Israeli author Iddo Gefen makes his debut with the 13 stories collected in Jerusalem Beach. He moves with ease between dreams as wishes and dreams of the unconscious, as well as geographical and imagined destinations.

The narrator's high-paying job in "Debby's Dream House" is to create first dreams and, later, nightmares for people; but he's not allowed to tell anyone about it, not even his partner, Debby. When he requests her daily reports, he imagines she's having an affair with her boss. But his fantasies are far worse than reality. The chasm between perceptions and reality also haunts the narrator of "101.3 FM," who works in a repair shop and discovers a radio that tunes into "stations" for people nearby and broadcasts their thoughts. Nurit, a woman who works next door, seems rude to him, but her "broadcast" thoughts betray her attraction and lead to romance--however, listening to her thoughts nearly capsizes it, too. "Three Hours from Berlin" lays out the extreme example, a man who constructs a completely fabricated life online, and seeks out the one woman he thinks can understand his choice. In the standout, heartbreaking title selection, Sammy takes his wife, Lilian, to see a place she claims formed her first memory--snow on Jerusalem Beach--on the eve of committing her to a facility for Alzheimer's patients.

Gefen makes imagined destinations as tangible as Tel Aviv, the Negev desert or Hadera. His characters and backdrops demonstrate the breadth of a people and a country and will make readers eager to see what he does next. --Jennifer M. Brown, senior editor, Shelf Awareness

As a visual artist and performer, Jaime Cortez has always been telling stories. He gets literal in his debut, Gordo, an impressive collection featuring the titular Gordo, a preteen middle child of Mexican American farm workers in California's 1970s Central Coast. Gordo is one of many children growing up together at the Gyrich Farms Worker Camp. Theirs is a tight-knit community, although Gordo's family eventually leaves for better opportunities and misses the easy camaraderie of sharing tight quarters.

Each of Cortez's interlinked 11 stories, mostly narrated by Gordo, are poignant coming-of-age glimpses of growing up "different"--poor, Mexican American, perhaps gay--and realizing that "it's not a good idea to be different." Pa hopes a lucha libre boxing kit might train Gordo away from being fat and effeminate in "El Gordo." Gordo watches another family, more disadvantaged than his, receive help from parents and grandparents in "Chorizo." He witnesses adults behaving badly in "Cookie" (the devolution of a mother/daughter relationship), "Fandango" (a violent ending to a night of drunken revelry), and "Alex" (a transgender neighbor who abuses his young undocumented partner). Gordo experiences his first death among his grandparents' friends in "Ofelia's Last Ride." The future gets briefly acknowledged in two stories about Raymundo, bullied at school for being gay in "The Problem of Style," and lauded for his hairstyling prowess as an adult in "Raymundo the Fag."  

Cortez writes with clear affection and indulgence for Gordo, his family and friends, as they navigate uncertain destinies and still-forming identities. "Tell your story or it'll drown you," one character tells another--affirming once again the lifesaving powers of storytelling. --Terry Hong, Smithsonian BookDragon

Revered Canadian writer Louise Penny (A Great Reckoning; The Long Way Home) delivers the 17th Inspector Gamache mystery, The Madness of Crowds. The excellent novel stands alone, although readers will surely wish to enjoy the prior stories.

At home in the bucolic village of Three Pines, Sûreté du Québec Chief Inspector Armand Gamache is celebrating the post-pandemic Christmas holidays with his family when he's unexpectedly called in to work. He's assigned security supervision for a statistician professor's lecture at the nearby university. To his dismay, he discovers the professor espouses a controversial euthanasia theory that has Canadians up in arms, both for and against. When the crowd becomes an angry mob and an assassin fires at the professor, Gamache leaps into action. While searching for the failed shooter, the inspector and his team begin to unravel a snarled skein of events and players, many of whom are acquaintances and friends. When someone close to the professor is murdered, however, it's clear there is much more to the situation than first appeared. The professor's radical theory has raised doubts and violent emotional reactions from everyone in the inspector's close circle, even those with family ties. Now Gamache and his team must question everything about the people they thought they knew well, including themselves.

With a fascinating and tangled plot enhanced by an evocative snowy Canadian landscape, this absorbing novel challenges readers to consider their own stance on larger, societal moral issues while delivering an outstanding mystery. The cast of well-developed characters provides multiple options for the potential killer and will keep readers guessing whodunit until the last page. --Lois Faye Dyer, writer and reviewer

University of Oslo professor Jan Grue (Disability and Discourse Analysis) was diagnosed with spinal muscular atrophy at age three and relies on an electric wheelchair. In his powerful, matter-of-fact memoir, I Live a Life Like Yours, he explores the struggles and stigma of disability.

Soon after his son's birth, Grue found himself paging through his childhood medical records, marveling at the trials his parents faced. Despite leg braces and customized shoes, he was never going to be a "normal" boy, though he attended mainstream schools. Earning a driver's license for a car with hand controls, he achieved independence. However, studying abroad was challenging in old-fashioned, canal-strewn St. Petersburg and Amsterdam, and even in Berkeley, Calif., where he was a Fulbright fellow, he wasn't guaranteed accessible housing.

