Liese O'Halloran Schwarz's What Can Be Saved is a family saga, a mystery and a lush depiction of expat Americans in 1970s Asia that moves seamlessly among decades and between continents.

In 2019, a stranger in Thailand e-mails Laura Preston in Washington, D.C., with a shocking claim: that she knows Philip, Laura's brother, who disappeared in that country more than 40 years earlier. Laura flies to Bangkok, defying her sister Bea's caution that it's a hoax. With this, readers sense the mystery that haunts the Preston family--what happened to Philip?--and the stress and sorrow the tragedy creates.

Robert Preston's job is vague: he's designing but never completes a dam--a clue that eventually leads to revelations. He's posted from D.C. to Thailand in 1972, where his three children, Laura, Bea and Philip, enjoy the perks of wealth and their mother, Genevieve, is a charming lady of leisure. A parallel story, of their Thai servants' lives, is critical to the pivotal event, eight-year-old Philip's apparent abduction from a judo class. Opening in 2019 with Philip's purported reappearance and Laura's return to Bangkok leads to a natural progression back to the memories of their childhoods, and Schwarz alternates sections from the past and the present, providing clues that unravel the individual Prestons' stories. The story of Philip's disappearance and his alleged reappearance in 2019 offers a fascinating view of Southeast Asia in those decades. Schwarz (The Possible World) keeps the surprises coming and celebrates the notion that in every family and situation, there's always something to be saved. --Cheryl McKeon, Book House of Stuyvesant Plaza, Albany, N.Y.

French author Cathy Bonidan's English-language debut, The Lost Manuscript, is a moving epistolary adventure that follows four lost people on a mission to find an author. When Anne-Lise Briard discovers a manuscript in her hotel room in Brittany, she's inspired by its contents and decides to return it to the author herself, instead of handing it in at the front desk. The postal system is able to find Sylvestre, the author of the first half of the manuscript, and he and Anne-Lise start exchanging letters.

Sylvestre Fahmer lost the only copy of his book on a trip to Montreal in 1983, and The Lost Manuscript is the story of Anne-Lise's efforts to trace its 30-year journey back to the unknown person who decided to pick up and finish it. Anne-Lise is almost chronically nosy, pushing past Sylvestre's resistance and enlisting the help of friends and strangers alike in her quest. These events are recounted entirely through letters, most of which are between Anne-Lise, Sylvestre and two others. Often left in storage for years at a time, the novel pops up again and again, and changes the lives of those who read it, often inspiring them to pick up the pieces of their lives and start anew.

Bonidan's characters are funny, annoyed, frustrated and disappointed, but the end result is heartwarming. Full of complex side characters, The Lost Manuscript, translated from the French by Emma Ramadam, has a clever structure scaffolding a familiar theme: the power of stories to connect and reconnect flawed people and open their hearts. --Suzanne Krohn, editor, Love in Panels

"I have been alone for the past year, trapped on my bed in my room, listening to you. I have accomplished nothing, apart from memorizing your every word." As far as obsessive fans go, there are worse than 33-year-old Sera Fleece, who narrates Eliza Jane Brazier's seductively disquieting debut, If I Disappear, as though she's speaking directly to the object of her infatuation.

Sera is sure that something has happened to Rachel Bard--something along the lines of what's befallen the missing women Rachel has discussed on her true-crime podcast, Murder, She Spoke. What's more, Sera is certain that Rachel saw it coming. Sera knows from Rachel's podcasts that she broadcasts from a house at Fountain Creek Guest Ranch, run by her parents, in Northern California. Sera drives the three hours from her apartment to the property, where she meets Rachel's mother, Addy, under the pretense that she's looking for work. Of course, Sera remembers exactly what Rachel said about Addy in Episode 66: "She believes every fact is a lie spawned by the government to target her specifically."

Addy isn't the only tough nut that Sera meets while she's sniffing around, and as she inquires into Rachel's whereabouts, she hears spurious things and faces hostility that's in discombobulating contrast to the book's bucolic setting. Brazier's unsettling thriller is really about two missing women: one who seems to have been taken against her will and her putative rescuer, who is convinced that only by disappearing from her old life can she find herself. --Nell Beram, author and freelance writer

An emotionally and physically scarred army veteran's attempts to manage civilian life jumpstarts Deep into the Dark, an exciting series launch that also sets a new direction for P.J. Tracy's career. It skillfully melds the psychological thriller with the police procedural while persuasively delving into veterans' issues.

