, uncles and cousins. If there were problems, such as a grandparent in the hospital, we banded together. The sense of duty to elders is just one of many differences. I'm writing about American parenting from an outsider's perspective. Perhaps that's one reason I felt free to make things strange. As the years went on, I explored Frida's Chinese identity more and more, especially as she relates to the other mothers at the school. Knowing that I was creating the complicated, thorny and flawed Chinese American heroine I always wanted to read helped me stay motivated to finish the book.

You discuss themes of race and class. To what degree do you feel those are drivers of the characters' actions or experiences?

I'm not sure that race and class drive the characters' actions, but I do think they impact the characters' experiences. It's hard to think of any parenting decision that can be completely disentangled from one's race and class. Though I'm hesitant to make sweeping pronouncements, and shy away from fiction that does, I wanted to raise questions about the ways mothers from different backgrounds are surveilled or judged. In the real world, someone like Frida would not be as likely to be caught or punished. Her race and social class would likely afford her a certain invisibility to the authorities. I also wanted to call attention to the fact that any "universal" standard of parenting is inherently biased, because how can any standard take into account all the differences in race, class, culture and life circumstances?

What kind of stress do you think society's unrealistic expectations or constant surveillance place on new mothers?

What's especially troubling is that everyone is talking about the unreasonable pressures that mothers face, but little is actually changing in terms of resources or policy. It's hard to quantify the impact of expectations or the feeling of being watched or the feeling that you have to act like everything is perfect, because it's just there. How are you supposed to tune those messages out? I was reading books about this very issue, so I was aware that these cultural pressures (the "cult of motherhood") would add nothing good to my life, but I couldn't escape those feelings of inadequacy.

During my first year of motherhood, one week sometimes felt like a single long day. But in addition to just surviving, I was constantly judging myself by external measures, including whether I was happy during every single moment, because the message I was getting from society was that if I ever felt frustrated or bored, that meant I was doing something wrong. I wish all mothers could be free from the added stress of such impossible expectations.

How do you think society could better support new mothers?

If this were a country with just family leave policies, government-sponsored childcare, universal pre-K and more jobs that paid a living wage, I think the experience of motherhood, and parenthood in general, would be very different. The novelist Lydia Kiesling recently posted a great tweet noting that one hour of most jobs doesn't pay for one hour of childcare. So much of the burden is placed on individual families, but the problems are systemic and, unfortunately, most of the people making policy decisions are men. --Grace Rajendran, freelance reviewer and literary events producer


Book Review

Fiction

Bibliolepsy

by Gina Apostol


Bibliolepsy, Gina Apostol's debut novel originally published in the Philippines in 1997, is a whirlwind anti-coming-of-age story about a young woman's sexual obsessions in the wake of the Philippines' political upheaval in the early to mid-'80s. In Primi Peregrino's search for love and sex, she has always turned to books. Even now, after a revolution determined to overthrow dictator Ferdinand Marcos, Primi can't stop herself from pursuing sexual relationships with a variety of writers. While Primi burrows into a world of words and sex, she can't completely escape her fragmented family: her radical, spirit guide sister; her sharp-eyed uncle; and her grandmother, the woman who gave her the Karma Sutra before she could read and who took her in after her parents' mysterious death.

Apostol's (Gun Dealers' Daughter) breathless prose is full of torsion and rhapsodic pleasure, making the act of reading itself feel like an erotic workout. As the story unfolds, from Primi's parents' death at sea the year Marcos took control to the moment Marcos finally topples, her unusual sexual obsession with books and their authors seems sane compared to the people around her, who engage with the world via their own fantasy-fueled endeavors. The lead-up to the novel's climax captures the dizzying pleasure of finding a fixation amidst a fall, and the kaleidoscopic conclusion transcends reality. Apostol thrusts Primi into a jumble of surreal encounters before finally letting her break surface, leaving her, and readers, gasping for air. --Alice Martin, freelance writer and editor

Discover: A surprising and irreverent literary debut, Bibliolepsy is an exploration of language and desire that offers an unusual perspective of living through political turmoil.

