What if Jane Austen set Pride and Prejudice in contemporary Cincinnati? In Eligible, Curtis Sittenfeld (Prep; American Wife) turns an iconic comedy of manners into a sly and entertaining social satire and story of loves lost and found.

The broad outlines of the characters and plot are immediately recognizable in this retelling, though the novel is wholly a Sittenfeld original. Liz Bennet is a magazine writer in New York who returns to Cincinnati to help care for her father after his heart attack. Jane, the eldest sister, is a yoga teacher undergoing in vitro fertilization treatments; Mary is pursuing her third online master's degree; and Katie and Lydia spend all their time working out at a trendy gym and following the Paleo diet. Mrs. Bennet engineers an invitation to a Fourth of July picnic so that the sisters can meet erstwhile reality television star Chip Bingley and his friend Fitzwilliam Darcy. Liz and Darcy naturally take an immediate dislike to each other, while Jane and Chip's instant mutual attraction is complicated by Jane's circumstances.

Sittenfeld's satirical edge animates a familiar plot that lags only in a somewhat forced episode that sets up the grand finale, with Jane and Liz on a reality television show. Eligible is otherwise so entertaining that one might easily miss its bigger themes--the futility of judging others based on appearances or social proprieties, their color, gender, circumstance or secret passion for bowling. Finding love means learning not to be judgmental--but then Darcy asks, when love comes, "Who cares what anyone else thinks?" --Jeanette Zwart, freelance writer and reviewer

The phrase "movie star" connotes an unattainable being, so distant and awe-inspiring that it shares a name with a celestial body. In Jack Pendarvis's story collection, the focus instead is on the normal mortals who orbit these icons, whose trials and tribulations are as absurd as they are unglamorous.

Movie Stars' primary appeal lies in its deviation from and playfulness with conventional ways of storytelling. With abrupt interjections, bizarre plot twists and anticlimaxes, Pendarvis, who writes for the TV show Adventure Time, imbues his characters with hilarious quirks and outlandish flaws. The gullible protagonist of "Cancel My Reservation" falls for a friend's lie that he has cancer, then proceeds to search for the perfect gift at a Bob Hope paraphernalia auction; the son in "Frosting Mother's Hair" dates a gold-digging B-list actress and severely burns his mother's scalp in a hapless dye job. Most entertaining, though, are Pendarvis's sentences, the lovechild of Mad magazine and Proust. In "Your Cat Can Be a Movie Star," the narrator observes of Scarlett Johansson, "[she] is a person so soft and creamy, resembling nothing so much as a nourishing bowl of oatmeal."

With its focus on human foibles, Movie Stars manages to be both dark and winsome, humorous and heartbreaking. Beneath the absurdity, these characters' failures sometimes hit too close to home. It's a pain that hurts so good, a distorted mirror in which reality is both funnier and more heightened than the world we know. --Linnie Greene, freelance writer

"Hollywood is lousy with beauty queens." After being crowned Miss Astoria Park of 1936, Lillian Frost headed for Los Angeles to break into the movies, only to settle for a recurring bit part as a department-store salesgirl. But when fellow aspiring actress Ruby Carroll--Lillian's frenemy and former roommate--turns up dead in an alley, Lillian steps into a new walk-on role: amateur detective. As she digs into Ruby's murder, Lillian gains an unlikely co-star in costume designer Edith Head. Renee Patrick (the pseudonym for a husband-and-wife writing team) turns in a sparkling debut performance in Design for Dying.

Determined to catch Ruby's killer, Lillian travels around the city to interview Ruby's friends, colleagues and (often unsavory) paramours. Her visits to Edith at Paramount Pictures allow Patrick to slip in cameos by various Hollywood luminaries, including Barbara Stanwyck and Billy Wilder. Edith's no-nonsense direction on the case, and a little help from a handsome police detective, put Lillian closer to a solution--but not before she's in danger of losing both her day job and her life.

Lillian's first-person narration glitters with show-business metaphors, such as a morning when "the dawn light was still in rehearsals" and "coffee black enough to be accessorized by diamonds." The mystery's solution is both clever and cinematic, and the denouement leaves room for a planned series. For readers who love Hollywood, high fashion, strong women and witty dialogue, Design for Dying is a thoroughly entertaining first act. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Katherine Wilson meant to move to Italy for just a few months when she took a post-college internship at the United States Consulate in Naples in the late 1990s. But she soon met a young man named Salvatore, and as their relationship blossomed, his elegant mother, Raffaella, and their boisterous Neopolitan family welcomed Katherine with open arms. Raffaella taught Katherine to cook, and Katherine and Salva married. They still live in Italy with their children.

