Shelf Awareness for Readers for Friday, July 29, 2016

Roaring Brook Press: Juniper's Christmas by Eoin Colfer

From My Shelf

Children's Books: Cats Are Timeless

"Cats are timeless," replied our inimitable editor Marilyn Dahl when I suggested a story on some first-rate cat titles published earlier in 2016. Well put. Here are three delightfully illustrated novels that, sure as tuna, promise to have readers ages 8 to 12 purring.

"I was born on a ship, the runt of a six litter," begins Jacob Tibbs, the yellow-furred star of Cylin Busby's richly told The Nine Lives of Jacob Tibbs (Knopf). Jacob was born on a ship in Liverpool in 1847. In between threats to toss the little cat overboard, the salty sailors scratch him between the ears as he learns the ropes. Jacob bravely perseveres in the face of loss, danger, and his own limitations, and finally proves himself to be a regal cat-o'-sea. 

Little Cat's Luck (Simon & Schuster) by Newbery Honor author Marion Dane Bauer (On My Honor; Little Dog, Lost) is a gentle and heartwarming verse novel written in short, playfully arranged lines about a sheltered calico house cat named Patches who can't resist the call of the wild--a beckoning autumn leaf, actually. She's convinced she will find her own special place out there somewhere, "hidden away,/ snug,/ dark,/ quiet." Encountering surprises and scrapes, friends and foes, she discovers a very unlikely hideaway indeed.

How to Capture an Invisible Cat (Bloomsbury) is a rollicking cat tale by Paul Tobin (Prepare to Die!), the whip-smart, laugh-out-loud funny debut of the Genius Factor series. The invisible cat, named Proton, is almost elephant-sized... and he's trying to kill the sixth-grade narrator, Delphine, host of weekly Cake vs. Pie meetings and only friend of Nate. Proton is inventor Nate's nightmare experiment in cat-enlargement... and the life-threatening, city-squashing cat is just the beginning of their troubles.

Ah, cats. Seafaring, adventurous, murderous... and timeless.

--Karin Snelson, children's & YA editor, Shelf Awareness

BINC: Read Love Support Campaign

The Writer's Life

Ridley Pearson: The Price of Darkness

Pearson at Solio wildlife sanctuary: "Time and time again I was a matter of 15 yards from these rhinos."

Ridley Pearson is the author of more than two dozen novels, including The Red Room, Choke Point and The Risk Agent, plus the Walt Fleming and Lou Boldt crime series and many books for young readers. He lives with his wife and two daughters in St. Louis, Mo., and Hailey, Idaho. White Bone is the fourth novel in his Risk Agent series.

White Bone's plot centers on elephant poaching in Kenya. How did this issue come to your attention?

I heard a statistic about elephants, and it really shocked me. In 2014, the first real decent study documented that 100,000 African elephants had been killed in three years. One of every 12 African elephants had been killed by a poacher in 2011. Three-quarters of local elephant populations are declining. In nine years, there would be no more wild elephants in Africa.

Then I met Mikey and Tanya Carr-Hartley, who run a four-generation-old guiding service in Kenya. Eventually I went, under their care, to Kenya to do interviews and see the country and dig into the poaching, and my hair was blown back.

I interviewed 24 people over the course of three and a half weeks, and 23 of them in some way lied to me. These were very trustworthy sources, including our own (U.S.) State Department. Finally, my last interview was an activist lawyer, and we went through my interviews and she told me point by point who had fabricated what. My jaw dropped. There I'd been digging into this to help everyone, and in some way or another everyone had manipulated the truth.

"My guides Ole and Charcoal."

It was eye-opening, and dangerous. I was in Nairobi when there was a terrorist blast that killed 18 people. I was at a lodge when poachers killed a rhino 300 yards away from me while I slept. There's a scene in the book where Grace runs into these herdsman, and they try to rape her. Those were two guys I ran into when one of my guides had to go get a vehicle and I was left--by my own choice--and within 10 minutes I ran into these guys, and they did not like me. It was 20 or 30 minutes of, oh boy, all he has to do is lift that spear and I'm going down.

Is there a point at which research makes it harder to write fiction?