Soho Press, $26, hardcover, 216p., 9781641292511

The School for Good Mothers

by Jessamine Chan


In this entrancing debut novel, Jessamine Chan highlights the many societal assaults on new mothers, who are often held to an almost unflinching and unrealistic standard of perfection: "A mother is always kind. A mother is always giving. A mother never falls apart." The School for Good Mothers immerses readers in an immaculately constructed dystopian future that is even more spine-chilling because of its close roots to contemporary society.

The protagonist, Frida, is a recently divorced Chinese American new mother who, while exhausted and overwhelmed, leaves her daughter unattended for a few hours. This lapse in judgment is a mistake that will not be tolerated by the unforgiving people surrounding her--from her neighbors to those in the justice system--and her daughter is taken away by child protective services. Frida herself is sentenced to one year in a live-in retraining program.

What follows is the imaginative and heartrending story of a mother's fight to be reunited with her child. Frida is not perfect, and that makes her utterly sympathetic. Readers are also introduced to other women, each with her own tragic circumstances that draw attention to the inequities plaguing the legal system.

The speculative elements create a sense of ominousness that permeates the story, underscoring that, unless today's society finds ways to treat mothers with compassion and provide them with assistance, a similar future is only steps away. --Grace Rajendran, freelance reviewer and literary events producer

Discover: This gripping dystopian novel examines the often unrealistic pressures that society places on new mothers.

Simon & Schuster, $27, hardcover, 336p., 9781982156121

The Torqued Man

by Peter Mann


In Peter Mann's debut, The Torqued Man, two manuscripts intertwine in a twisty literary thriller where nothing is what it seems.

Adrian de Groot, a German military intelligence officer who despises the Nazis but is unable to find a way to avoid submitting to them, writes in his journal about recruiting an Irishman named Frank Pike, who has been released from imprisonment under Generalissimo Francisco Franco's regime in Spain for that purpose. De Groot's supervisors hope IRA fighter Pike can deliver Irish support for a joint attack against England. But their initial mission is aborted, and Pike remains in Berlin until a use can be found for him.

Pike's journals reveal a different story, in which he has been planted as a secret agent and, in the absence of more specific instructions, makes it his mission to eliminate Nazi doctors. The two narratives combine a morbidly dark comedy with an edge-of-your-seat suspense story. Only readers see both sides--but do even they know the truth? Fact and fiction intertwine, and if Pike's story contradicts the historical record, that may mean that his entire manuscript is invented, or merely that he stretched some facts or was mistaken about an individual incident.

The inner workings of the two narrators' minds, questions about the nature of truth and shocking twists will leave readers eager for more of Mann's work. --Kristen Allen-Vogel, information services librarian at Dayton Metro Library

Discover: Two narrators give conflicting perspectives on a gripping spy story set in Nazi-era Berlin.

Harper, $26.99, hardcover, 384p., 9780063072107

Shit Cassandra Saw: Stories

by Gwen E. Kirby


An 1892 "emancipated duel" between two women is about to take place as the overseeing (female) doctor drolly remarks, "we will never be emancipated from the stupidity of men." That theme lingers throughout Gwen E. Kirby's remarkable 21-story debut, Shit Cassandra Saw, as women love, leave, disdain and suffer through centuries all manner of men--abusive, manipulative, definitely unintelligent, some even dead.

Kirby's (partially) titular opener, "Shit Cassandra Saw that She Didn't Tell the Trojans Because at that Point F%@& Them Anyway," brilliantly sets the collection's comically scathing tone: knowing the future leaves Cassandra of the unbelievable oracles "done, full the f%@& up, soul weary." If she could, she'd tell her fellow women about tampons, washing machines, mace, epidurals, but "the best thing of all" is the mighty Trojan legacy reduced to that little square package "carried in every hopeful wallet." That same uncomfortably dark-but-brilliant comedy carries into "A Few Normal Things that Happen a Lot," in which entitled men--whose careless catcalls easily morph into fatal violence--get their comeuppance when would-be victims develop superpowers that decimate male control.