Only in Naples is the story of Katherine's transformation from uptight, perpetually dieting American girl (including intriguing glimpses into her privileged childhood) to much more relaxed, food-loving Italian wife. Full of mouth-watering descriptions of food, hilarious examples of quirky Neapolitan culture (it's the "oxygen" that makes you feel heavier when you're on a ski weekend, not the ridiculous amounts of food consumed afterward), Only in Naples also lends insight into the differences between American and Italian childrearing. It is part travel guide, part foodie memoir, and is sure to appeal to armchair travelers and Italian food-lovers alike, with its rich descriptions of the gestures and traditions essential to life in Naples, and recipes for Neapolitan classics like insalata di polipo (octopus salad) and parmigiana di melanzane (eggplant parmesan).

Doing for Naples what Ann Mah's Mastering the Art of French Eating did for Paris and Luisa Weiss's My Berlin Kitchen did for Berlin, Only in Naples offers a vibrant look at the food and people that make up a great Italian city. --Jessica Howard, blogger at Quirky Bookworm

While researching his previous book, The Fox Effect, co-written with David Brock, Ari Rabin-Havt, host of Sirius Radio's The Agenda, repeatedly questioned the origins of what he sees as lies and propaganda filtering through Fox News. As he argues, "Lies do not simply appear and take hold. They must be developed, introduced, and nurtured into the public discourse." Rabin-Havt's research into various falsehoods indicated the existence of a profitable industry doing just that on behalf of those willing to pay for it. He called this business Lies, Incorporated. Bestowing the name on his book, Rabin-Havt examines the origins of some of the most significant deceptions muddying the current political waters.

Through meticulous examinations of issues such as climate change, immigration reform and gun control--issues where scientists and other researchers have publicly debunked the lies preventing progress, lies that continue to cling to the important conversations and debates--Rabin-Havt theorizes that Lies, Incorporated is a result of "a political culture where ideological victory, not progress, is the ultimate goal. Where what is good for my country plays second fiddle to what is good for the bottom line of my clients."

Well-researched and documented, Lies, Incorporated presents hot button topics with diplomacy and tact. It won't likely convince every reader to relinquish the stronghold on their ideologies--Rabin-Havt himself says, "it is far easier to ignore the truth than to confront the failure of your argument"--but it is convincing motivation to scrutinize closely the evidence on which one's beliefs are based beliefs and hold the political media accountable for reporting practices. --Jen Forbus of Jen's Book Thoughts

British cartoonist Paul Thomas's An Unreliable History of Tattoos is as eccentric as the art form-cum-lifestyle choice that it (rather flippantly) seeks to celebrate. Presented as something between a lovely hardcover art book and a graphic novel, Thomas's irreverent opus tells the heavily fictionalized story of tattoos from their supposed inception in the Garden of Eden to their equally false apotheosis as elaborate illustrations cheekily inked on the skin of various British royals. It's an absurd, silly, slightly profane trip that fuses highbrow and lowbrow humor with Monty Python-esque glee.

Thomas's art is both lovely and charmingly brash. Cartoonish figures appear inked onto the pages like tattoos themselves, surrounded by elaborate swirls of intentionally gaudy primary colors. Panels are packed with tiny details including frequent jokes on popular Brit-comedy punching bags such as David Beckham or the right-wing party UKIP. One need not be an Anglophile, however, to appreciate the appeal of panels showing naked, tattooed Vikings charging onto the shores of the British Isles, one Norseman asking, "Fancy a whodunit?" while a fleeing woman cries, "Uh-oh! Nordic noir."

