The powerhouse historical fiction triumvirate of Beatriz Williams, Lauren Willig and Karen White (The Glass Ocean) offers a romantic, adventurous multi-period collaboration that sees three formidable women's lives forever changed, set against the opulent backdrop of the Paris Ritz Hotel.

In 1964, Barbara "Babs" Langford receives a letter at her Devonshire home from U.S. citizen Andrew Bowdoin, whose father served with her late husband, Kit, in World War II. The letter asks her to come to the Paris Ritz and help investigate the truth about a female French Resistance operative who worked closely with Kit. In 1914, spirited young noblewoman Aurélie de Courcelles returns to her ancestral home just as German forces arrive to occupy it. Against her better judgment, she finds herself falling for a young German soldier she met previously at her mother's salon at the Ritz. In 1942 Nazi-occupied Paris, housewife Marguerite "Daisy" Villon passes information gleaned from her collaborator husband to the Resistance at the urging of her grandmother, who raised her at the Ritz. During this dangerous undertaking, she comes to love a British agent and uncovers a life-altering family secret. 

Filled with hopeless passion and brave deeds in the face of evil, All the Ways We Said Goodbye twines together three heart-pounding stories of feminine courage and even adds a soupçon of Joan of Arc. Though its secrets are easily guessed, this rewarding journey of intra-era connections will charm historical fiction readers and Team W's fans. --Jaclyn Fulwood, blogger at Infinite Reads

Words have a power to create or to destroy, and that is the heart of the memorable We Wish You Luck by Caroline Zancan (Local Girls). The students in a low residency MFA program narrate in a collective voice the story of three who fascinate the others: Leslie, Hannah and Jimmy. "We'll forgive you for forgetting any of the rest of us, but it's important you remember these three. We aren't arrogant enough to consider ourselves more than the story's background at worst, its keepers at best." Simone, a bestselling author and visiting professor, butts heads with one of these three, leading to a series of acts of retribution that will ruin multiple lives and leave none of them unchanged.

Zancan also turns the spotlight onto other students for brief episodes, which helps to immerse readers in the insular world of a campus almost deserted during academic breaks. However, the students outside that trio primarily serve as a Greek chorus, which skillfully builds suspense with mentions of who will not be back, and futures that might have been but will no longer be, setting the stage for the revelations as to why. The collective narration has a nebulous quality, sometimes stating that "we" don't all remember events the same way or agree on exactly when something happened. The result realistically evokes the feeling of a distant memory or a dream. This is an engrossing story of friendship, creativity and grief. --Kristen Allen-Vogel, information services librarian at Dayton Metro Library

In Universal Love, Andrew Weinstein presents stories set in the near future, showing how technology modifies human interactions. As in his debut short story collection, Children of the New World, characters live with technological advances that, to a reader in 2020, seem right around the corner. For instance, when handheld devices aren't enough in "We Only Wanted Their Happiness," parents allow chip implants in their children's skulls, providing neurological programming that is, predictably, addictive. "But how can you say no to your children?" the unnamed narrator shrugs. As children withdraw from reality into a more exciting virtual world, parents realize their decision is irreversible--kids, technologically savvier than adults, hold their parents' digital lives in their hands.

Each story is rooted in realism, making the speculative aspect even more unsettling. In "The Year of Nostalgia," a grieving family keeps their dead wife and mother "alive" with an interactive hologram. The ability to avoid grief, of course, does nothing to help them come to terms with her death. Living with the hologram, says one daughter, "sealed my grief somewhere deep inside." In "True Love Testimonials," virtual sites exist where avatars can have "empty sex or meaningful sex," just like real life. It's not ideal, and could use some upgrades, but "real life isn't part of the agreement," says one user.

Weinstein treats his characters with sympathy as they gamely face a world they don't understand. Fans of George Saunders and Ray Bradbury will recognize the compassion--and premonition--in these disquieting stories. --Cindy Pauldine, bookseller, the river's end bookstore, Oswego, N.Y.

A Good Man, Ani Katz's debut novel, depicts the unraveling of a supposedly "normal guy" from inside his corrupted psyche. Thomas Martin seems to have it all: a well-paying, creative job, a beautiful wife and a precocious child. He worked hard to build this life, so different from his traumatic and abusive childhood. Which is why Thomas is horrified and distraught when, piece by piece, his life begins to fall apart. Desperate to regain control over what he thought belonged to him, Thomas attempts to go back to the beginning and tell his story in a way that will make sense to himself and defend what he has done.