My approach is "faction." My charge is to suspend your disbelief, and I think it works best if I put more fact in than fiction. I do a lot of research. I learned about a guy who was investigating poaching and was a pilot over Mt. Kenya, and his plane happened to go down. A lot of people think that plane was sabotaged; it's never been proven. I told that story, where a guy was killed in the bush who had been investigating. I just made it a little more palpable and believable for the reader.

Were you searching for John Knox and Grace Chu's next case, or was this something you needed to write about first, and they were the best fit?

The latter. I just wondered if I could put Knox and Chu into Africa, and what that would look like.

"Ole showed me every plant that could kill you, every root that could heal you: it was unbelievable. I based all that information with Grace off my days with Ole."

I've written 51 books. And I haven't done this for probably 20 years, but I actually wrote the entire book and put it aside and started over. I just wasn't buying my own story. It wasn't lighting me up. And it wasn't the story my editor (Christine Pepe at Putnam, who's just one of the greatest editors who's ever lived) wanted. So I stepped back and thought: What am I doing wrong here? I've always wanted to do a book about a person out in the wild with nothing. I'm an Eagle Scout, so I've gone through some of this in my own teens. When Ole, my guide, told me that a white person wouldn't last 24 hours in the bush, I said, well, how could I last 24 hours in the bush? He showed me every plant that could kill you, every root that could heal you. It was unbelievable. I based all that information with Grace off my days with Ole.

How did you handle characterization?f

I felt a great depth of participation with Grace because of her circumstances. I think this is the book where readers of the series will go, "Oh, that's the Grace I've been waiting for." I learned a lot about her. She has a lot of stick-to-it-iveness that I really wasn't sure about. She's an accountant by trade, but she went through the Chinese army training, and had some short-lived intelligence experience. So I always sensed that she had this potential. This book was her chance to be out on her own, investigating something that's a little more money-oriented than pure fieldwork, and then it ends up Fieldwork with a capital F. In previous books you never really got in with Grace and felt her, and were afraid or proud or achieving with her.

The challenge is not to put everything in. In my fieldwork, there were some amazing moments. I had an encounter with one of the people who had lied to me. On the very last night I was there, he came up to me at a party and said, "Hey, listen. I'm terribly sorry about how I played that when we were at Solio." And I said "Yeah, so am I!" But at least he was man enough at the end to come up and say, "Sorry I just lied to your face." That was a very emotional moment for me. And you can't get them all in.

"This is me in what they call a 'nice' town near Solio Lodge."

You regularly write realistically about violence, depravity and corruption. Is this emotionally difficult?

I think you pay for it.

Every day for two years as I wrote this book, these images hung in my head. These stupid idiots come in with automatic weapons on ATVs, they massacre the elephants, they chainsaw their faces off for the tusks, and they're gone in 15 minutes. For all the dark that Grace and Knox went through, those are the images that haunted me. When you're there and you see these animals, just how majestic they are--it's absolutely despicable.

I want to route some of the money from the book there, and get some people at the end of the book to say, "I'll send $10 to them"--it doesn't have to be $100,000. It's just bizarre to me that this is going on, and none of our grandkids will see elephants except in a reserve or in a zoo. An elephant is being killed every 15 minutes, and has been since I started this and long before I started this.

That was the darkness I lived with. Everything else was manufactured. I've done a lot of research over 30 years. I've been inside the mind of a lot of devious criminals. I've spent time in prisons for the criminally insane. I've interviewed forensic psychiatrists who have themselves interviewed 140 mass murderers. I'll say, this is what my guy did, who is he? And we'll be eating dinner, and the stuff they describe stops me from eating. So there is darkness. And I pay for it. --Julia Jenkins, librarian and blogger at pagesofjulia

Book Candy

Harry Potter and Pictures of the Play

While going to London to see the stage production of Harry Potter and the Cursed Child may be beyond your budget, Buzzfeed shared some photos "and they're so magical."


Hot enough for you? Quirk Books suggested "bookish ways to celebrate Christmas in July."


"Packing a suitcase full of books," for example. Bustle explored "10 weird habits of book-lovers that non-readers don't understand."