The only soldier to survive a car bombing, Sam Easton returned from Afghanistan with half his face disfigured and deep mental wounds that cause blackouts. Each day is a trial in survival as Sam bartends at the Pearl Club, which attracts Hollywood insiders, while dealing with the breakup of his marriage. He finds a purpose in helping his platonic friend and fellow bartender Melody Traeger after she's beaten up by her boyfriend, music promoter Ryan Gallagher.

When Ryan is murdered a couple of days after Sam confronted him, the veteran falls under the radar of LAPD homicide detectives Maggie Nolan and Al Crawford, who are also investigating several killings on Los Angeles's Miracle Mile. Al is suspicious of Sam. But Maggie believes Sam is innocent because he reminds her of her brother, a soldier killed in Afghanistan. The investigations intensify when another person close to Sam is murdered and Melody believes she is being stalked.

Believable, complicated characters fuel an energetic plot full of realistic twists. Deep into the Dark marks the third solo effort from P.J. Tracy, the pseudonym of Traci Lambrecht who, with her late mother, P.J. Lambrecht, wrote 10 lighter, award-winning novels about Minneapolis's Monkeewrench Software company. Tracy delivers a darker, richer story in Deep into the Dark. Mom would be proud. --Oline H. Cogdill, freelance reviewer 

"Here's the situation. Every time I fall asleep, I wake up in another universe." Twenty-two-year-old Zax hurtles through a complex multiverse in Tim Pratt's Doors of Sleep: Journals of Zaxony Delatree. This imaginative adventure stands on the shoulders of classic science fiction action novels like H.G. Wells's The Time Machine and provides as much entertainment.

Zak can't explain his predicament, but he knows he's been to more than 1,000 separate universes. Luckily, he stumbles on ways to counter the continual existential dangers. He's injected with a linguistic virus that helps him communicate as he jumps worlds. He learns to manipulate drugs, both artificial and natural, that keep him awake for days in hospitable worlds or put him to sleep quickly should danger arise. "Sometimes I need to spin the wheel of worlds again fast," he admits. Zak's also fortunate when he finds friendly life forms that add their own unusual skill sets to his. Vicki, for example, a small crystal life form that is "a tactical and strategic engine," tries to determine why Zak is in this unending loop--and, perhaps, how to stop the process.

This is an escapist fantasy with something for everyone. There are close calls, chases, heartbreak and, of course, an evil villain, all within colorful and distinctive worlds. "Traveling is... it's like life, I guess," Zak says. "Sometimes it's wonderful, and sometimes it's terrible, and sometimes it's boring." This fast-paced tale is perfect for anyone looking for sympathetic characters and nonstop action. --Cindy Pauldine, bookseller, the river's end bookstore, Oswego, N.Y.

If books were food, Alexander Larman's The Crown in Crisis: Countdown to the Abdication would have the nutrients of spinach and the decadence of a chocolate cupcake. History buffs can guiltlessly consume this abdication saga alongside fans of The Crown because underneath the juicy empire-shaking scandal that's at the book's heart, The Crown in Crisis is a marvel of erudition.

When he was the Prince of Wales, Edward VIII fell for Wallis Simpson, a married American woman. Their love endured through the death of his father, George V, in January 1936, which made Edward king. Following Wallis's divorce, Edward embraced the idea of a morganatic marriage, in which people from different social ranks can wed on the condition that any children they produce won't inherit the title, but members of the Cabinet weren't having it. This led Edward to conclude that his only chance at happiness was to abandon the throne--the first English king ever to do so of his own free will.