"This is how one becomes a problem: by pointing out a problem," Grue remarks. Much as he prefers to blend in quietly, at times he's forced to take up the role of a disability activist. Navigating airports, in particular, poses difficulties that require him to speak out. It takes two pages to describe the precise sequence of movements involved just in standing up from the sofa. By detailing such practicalities, the book elicits compassionate understanding.

Grue alternates between his own story and others' (especially poet/journalist Mark O'Brien, who lived in an iron lung), doctors' reports and theorists' quotations, mingling the academic and the intimate. The fragments build to a deep meditation on the nature of memory and the body versus the self. --Rebecca Foster, freelance reviewer, proofreader and blogger at Bookish Beck

Hard Case Crime celebrates the centennial anniversary of Ray Bradbury's birth with Killer, Come Back to Me, an outstanding collection of 20 of his best mystery and crime stories. Although Bradbury is remembered for his prolific science fiction and fantasy writings, he periodically branched out into other genres. The majority of these stories were published in the 1940s and '50s in magazines like Dime Mystery, Weird Tales and Detective Tales. "The good stories you write later are an umbrella over the bad stuff you discover you left behind you in the years," Bradbury writes modestly. But there is no bad stuff in this collection--each story offers vintage delights.

Fans will covet "Where Everything Ends," which is the source text for his 1985 detective novel Death Is a Lonely Business. Another rarity is "Hammett? Chandler? Not to Worry," a warm tribute to his friend and mentor Leigh Brackett. Many stories have a supernatural element to them. In the time-travel tale "A Touch of Petulance," a happy honeymooner meets a future version of himself who warns he will murder his wife. "The Screaming Woman" is a terrific nail-biter about a little girl who can't convince people she hears a woman buried beneath the earth. "The Small Assassin" features a murderous baby; Bradbury believed it "to be one of the best stories in any field that I have written."

Killer, Come Back to Me will expand Bradbury's fan base with this sensational introduction to his vintage mystery and crime tales, which still sparkle and entertain. --Kevin Howell, independent reviewer and marketing consultant

The deadliest year on record for the trans community was 2020. A study released by the Williams Institute at the UCLA School of Law found that people who identify as LGBTQ+ are nearly four times as likely as non-LGBTQ+ people to be a victim of a violent crime. This is America in 2020, a world that startlingly aligns with the dystopian landscape Catherine Hernandez (Scarborough) manifests in her bold second novel, Crosshairs, one of USA Today's 5 Books Not to Miss. Hernandez, a Canadian playwright, novelist and queer woman of color, shepherds her protagonist, Kay, the gay son of Filipino and Jamaican immigrants, through a future Canada in which Black, brown and LGBTQ+ people are hunted, lynched and sent to concentration camps for "the better" of society.

Kay--born Keith Nopuente--has spent his whole life hiding, caught under the critical eye of his Filipino mother, who wishes to "cleanse" him of his homosexuality. When he slips away after a particularly horrifying encounter with the church, he meets a cast of vibrant, gorgeous characters in the drag scene, who teach him to ease into a wig and transform into Queen Kay. But the world outside the nightclubs is growing increasingly hostile, as economic and social injustice collide to give birth to a fascist regime led by the paramilitary Boots, who have started rounding up "Others"--marginalized people--in an effort known as the Renovation. After witnessing one too many attacks, Kay goes into hiding with a white woman masquerading as a supporter of the Renovation. What follows is a heart-wrenching search for freedom, and a poignant attack on the complacency and apathy of so-called allies in an increasingly hostile world. --Lauren Puckett, freelance writer

Eyes of the Forest by April Henry (The Lonely Dead) is a suspenseful, captivating look at what may happen when a fantasy world becomes too real for some of its fans.

When 10-year-old Bridget's mom was dying of cancer, Bridget spent hours reading aloud from R.M. Haldon's Swords and Shadows series to ease the pain for them both. At 12, red-headed and "milk-pale" Bridget impressed the fantasy writer at a signing with her "encyclopedic knowledge" of his books and was hired to keep track of the myriad details for him. Now 17, Bridget still works for him, using her own database to keep everything straight. But Bob Haldon has writer's block and, despite clamor from readers, the series finale isn't forthcoming. Then Derrick, a LARPer and Haldon's "biggest fan," meets his idol, whom he finds drunk and despondent. Derrick and Bob hatch a plan to get the author writing again but things go "horribly wrong," and Bob ends up "in an isolated cabin, injured, shackled. No one but his captors [knowing] where he [is]." Bridget becomes increasingly worried and, since no one takes her fears seriously, begins an investigation of her own.

Henry's engaging and often thrilling narrative is told from multiple points of view, allowing readers close access to the motivations of all her main characters. She expertly examines the darker side of the culture of fandom, including pressures it puts on creators, and how fans themselves get out of hand. Ultimately, it's Bridget who, though completely submerged in the world of Swords and Shadows, manages to save the day by acting IRL. --Lynn Becker, reviewer, blogger, and children's book author