"For the first time in its 36-year history, a competition seeking the man who most looks like literary giant Ernest Hemingway was won by a man called Hemingway," the Guardian reported.


Cassia Beck's Bookworm Rug, "the perfect accent to any room in your home," was featured by Bookshelf.


Marc Scimé's Huxley's Ladder "is a bookshelf for full utilization of space," inspired by Thomas Huxley's idea that the "rung of a ladder was never meant to rest upon, but only to hold a man's foot long enough to enable him to put the other somewhat higher."

Great Reads

Rediscover: Fear and Loathing on the Campaign Trail '72

In December 1971, Hunter S. Thompson, armed with a first-generation fax machine he called the "mojo wire," began covering the 1972 presidential campaign for Rolling Stone. From his base in a rented apartment in Washington, D.C., an arrangement Thompson described as being like "living in an armed camp, a condition of constant fear," he spent the next year following every twist of what would be a tumultuous campaign. These collected dispatches became a book, Fear and Loathing on the Campaign Trail '72, published by Straight Arrow Books in 1973.

Thompson was an early fan of the eventual Democratic nominee, George McGovern, calling rival Hubert Humphrey a "hopeless old hack" and saying Maine Senator Edmund Muskie's campaign had a "stench of death." Thompson was especially fascinated by the chaos of the Democratic convention, during which McGovern's nomination was imperiled by party politicking. Throughout his dispatches, Thompson maintained his legendary hatred of Richard Nixon, who he claimed represented "that dark, venal, and incurably violent side of the American character." Fear and Loathing on the Campaign Trail '72 is a pioneering work of gonzo journalism and a reminder that Thompson's insights are sorely missed in this gonzo election cycle. The book was last published with a new introduction by Matt Taibbi in 2012 (Simon & Schuster, $17, 9781451691573). --Tobias Mutter

Book Review


Valley of the Moon

by Melanie Gideon

In 1975, Lux Lysander is struggling with life as a single mom in San Francisco. So when her son goes to stay with his grandparents for two weeks, she's thrilled to go camping alone in Sonoma Valley, also known as the Valley of the Moon. She's enjoying herself, until she's startled awake in the middle of the night.

In 1906, Joseph--a visionary far ahead of his time--has planned Greengage farm to be self-supporting, a place where men and women of all ethnicities can work together peacefully. The farm is functioning perfectly, much to Joseph's satisfaction, when there's a sudden, terrible earthquake. When the ground settles down, Greengage residents discover that the farm is surrounded by a dense and deadly fog, which for months keeps Greengage in isolation. Until, incredibly, Lux Lysander comes striding through the fog.

A beautifully written story, Valley of the Moon captures Lux's longing to be part of something bigger than herself, and the agony of facing a choice between her beloved son in the modern world and the community she comes to love. Comparisons to Brigadoon are inevitable, but Melanie Gideon (Wife 22) transcends the potentially hokey plot to craft a wonderful story about belonging, love and the aching certainty that there's something more out there.

Defying genre categorization, Valley of the Moon could be an excellent choice for a book club seeking a thoughtful yet approachable novel, and is sure to appeal to fans of Time and Again or The Time Traveler's Wife. --Jessica Howard, blogger at Quirky Bookworm

Discover: A single mother travels back in time 70 years, and discovers what's been missing in her life.

Ballantine Books, $27, hardcover, 416p., 9780345539281

The Hopefuls

by Jennifer Close

In the wake of Barack Obama's landmark 2008 presidential win, his campaign staffers--young, eager and flushed with capital-H Hope--flocked to Washington, D.C., to begin their new careers. But for some of them, post-victory life proved bittersweet, especially for the spouses of those staffers. In her third novel, The Hopefuls, Jennifer Close (The Smart One) captures the initial adrenaline rush and the resulting disillusionment through the eyes of Beth, one such spouse.

Though Beth adores her life in New York, she gamely follows her husband, Matt, to the capital after Obama's win and her own layoff. As she struggles to adjust (hating the traffic, the ubiquitous Ann Taylor suits and the absurd government acronyms), Beth wonders if she's made a huge mistake. But when she and Matt meet Ash and Jimmy, a gregarious Texan couple in Matt's work circle, everything seems to click. The four rapidly become best friends, and Beth feels she may have cracked the code of D.C. life after all.

