Luke Allnutt's debut novel, We Own the Sky, chronicles the roller-coaster of emotions that one family goes through when their young son becomes seriously ill, and how they eventually heal.

Rob and Anna have been together since they both finished college at Cambridge, and although they've had some difficulties, their life together now feels perfect. They are married and living in London, as they'd dreamed, both working in fields they love, and best of all, they have a sweet little boy named Jack. Life with Jack is full of joy, as the three explore the city and surrounding areas together, play silly games and enjoy daily life. Jack especially loves going up to high places, where he can see the world laid out around him and take photos.

When disaster hits, their lives are suddenly filled with uncertainty and fear. Rob is eventually left alone, as he plunges from the heights of their perfect family life to the depths of despair. He turns to alcohol and literally stumbles through his days in a drunken fog of self-pity, guilt and sorrow. His only respite is the passion for photography that he shares with Jack, and he leaves hidden messages for his son on his photography website.

The reader is swept along in this moving story as this family--and especially Rob--grapples with life-changing challenges and unexpected twists, often with heartbreaking consequences. Ultimately, though, this gripping novel is uplifting, focused on hope, healing and love. --Suzan L. Jackson, freelance writer and author of Book By Book blog

Carpool mom Frances Bloom is used to taking care of everyone in her orbit, including her neighbors' kids. Most of the problems in her tidy Los Angeles neighborhood are things she can solve, or at least mitigate. But when Frances catches her neighbor Anne Porter in flagrante delicto, on the living room floor with a younger man, she has no idea what to do about it. Anne's affair sends aftershocks through the intertwined lives of four families, including Frances's, and Abbi Waxman deftly maps the tremors in her witty, sharply observed second novel, Other People's Houses.

Waxman (The Garden of Small Beginnings) opens the door to each house, through the viewpoints of Frances, Anne, Frances's cousin Iris and her wife, Sara, as well as Bill, their quiet neighbor whose wife is mysteriously absent. While their children are mostly friends, or at least carpool buddies, the adults' web of relationships is more tenuous and more complicated. As Anne and her neighbors deal with the consequences of her actions, their everyday domestic worries are thrown into sharper relief, to often hilarious (if cringe-worthy) effect.

Waxman dives into the daily frustrations of marriage and child-rearing; the complex social codes that govern friendships, soccer-mom bonds and drive-by acquaintances; and the implications of keeping--or disclosing--someone else's explosive secret. While Anne's affair and several other plot points amp up the drama, Waxman's narrative mostly follows her characters as they deal with small but significant ordinary challenges, in other people's houses and their own. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams

Aptly named, The Awkward Squad is a funny French police procedural full of misfits. The commander is Anne Capestan, who fired one too many bullets in the line of duty. Rather than letting her go and having to deal with political fallout for dismissing police officers, the higher-ups have decided to put Capestan and a handful of other misfits together in one squad--where they can't do any harm. Stuck with a cop whose runaway bestsellers featuring loosely disguised coworkers have angered fellow officers, a jinxed officer who's lost multiple partners and an elderly inebriant, Capestan begins digging through the cold case files to find something for her team to do.

They happen upon two murders: an elderly woman who was killed in her home, and a French sailor who survived a ferry disaster in the Mediterranean only to be found floating in the Seine. Neither case seems to have been particularly well investigated, so the awkward squad sets to work in their own unusual style. And when a new murder appears to have links to one of the other cases, Capestan realizes that maybe the cases aren't so cold after all.

Funny, lighthearted and full of charming Parisian details, The Awkward Squad is perfect for readers of international crime novels. The antics of Capestan and her team will keep the reader hoping for their success, and looking eagerly for a new entry in this series to be translated into English. --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

Isabel Cruz (Isabel's Cantina), West Coast chef and restaurateur, is a pioneer of Latin fusion food. In The Latin Table: Easy, Flavorful Recipes from Mexico, Puerto Rico, and Beyond, she updates and simplifies more than 100 recipes so that anyone can enjoy the exuberance and flavors of Latin food at home.

Cruz opens with memories and photographs from her childhood, admitting to an early distaste for Puerto Rican fare. How she learned to love the food and culture of her family and understand its relevance in the U.S. is a heartwarming introduction to the delicious recipes that follow.

The dishes reflect her West Coast roots, creatively blending Latin and Asian flavors in such recipes as Crispy Tofu Tacos with Ginger Sambal, Avocado and Pickled Onion, and Seared Ahi Tostadas with Avocado. Each recipe is introduced with a short anecdote or additional information so that Cruz is right there in the kitchen, talking to and encouraging the home cook. The recipes use simple ingredients and most will be available in larger grocery stores. Of particular interest to those looking for ways to add Latin flavors into their regular rotation dishes is the chapter on sauces and salsas. Orange-Oregano Dressing and Cruz's own Isabel Sauce can be used on everything from salads to meats to fish.