The Crown in Crisis is a barn burner: it has intrigue, subterfuge, betrayal, a salivating press, Nazis and an up-and-coming Winston Churchill. Larman, a British historian and journalist, is a resourceful and, when provoked, witty writer. (Wallis pens a letter to Edward appealing to what Larman calls the man's "possibly non-existent better nature.") A cautionary note: Larman's brief references to Edward's post-abdication life with Wallis may disappoint readers, particularly those named Harry or Meghan, who hope to leave the book assured that putting love first pays off. --Nell Beram, author and freelance writer

Stephanie Thornton Plymale is the American dream. She has a long, loving marriage, wonderful children, a thriving design business and a position as CEO of the Heritage School of Interior Design. But her poignant and often distressing memoir, American Daughter, does not begin there. Plymale is also "an American nightmare," a child failed by every part of the American system and, most egregiously, by her mother.

American Daughter opens in 1974, with Plymale and her four siblings (from various fathers in the "relentless succession" of men) living out of a station wagon in a California state park. While their mother works as a motel maid, they explore the beach "like a pack of stray puppies." When they have no food, the eldest, 10, harvests seaweed (their mother responds that seaweed is healthy and "People in the city paid top dollar for it!").

Staggeringly, these were some of the best years of Plymale's childhood. Though she wildly succeeded in leading a life the opposite of her mother's, she was haunted by memories. Decades later, Plymale receives a call from her mother (in violation of the stalking order filed after she threatened to burn down Plymale's house). She has stage-four lung cancer and six months to live. Plymale's recounting of this time with her mother, meshed with her memories, is as astonishing as it is disturbing. The writing is shatteringly candid but never overwrought, the story a stark reminder that "the most difficult people are often suffering in ways we can't fathom." --Lauren O'Brien of Malcolm Avenue Review

Joan Didion's literary career has spanned more than half a century and has earned her justifiable acclaim. But long before she produced award-winning works like The Year of Magical Thinking, she was delivering articles to publications that included the Saturday Evening Post and the New York Times Magazine. Let Me Tell You What I Mean features 12 of those previously uncollected pieces that together foreshadow Didion's distinctive style and the considerable range of her interests.

The collection's entries blend reportage, profiles, personal essays and even a bit of literary criticism. Half were published in the turbulent year of 1968, and all but one appeared before the beginning of the 21st century. Despite its brevity, Let Me Tell You What I Mean hints at some of the subjects that would preoccupy Didion, including life in her native California and the craft of writing. Among the most appealing of Didion's personal essays are "On Being Unchosen by the College of One's Choice," the story of her rejection by Stanford University in 1952, and "Telling Stories," an account of her fitful effort to write short stories and its abrupt, early end.

"The peculiarity of being a writer is that the entire enterprise involves the mortal humiliation of seeing one's own words in print," Didion writes in "Last Words," her homage to Ernest Hemingway, a writer, she says, who "made the English language new." For all the discomfort she may feel reading her own work, she undoubtedly helped do something similar for the craft of literary journalism. These examples of her early work clearly foreshadow that. --Harvey Freedenberg, freelance reviewer

Outlandish adventure and meaningful self-discovery combine in Shaun David Hutchinson's A Complicated Love Story Set in Space, a far-out, genre-bending novel for teens.

"You are in space, floating outside a ship called Qriosity. There is no reason to panic."

Noa begs to differ. One minute the jaded teenager was in bed in Seattle, the next he's in a space suit warning him his "heart rate is exceeding the maximum recommended beats per minute." Noa isn't alone--two other teens are also on the ship, with no memory of how they got there. As Noa, DJ and Jenny search the ship for answers, they get to know one another, all while facing ship malfunctions, alien monsters and time loops. Attraction begins to kindle between Noa and DJ, but Noa struggles with a history of sexual assault and an inability to trust. Compassionate DJ, meanwhile, will do anything to protect Noa, even if it means his own love goes unrequited. As the three teens bond, life on the ship starts "to feel more real to [them] than... life on Earth." But when memories and their very identities become suspect, the new family they've developed threatens to shatter.

A Complicated Love Story Set in Space is exactly that, but don't let the direct premise fool you: Shaun David Hutchinson's (We Are the Ants) ninth novel for young adults packs in enough twists, turns and wacky moments to make for a wild ride. Through humor and heartache, Hutchinson balances an incredible situation with the great emotional depths and fragile relationships of his characters. More than survival or love, Hutchinson's novel is about personal identity and how we define ourselves through memories, experiences and the perceptions of others. --Jennifer Oleinik, freelance writer and editor