Contained, measured and colloquial, Thomas's first-person voice invites the reader into his story as casually as someone might invite a stranger to a drink. His story, he admits up front, is told in tangents, "images and scenes, borrowed and spliced, more real than reality." Yet, readers still hold onto his performance of normativity, desperate to see rationality instead of the inevitable, impending disaster. Katz uses her unreliable narrator to masterful effect, first to trick readers into believing his fiction and then to reveal just how deranged and fabricated everything he's said was from the start. Ultimately, A Good Man's most effective twist, if it can be called that, is that Tom's life was never within his control. Impeccably paced and simply stated, Katz's story of a man on the edge offers an effective and horrifying revelation. --Alice Martin, freelance writer and editor

With Mermaid Inn, Jenny Holiday (Three Little Words; It Takes Two) begins a humorous new romance series centered on small-town life on a Canadian lake. Eve Abbott has been working as a librarian in Toronto, where she's lived for a decade, when she discovers that her great-aunt has died, leaving her the Mermaid Inn in tiny Moonflower Bay--known as Matchmaker Bay by the jokey locals. Eve spent summers in Moonflower Bay as a teenager and fell desperately in love with Sawyer Collins, until he broke her heart by kissing another girl in front of the whole town during the annual mermaid parade.

Sawyer, now the police chief, knows that he messed up, and he's missed Eve for years. She's back in town only temporarily, planning to fix up the decrepit Mermaid Inn and sell it, but Sawyer longs for her to stay. He's worried that the grown-up Eve is too good for him, though, and that she'd never readjust to small-town life. Luckily for Sawyer, the elderly residents of "Matchmaker Bay" are on his side, determined to get Eve and Sawyer back together for good.

There is hilarious repartee between the elderly locals and the slightly cranky (but very sexy) Sawyer, and between Eve and herself as she makes mental lists of why falling for Sawyer again is a terrible idea. As a result, Mermaid Inn is a charming and funny romance. Rom-com enthusiasts will love its cast of quirky characters and charming depiction of small-town life. --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

Lauren Layne (Love on Lexington Avenue) concludes her Central Park Pact trilogy with Marriage on Madison Avenue, a friends-to-lovers romance that can best be described as a game of "marriage chicken." Best friends since childhood, Audrey and Clarke both have their reasons for faking an engagement with the person they trust most in the world. Instagram influencer Audrey, who unwittingly had relationships with two married men, is being digitally harassed by a social media gossipmonger, while Clarke's mother is attempting to manipulate him into marriage with her ideal daughter-in-law.

The friends agree to cut things off after an official engagement party. Then, after visiting a wedding planner to show Audrey's Instagram followers. Then, after tasting some cake. And then never: "Audrey was tired of pretending, but what terrified her down to her very soul was that she wasn't tired of pretending to be engaged. She was tired of pretending she wanted it to end."

What starts as a mutually beneficial platonic arrangement gradually morphs into something neither of them could have predicted--even though all of their friends and family have known for years that Audrey and Clarke were meant for each other. It's those friends, four of whom paired off in the first two books, who provide the levity and support needed to balance the fear and stress the love interests experience. Readers who've followed the series will be charmed by this slow-burn romance in which Layne forces these two characters finally to think with their hearts instead of just their heads. --Suzanne Krohn, editor, Love in Panels

Jessica Kate (Love and Other Mistakes) showcases her Australian background in the inspirational romance A Girl's Guide to the Outback. The story begins in Virginia, where popular youth pastor Samuel Payton and his coworker Kimberly Foster keep butting heads at their youth outreach ministry, Wildfire. Kimberly, a business whiz, wants to expand Wildfire to more locations, but cautious Sam rejects her plan. He goes one step further, too, leaving the ministry to return home to Australia and help his sister Jules save her failing farm. Several months later, Kimberly, forced to admit that Wildfire is floundering without Sam, follows him to Australia, offering to analyze the farm's business plan and help Jules if Sam will temporarily return to Wildfire to hire his replacement.

The wild nature of the Outback shocks Kimberly, and Sam is stunned to find that Kimberly isn't quite as annoying as he always thought. As they work together to help Jules and talk about the future of Wildfire, they slowly begin to realize that maybe they could make a great team, both professionally and romantically.