Home cooks can complement a meal with Latin drinks such as Blackberry Chili Margarita or Beet and Mango Liquada. Breakfast and desserts aren't forgotten either, making The Latin Table a full course of delicious meals. --Cindy Pauldine, bookseller, the river's end bookstore, Oswego, N.Y.

Mutual acrimony defined the relationship between Dwight D. Eisenhower and Supreme Court Chief Justice Earl Warren--so much so that the 34th president later said that the biggest mistake of his tenure was appointing "that dumb son of a bitch Earl Warren."

That volatile pairing is expertly chronicled by James F. Simon in Eisenhower vs. Warren, which explores the Brown v. Board of Education I & II court decisions as the pivotal, detrimental events in that relationship. These rulings deemed segregated schools unconstitutional (Brown I) and delivered instructions on how best to remedy the situation (Brown II). However, Eisenhower's refusal publicly to support Brown and his obstinance in not rallying the country behind it destroyed the relationship between the two men. Warren could never forgive Eisenhower for not backing the decisions, and Eisenhower could never forgive Warren's expansion of civil liberties at the expense of states' rights. 

Simon's professional expertise as dean emeritus of New York Law School provides the academic heft required to deliver a thorough investigation of the legal framework of Brown and other Warren Court decisions. He supports Warren's view that, had the incredibly popular president mounted a campaign favoring desegregation, African Americans would have gained civil rights benefits at least a decade earlier. Still, Simon strikes a balance not often seen when historians compare Eisenhower and Warren: he does so effectively without canonizing the former or condemning the latter. --William H. Firman Jr., historian and writer

Denmark Vesey's Garden: Slavery and Memory in the Cradle of the Confederacy is vital to understanding some of the deepest fault lines in American life, made disturbingly relevant by Dylann Roof's 2015 murder of nine worshippers in a Charleston, S.C., church with "among the oldest black congregations in the South." Roof's actions were motivated, at least in part, by a deeply flawed understanding of slavery and the Civil War. Denmark Vesey's Garden seeks to trace rival memories of slavery in Charleston, the home of Denmark Vesey's failed slave uprising and the disembarkation point for "nearly half the slaves transported for sale in this country."

Historians Ethan J. Kytle and Blain Roberts begin by examining the massive wealth produced by Charleston's antebellum status as "slavery's capital." The first shots of the Civil War were fired at Fort Sumter, off the coast of Charleston, and South Carolinian secessionists were clear about the cause of the war: "The true question for us is, how shall we sustain African slavery in South Carolina...?" After the Confederate defeat, however, Charlestonians began to embrace a series of myths and rationalizations concerning slavery and the war that became known as the Lost Cause. After Reconstruction, the seeds of present-day controversy were planted in Charleston through the enthusiastic construction of Confederate monuments. Meanwhile, Charleston's black community held on to its own memories of slavery that contradicted myths such as the "happy slave." In an overview of the following century and more, the authors use the example of Charleston to explain why "Americans do not share a common memory of slavery." --Hank Stephenson, bookseller, Flyleaf Books, Chapel Hill, N.C.

Rare is the writer with talent enough to imbue the first line of a book review or critique with the same trademark wit and linguistic gymnastics found in her acclaimed short stories and novels. In See What Can Be Done: Essays, Criticism and Commentary, Lorrie Moore (Birds of America) does so as she delivers a thoughtful, often humorous collection of 60 prose pieces spanning the past 35 years.

They include commentaries both personal ("On Writing") and political ("Election 2016: A Postscript"); profiles of uber-prolific authors (hi, Joyce Carol Oates and Margaret Atwood); pop culture perspectives from the '80s, '90s and into the present day; and plenty of book reviews that read as if they were one of Moore's short stories. ("There is something about the killing of a pretty little rich girl that disorganizes everybody.") Many selections first appeared in the New York Review of Books; Moore recalls fondly how former NYRB editor Robert Silvers would forward a potential book with a casual note: see what can be done.

Moore's attempts more than succeed; this chock-full collection represents solid writing with the pleasant surprise of occasional small glimpses of Moore's life tucked into the pages. "Certainly it is in the work that one comes to know an author--his best and essential self--without being able to extricate or explain him," she writes of the legendary John Cheever. She might as well be referring to herself.