Like so many friendships, though, this one proves complicated, and Close deftly charts the fault lines of jealousy, competition and attraction that run through the couples' intertwined lives. As Matt and Beth flounder in their careers, and Jimmy's star keeps rising, the cracks begin to show in their friendship--and in Matt and Beth's marriage.

While it soberly acknowledges the difficulties of matrimony, Close's narrative is infused with humor, warmth and (yes) hope. Clear-eyed and unflinchingly forthcoming, The Hopefuls is a skillful portrait of a status-crazed city and its young elite. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Discover: Jennifer Close's third novel charts a complicated friendship between two young political couples in Washington, D.C., after Obama's 2008 victory.

Knopf, $26.95, hardcover, 320p., 9781101875612

The First Wife: A Tale of Polygamy

by Paulina Chiziane, trans. by David Brookshaw

When Rami's youngest son accidentally breaks a neighbor's car window, there's no man of the house to take care of it. Rami's husband, Tony, the handsome police chief in Maputo, Mozambique, has a wandering eye and is seldom home. After putting up with his behavior for more than 20 years, Rami decides to take matters into her own hands. One by one, she seeks out the four women who take up so much of her husband's time and attention. Confrontations erupt into violence, but what starts out as fisticuffs turns into four friendships, and all five women show up dressed alike, with their 16 children in tow, to surprise Tony at his 50th birthday party. At first, Tony flees. He then promises to abandon his mistresses. Rami won't hear of it. She demands that Tony marry them all, turning polygamy upside down.

In 1990, Paulina Chiziane was the first woman to publish a novel in Mozambique, where polygamy is legal. Delaying the plot for an occasional songlike poetic outburst, spicing the story with a few jawdropping African sexual customs, Chiziane weaves a big-hearted, seriocomic tale of polygamy and its price. "My husband has become a tourist in his own home," she says. Her outspoken sexual politics produce succinct little firecrackers. "To have only one love in life? Baloney! Only women, forever stupid, swallow that story. Men love every day.... All men are polygamous."

Feisty and exuberant, ferociously candid, The First Wife doesn't disguise the radical, iconoclastic spirit of its narrative. With delightful complications and unexpected plot turns, Chiziane's battle of the sexes is like none other in world literature. --Nick DiMartino, Nick's Picks, University Book Store, Seattle, Wash.

Discover: A wife of 20 years befriends her husband's four mistresses in this tale by the first woman to publish a novel in Mozambique.

Archipelago, $18, paperback, 250p., 9780914671480

The Sunlight Pilgrims

by Jenni Fagan

The Sunlight Pilgrims, the second novel by Jenni Fagan (The Panopticon), opens in November 2020, as temperatures around the world are plummeting to record lows. It is below freezing in England long before winter has officially begun. Dylan's mother has just died, and the family business is being reclaimed by the bank. Left with nothing but his grief, the family gin recipe and the title to a small trailer in Scotland, Dylan boards a bus north to settle into his newly inherited home and try to make sense of his life. There, amidst news reports threatening the coldest winter on record, Dylan meets Stella, the 12-year-old girl next door, and Constance, her mother.

The three form a trio of town misfits: Dylan is an "incomer"; transgender Stella struggles to be seen as the girl she knows she is; and Constance is known to have had two concurrent lovers for over two decades. But what the townspeople see as imperfections are ultimately what make each character, individually and then again as a unit, the perfect center for Fagan's story. Their warmth and humanity stand out in stark contrast to the barren, cold landscape of the Scottish Highlands and the impending winter. Because ultimately, The Sunlight Pilgrims is not about catastrophe or disaster or climate change (though it is, in some ways, about all of them). It is about what happens in between and around and in spite of those big things: the everyday moments of life and its machinations, the work we do to find our place in a chaotic world, and what it means to love and be loved. --Kerry McHugh, blogger at Entomology of a Bookworm

Discover: In a near future on the precipice of a new Ice Age, three misfits struggle to make their way in the world.