Sweet and funny, A Girl's Guide to the Outback is a thoroughly entertaining inspirational romance riddled with hilarious farm accidents. Jessica Kate has created realistically prickly characters, forced to overcome many personal difficulties as they recognize a surprising attraction for each other. The hate-into-love trope is softened by the characters' growth, both in their personal development and in their faith. A Girl's Guide to the Outback is sure to please readers of romance and Christian fiction. --Jessica Howard, bookseller at Bookmans, Tucson, Ariz.

Human beings can lead healthy, happy lives while remaining single and child-free. However, scientists have discovered that friendship is "a biological need for connection that must be met to achieve basic health and well-being."

Science journalist Lydia Denworth traces scientific research that has studied insects, monkeys and human infants and concluded that social connection and altruism are keys to survival among all three species. Further research with infants shows that connection begins in the womb, when babies learn to recognize their mothers' voices. This connection strengthens after a child is born; by looking at faces that become familiar, listening to human speech and experiencing soft and gentle touches, the "social brain" begins to develop.

Friendship follows the need for human connection, from the parallel play of young children to the tribal relationships of older children and adolescents, showing that isolation in childhood can eventually lead to "elevated blood pressure, increased aggressiveness, and increased stress activity." From birth to old age, loneliness affects the brain and contributes to poor health. Isolation, scientists found, is "a potential killer" that can damage the cardiovascular system in young people, resulting in high blood pressure when they grew old.

Exploring the effect that conversation has upon the brain, the role played by "digital friendship" and the deepening need for companionship as one grows old, Denworth shows that perhaps the most powerful way to maintain good health and achieve longevity is to establish strong friendships and keep them alive. --Janet Brown, author and former bookseller

Melanie LaBarge's debut picture book, Women Artists A to Z, shines a light on female artists from a range of time periods, styles, nationalities and backgrounds. Each spread features the artist, a letter representing an aspect of their artwork for which they're known, illustrations that emphasize their major works and a pithy but lyrical blurb with a short overview of the woman's impact. Some will be more well-known to U.S. audiences, like Georgia O'Keeffe and Frida Kahlo, while a vast swath of the subjects will be new to most readers, such as Maria Martinez, Yayoi Kusama and Helen Zughaib. LaBarge has smartly chosen to highlight creators who have worked in a diversity of mediums. Many of the women used their work to expose and confront injustices, such as Jaune Quick-to-See Smith, a printmaker and collagist whose creations underscore the displacement of Indigenous peoples. Some were scientists and educators, and each of them transformed the field with their unusual way of seeing the world. 

Illustrator Caroline Corrigan interprets the women's body of work with reverence and ingenuity. The textured renderings vary in palette, often reflecting the artist's preferred medium or color scheme: Helen Frankenthaler's spread is full of bright hues, just like her large color field paintings; Agnes Martin's displays the more muted browns and grays of her grid paintings. The impeccable design is eye-grabbing, making this a work of art in itself. The back matter includes more details about each artist's life and prompts that serve as inspiration and impetus for future creators. --Shelley Diaz, supervising librarian, BookOps: New York Public Library & Brooklyn Public Library

Scads of things happen in Yoko Tanaka's Dandelion's Dream; that the book's goings-on are a cinch to follow is all the more impressive given that they're relayed with nary a word.

One night, a dandelion in a field goes through a rather unexpected transformation: it morphs into an actual lion, its leaves now limbs and its flower a lion's face with a yellow orb of mane. Once Dandelion gets over his surprise, he jumps on top of a train: Why not see the world? A sharp turn sends Dandelion flying; fortunately, a sheep's woolly back breaks his fall. Dandelion rides the sheep to a ship that takes him to a big city, a Manhattan look-alike in which he barely comes up to pedestrians' ankles. The star of Dandelion's Dream may be a lion, but he's still the size of a flower.

In her first outing without a collaborator, Tanaka works in charcoal enhanced by digitally applied flashes of dusky yellow that she reserves for Dandelion's mane and tail tuft. As she did with the titular mammal in Kate DiCamillo's The Magician's Elephant, Tanaka finds bottomless humanity in the animals of Dandelion's Dream: besides the sheep who cushions Dandelion's fall, there's the bird who extends a wing on the ship so that the little lion can get out of the rain. Tanaka's point seems to be that when someone is willing to lend a hand, a dream can really take flight. --Nell Beram, freelance writer and YA author