See What Can Be Done will make bibliophiles add more titles to their bursting book lists based on Moore's balanced reviews. This is an delightfully indulgent collection, one worth savoring at one's leisure or consuming in huge gulps. --Melissa Firman, writer, editor and blogger at melissafirman.com

The title of American poet Carol Muske-Dukes's collection refers to a science project her daughter did when she was a child. Taking the petal of a white rose, the girl dyed it blue and stuck it under a microscope. Muske-Dukes returns to that image throughout Blue Rose, using it as a path into science, motherhood and death.

Long established in her career and admittedly "near the end of (her) life," Muske-Dukes uses many of the poems here to slink into the background, turning herself into a passive observer of the plight of others. "Workshop" examines the lives of women in detention centers whom the poet worked with in the '70s, never mentioning how or if Muske-Dukes's time with them helped at all. "No Hands" places her at the top of a hill, nervously watching her husband and daughter speed down it on a bike.

There's also a feeling of helplessness throughout Blue Rose. Muske-Dukes fears the loss of knowledge and reason in "The Link." The elegy for poet Adrienne Rich, "Adrienne," shows how the diminishments of age lay us all low, with Rich forcing herself to take "Step after step, forward & up: each great act of will making possible the next." Blue Rose's poems regard how humans change their surroundings and themselves, yet we're rarely sure if the right choice has been made. Ultimately, Muske-Dukes's worries and hopes seem all bound up in that image of the blue rose: something natural turned magical--a perversion of life, but beautiful. --Noah Cruickshank, adult engagement manager, the Field Museum, Chicago, Ill.

Arin Greenwood's Your Robot Dog Will Die uses the near-extinction of humankind's best friend, dogs, to show how one person's utopia can be another's dystopia.

"About twenty-five years ago, some scientists... thought making a couple of little tweaks to [dog] DNA would make... dogs and their progeny even more useful than they were." But the experiments backfired, creating "a laboratory full of dogs who really hated humans." Somehow, "the changed DNA spread... from the unlucky lab dogs to all dogs," un-domesticating them. The dogs became aggressive, and humans decided to euthanize them all. All, that is, but the six Organics who live in the "Ruffuge" on Florida's (pun-loving) Dog Island. The Dog Island sanctuary is a commune for people dedicated to giving all animals a pain-free existence. The vegan inhabitants also act as test owners for Mechanical Tail, a company working to replace all Organic dogs with robot dogs.

Seventeen-year-old Nano Miller has always lived on Dog Island. Last year, her older brother, Billy, left the island and she hasn't heard from him since. This loss has opened Nano's eyes, making her wonder why her brother would leave a place that is doing such important work. When Nano finds a puppy--an impossible, happy, tail-wagging, seemingly domesticated puppy--in the Ruffuge, she begins to wonder if everything she's been told about Dog Island and how to keep Organic animals safe is true.

Greenwood (Save the Enemy), an animal writer and former lawyer, forces readers to ask themselves difficult questions with Your Robot Dog Will Die. It's an intense read, sure to leave an impression, and readers will likely have difficulty getting Dog Island--and its "May Dog be with you" salutation--out of their heads. --Siân Gaetano, children's and YA editor, Shelf Awareness

Eisner- and Harvey Award-winning author/illustrator Vera Brosgol's (Anya's Ghost, Leave Me Alone!) second work of graphic nonfiction for children, Be Prepared, is a memoir about her childhood experience as a Russian immigrant, trying to find a place to belong.

Desperate to fit in, nine-year-old Vera tries to do everything just like her all-"American" classmates, but finds she is always the outsider--she is "too poor.... too Russian.... too different." When Vera learns about an affordable Russian summer camp, she thinks it will be a place where she'll finally find acceptance, where she may even make friends. Of course, camp isn't exactly what she expects: there's no running water (baths are in the lake), everyone must speak Russian and all campers have to attend two hours of Russian history classes each day. On top of that, bears live in the woods. Vera quickly learns that every camp has its cliques and that blending in and making friends can be difficult, no matter where you go.

Mixing the humor of outdoor mishaps with the loneliness of growing up as an outsider, Brosgol's depiction of her own childhood is both funny and touching. Vera's struggles with friendship, growing up, family and heritage and wanting to belong will resonate with many readers. Fans of other graphic memoirs, such as those by Raina Telgemeier (Sisters), Cece Bell (El Deafo) and Shannon Hale (Real Friends), will devour Brosgol's insightful take on girlhood. That Vera eventually finds friendship and confidence in herself makes Be Prepared an ultimately uplifting story. --Jennifer Oleinik, freelance writer and editor