Kirby writes with stunningly acerbic wit, whether she's empowering or exposing (or both) her diverse characters. From teens on the verge of adulthood, abandoned wives, cheating spouses, symbiotic sisters, Kirby creates familiar, identifiable girls and women, and places them in strikingly unexpected situations: conversing with an 18th-century ghost preacher, playing softball against a school where a shooting recently happened, obsessing over a stuffed (once-real) wallaby found in left luggage. Wielding humor and shock, Kirby audaciously unmasks gender disparity with delightful, disturbing aplomb. --Terry Hong, Smithsonian BookDragon

Discover: Readers of Gwen E. Kirby's exceptional debut collection are guaranteed both to gasp and guffaw through 21 darkly comical, scathing stories that expose gender disparity through centuries.

Penguin Books, $17, paperback, 288p., 9780143136620

Romance

Weather Girl

by Rachel Lynn Solomon


Rachel Lynn Solomon (The Ex Talk; We Can't Keep Meeting Like This) has created a wonderfully heartfelt and hilarious romance in Weather Girl. Ari Abrams has longed to be a meteorologist since she was a little girl. So getting a job at the same Seattle television news station as Torrance Hale, a local weather legend, seemed to be a dream come true. But unfortunately for Ari, Torrance's ex-husband, Seth, is the station's news director, and their tumultuous relationship means the workplace environment is incredibly stressful.

Also affected by the tension is sweet, shy sports reporter Russell Barringer. Tired of Seth's passive-aggressive memos and Torrance's drama, Russell and Ari drunkenly decide at a holiday office party to make their bosses fall in love again, for the sake of the station. But as they bond over wacky schemes to throw Torrance and Seth together, Ari and Russell come to realize that they may also be falling for each other.

Lighthearted but with depth (characters deal with depression, fat-shaming, co-parenting and more), Weather Girl is a fantastic romance. Solomon has created lovely, enjoyable characters, and the laugh-out-loud matchmaking hijinks are a wonderful foil for the heavier themes the book explores. Descriptions of the Seattle area create a charming backdrop, making this an excellent choice for readers who like a little armchair traveling with their romance. Perfect for fans of Jasmine Guillory or Christina Lauren, Weather Girl will not disappoint. --Jessica Howard, bookseller at Bookmans, Flagstaff, Ariz.

Discover: This atmospheric romance set in a Seattle TV news station finds a meteorologist and a sports reporter falling for each other.

Berkley, $16, paperback, 352p., 9780593200148

Biography & Memoir

I Came All This Way to Meet You: Writing Myself Home

by Jami Attenberg


Novelist Jami Attenberg (All This Could Be Yours) displays her signature wit and sharp eye for detail in her memoir, I Came All This Way to Meet You. Readers of Attenberg's fiction will find familiar themes here: complicated family relationships, what it means to be a woman, the challenges of building a career one loves. Attenberg frames her book with travel metaphors ("The Long and Winding Runway," "Brief and Dire Spasms of Turbulence"), but her narrative also contains a lot of literal travel: endless solitary hours on the road during book tours, wandering dark Italian streets with a fellow writer, the traveling salesmen in Attenberg's family tree. She takes readers along on her physical and emotional journey as she wrestles with sexism, self-doubt, what it means to be a writer and the challenges of relationships (romantic, familial and otherwise).

Attenberg's peripatetic narrative offers a glimpse of various scenes in her life: her freewheeling 20s, her Midwestern childhood, her gradual stumbling toward the life and career she truly wants for herself. She takes physical risks but hesitates (for a while) to take emotional ones, and does her best to be honest about her own mistakes, foibles and questions. "The thing with being a novelist--or really any creative endeavor--is we have to willingly enter into the not knowing," she says. In Attenberg's hands, the "not knowing" is sometimes dark (and might be haunted)--but it also contains snark, red lipstick, glasses of wine and a patchwork of stalwart friends. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: Novelist Jami Attenberg charts her journey in writing and life in this memoir filled with vivid details and wry humor.