Thomas notes at the beginning of his "history" that "the sheer ubiquity of tattoos has reduced their ability to shock." In some ways, he seems determined to reclaim that shock value with bawdy jokes about Queen Elizabeth's sex life and equally brazen illustrated close-ups of inked unmentionables. In other words, An Unreliable History of Tattoos is the kind of coffee-table book you get for a cool, tatted-up aunt. --Hank Stephenson, bookseller, Flyleaf Books

Born in California's Central Valley, Brynn Saito offers a second collection of poems (after The Palace of Contemplating Departure) that explores both her past and the landscape that defined it. Power Made Us Swoon's poems describe the Manzanar World War II Japanese internment camp where her grandparents met (" 'She went in with one name and came out with another,' says my cousin."). It is a desolate place of hot summers, cold winters and frequent dust storms that reflects a tragic period in her family's history--and a nadir of United States history. But in her time at Manzanar, Saito collects a small rock that becomes a zen-like voice in "Lifting the Stone," fulfilling her quest to understand--reassuring her to "go on/ blindly, seeking a life with life at the center."

Saito's mining of her history also includes more recent events. She describes car wrecks, roadside melon stands, romances and a childhood in the rural outskirts of Fresno. In "Getting Clear," she reaches for meaning in the natural world of migrating birds, asking, "How does a family learn to fly/ like that? How do they know/ the best seasons for leaving?" In other poems, the voice of her "Woman Warrior" leads her through urban life with "bridges lit with streetlights/ and smokers" and dim bars where she "found love, lost it, lost it again." These are strong poems that don't shy from the big questions. Perhaps her "W.W." says it best: "When you're a warrior it doesn't/ matter/ you must always/ wake at dawn." --Bruce Jacobs, founding partner, Watermark Books & Cafe, Wichita, Kan.

Brian Farrey's (The Vengekeep Prophecies series; With or Without You) haunting middle-grade fantasy explores a peaceful monarchy where all the subjects are perpetually happy. Yet, within its borders, there's a shadowy bog called Dreadwillow Carse, a nasty swampland that smells of "spoiled milk and olive juice" and feeds on sadness.

On the morning she is officially named Queen Ascendant by her dying mother, 12-year-old Princess Jeniah is warned never to enter Dreadwillow Carse, or the monarchy will fall. But Jeniah believes that to be a proper queen she must understand the threat posed by the Carse. Her mostly inscrutable tutor says she is "too strangely clever for her own good."

Nearby in Emberfell, a young girl named Aon Greenlaw, the only one among the ever-merry villagers who feels grief, finds herself drawn to the Carse's gloom. Her mother left long ago, and when her father disappears, too, Aon feels more broken than ever. When Aon and Jeniah meet by chance, they hit it off, "weaving a web of promises and whispers." They make a deal: Aon will explore the Carse in Jeniah's stead, if the princess will find her father. But when Aon doesn't return from her mission, Princess Jeniah must decide whether to go in after her, and risk the welfare of the monarchy.

Told in the alternating viewpoints of Jeniah and Aon, this vivid, philosophical tale investigates what part sadness plays in defining a person, the cost of happiness achieved at the expense of others, and the importance of finding enough courage to make wise choices. --Lynn Becker, blogger and host of Book Talk, a monthly online discussion of children's books for SCBWI

The cupboard is "a bit bare," so Vincent's mom sends her son off in his handmade soap-box derby car with a shopping list: "a Bunch of Carrots, a Box of Rice, some Tasty Cheese, a Big Firm Pear, a Can of Peas" and he must "hurry home in time for tea!" Of course, when the list blows away, he worries his memory of it will, too, so throughout his journey he repeatedly chants the list.

The chanting doesn't quite work. As Vincent and his race car roll past the circus, he picks up a trapeze in lieu of the requested "Can of Peas," and later, a "Big Furry Bear" instead of a "Big Firm Pear" and a "Box of Mice" instead of a "Box of Rice." Various local characters--including a French artist whose paint splatters marvelously into the air and onto a field of wheat--greet Vincent and his expanding menagerie. But Vincent can't stop for hellos, he has to "rush to the shops." In time his very loaded-up car looks like a parade float, all delightful chaos as white mice spill out of their box and the chimps cavort with the trapeze artist. (One of the many visual punch lines is that a blue bird has the flyaway shopping list in her beak the whole time.) Everyone's invited in for a gleeful tea, much to the shock of Vincent's mother.

British author-illustrator Jo Empson (Rabbityness; Never Ever) brings her wonderfully freewheeling, kinetic style to this lively read-aloud that will have youngsters giggling and shouting out the correct items from the list. --Karin Snelson, children's & YA editor, Shelf Awareness