Hogarth, $26, hardcover, 288p., 9780553418873

Heroes of the Frontier

by Dave Eggers

It's tempting to describe Dave Eggers's Heroes of the Frontier as a story about a woman who goes crazy. The novel begins with Josie having already taken her kids to Alaska on a whim, with no plans, little money and only a vague idea as to why they've traveled north in the first place. What follows instead is a bittersweet depiction of what it means to be a parent, and how a thirst for adventure can sometimes be a cry for help.

Heroes is a picaresque novel, following Josie and her children as they drive through Alaska during a particularly bad rash of wildfires. They stay in RV parks, squat in abandoned mines, and attempt to find meaning in their limited interactions with other people. As their travels prove increasingly fruitless, Eggers (A Hologram for the King) keeps a cool hand, never writing Josie with a modicum less respect even as it becomes clear that she's making terrible decisions for her and her children. By the time the three are thrust into real danger, the novel has lulled the reader into thinking it isn't much different than what's come before. It's a neat magic trick, and a testament to Eggers's skill.

Although it takes places in the vast expanse of nature, Heroes is a small book. Josie's children dart in and out as a narrative chorus, but her innumerable failures are the meat of the novel. And in that way, it tenderly portrays a woman who tried, knowing at least that was something. --Noah Cruickshank, marketing manager, Open Books, Chicago, Ill.

Discover: A mother traverses Alaska in a bittersweet novel of parenting and regret.

Knopf, $28.95, hardcover, 400p., 9780451493804

Women Lovers, or The Third Woman

by Natalie Clifford Barney, Chelsea Ray, editor, trans. by Chelsea Ray

The works of Natalie Clifford Barney, an American who lived in Paris and wrote in French, are little known, and her 1926 autobiographical novel Amants féminins was published for the first time only in 2013. Women Lovers, or The Third Woman is the first English translation.

A scholarly introduction by Melanie C. Hawthorne and a translator's essay by Chelsea Ray place this work in the context of modernism and evolving gender definitions while detailing Barney's biography. These introductory materials are revealing and absorbing in their own right, if a little dry in their academic tone. The novel, however, leaps energetically to life.

Barney's protagonist N., who stands in for the author, believes in love among women as an ideal of pleasure and friendship. "Friendship is simply love without pleasure!" she declares. "Love is heavy for two to carry, and happiness is monotonous." With a new lover, M., she establishes an "association" by which the two women will comfort those in romantic distress by sharing their affections. When she brings such a woman into her relationship with M., however, N. is unexpectedly left out, jealous and hurt.

Barney is perhaps best known for her aphorisms, and she uses such pithy fragments as well as screenplay-style dialogue, mock journal entries, a combination of first- and third-person perspectives and even drawings to tell her story. Women Lovers, while brief, is thus a noteworthy and historically significant piece of experimental literature, queer theory and a captivating roman à clef all at once. --Julia Jenkins, librarian and blogger at pagesofjulia

Discover: This is an autobiographical, sprightly 1926 novel of a Belle Époque lesbian love triangle, written in French by an American and appearing in English for the first time.

University of Wisconsin Press, $29.95, hardcover, 216p., 9780299306908

Science Fiction & Fantasy


by C.A. Higgins

Physicist C.A. Higgins follows up her gripping debut, Lightless, with a focused and spellbinding sequel, Supernova. The spacecraft Ananke--a newly born artificial intelligence--must learn to cope with her immense power and burgeoning moral sense. Althea, the mechanic, computer expert and AI mother, sees her influence over the ship slipping away as Ananke relies more on computer logic than human emotion in interactions with other crews and spacecraft. When Althea takes drastic measures to rein the ship back under her control, the battle of wills turns horrifying and deadly.

Constance, known as Huntress, travels the solar system on her own ship, fighting a bureaucratically totalitarian government whose reach spreads across the solar system. Her control of the resistance force, however, begins to fray at the edges while she attempts to rid the planets of anyone allied with the government. Weathering uneasy alliances and outright betrayal, she discovers the true price of single-minded, violent fanaticism.

Higgins unapologetically places strong women in the foreground of a cosmic power struggle; she writes resilient female characters who make their own plans and decisions, unfettered by the influence of men. Constance may take into account the perspectives of her male allies, but she chooses her own direction, while Althea alone must come to terms with her singular role in Ananke's upbringing.