Ecco, $27.99, hardcover, 272p., 9780063039797

Art & Photography

Authority and Freedom: A Defense of the Arts

by Jed Perl


Jed Perl is too diplomatic to put it so bluntly, but he's had it up to here with the idea that the success of a work of art--a painting, a song, a play, a poem--should hinge on its messaging. Authority and Freedom: A Defense of the Arts is Perl's measured but emphatic case for art for art's sake, and a dissection of the long battle between the two abstract nouns that give his book its title.

Across six modest chapters, the author outlines the tension between an artist's hunger for total freedom and the pressure exerted on the artist to demonstrate an allegiance to authority, which Perl defines, paraphrasing philosopher Hannah Arendt, as "a hierarchy of values about which a group of people agree." Perl is generous with examples showing how this conflict has played out--with critics, with art lovers--across the generations. Of Picasso's 1937 masterwork, Perl writes, "Guernica is almost universally accepted as an indictment of humanity's inhumanity," and yet "for those who admired the mural, the key to its greatness was precisely Picasso's rejection of a journalistic or propagandistic approach."

A seasoned art critic and a biographer of Alexander Calder, Perl isn't remotely a dry or humorless writer, but Authority and Freedom will likely speak most clearly to those who have some grounding in art history or appreciation. Perl is adamant that art has no obligation other than to dazzle us, and his book is itself beautifully made, its ideas both authoritative and, intellectually speaking, freeing. --Nell Beram, author and freelance writer

Discover: A seasoned art critic takes a penetrating look at the long-simmering tension between the yen for artistic freedom and the pressure to create a work of social value.

Knopf, $20, hardcover, 176p., 9780593320051

Now in Paperback

The Push

by Ashley Audrain


In this tense debut psychological thriller--a Good Morning America Book Club Pick and New York Times bestseller--a woman is tormented by the question of whether she is facing the normal struggles of new motherhood, or if there is something wrong with her daughter.

Blythe Connor was never confident that she had what it took to be a good mother; the women in her family have a history of being poorly suited for the role. When her daughter, Violet, is born, she is plagued with doubts. Is she failing in some way, unsuited to the challenges that the rest of the mothers she knows handle easily, or is Violet different from other children? Her husband doesn't see it, and Blythe wonders about her own sanity. Her second child, Sam, is born and motherhood comes far more easily. Then tragedy strikes, and the family unravels as Blythe struggles to understand what happened.

The Push by Ashley Audrain is claustrophobically narrated by Blythe, addressed to her husband, keeping readers wondering about how trustworthy her perspective is. With only Blythe's observations, often refuted by her husband and minimized by other women, the question hangs over every page: Is what Blythe thinks she sees the effect of postpartum depression compounded by grief, or is Violet dangerous? Blythe's family history becomes clearer and her own behavior becomes more unbalanced as the story progresses. Until the breathtaking final page, readers will question whether they are witnessing the fallout of a tragic accident or something far more twisted. --Kristen Allen-Vogel, information services librarian at Dayton Metro Library

Discover: A woman's fears about what kind of mother she will be and what kind of daughter she is raising take on extreme form in this intense psychological drama.

Penguin Books, $17, paperback, 336p., 9781984881687

Raft of Stars

by Andrew J. Graff


Andrew J. Graff's debut, Raft of Stars, is a magnificent saga of friendship, loss and heroism, wrapped in the fallout of war and action, that recalls adventure stories of old. In 1994 Claypot, Wis., 10-year-old best friends Fischer "Fish" Branson and Dale "Bread" Breadwin tear around town on their Huffys and roam the Northwoods, exploring and escaping their respective sorrows. Fish is mourning his military father's death, which precipitates his summer visits to Claypot, to his maternal grandfather, Teddy Branson, widower and Korean War veteran. Bread's father is an abusive drunk they avoid at all costs.

At the local gas mart, Tiffany works the counter, staving off homelessness, bantering with the locals and trying to catch the attention of Sheriff Cal. Cal is new to town, up from Houston where his confrontation with a violent parolee made a fresh start necessary. After Fish shoots Bread's father to stop another beating, the boys pack supplies, leave a note for Teddy and run away to build a raft and live off the land. The life-battered locals join with Fish's stalwart mother, Miranda, in a frantic search for the boys in the Wisconsin wilderness.

As the pairs (Fish and Bread, Teddy and Cal, Tiffany and Miranda) converge at the perilous gorge rapids the boys don't know exist, they learn about themselves, each other and the things that are most important. Graff's nature writing is absorbing, and his characters generate a yearning to know them. Raft of Stars is a quest story full of heart and humor. --Lauren O'Brien of Malcolm Avenue Review

Discover: This thoughtful yet epic adventure tale pits two boys against nature as their families and the authorities try to reach them before disaster strikes.

Ecco , $16.99, paperback, 304p., 9780063031913

Children's & Young Adult

Wombat Underground: A Wildfire Survival Story

by Sarah L. Thomson, illus. by Charles Santoso


In the empathic and edifying Wombat Underground, written by prolific fiction and nonfiction author Sarah L. Thomson and illustrated by Charles Santoso (I Don't Like Koala; The Bookstore Cat), the eponymous marsupial proves to be a hero by opening his cozy home to other animals in need of sanctuary.

A lightning strike and dry conditions cause a terrible wildfire to burn through the Australian bush. "Flakes of fire sail on the wind. Ribbons of smoke snake through the grass. Fingers of flame claw up each tree." What will happen to the animals? Skink, Echidna and Wallaby, her young one tucked in her pouch, flee from the fire. They find a hole in a hill--Wombat's hole--and try to gain entry. Wombat, who initially blocks the entrance, finally realizes that his home is large enough to share: "There is room for one more, for two more, for three.../ room for us all deep in the dirt under the hill."

Thomson's dramatic, terse language quickly communicates the serious situation. Santoso's digital illustrations are striking and tense, making the life-or-death situation the animals face painfully clear. The reds and yellows of the fire and the dry Australian bush contrast with the rich, wet brown soil of Wombat's underground home. Wombat Underground will likely engender discussion about animals in such precarious situations, but also about how people can protect others (human and animal) in times of danger. The author's note is particularly helpful in this picture book--it enhances the story with facts about bushfires and the Australian animals affected by their annual occurrence, as well as discussion of the 2019-2020 fire season and how global climate changes affect us all. --Melinda Greenblatt, freelance book reviewer

Discover: In an emotionally strong picture book based on natural science, a wombat generously opens his home to other Australian creatures fleeing from a bushfire.

Little, Brown Books for Young Readers, $18.99, hardcover, 32p., ages 5-8, 9780316707060

Riley's Ghost

by John David Anderson


Middle school turns into a real-time horror story for one lonely girl in this dark yet ultimately hopeful middle-grade novel.

Watching her middle-school peers "stumble through each other's hormonal fogs" is bad enough for seventh-grader Riley Flynn. But going it alone ever since her best friend Emily ditched her at the end of sixth grade is enough to make her lonely, depressed and so angry she occasionally acts out. When one evening a "band of vindictive volleyballers"--including Emily--lock her in the science room supply closet with half-dissected frogs, Riley knows there is no one in the world who will come to her rescue, including her parents, who are both working. Horrifying though her situation is, she couldn't anticipate how much worse it would get when not one, but two ghosts with unresolved business show up. Max, in the form of a "half-eviscerated zombie frog," promises he doesn't want to hurt her. But Heather? The long-dead former middle-schooler who, like Riley, was bullied and abandoned by friends? Riley's not so sure of her intentions.