With Supernova, Higgins explores the literal astronomical meaning of the title, along with more metaphorical implications, as both the resistance and Ananke's powerful amoral intelligence come to a possibly explosive end. --Rob LeFebvre, freelance writer and editor

Discover: Supernova is a captivating story of rebellion, freedom and the responsible use of power in a solar system at war.

Del Rey, $27, hardcover, 304p., 9780553394450

Nature & Environment

Water in Plain Sight: Hope for a Thirsty World

by Judith D. Schwartz

Judith D. Schwartz is a journalist and the author of Cows Save the Planet, about soil and land restoration. In Water in Plain Sight, she broadens her gaze to water scarcity, the natural water cycle and climate change. She examines how human activity has damaged global water and climate systems and provides an unusually hopeful vision of what we can do to restore them.

The desertification of land worldwide has resulted from mismanagement, including "deforestation, fire, poor grazing management, tillage and inappropriate use of irrigation." Lands stripped of their native plant and animal life swing between flood and drought, crops fail and human livelihoods crumble. Schwartz explains how healthy soils support strong water cycles, how fossil fuel-based agricultural techniques destroy them, and the biological techniques that can revive them, including a new approach to holistic grazing management. She visits experimental ranches in South Africa, Mexico and Zimbabwe where scientists and farmers have successfully introduced carefully managed cattle to restore soil, grasses, wildlife and fresh water supplies. A West Texas farm has found a way to harvest 60 gallons of water from condensation every day, and reforestation projects in Brazil, Kenya, Java and Ethiopia have brought back rainfall, rivers and streams.

Humility is useful, says Schwartz, but so is recognizing our power to catalyze and support natural processes. "We could say that every acre of land on the planet offers a choice, whether toward enhancement and health and complexity or toward degradation. It's up to us." --Sara Catterall 

Discover: Human mismanagement of land has resulted in water scarcity, but we have the power to restore natural systems that produce the fresh water we need.

St. Martin's Press, $26.99, hardcover, 256p., 9781250069917

The Man Who Made Things Out of Trees

by Robert Penn

How many different items can be created from a single ash tree? This was the question Robert Penn pondered and set out to answer one winter when he felled an ash tree that had been standing for more than 100 years. The crown and upper branches he cut into stove-length pieces and split by hand for firewood. The straight trunk he had sawn into boards of varying thicknesses, which he gave to master woodworkers to transform into useful objects. Ax handles, bowls that nestled inside one another, a toboggan, a paddle, paneling for his office and a matching desk are just some of the 44 ways the wood was used.

Penn expertly combines the story behind each creation made from the stately tree with scientific data on trees--the ash in particular--as well as the cultural significance of wooden objects and trees throughout human history. Lovely descriptions enhance Penn's prose: "cast in tender light and naked of leaf, [the ash trees] were grey-green barked, sparsely branched, tall, slender and austere with twigs that rose and fell and rose again at their tips to end in the distinctive 'witches' claws', which scratched against the pearl-grey sky. Ash wears the winter with a grace that no other tree species can match, hence its nickname--'Venus of the Woods'." The Man Who Made Things Out of Trees honors the ash Penn felled; it's a swan song for a mighty specimen that once stood in Callow Hill Wood in Britain. --Lee E. Cart, freelance writer and book reviewer

Discover: A thorough and poetic discourse on the ash tree and the multiple ways it's been used throughout the centuries.

W.W. Norton, $26.95, hardcover, 256p., 9780393253733

Reference & Writing

In Praise of Profanity

by Michael Adams

Linguist Michael Adams (From Elvish to Klingon) is a historian and lively defender of the English language. He never shies away from the provocative, and his imaginative, anti-academic approach holds great appeal. In Praise of Profanity is an illuminating, creatively presented exposition on the use of expletives--from four-letter words to latrine graffiti--throughout the ages. His aim in writing about language we're not supposed to use is to "illustrate profanity's very humane aspects, how expressive language participates in the human comedy and the human tragedy, and most often the human tragicomedy." By blending literary and cultural criticism, Adams sets up a defense of profanity that shatters over-simplified taboos, while outlining and illustrating stylistic motivations and the many valuable benefits expressive swearing can offer via the personal, emotional, societal and aesthetic.