John David Anderson (Posted; Ms. Bixby's Last Day) spins a spine-tingling ghost story that captures the sadness and loss of being left behind, for the living as well as the dead. Movie-worthy scenes in the dark school halls alternate with chapters about Riley's struggles to control her impulses and, in a word, survive middle school. Creepy ghosts or not, middle school is no picnic for many kids; Riley's Ghost might make them feel seen. --Emilie Coulter, freelance writer and editor

Discover: In this hair-raising ghost story, an angry, bullied seventh-grader struggles to know whether she matters in the world while trapped after hours in her school with unhappy ghosts.

Walden Pond Press, $16.99, hardcover, 368p., ages 10-13, 9780062985972

The Bone Spindle

by Leslie Vedder


Leslie Vedder's YA fantasy, The Bone Spindle, is an energetic and adventurous genderbent retelling of "Sleeping Beauty" with a powerful female friendship at its core.

A century ago, Prince Briar Rose of Andar was "cast... into a deathless sleep" to escape a curse placed upon him by the villainous Spindle Witch. Treasure hunter Fi is exploring a ruin in the nearby kingdom of Darfell when she pricks her finger on a bone spindle, a sign that she is "destined to wake Briar Rose" with a kiss and free Andar from the Spindle Witch. Fi and her partner Shane, a mercenary "well-known for her aggressive brand of justice," set out on a quest to "pass through the Forest of Thorns, enter the sleeping castle" and wake the prince.

Vedder weaves elements of "Sleeping Beauty" into an inventive quest narrative that places teenage girls--who are often marginalized and victimized in fairy tales--in positions of importance. The Bone Spindle alternates points of view between reserved, bookish Fi (who has "warm tan skin") and impulsive, axe-wielding Shane (who has "fair skin"), who are distinct individuals who share entertaining and humorous back-and-forth exchanges. Their reluctant partnership's transformation into a genuine friendship is a highlight of Vedder's debut. Fi's developing feelings for the blue-eyed, golden-haired Briar Rose--despite her resolution to "keep [her] heart out of it"--and Shane's flirtation with a mysterious witch known as Red add elements of romantic tension. Vedder raises questions of free will versus fate as Fi and Shane face the weight of their heroic destinies while also attempting to forge their own paths. --Alanna Felton, freelance reviewer

Discover: A treasure hunter and her reluctant ally must save a prince cursed with eternal slumber in this lively, genderbent YA take on "Sleeping Beauty."

Razorbill, $18.99, hardcover, 416p., 9780593325827

--- SPECIAL ADVERTORIAL OFFERINGS ---

Kids Buzz

The Way I Say It

by Nancy Tandon

Dear Reader,

Twelve-year-old Rory Mitchell can't tell you his first name. He's not in a witness protection program or anything. He just can't say R sounds. He expects teasing, but he never thought his friend Brent would side with his tormentors. He also never expected to learn about heavy metal music from his speech teacher.

As a former speech/language pathologist, I worked with many clients who couldn't say sounds in their own names. I wondered what school would be like for a kid whose difficulties persisted into middle school, and Rory was born. 

Kids will cheer and cringe as Rory and Brent make mistakes trying to repair their friendship. Drawing on stories from Muhammad Ali's life, realistic speech therapy tasks, and a killer soundtrack, The Way I Say It celebrates underdogs and how the right friends make you feel like a champion.

Enter to win a free copy.
https://www.charlesbridge.com/pages/enter-to-win-1

Plus booksellers selected it as an Indies Introduce title!

Turn up your amp and enjoy!

Nancy
www.nancytandon.com




PUBLISHER: 
Charlesbridge Publishing

PUB DATE: 
January 18, 2022

ISBN:
9781623541330

TYPE OF BOOK:
Middle Grade Fiction

AGE RANGE: 
Ages 10 and Up

PRICE: 
$16.99 Hardcover

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