Attitudes about using bad language are paradoxical and persistent, as the "functional need to express powerful emotion is inherently human" and goes back to Chaucer's often crude and bawdy Canterbury Tales. Adams writes that "were there ever a time to admire profanity, it would be now," as society is enmeshed in a profuse and profligate "Age of Profanity." Readers won't necessarily come away from this book swearing a blue streak. But the next time they're compelled to light up with an expletive--or they hear someone cursing up a storm--they'll more than likely remember Adams's thought-provoking, contemporary investigation that casts a new light on the darker side of the English language. --Kathleen Gerard, blogger at Reading Between the Lines

Discover: A linguist presents an entertaining, well-researched examination of the role of profanity in language and society.

Oxford University Press, $17.95, hardcover, 272p., 9780199337583

Children's & Young Adult


by Sonya Mukherjee

Clara and Hailey are identical twins living in "entertainment-forsaken Bear Pass," contemplating questions typical of most 17-year-olds, with one significant difference: the girls are conjoined, connected at their midpoint ("or butt-to-butt, if you want to get all technical about it," says Clara).

Their parents have spent the girls' entire lives working to convince the twins that they're normal, even moving to a small California community to keep them in a supportive bubble. But as their friends start making plans for college, Clara and Hailey grapple with a concept they haven't thus far been free to consider, thanks to their mother's passionate feelings about the wrongness of separating healthy conjoined twins: Could they be separated? Should they? And also, what about boys? Clara, who is an aspiring astronomer, says, "[A]t some point I started worrying about Gemini, the celestial twins. Were they glad to spend billions of years together in the sky, always on display, or would they rather wander apart and explore?"

Just as they must do in almost every aspect of their lives, pink-haired, tattooed artist Hailey and introverted Clara take turns narrating chapters in Sonya Mukherjee's compelling first novel. Whether they're confronting their well-meaning parents, bickering with each other or flirting with their crushes, Clara and Hailey are unusual yet familiar and appealing protagonists. Readers--just like their friends--will move rapidly beyond voyeuristic curiosity to empathy and genuine liking for the girls. --Emilie Coulter, freelance writer and editor

Discover: Seventeen-year-old sisters Clara and Hailey contemplate college, love and the universe, and whether they can have it all as conjoined identical twins.

Simon & Schuster, $17.99, hardcover, 336p., ages 14-up, 9781481456777

How to Hang a Witch

by Adriana Mather

In How to Hang a Witch, Adriana Mather concocts an exciting contemporary story of ghosts, witches and an ancient curse, and spices it with just the right amounts of mystery and romance. The author, like her protagonist, is a direct descendant of Cotton Mather, the Puritan minister who incited the witch trials in 17th-century Salem, Mass.

When 15-year-old "Sam" Mather's father slips into a coma, she and her stepmother, Vivian, sell their New York apartment so they can pay his medical bills. They move into the enormous Mather home in Salem, which has been in Sam's family since Puritan times. Sam, with her "affinity for sarcasm" and a reputation for trouble, quickly finds that, as a member of the witch-hanging Mather clan, she's not welcome in Salem. Her most aggressive enemies at school are the Descendants, a group of rich goths whose ancestors were the accused and hanged witches. To make matters worse, Sam is terrified her dad will die, and all Sam and her stepmother do lately is fight. Luckily, handsome neighbor Jaxon appears to be on her side, as does the gloomy but irresistible ghost Elijah. Sam certainly needs all the help she can get when people begin dying and the whole town looks to blame her for the body count.

Sam starts to see the witch trials as "a scarier version of high school," which happened "because no one stood up for the accused." Mather delivers a timely condemnation of bullying and the politics of mass hysteria, while still completely charming her readers with large doses of suspense and steamy attraction. --Lynn Becker, blogger and host of Book Talk, a monthly online discussion of children's books for SCBWI

Discover: In this topical, modern-day ghost story, descendants of the Salem witch trials fight a centuries-old curse.

Knopf, $17.99, hardcover, 368p., ages 12-up, 9780553539479

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